Sentences with phrase «as exhibition previews»
Benefits include exclusive opportunities such as exhibition previews, special event invitations, and travel experiences.
http://www.tacomaartmuseum.org/ Not exact matches
Linda Ehrlich previews a forthcoming major exhibition based on «video - letter» exchanges between directors such as Jonas Mekas, José Luís Guerin, Alberto Serra, Lisandro Alonso, and others.
As a preview event, we're talking with Los Angeles Contemporary Exhibitions (L.A.C.E), which describes itself as «an LA - based nonprofit contemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imagination.&raquAs a preview event, we're talking with Los Angeles Contemporary Exhibitions (L.A.C.E), which describes itself as «an LA - based nonprofit contemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imagination.&raquas «an LA - based nonprofit contemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imagination.»
As Victoria L. Valentine writes in an extended preview for Culture Type, «The Seattle Art Museum (SAM) is organizing a major exhibition of three critically recognized African American artists... The exhibition will explore how their distinct approaches to figuration and history painting have recast the Western canon and challenged perceptions of race and representation in a contemporary context.»
Martin explained as much in Boston on Friday afternoon for a preview of The Idea of North: The Paintings of Lawren Harris, an exhibition that he himself curated.
The artist also has the chance to take part in an artist talk, which further clarifies their position, a preview exhibition or open studio event presenting initial work, which takes mid-way through the residency, as well as scheduled consultations and critiques, culminating in a final group exhibition.
Press previews of the exhibition from Thursday 15 March according to agreement, as well as interviews with Sara Lundberg and museum curator Brita Lundberg, who is also a member of the prize jury.
Additional contemporary works by Ben Aronson and Scott Fraser will also be displayed as previews for Aronson's and Fraser's upcoming solo exhibitions occurring later this year.
The new paintings will serve as a preview of our upcoming solo exhibition with Kelsey Brookes, which is scheduled for 2016.
Opening in the shadow of the Paris attacks, the exhibition Collected by Thea Westreich Wagner and Ethan Wagner represents — as Adam Weinberg, the director of the Whitney Museum of American Art, said in his remarks at the press preview — «a celebration of what matters in life.»
After twelve years of exhibiting avant - garde work in the Chelsea gallery district we're excited to bring the same cutting edge aesthetic and ethos to uncharted territory, with this exhibition serving as a retrospective of our evolution and a preview what's to come.»
Rochford Street Review attended the media preview of Not an animal or a plant, conceptual artist Vernon Ah Kee's solo exhibition that includes more than a decades» work in various mediums, and which opened as part of the Sydney Festival on 7 January.
John Keane was announced as the winner of the Main Prize and rising star Suzanne Mooney took home the Student Prize at the Aesthetica Art Prize 2015 exhibition preview at York St Mary's.
in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts&raquExhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts&raquexhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts&raquExhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.
on view at MUSEION studio house, Bolzano, Italy, through Nov 22, http://www.museion.it/current-exhibitions/?lang=en Goldschmied & Chiari in group exhibition «The Body as Language,» curated by Paola Ugolini at Richard Saltoun, London, Oct. 9 - Nov. 27, http://www.richardsaltoun.com/exhibitions/ Kristen Lorello to exhibit at UNTITLED., Miami Beach, Dec. 2 - 6 Nadia Haji Omar / Bayne Peterson exhibition previewed in ArtCritical by William J. Simmons 9/7/15, http://www.artcritical.com/2015/09/07/labor-day-shout-outs/ Rachel Higgins interviewed in «From the Salvage Yard to the Shopping Mall: Rachel Higgins» Logistical Aesthetics,» by Natalie Hegert, in ArtSlant, June 30, http://www.artslant.com/ew/artists/rackroom/244140-rachel-higgins Rachel Higgins: Logistics featured in «Standing Out in the Crowd: 10 Summer Solo Shows Around the World in 2015» by Natalie Hegert in MutualArt http://www.mutualart.com/OpenArticle/Standing-Out-in-the-Crowd — 10-Summer-Sol/648DC5F4E3B290BD Josh Slater in CKTV Karaoke Night at Redbull Studios, Friday, June 12th, http://nyprojectspace.redbullstudios.com/news/karaoke-night/ Goldschmied & Chiari in «Organic Matters — Women to Watch 2015,» at the National Museum of Women in the Arts, Washington, D.C., through September 13, http://nmwa.org/exhibitions/organic-matters Rachel Higgins in Martha Schwendener's New York Times article, «10 Galleries to Visit in Brooklyn and Queens,» April 16, http://www.nytimes.com/2015/04/17/arts/design/10-galleries-to-visit-in-brooklyn-and-queens.html
As Blaffer prepares to open the University of Houston School of Art 37th Master of Fine Arts Thesis Exhibition TONIGHT, (reception 7 - 9 p.m.; member / VIP preview 6 p.m.), each Blogging Blaffer post over the last couple of weeks has highlighed an artwork by one of the dozen graduating and exhibiting artists along with his or her catalog statement.
As Blaffer prepares to open the University of Houston School of Art 38th Master of Fine Arts Thesis Exhibition on April 8 (reception 7 - 9 p.m.; member / VIP preview 6 p.m.), we're highlighting artworks by each of the dozen graduating and exhibiting artists along with his or her catalog statement.
As our highest level of supporters, NOMA's Fellows and Circles members receive exclusive access to the museum through patron exhibition previews and other special programs.
As Blaffer prepares to open the University of Houston School of Art 37th Master of Fine Arts Thesis Exhibition on April 3 (reception 7 - 9 p.m.; member / VIP preview 6 p.m.), each Blogging Blaffer post will highlight an artwork by one of the dozen graduating and exhibiting artists along with his or her catalog statement.
At the press preview for Jeff Koons: A Retrospective, more than one member of the Whitney Museum's curatorial staff urged visitors to dispense with «preconceived notions» about Koons and embrace the exhibition as an opportunity to view the artist's perhaps too - well - known oeuvre with fresh eyes.
Several galleries used the fair as an opportunity to preview upcoming exhibitions, such as Lehmann Maupin, which has show of Hernan Bas's brightly - colored figurative paintings planned for its Chelsea location.
As we open our doors for the 250th annual Summer Exhibition this June, discover the journey of this remarkable show away from the crowds, three days before it opens to the public in our exclusive Friends preview.
• AltDaily previews our upcoming exhibition of everyday heroes as photographed by Glen McClure.
As Deborah Solomon queried for the New York Times, as a preview to the exhibition's opening at the Whitney Museum of American Art last fall, «What does it mean that Frank Stella, 79, the champion of abstract art, has been tapped for the inaugural retrospective at the new building?&raquAs Deborah Solomon queried for the New York Times, as a preview to the exhibition's opening at the Whitney Museum of American Art last fall, «What does it mean that Frank Stella, 79, the champion of abstract art, has been tapped for the inaugural retrospective at the new building?&raquas a preview to the exhibition's opening at the Whitney Museum of American Art last fall, «What does it mean that Frank Stella, 79, the champion of abstract art, has been tapped for the inaugural retrospective at the new building?»
It covers everything from antiquities to contemporary work, as well as providing in - depth discussion of the latest art news and debates; exclusive interviews with the world's greatest collectors and artists; expert information on the market, authoritative guidance on collecting, and reviews and previews of exhibitions worldwide.
It functions as a platform and resource for an international community of artists, curators, museologists and other specialists, sharing diverse perspectives in the format of exhibition reviews, interviews, previews, special features, academic pieces and creative texts.
The Women Painting Women: In Earnest 82 - page full color exhibition catalog is available for preview and purchase, both in print or as a PDF.
The Program activities consists of studio visits, museum tours, scheduled art critiques, an art talk by our residents, as well as one preview show and one final group exhibition.
As a kind of preview of the comprehensive exhibition of art by Kazimir Malevich and the Russian Avant - Garde at Fondation...
Here are some preview, and assorted images from Tanc as part of his upcoming Exhibition titled «Retrospective 2010 - 2011 ″ at David Bloch Gallery.
The baying hacks surrounded the affable NPG Director Sandy Nairne, as he introduced the press preview of «Lucian Freud Portraits, describing it as «A living exhibition planned with the artist», which came from a 2006 conversation with Freud followed by several years of planning, and not a memorial show to Freud who passed away last year at the grand old age of 88.
A selection of short - filmed performance is also featured as part of the exhibition; in the preview Starr gives a 15 - minute routine wrestling with a chair as a symbolic representation of the familial struggles with her grandmother.
For the opening of the exhibition, Justin Hicks and Steffani Jemison will present a preview of their collaboration Mikrokosmos, a performance vocabulary for voice and electronics that uses musical literacy as subject and form.
For the Armory, the agency's first - ever United States fair, Jaroljmek has staged a powerful solo exhibition of the LGBTQ Kenyan video and performance artist Ato Malinda, who was on hand at the VIP preview; among her works is a series of light - box photographs that show her wearing makeup in the pattern of the rainbow flag and then wiping it off, so as to question, in her words, «whether the flag is a coherent representation for a black lesbian in Kenya.»
In support of the building, as well as urgently needed scholarship endowment for students in the School of Art, an unprecedented fundraising initiative, The CalArts Art Benefit and Auction, will kick - off with a preview exhibition at Regen Projects in Los Angeles on Feb. 26, 2014, continue with parallel shows at the Paula Cooper Gallery and Metro Pictures in New York opening on April 5, 2014, and culminate in a special auction of major works donated by CalArts alumni, faculty and friends at Christie's spring auction on May 13 - 14 in New York.
The auction and its four - day preview billed as an exhibition, «If I Live I'll See You Tuesday», was a total farce, and Guyton seemed to know it.
These figures follow an exciting preview event on Thursday 12th October, which saw numerous visitors flock to the gallery to hear Tracey Emin and comedian Jim Moir (also known as Vic Reeves) open the exhibition.
Art Southampton was staged as a sneak preview of sorts to «Serene Refuge: New Paintings by Suzanne LaFleur,» a solo exhibition at Lawrence Fine Art.
Program highlights will include free admission to exhibitions, projects and previews by leading galleries such as Shalini Ganendra Fine Art (SGFA), G13, HOM Art Trans, Gallery Taksu, just to name a few.
This Thursday, he previewed an exhibition of work by Diego Rivera that he plans to put on view at the museum two years from now, sanguinely saying, «We think it's going to be business as usual in 2015.»
Famously known as the youngest artist ever to have a solo exhibition at the Whitney Museum of American Art, Life Adjustment Center (previewed) showcases in perfect detail the reasons for such an honor.
The Cantor Arts Center shared the selections below as a preview prior to their first public exhibition.
This is the gallery preview of new exhibition, In the Making, which features all four artists» work, as well as 21 other artists, divided into ten groupings of artists and their assistants.
Scroll through the images below for a preview of Carucci's work, published as a book by Prestel and collected together as part of an exhibition titled «Home Truths» at The Photographers» Gallery.
In anticipation of their upcoming debut solo exhibition «Troubadours of Eternity» at Lichtundfire from January 24th to February 4th, in which they'll unveil the full portrait series as «a celebration of authentic musicianship and timeless spirits,» Serge and David invited us into their Soho studio to get an advanced preview of the pieces and learn about their unique work and partnership.
, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»
As with FWMOA's «Invisible College» exhibition, previewed earlier, the show packs in countless styles and mediums from familiar rising stars in New Contemporary.
Just as we get pummeled with snow, there's no better time to update our preview of spring exhibitions.
Rochester Art Center January 22, 5:30 — 9:00 pm Exhibition opening: Amanda Curreri: The Calmest of Us Would Be Lunatics VIP preview, 5:30 — 6:30 pm; Opening Reception, 6:30 — 9 pm Art as Social Activism: An Intergenerational Conversation with the Guerrilla Girls and Amanda Curreri, 7:30 pm
The exhibition includes some innovative communication devices, such as the low - fi augmented reality «stereo - visors» which provide surprising views superimposed to the model of A Liminal Blur, the project by Mack Scogin Merrill Elam Architects for Mexican town, and the Microsoft HoloLens VR headsets through which the visitors can get an in - depth conceptual preview of the Center for Fulfillment, Knowledge, and Innovation conceived by Greg Lynn.