Sentences with phrase «as exhibitionism»

Yet for other men and women, the addictive behaviors may cross over into illegal activities such as exhibitionism, voyeurism, obscene phone calls, sex with prostitutes, or sex with people found on websites that cater to sex addicts.

Wentworth has remarked «as exhibitionism in private galleries, foundations and museums (both personal and public) have coalesced, I detect a pattern of exhibition making which I associate with the philately of my childhood.

It would be easy to dismiss the naked experimentation as exhibitionism, but I'm sure some riders may have been struggling with their body image or health concerns; for some it may have been a healing process from being bullied, targeted, or abused; and perhaps others simply wanted to walk through the wall of a conventional boundary.

Not exact matches

Some people using church as a venue for exhibitionism / voyerism isn't healthy or functional, and isn't about the mutual / consenting / healthy sexual pleasure of the parties involved.

Our calling is not to live wholly in this world, and for this world, but to live in this world as children of the Father who sees and is known in secret — but not to let that relationship become a matter of exhibitionism and the occasion for public approval.

The response to these human persons can be disproportionate, degenerating into vices such as flattery or exhibitionism, besides ingratitude.

And it might be that street racing as a teenage pursuit has subsided somewhat, giving way to other forms of car exhibitionism.

The results pinpoint the role of narcissism as driven by its maladaptive components such as entitlement, exploitativeness and exhibitionism.

But when other facets of narcissism, such as vanity and exhibitionism, are present, a positive impact is less likely.»

Subjects range from exhibitionism to role play; from group sex to submission; there are web cams, dirty talking, and local chat groups as well.

Schrader, whose strict, Calvinist parents did not allow him to see films until he was eighteen, unwraps the story as though a reflection on his own upbringing, entertains a view that actors should not over-emote, that more naturalistic performances would evoke passion in the audience more than a display of firecracker exhibitionism.

Inspired by the immortal Oprah, she broadcasts her dirty laundry as both a form of exhibitionism and a platform to share her peculiar views on everything

As adults, Buster (Bateman) and Annie (Nicole Kidman, looking supernaturally restored to her Peacemaker days) have distanced themselves from their past and channelled any lingering impulses towards exhibitionism into the more legitimate avenues of writing and acting, respectively.

In establishing this matrix of border crossings, Touch of Evil «s celebrated opening shot — mercilessly parodied in Robert Altman's The Player and sometimes vilified as mere Wellesian exhibitionism — is in fact an entirely appropriate bit of audacity, and one that earns its place, more so than such progeny as the opening shot of John Carpenter's Halloween, the tracking shot from the sidewalk to the stageside nightclub table in Martin Scorsese's Goodfellas, the elbow - to - the - ribs opening of The Player.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

Plus: Guillaume Cerutti to replace Patricia Barbizet as chief executive at Christie's Jennifer Scott appointed director of Dulwich Picture Gallery Deborah de Robertis on trial for exhibitionism Ilaria Bonacossa named director of ARTISSIMA Nazy Vassegh to leave Masterpiece and Christy MacLear to leave Rauschenberg Foundation for Sotheby ’s

Also referencing Benjamin H. Bratton «s reverse panopticon effect as «exhibitionism in bad faith,» where one understands they're being watched but acts as if they're not, the show looks at architecture, as it is employed within commercial and museum settings.

«By creating artwork that establishes me as an object it could be argued that I produce photographs that reinforce stereotypical images of the female body, but with apparent exhibitionism I create a substitute that renders my real body invisible.»

Eschewing any attempt at an overview of the collection — which currently comprises more than 1,700 works — Exhibitionism instead privileges multiple positions and perspectives, and might productively be characterized as a «sampler» of subjective responses and approaches to the analysis, organization, and reinterpretation of a collection.»

Eschewing any attempt at an overview, Exhibitionism instead privileges multiple perspectives, and as such might be characterized as a sampler of thematic approaches to both the analysis and reinterpretation of a collection.»

If there is such a thing as virtuous and serious exhibitionism, this is it.

But as late as 1981, when Arneson was shown with five other like - minded California ceramic sculptors in the Whitney Museum exhibition, Ceramic Sculpture: Six Artists, there was a backlash, with New York Times art critic Hilton Kramer singling out Arneson as dominated, «by a gruesome combination of bluster, facetiousness and exhibitionism — plac [ing] a fatal limit on what his gifts allow him to accomplish, or even to conceive.

Benjamin H. Bratton's account of the reverse panopticon effect as «exhibitionism in bad faith» whereby «you know you are being watched but act as if you aren't,» echoes the Freudian account of the exhibitionist as the voyeur in disguise who acts out their own imagined viewing.

As the work's title suggests, Touch (2012) addressed the inherent tactility and homoerotic exhibitionism that comes with contact sports.

Dan Graham's work questions the relationship between architecture and its psychological effects on us and remains as poignant today as it did in the 1970's when Graham first explored issues such as «the performative», exhibitionism, reflection, mirroring and the mundane.

What has always saved McCarthy's work from being a slight, if gruelling, sort of sadomasochistic exhibitionism, has been his humour, and the violent acts he perpetrates are often as close to Disney or Warner Brothers cartoons as to S&M scenarios or the torture room.

Sex Addiction or Hypersexual Disorder, as it was once known, is no longer in the DSM5 (other diagnoses continue to exist, such as voyeurism and exhibitionism).

º Sexual Betrayal & Cheating (affairs or on - line sex) º Internet Pornography or Child Porn º Compulsive Sexual Relationships º Use of Prostitutes & Masturbation º Voyeurism & Computer Voyeurism º Cybersex and On - line Relationships º Exhibitionism & Nudity º Violent Sex — Sadomasochism (S&M), Bondage, Rape, Rape by Instrumentation, other º Child Sexual Abuse, Child Molestation, Incest º Soliciting Children / Minors for Sex º Fetishes or Paraphilia, involving sexual arousal focused on inanimate objects such as lingerie, hosiery, heels, leather, etc. º Partialism, sexual arousal focused on a particular body part º Sexual Fantasy, Sex Role - Play & Foreplay, Sex Play, Use of Sex Toys

In addressing the compulsivity of sexual addiction we look at issues such as: cybersex addiction, exhibitionism, voyeurism, and compulsive masturbation.