Sentences with phrase «as exhibitions coordinator»

She currently shares her time as the Exhibitions Coordinator at the University of Chicago, supporting global contemporary art exhibitions at the Reva and David Logan Center for the Arts.

Jan worked at School 33 Art Center, a city run art space for almost ten years — first as education coordinator, then as exhibitions coordinator.

Jose Ortiz Pagan, MFA» 11, has been appointed as the Exhibitions Coordinator for the Fleisher Art Memorial, Philadelphia.

In addition to pursuing installation opportunities in non-art spaces throughout the city, he works as the Exhibitions Coordinator at Houston Community College Central Art Gallery, and teaches printmaking at the University of Houston and the Glassell Studio School.

FORT WORTH, Texas — The Amon Carter Museum is pleased to announce that Marci Driggers Caslin has joined its staff as the exhibition coordinator.

She joined the museum's staff as exhibition coordinator in March.

Not exact matches

She has been acting as the scientific coordinator of the first NanoBioTec — Congress and Exhibition, held last year in Münster, and she is also advising the coordination of this year's follow - up NanoBioTec II.

Each dog, as determined in exhibition order assigned by the Top 20 Coordinator, will enter the ring and pose for «First Impression.»

Art Business News: What do you do in your job as an exhibition and programs coordinator at the Museum School?

As part of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the installation at MoMA PS1 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine, Project Coordinator, Exhibitions, MoMA PS1.

Richard Wilson to Curate RA Summer Exhibition Sculptor Richard Wilson has been named as coordinator of the Royal Academy's annual Summer Exhibition.

Prior to joining the High Museum, Schleuning served as Curator at the Wolfsonian - Florida International University, having previously held positions as a Fellowship Coordinator and Assistant Curator at the institution, where she produced exhibitions, publications, and programs with a focus on highlighting the power and impact of art and design in daily life.

He then worked four years as a design coordinator at Walter Dorwin Teague Associates for international exhibitions in Europe and the U.S..

Mr Chong began his curatorial career at the Asian Art Museum of San Francisco in 1999 and was the coordinator for the Korean Pavilion exhibition at the 2001 Venice Biennale as well as a co-curator of the 2003 exhibition Time After Time: Asia and Our Moment at Yerba Buena Center for the Arts in San Francisco.

The exhibition is co-curated by Simon Castets, Hans Ulrich Obrist and Kenneth Goldsmith, with Danny Snelson as exhibition advisor and program coordinator.

She has also served as Curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and culture.

Previously Gibran was the Exhibitions and Collection Coordinator for the City of Glendale, Arizona, organizing exhibitions with local organizations in conjunction with municipal exhibition spaces as well as temporary public arExhibitions and Collection Coordinator for the City of Glendale, Arizona, organizing exhibitions with local organizations in conjunction with municipal exhibition spaces as well as temporary public arexhibitions with local organizations in conjunction with municipal exhibition spaces as well as temporary public art projects.

As the Elmhurst Art Museum's Education Program Coordinator, she teaches a variety of classes and designs interactive interpretive displays for each of the major exhibitions.

Prior to this, she worked as Programme Coordinator at Picture This, managing the production of new artist film commissions and exhibitions, and as a freelance curator and project manager.

She joined AQS Gallery, Islamabad as Gallery Coordinator and managed their exhibitions and other art related events.

After meeting Mari Spirito, (Director and Curator of Protocinema) in İstanbul, Turam has worked as the freelance Exhibitions Coordinator and Artist Liaison, for the exhibitions of Brian O'Connell, Jacob Kassay and Trevor Paglen, Ahmet Öğüt and Can Altay during the years 2xhibitions Coordinator and Artist Liaison, for the exhibitions of Brian O'Connell, Jacob Kassay and Trevor Paglen, Ahmet Öğüt and Can Altay during the years 2xhibitions of Brian O'Connell, Jacob Kassay and Trevor Paglen, Ahmet Öğüt and Can Altay during the years 2012 - 2014.

Sung has also worked in a number of artist - run centers in Toronto, including A Space Gallery and Zen - Mix Pan-Asian Visual Arts Network as programming committee member and exhibition coordinator.

In 2006, she began work as curator and exhibition coordinator at the Fundación Juan March in Madrid, where she organized international loan exhibitions on modern and contemporary art and managed accompanying publications for the Fundación's three venues, in Madrid, Palma and Cuenca.

Etienne Wynants (Art historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschot)

Over a long and successful career, Craig - Martin has received numerous awards: notably appointment as a Royal Academician in 2006, Chief Coordinator of the Royal Academy Summer Exhibition in 2015, and a knighthood for services to the Arts in 2016.

As the Art Programme Coordinator of a non-profit organisation for people with disabilities, she curated exhibitions for artists with disabilities helping them receive recognition throughout the Bay Area community.

The exhibition will be accompanied by a full - colour, illustrated catalogue that will contain essays by the exhibition's curator Eimear O'Raw, Curatorial Coordinator: Irish Museum of Modern Art, as well as Aidan Dunne and Jackie Ryan, along with an introduction by Enrique Juncosa, Director of the Irish Museum of Modern Art.

He teaches gallery and exhibition studies, interventionist art and serves as Gallery Coordinator at UTD where he has curated many exhibitions.

In 2006, as project coordinator for the Ministry of Science, Research and the Arts Baden - Württemberg, she organized the large - scale regional exhibition «Art lives!».

Tour this exhibition with School and Docent Programs Coordinator Lindsay Kranz and discover how to use these artworks as a catalyst for student - centered learning.

Jan's previous non-profit experience includes serving as workshop instructor and workshop coordinator at CEPA Gallery in Buffalo, NY, She was also CEPA's resident regional artist in 2004, and received Best In Show at CEPA's 2009 Member's Exhibition, both honors resulting in solo exhibitions there in 2005 and 2010.

Moza Almatrooshi's current role being an exhibition coordinator in 1971 — Design Space in Sharjah, as well as developing her own artistic practice through the Sheikha Salama Emerging Artist Fellowship.

She has served as a curatorial intern at the Rose Art Museum and at the Corcoran Gallery of Art, Graduate Coordinator for the Stamp Gallery and mentor to the Contemporary Art Purchasing Program at the University of Maryland, and as Exhibitions Manager for Arlington Arts Center.