Sentences with phrase «as fiber art»

Our objective is to keep rug hooking alive as a fiber art form.

Tawney, along with Abakanowicz and Sheila Hicks (American, born 1934), who is represented by a major wall hanging, was an early pioneer of a new genre known as fiber art, in which artists made soft sculptures by crocheting, knotting, looping, weaving, and twisting fibers, both synthetic and natural.

Pieces ranging from early -»60s paintings incorporating casts of manhole covers to brand - new sculptures made of resin and horsehair variously bring to mind Sue Coe's activist art, Robert Rauschenberg's indexical work of the 1950s, Bruce Nauman's casts of animal bodies and Jack Pierson's early installations, as well as fiber art and African artifacts.

Not exact matches

In February, he visited the Boeing plant in North Charleston, South Carolina, which manufactures the carbon - fiber, 330 - seat plane Trump described as «an amazing piece of art.»

The resort has also installed fiber optic cabling throughout the resort, providing state - of - the - art internet access to all guest rooms and meeting space, as well as complimentary Wi - Fi resulting in increased bandwidth throughout the resort.

Private fiber art classes encourage families to bond through the work of their hands, as they learn to weave, felt, or spin wool into yarn.

They observe this correlation firsthand as they cultivate the school garden using materials they find in their everyday classroom lives, and in return, the garden provides educational tools, such as samples for botany classes and plants that can be made into natural dyes for fiber arts projects.

Upon their return, special subjects teachers provide instruction in various topics such as foreign languages (French and German), fiber arts, music, woodwork, sustainability, physical education, and eurythmy (a form of body movement that incorporates elements of dance, balance, poise and athleticism).

Leslie is also a Lazure artist whose beautiful work graces our Upper Brookside classroom, and prior to becoming a Waldorf teacher was a professional fiber artist specializing in surface design and wearable art; she also spent several years as a speech pathologist.

Collaborating this assertion, Mr. Ade Oduntan, the artist who designed the «From Ebute» statue, said his art work, which is about 30 feet tall installation of indigenous life size wooden canoe made in fiber glass depict the errant waterways and is meant to keep the memories of the use of canoe as a means of transportation.

Because art restorers often replace the scroll backing as part of restoration, the scientists recommend aligning the paper fibers in the backing along the scroll's long edge, increasing the rigidness and reducing the amount of stretching when rolled.

Trying to recover a U.S. lead As part of a new manufacturing initiative to boost U.S. competitiveness through the clean energy sector, the Department of Energy launched a state - of - the - art carbon fiber technology facility earlier this year at the Oak Ridge National Laboratory in Tennessee.

This exquisite fiber art hanging directly above the platform bed pulls the room together and stands out as a statement piece.

I enjoy doing arts and crafts such as Collage Art, Fiber Arts (Sewing, Knitting / Crocheting, Batik Dyeiarts and crafts such as Collage Art, Fiber Arts (Sewing, Knitting / Crocheting, Batik DyeiArts (Sewing, Knitting / Crocheting, Batik Dyeing.)

Artwork created by fifth and eighth grade students who belong to art clubs in the Syracuse City School District was on display as part of the CNY Fiber Artists and Producers presentation in Bouckville.

As demonstrated by the current BMW i3 and i8, the Project i models are primarily focused on efficiency through cutting edge technology, including state - of - the - art hybrid - and all - electric drivetrains and batteries, and extensive use of carbon fiber.

1.1 Describe why the training / conference / study trip is right for you and your artistic practice: The opportunity to study with Yoshiko Iwamoto Wada at Arrowmont School of Arts & Crafts is ideal for me as the Director of [an Art Center] and its growing Fiber Arts Program.

Fiber arts have risen to prominence in recent years, especially with artists who consider textiles in their work such as Ghada Amer and El Anatsui

Fall 2013 / Spring 2014: Lane Taplin «Lane is a fiber artist, community based artist, and educator whose creative practice includes a wide range of techniques and processes such as woven sculpture, installation, fabric design, collaborative performance, mail art, guerrilla art, and human dialogue.

Deeply invested in fashion as communitcation, fiber arts, materials and textile history, her work focuses on material meaning as a form of portraiture.

HISTORY: The show began in 1987 as a wearable art show but has evolved over the years to include a compelling mix of traditional and non-traditional works created from natural or synthetic fibers, and work that addresses the subject or medium of fiber.

The artist presented the multi-disciplinary performance work red, yellow, lime, pink, lavender, green, scarlet, lavender, scarlet, green, lavender as part of The Magazine Sessions 2016 at the Serpentine Galleries, London, and has participated in group exhibitions including Chromaphilia & Chromaphobia, Kansas City Art Institute (2016); Terra Provocata, Fondazione del Monte and Museo Civico Medievale, Bologna (2016); From The Ruins..., 601Artspace, New York (2015); Hangzhou Triennial of Fiber Art, Hangzhou, China (2013); Paper, Saatchi Gallery, London (2013); Aquatopia, Nottingham Contemporary, Nottingham, touring to Tate St Ives (2013); Graphite, Indianapolis Museum of Art (2013); The Air We Breathe, San Francisco Museum of Modern Art (2011); Coming After, The Power Plant, Toronto (2011); Compilation IV, Kunsthalle, Dusseldorf (2009) and Compass in Hand: Selections from the Judith Rothschild Collection, Museum of Modern Art, New York (2009).

Asawa's work comes out of a practice — fiber art — that was long lumped in with craft but is now understood, in the context of so much contemporary use of alternative materials, as a serious endeavor.

The 1960s New Tapestry Movement saw fiber art as a tool of political or feminist expression; many women artists, such as Jagoda Buić and Olga de Amaral, followed by Annette Messager, dared to return to the craft and the decorative.

Crocheted Environment is an important installation in the ICA's collection of fiber works, including pieces by artists such as Eva Hesse, Françoise Grossen, and Sheila Hicks, and marks the museum's commitment to examining the relationships between craft - based media and contemporary art.

A fiber arts exhibition in Brooklyn points out that textile production doesn't just result in fabrics that we can touch, it plays a crucial role in the creation of social fabric as well.

Los Angeles — based artist and designer Tanya Aguiñiga has established herself as a crucial voice working at the intersection of fiber art, design, social practice, and activism.

An exhibition that explores the emergence of fiber arts as a fine art and showcases the contemporary fine art textile and fabric movement with works by internationally celebrated masters, top North American artists, and promising newcomers.

As part of Fiber Art Now magazine's annual Excellence in Fibers exhibition, Nicole was awarded the Paul J. Smith Award for Excellence in Fibers, and her work was featured in the 2016 winter issue.

Not so long ago, the «fiber arts» were routinely dismissed as a subset of the craft tradition, deemed not so much unworthy of, but extraneous to contemporary art.

After coming to the Virginia Commonwealth University School of the Arts, where Jeanne Medina's (Fiber» 13) took a position as an adjunct craft professor in 2016, she bought a 40 - inch Harrisville loom.

Fiber and Line: Reclaiming the historical coding of textiles as «women's work», the artists featured in this section created radical woven forms that upend traditional boundaries between art and craft.

Many African cultures, for example, have integrated organic materials such as wood, ivory, and plant fibers into astonishing works of art.

2015 Mobile M +: Live Art, M +, Hong Kong, China The Malady of Death: Écrire and Lire, commissioned by M + for Mobile M +: Live Art, Hong Kong, China The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA Fiber: Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany

During the 1980s, members of the Fiber and Space Art Studio, such as Shi Hui, participating artist and one of the exhibition's three curators, experimented with structures and space through materials such as bamboo and paper, in addition to the traditional materials of wool, linen and cotton.

SCAD Art Sales, the university's full - service art consultancy, introduces new works by SCAD alumni artists Christopher Paul Dean (M.F.A., sculpture, 2016), Cory Imig (B.F.A., fibers, 2008) and Britt Spencer (professor of illustration; M.F.A., painting, 2011; B.F.A., illustration, 2005)-- three artists who, like Cruz - Diez, use vibrant color, pattern and crisp lines as primary elements in their compositioArt Sales, the university's full - service art consultancy, introduces new works by SCAD alumni artists Christopher Paul Dean (M.F.A., sculpture, 2016), Cory Imig (B.F.A., fibers, 2008) and Britt Spencer (professor of illustration; M.F.A., painting, 2011; B.F.A., illustration, 2005)-- three artists who, like Cruz - Diez, use vibrant color, pattern and crisp lines as primary elements in their compositioart consultancy, introduces new works by SCAD alumni artists Christopher Paul Dean (M.F.A., sculpture, 2016), Cory Imig (B.F.A., fibers, 2008) and Britt Spencer (professor of illustration; M.F.A., painting, 2011; B.F.A., illustration, 2005)-- three artists who, like Cruz - Diez, use vibrant color, pattern and crisp lines as primary elements in their compositions.

White has been featured in publications such as Textile Fiber Forum Magazine (Neroli Henderson), Contemporary Art of Nature: Mammals (Ashley Rooney), and The Whitefish Review.

Dyeing, stitching, surface design, weaving, embroidery, quilting, batik, felting, basketry, textile manipulation, soft sculpture, and other mixed media artworks utilizing fibers as their primary material are just some of the many ways that artwork falls under the broad umbrella of «Fiber Arts».

This exhibition highlights the use of fiber arts as media and process towards artistic expression.

As an educator Fraser has lectured at leading fine art and design institutions, and from 2001 until 2017 was a Visiting Artist and Adjunct Professor in the Department of Fiber and Material Studies at the School of the Art Institute of Chicaart and design institutions, and from 2001 until 2017 was a Visiting Artist and Adjunct Professor in the Department of Fiber and Material Studies at the School of the Art Institute of ChicaArt Institute of Chicago.

There will be curriculum - related panel discussions address topics such as «Logistics of Dual Credit, Articulations and Partnerships,» alongside artist presentations and demonstrations, including a lunchtime lecture from Summer 2014 Artpace International Artist - in - Residence Margaret Meehan, and studio - based workshops involving gunpowder media, digital animation, fiber arts and more.

Grau - Garriga pioneered numerous fiber arts techniques, drawing inspiration from the craft's history as well as painting and politics.

Traditional and contemporary techniques and materials are welcome, as well as any themes the artist explores through fiber arts.

Fiber Arts Network serves as a collective of ASU students, faculty, and alumni who all seek a stronger sense of community and support for contemporary fiber artists living and working in the surrounding area, providing an outlet for experimentation, critique, workshops, and dialogue pertaining to current issues in fFiber Arts Network serves as a collective of ASU students, faculty, and alumni who all seek a stronger sense of community and support for contemporary fiber artists living and working in the surrounding area, providing an outlet for experimentation, critique, workshops, and dialogue pertaining to current issues in ffiber artists living and working in the surrounding area, providing an outlet for experimentation, critique, workshops, and dialogue pertaining to current issues in fiberfiber.

Traditional offerings of quilts, weavings, knits, and crochet are available, as well as innovative art that uses fiber techniques with nontraditional materials, such as metals, glass, wood, and clay.

Dark Fiber will be showing alongside some incredible Chicago artists as part of The Works at Contemporary Art Brussels curated by Dieter Roelstrade, Abigail Winograd and Eléonore de Sadeleer.

The exhibition focuses on new directions in fiber art and examines non-traditional explorations of fabric as a medium.

The exhibition «ReFashion» at form & concept includes alumni from Cranbrook Academy of Art Annica Cuppetelli (Fiber» 08), Jeanne Medina (Fiber» 13), and Peter Clouse (Fiber» 14), as well as Artist - in - Residence and head of Fiber, Art Mark Newport.

Fiber Arts Network serves as a collective of Arizona State University students, faculty, and alumni who all seek a stronger sense of community and support for contemporary fiber artists living and working in the surrounding Fiber Arts Network serves as a collective of Arizona State University students, faculty, and alumni who all seek a stronger sense of community and support for contemporary fiber artists living and working in the surrounding fiber artists living and working in the surrounding area.

While a student at the Massachusetts College of Art and Design (MassArt), Blood found her niche in ceramics and mixed media, incorporating materials that others may view as less than beautiful, such as assorted fibers, pieces of cast - off wood, and broken fences.