However, neither of them is an activist and their actions remain passive and often leave
them as flat characters.
There is also a character named Ava who is
as flat a character as you can get, I did nt even notice her until about 30 minutes in.
Not exact matches
I thought the
characters were
flat and unattractive, the story ho - hum, and the premise churlish and clumsy (i.e. the whole point is to tear down the belief system of others rather than put something positive forward
as an alternative).
And when something's
as richly imagined
as the world of «Game of Thrones,» the show can fall
flat when it plays fast and loose with
character motivations.
Another, smaller crowd clustered about Garlits» chief rival, Chicagoan Chris Karamesines, a mustached, sleepy - eyed man who looks like a
character out of Steinbeck's Tortilla
Flat and is known on the drag - racing circuit simply
as «The Greek.»
I am pretty
flattered about that,
as I love her
character's style.
...
flat characters,
flat animation, a bland rock soundtrack... Titan A.E. might
as well be Titanic A.E. (
as in, the ship that sunk, not the movie that scored.)
Still, in the end, despite the best efforts of the onscreen and offscreen talent, the final product falls
flat in way too many places, even
as a
character study, in spite of Turtorro's inspired performance.
It feels
flat and after the first couple of hours, after controlling our lovely
character for half an hour
as a little girl, it falls and feels boring.
The stop - motion animation - a favorite tool of Burton's - is given loving attention, and the
character design is full of terrific touches, such
as the hulking
flat - topped schoolmate who looks a bit like a certain man - made monster.
Chances are, Beatrix Potter would be
flattered to know that one day, more than a century after she published «The Tale of Peter Rabbit,» her most beloved
character would be reinterpreted on screen not
as a traditional cartoon (even though her work paved the way for the likes of Bugs Bunny and Mickey Mouse) but -LSB-...]
It feels like a slapdash collection of scenes rather than a balloon sent smoothly aloft, with jokes often falling
as flat as Cena's buzz cut (a running gag centers on his tough - guy
character's propensity for crying, a go - to bit that ages fast).
Chances are, Beatrix Potter would be
flattered to know that one day, more than a century after she published «The Tale of Peter Rabbit,» her most beloved
character would be reinterpreted on screen not
as a traditional cartoon (even though her work paved the way for the likes of Bugs Bunny and Mickey Mouse) but
as a photo - real, fully anthropomorphic rabbit, complete with opposable thumbs and a tiny blue jacket.
Things fall
flat, though, when Taylor emerges
as the central
character, interacting with Hill House's malignant history in an increasingly silly series of frightless escapades that have her chasing about the house's serpentine corridors after wispy kiddie ghosts and bloody footprints.
Lilli Taylor gives it the ol' college try, but her
character is
flat as can be.
The Main Menu takes you on another
flat tour of the series» stylized take on the Hundred Acre Wood,
as a very long tracking shot observes
characters amidst falling green leaves and flying bees.
Not only are the
characters flat, paper constructs, but the levels and buildings are largely made of cardboard (
as is Mario's health bar), while environmental effects such
as water and sand throw off small circles of construction paper when they splash against something.
It's a workable premise that's employed to consistently underwhelming and
flat - out incompetent effect by writer / director Howard Michael Gould,
as the filmmaker proves utterly unable to offer up a single compelling (or even remotely authentic) figure - which instantly ensures that one has virtually nothing invested in the various
characters» ongoing exploits.
It is, of course, not surprising to note that the sentimental elements that crop up towards the end fall completely
flat,
as the viewer has absolutely nothing invested in these
characters or their happiness - with the end result a nigh worthless piece of work that manages to waste a fairly impressive cast (ie it takes some effort to drain Allen of his natural charisma).
She also has much more agency
as a
character than the heroines of those films, something seized upon by Hawkins, who's
flat - out brilliant in the role; her innately expressive features almost rendering the subtitling of her signed conversations irrelevant.
The
characters are
flat, and the actors playing them seem
as befuddled
as the viewer about the ambiguous shades of good and evil from one scene to the next.
Characters can also be created to try and add a bit of spice to the game, but this falls
flat as well.
Her Joey Potter began the show
as a wallflower given to articulate outbursts, but
as physically adorable
as she was that first season, the
character didn't
flatter her.
As appealing as Sanchez is to watch on screen, her character is dull and flat, even if she is no
As appealing
as Sanchez is to watch on screen, her character is dull and flat, even if she is no
as Sanchez is to watch on screen, her
character is dull and
flat, even if she is not.
The
characters have somehow become more
flat as Josh Duhamel's and John Turturro's recurring
characters have somehow gotten more boring.
She could use a more
flattering wardrobe, too,
as could Molly Ringwald in The Breakfast Club, who wiped clean with a little foundation the identity of Ally Sheedy's
character at the close of that film, and Can't Buy Me Love's Amanda Peterson, who wouldn't associate with Patrick Dempsey until he put mousse in his hair.
«The Lazarus Effect» is not the usual mindless thriller, but it's
as flat as an open soda from last week, with dull
characters and virtually every scene taking place in a single location.
Worse, the
character is so poorly written that he comes across
as flat - out dumb in scene after scene (such
as searching for a hidden camera in his silverware drawer).
While
As Above, So Below begins with an at least mildly intriguing set - up of plot, once this team heads into the catacombs it quickly becomes yet another rote display of forced jump scares, awkward
character interaction and painfully
flat acting that forces us to try to believe this is heading in any direction other than where we all know it's going to go.
Rebecca Ferguson - so fantastic in the most recent «Mission Impossible» - is utterly wasted
as new wife Anna, a
character who seemed to have been designed to wring sympathy from the audience, something I couldn't bestow given that she cheated and lied her way into her seemingly perfect life and don't even get me started on Haley Bennett's Megan, a woman whose tragic past was overshadowed entirely by her fingernails - down - the - blackboard performance
as a one dimensional woman who had nothing but overt sexuality and a
flat whining energy to offer.
His family (played by Abbie Cornish and Some Mop - Topped Kid) is the biggest weak spot;
as characters, they're pretty
flat, but it's interesting to see their effects on Murphy post-Robo.
«Johnny Handsome» comes out of the film noir atmosphere of the 1940s, out of movies with dark streets and bitter laughter, with
characters who live in cold - water
flats and treat saloons
as their living rooms.
Awkward performances, under developed
characters,
flat dialogue and bad dubbing are very common in his film
as well
as the films of his Italian horror contemporaries such
as Mario Bava and Lucio Fulci.
Most of the other mutant
characters are used
as flat puzzle pieces, which when applied in the correct way will solve a problem.
Her
character is bland and hollow and much the same
as the film itself,
flat.
Count The Last Kiss
as a film that treats its women
characters as the entire Greek pantheon of hysterical goddesses, from a
flat - crazy mother (Blythe Danner in a series of ironed housecoats) pining after an old flame to our collegiate temptress (who, for no earthly reason, is mightily attracted to thirtysomething milquetoast Michael), to finally our damsel in distress Jenna, three months pregnant (her hormones blamed more than once for her behaviour — and she agrees!)
The uninvolving atmosphere only grows more and more palpable
as time slowly progresses, with Cronenberg's odd refusal to infuse the central
character with any compelling attributes surely standing head and shoulders above the movie's many, many problems (ie Syd is about
as flat and one - dimensional
as one could possibly envision).
This feeling of lifelessness is also reflected in Del Toro's lamentably less - than - enthralling work
as the central
character,
as the star offers up a surprisingly
flat performance that's sorely lacking in the off - kilter quirks with which he's become associated (ie he's just dull here).
It's clear right from the get - go that Christopher Cain is in absolutely no hurry to tell this story,
as the director has infused The Stone Boy with an almost achingly deliberate pace that does prove effective at establishing the film's very specific locale, admittedly - yet there's little doubt that the laid - back atmosphere, when combined with the uniformly subdued performances and the less - than - eventful nature of Gina Berriault's script, effectively ensures that the viewer's efforts at forming any kind of emotional attachment to the
characters fall
flat virtually from start to finish.
Certainly there are things to love; Bilbo's
character progression and his untimely addiction to one precious ring is welcome (although not nearly
as prominent
as it ought to be), the set design and telescopic vistas are almost
as epic
as ever, seeing the majesty of gold - diggin» dragon Smaug realized in impressive CG tantalizes the little boy in me (the one who listened to The Hobbit audiobook until it wore out), and one particularly fun scene involving dwarves in a barrel is a blatant film highlight; but other elements that ought to stand out fall
flat on their face and never recover.
The
flat itself almost becomes a
character in the story, with each outsider's arrival
as a kind of invasion.
«In This Corner of the World» falls rather
flat whenever it tries to deal with World War II directly, but
as a
character study of a young Japanese girl in wartime it is often beguiling.
's success is Hutton herself,
as the actress delivers a painfully, obnoxiously over-the-top performance that remains a total distraction from start to finish - with the viewer's efforts at connecting to her
character's plight,
as a result, falling completely
flat.
Past animation and live action combos, such
as Mary Poppins and Bedknobs and Broomsticks, offered lovely mixtures of cartoon
characters and real people, but looked a bit clunky and
flat as well.
I added new
characters, guest
characters such
as Markiplier, Wade, Muyskerm (Bob), Game Grumps, and all of them who I mentioned loce the project, they said nothing about PM, so I feel really
flattered and confident.
Weisz herself, when she finally appears on - screen, is excellent,
as too is Farrell; his
character of David equally
as rib - tickling with his subtle nuances and comedic quips which, if I were to repeat here, would fall firmly
flat.
A story is only
as good
as its telling, and under the direction of Dylan Baker (the great
character actor's far - from - great directorial debut) and through the screenplay by the mother - son team of Toni and Bram Hoover, the telling of this story is just
flat - out inept.
As such, the character's first appearance in 2011's «Captain America: The First Avenger,» is probably best described as a modest success, both critically (an enjoyably retro first half giving way to a flatter, more formless second), and commercially — at $ 370 million, it's the second lowest - grossing of the Marvel pictures so fa
As such, the
character's first appearance in 2011's «Captain America: The First Avenger,» is probably best described
as a modest success, both critically (an enjoyably retro first half giving way to a flatter, more formless second), and commercially — at $ 370 million, it's the second lowest - grossing of the Marvel pictures so fa
as a modest success, both critically (an enjoyably retro first half giving way to a
flatter, more formless second), and commercially — at $ 370 million, it's the second lowest - grossing of the Marvel pictures so far.
«Inside Llewyn Davis» gets its milieu just right, from cold - water
flats to the West Side digs of bohemian academics (Ethan Phillips and Robin Bartlett — the Coens repurpose familiar
character actors
as well
as anyone this side of Charlie Kaufman or Ryan Murphy), but there's never a sense of fawning, things - were - so - much - better - then - man nostalgia that often surfaces in films like this.
There's very little sound
as the
characters speak which makes them kind of
flat.