Sentences with phrase «as framed photographs»

For example redecorating a bland or tired wall by putting up a gallery wall (this can be as simple as framing photographs and cheap posters or prints, or snapping up a few bargains in the sales on artfinder.com), or just painting the walls a new colour, putting down a new rug, or reupholstering tatty sofas in a new fabric.

Not exact matches

His hand in his pocket frames the picture just as Tipton's does across the photograph.

Upon exiting, guests can purchase 5 x 7 framed color photographs as a permanent memory of their time spent at Minus5 Ice Bar.

Among Graham's most important group of works is a series of photographs of upside - down trees, which both summon up the origins of photography itself, conjuring up the inverted and reversed images created by the early camera obscuras, as well as draw attention to the process of rationalisation whereby we frame and define our vision of the world.

I always say that a good cookbook should take you somewhere, whether it's a new frame of awareness with food, or the photographs and voice have the ability to transport you in as much as possible.

He is an unabashed collector of newspaper clippings, documents and gimcracks, and the walls and shelves in the office are blanketed with such oddments as ice axes and pitons, a photograph of John Glenn (whom Day resembles), a quotation from President Lyndon Johnson deploring procrastination, college diplomas, membership certificates from the Rotary Club, fraternities, outdoorsmen's clubs and the American Airlines» Admirals Club, and a number of framed letters from such luminaries as Dwight Eisenhower and Stuart Udall.

The society has seen fit to preserve, in framed photographs and monographs, certain events in the past of Woodson County — such as the birth of Buster Keaton in 1895 and the visit of President Rutherford B. Hayes in 1879 and the arrival in the county of Thurlow Lieurance, the composer of the song Falling Leaves, in 1885 and, most impressive of all perhaps, the sighting on the night of April 19, 1897 by Captain Alexander Hamilton of a brightly lighted, reddish airship with a cigar - shaped cabin 300 feet long.

Countless numbers of photographs will be taken with the pitch as a backdrop, or framed against the huge Arsenal crests that adorn the outside of the stadium.

I'm the type that loves to give framed photographs as birthday and holiday gifts, and now I can print my own from the comfort of my home.

I do wish I had photographed them before framing, as the glass really gets in the way in these photos.

The virtual setting can be modified to mimic common hallucinations by making the walls appear to be closing in, photographs of one person's face morph into another's, and straight lines such as the edge of picture frames wobble.

Well yes, I know all the obvious answers, but even if it didn't fit me any more, I'd still want to have it around, maybe as a cushion cover or even to frame a square of the material as a mount for a beautiful photograph.

As a nod to family and all of that rich history, why not hang framed pictures on a tree by the sign - in or dessert table, where everyone can have a chance to look at all of the old photographs?

Today, the 42 - year - old sits at a single desk, framed by a high shelf lined with photographs, print campaigns and other ephemera that document the story of Rag & Bone, a brand as deeply rooted in Wainwright's upper class British background as his life in New York and his personal connection to America's shrinking manufacturing base.

A frame should be as beautifully crafted as the photograph it holds.

Presented in Dolby Digital with Widescreen 2.39:1 aspect ratio, Oscar Faura's handsomely photographed frames generally capture the sense of war torn England as a prolonged race against the clock transpires at Bletchley Park.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Wandering the mountainous landscape, gorgeously photographed by veteran cinematographer Dean Cundey (Apollo 13, Who Framed Roger Rabbit, Jurassic Park), the psychically tortured protagonist has a series of run - ins with various figures, including a sympathetic Indian (Adam Beach), a Chinese immigrant (Tzi Ma), an old war buddy (Danny Glover) and, most memorably, a vicious killer named Ezra (Walton Goggins, stealing every scene as usual) who demands a «toll» from Jackson for encroaching on his territory.

To underline the point, director Matt Reeves frames a sequence of Gary Oldman shuffling through family photographs on his iPad, the glow from the screen quietly lighting the actor's tearful, joyful face; and then repeats the trick a few scenes later, with an entirely CGI character delivering just as complex a scene in total wordlessness, with a different glowing screen and different family pictures.

Similarly, there are subtle framing techniques that reflect ideas about the characters such as Lavelle and his daughter being photographed on opposite sides of the frame to express their emotional distance.

I wanted every frame to work as an individual photograph, and using film was going to help us achieve that.

In an early scene from Alfred Hitchcock's Rear Window, the panning camera reveals a framed photograph of a young, smiling blond woman — except, the image is on negative film, which serves as a presumable correlation for disabled protagonist Jeff's (Jimmy Stewart) outlook on women, which is tested in his gaze and projected desire from a lofty apartment window throughout the film.

It's hard to pick just one image from Andrew Dominik's masterpiece as it is one of the most beautifully photographed movies of the 21st century, the train station shadow / smoke scene is one other iconic moment that comes to mind, but for my money nothing beats this gorgeous frame in which Brad Pitt's Jesse James look over the sunset as he contemplates his next move.

A2 designed poster that works as an explanation of what composition is, how to fill the frame, leading lines and symmetry in a photograph / artwork.

Printable sheets which explain the 10 rules of compositing an amazing photograph - Includes visual and written explanation of each rule - rule of thirds, odd numbers, simplicity, background, framing, lead in line - Clear for students to understand - Can be used as a display within the classroom (sheet can simply be printed and put up) Show your students WHY a good photograph is good.

The plants are photographed as still lifes on brightly colored backgrounds and nicely framed for display, making any room feel more alive, no watering required.

David explains: «This project was special for me because I discovered the scene and vantage point while on my way to do another assignment, and once I began to photograph I was struck by the variety of oncoming visual stories that came into frame as people descended on the escalator down to a store below.»

Here's what did work: Glenn Kaino's glittering mass of arrows in flight at Honor Fraser's booth, a demure suite of gelatin silver prints showing Carrie Mae Weems dancing in a nearly transparent white nightgown, Galerie Brandstrup's laser - focus on young painters (including Michael Kvium and Christer Glein), and Chris Wiley's quirky photographs mimicking and framed with quotidian substances (never has Astro - Turf served a better purpose than a picture frame) as part of Nicelle Beauchene Gallery's entry into Armory Presents.

His wall - based assemblages sometimes include an item of clothing — a pair of trousers, a shirt — placed alongside other elements, such as a photograph of a spoon scooping a sugary substance, or framed drawings of a cupcake.

Azoulay, inspired by both their form and content, photographed the frames and used them as dominant elements in her collages.

Framed tightly, the photographs read as windows into the women's grief and, moreover, into the grief of a collective people.

«Vertical Elevated Oblique» included C - stands used as workhorses for lighting, fabric, showcards and other apparatus in the film industry (Syms grew up in Los Angeles around this business and remains based in the city) strung with found photographs in which several hands were pictured forming the kind of gestures seen in her video, while items of the artist's clothing printed with phrases were also slung over these tubular frames, suggesting an absent body.

Using photo collage and a multi-channel video installation — flexible mediums that respond to and traverse the boundaries of genre, culture and history — her works are aesthetically framed as photographs.

In another photograph, Beck himself is seen reflected in a bathroom mirror, posed with his hand over his mouth, eyes wide, as if he espies something menacing just beyond the frame.

Strategically placed objects in her photographs come into sharper relief during the collage stage as deliberately exposed tape and abrupt lines between forms frame our perspective, focusing us on the distinct cultural languages that she puts on view.

Other contents include an essay by Karl Ove Knausgaard (presented as a removable book); 100 frames from Lotte Reininger's 1926 animation The Adventures of Prince Achmed introduced by John Canemaker; two film treatments by screenwriter Hampton Fancher (Blade Runner), based on Esopus subscribers» submissions; anonymous photographs from the collection of Peter Cohen; materials from MoMA's archives on events and installations in the Museum's garden over the past 60 years; a piece on the creative process behind the survivalist game The Long Dark; a new installment of a regular series, «Guarded Opinions,» for which guards from the Barnes Foundation discuss works they oversee; a comic book by George Cochrane; and a CD of new music inspired by «close calls» experienced by 15 musicians, including Jo Lawry, YC the Cynic and Lemolo.

In keeping with the mystery surrounding this movement, where the living women artist - activists highlight the dead women artists they've chosen as aliases, Coyne and Grove, themselves female artists, are lobbying to sell the works in this series to museums with an accompanying frame that is empty, so that the photograph they have taken of the living Guerrilla Girl, which will remain inaccessible in her lifetime, can go into the frame when she dies.

The surface of the photograph itself is a persistent subject of interest for Tillmans, and his careful combination of small and large formats, and framed and unframed prints, serves to underscore the notion of the photographic image as an object — subjective and idiosyncratic.

Potential exchange items may include: clothes, curtains, blankets, artworks, photographs, paintings, frames, nondescript items of undetermined function, objects that resemble parts of the human body such as wigs or mannequins, costume jewelry and accessories, mirrors and reflective items, potted plants, colorful items and / or those with interesting shapes and forms, transparent materials such as shower curtains, lingerie, or X-rays, books, and trinkets.

It was Collishaw's photograph of a bullet hole in the head, described in the catalogue as a «freeze frame», that inspired the title of the now infamous Freeze exhibition curated by Damien Hirst in 1988 which kick - started the YBAs.

Rather than documenting the constructed fantasies of Hollywood, Burton makes a picture that is as much about what exists outside the frame as what is present in the photograph.

Gray's most recent photo works are comprised of photographs gathered from his own archive and recontextualized via their juxtaposition with one another and the use of antique frames as a structuring device.

As in the self - portrait at thirteen, various photographs demonstrate the absence of the face, if not covered by hair or objects, cut by the framing, hidden by masks or made invisible by turn or twist of the neck or bust.

Of course, there were many thematic and visual references to poverty and exclusion that were framed by the discourse of art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadia.

Blending elements of fairy tales, history, myths, and reality she creates unique scenarios that include, among many other elements, references to the 1960's television series The Avengers, The Beatles, Little Red Riding Hood, ballet stages like Giselle's Cottage at the Bolshoi, photographs of dead squirrels and birds reminiscent of Dutch still - life paintings, gold frames, velvet curtains, mirrors, cobwebs, swords, and axes accompanied by sound - tracks of 18th century choral and harpsichord music as well as the sound of clinging crystal chandeliers.

She often integrates her photographs with furniture to create compelling scenes, as with the installation Greed (1988) from the ICP collection, comprised of a chair, an empty frame, and her own photograph of a museum gallery showing a guard in a chair.

Even when the diorama's frame is disrupted, undermining the illusion, as in Richard Barnes's photographs of dioramas under repair or maintenance, the effect is decidedly unnerving.

Like ships in the night also features new concrete, text and copper works, as well as a triptych of photographs framed to destabilize the imagery's horizon.

The series comprises photographs taken in West and East Africa as well as a few taken in Europe, which frame her enigmatic and often haunting narratives.

All the works in the exhibition feature the shop window as vitrine, framing its seemingly banal contents, and the photographs, as Susan Sontag writes, «[bring] to our attention the coexistence of sewing machine and umbrella, that chance meeting, which a great Surrealist poet has praised as the essence of beauty.»