Sentences with phrase «as gallery visitors»

In 1961 at the Galleria La Tartaruga in Rome, Manzoni began signing his name on models as well as gallery visitors, issuing them with a stamped certificate and declaring this body of work Sculture viventi (living sculptures); that same year he created arguably his most recognized work — Merda d'artista, an edition of 90 30 - gram cans, ostensibly containing the artist's excrement, each valued at the market price of gold.

During a three - week residency at Portland, Oregon's Small A Projects in 2007, New York - based artist Corin Hewitt, born in 1971, constructed an elaborate workspace within the gallery, complete with a kitchen, photo studio and theater in which the apron - wearing artist performed a series of tasks — cooking, sculpting, eating and weaving — as gallery visitors viewed him through a peephole.

In 1961 at the Galleria La Tartaruga, Rome, Manzoni began signing his name on models as well as gallery visitors, issuing them with a stamped certificate and declaring this body of work «Sculture viventi», that same year he created «Merda d'artista», an edition of 90 30 - gram cans, ostensibly containing the artist's excrement, each valued at the market price of gold.

Not exact matches

I made my first visit to the Alberta Legislature visitors gallery in 2 years to watch Environment and Parks Minister Shannon Phillips deliver her maiden speech as the MLA for Lethbridge - West.

Our Visitors» Center, built as a private estate in 1914, houses an art gallery and natural history library.

WASHINGTON — The Senate approved a sweeping immigration overhaul Thursday in a strong bipartisan vote after an afternoon of emotional speeches as senators told personal stories of family journeys to the United States while visitors filled the galleries...

A world traveler and international art enthusiast, Cristina believes that fairs are truly the heart of the contemporary art world, as they are the only place where galleries, collectors, professionals and visitors come together in one place to learn and exchange ideas in the most dynamic of atmospheres.

Moreover, it provides all single members with the most effective dating services such as instant messenger, chat rooms, extended search, photo gallery, forums and much more that only dating site that cares about its visitors can provide.

Some successful exhibitions even have had key components selected by visitors — voted on in advance or as part of the gallery.

The experiences of Africans and African - Americans in New York City are explored in depth as visitors look at the nine individual galleries.

As Avenarius later recalled in «Jochen Neerpasch: Denker und Lenker des Motorsports» («Thinkers and Leaders of Motorsports»): «Unusual groups of visitors came to Neerpasch's place in the paddock, so that it began to resemble a gallery opening.

The installation comes as part of a wave of smart signage on electronic paper ushering museums into the 21st century, be it through in - gallery digital labels or through visitor - led interactive screens.

When work on the gallery's skulls, skeletons and teeth specimens began, an idea was born: hand - made transparent masks featuring animal teeth that would allow visitors to take «teeth selfies» to be displayed as part of the exhibition.

Some of our patients and their human friends spend a substantial amount of time in our waiting areas; with this in mind the CCAH provides artwork for the enjoyment of our visitors such as a photography collection, art gallery, exhibit of collectables, sculptures and a tranquil garden.

Gallery visitors can vote for as many pets as they'd like (one vote max per pet).

More than 50 shops and galleries await visitors in what Eureka Springs bills as «a real downtown.»

As well as galleries and museums, the Royal Mile contains intriguing houses and the Outlook Tower, which with Camera Obscura offers an experience which attracts many visitorAs well as galleries and museums, the Royal Mile contains intriguing houses and the Outlook Tower, which with Camera Obscura offers an experience which attracts many visitoras galleries and museums, the Royal Mile contains intriguing houses and the Outlook Tower, which with Camera Obscura offers an experience which attracts many visitors.

On Friday evening and all day Saturday, visitors can wander from gallery to gallery enjoying a variety of receptions and artist demonstrations and catch free live music performances with regional musicians at indoor and outdoor venues throughout the town as they go.

Thanks to the multiple attractions of Chinatown, boutique retailers, cultural venues such as the Judith Wright Centre of Contemporary Arts, small galleries, and the many pubs, eating places and nightclubs that line its glittering streets, it's where locals and visitors rub shoulders in the pursuit of adventure or just plain fun.

Situated in the pedestrian - friendly DIFC — home to global corporations as well as art galleries, shops, restaurants and night clubs — Four Seasons is the perfect pied - à - terre for those with frequent business in the UAE, an ideal base from which to experience Dubai's myriad amusements and diversions, and with its expert concierge team, a great starting point for a first - time visitor to the city.

Today, Queenscliff is a hive of activity as visitors enjoy the experience of staying in Grand Hotels or browsing the galleries and speciality shops or enjoying the fine cuisine on offer in the many and diverse restaurants and cafes, hop aboard a vintage steam train, catch a boat trip around the bay, swim, fish, enjoy the beach and surf, there is something for everyone.

The street is very cosmopolitan, drawing visitors to its plethora of high - end shops, boutiques with local merchandise as well as the art galleries, homewares stores and cafes.

in which an actor, posing as a gallery staff member, delivers an erratic monologue to unsuspecting visitors.

The monthly First Friday Art Walk (artgalleriesofstaugustine.org/firstfridayartwalk) invites visitors to explore the galleries in St. Augustine's historic downtown district, and a free shuttle service makes it easy to get to venues such as the Grand Bohemian Gallery (grandbohemiangallery.com) and the St. Augustine Art Association (staaa.org), which has a new juried exhibit every month.

That tone was set at the opening night's performances: Lee Mingwei's durational performance Our Labyrinth (2015), for which a dancer swept the floors of the galleries with a mixture of grains, purifying a path for visitors; Aki Sasamoto's Delicate Cycle (2016), which included such domestic objects as washing machines and bundles of clothing; and Olivier de Sagazan's Transfiguration (2016), in which de Sagazan used clay, paint, and hair to transform himself into a shamanistic figure.

This serves as a kind of prelude for the maze - like installation that dominates the main gallery, as the artist steers a viewer's attention toward a specific concept in much the same way the installation leads visitors to follow a specific path through the space.

And then, just as now, visitors were about as likely to find artists making fairy art as artists with gallery representation.

In the case of Seeded (1960), the first work on the right as visitors enter the gallery, these colors are amalgamated in an energetic mass of swirls, curves, bold lines, and planes of color that are further enlivened by patches of canvas left bare.

Visitors are encouraged to speak with Lerma while he uses the gallery as an artist studio and to return on June 13 to see the finished piece, which addresses issues concerning labor and comments upon the effects of transient economic models, the authenticity of simple objects, and the beauty of impermanence.

AT THIS TIME acts as a reluctant pop culture saint: bathed in a mix of spotlights and natural light across its organic paneled surface, KAWS» familiar COMPANION hides its eyes in fear or shame, as throngs of gallery visitors find just the right spot for an Instagram.

Installed in the old Domino Sugar Factory in Brooklyn, the much - talked - about monumental sugar sphinx draws more than 130,000 visitors; inspires praise, countless opinions and selfies, and a porcelain pitcher; earns her recognition from Wall Street Journal Magazine as its 2014 Art Innovator and a spot on Foreign Policy magazine's list of leading 2014 Global Thinkers; and is currently being explored in «Afterword,» an exhibition at Sikkema Jenkins Gallery in New York.

Throughout the day, The Broad's Visitor Services Associates offer pop - up art talks in the third floor galleries and Jasper Johns: «Something Resembling Truth», as well as lead public gallery tours Tuesday through Sunday at 1:15 and 3:15 p.m. Tours meet on the third floor and are accessible with free general admission tickets.

Speaking as a visitor, then, I can say that the Open Studios I've found most enjoyable are the ones in which at least one wall is set up to show the work in a gallery - like setting, which means a white wall and good lighting.

«The Merging» app project was first introduced in 2016, and this time it will enable visitors to discover sculptural work from four plinths installed at the gallery, as well as «bring to life» all the other works in the show.

Known as Visitor Experience Representatives (VERs), these students activate and enhance the experience at all of the Hammer's public spaces, including entrances, galleries, and program venues.

As they move through the gallery, visitors will experience this new spatial ambiguity and find themselves manipulating or being manipulated by the multitude of bubbles, spheres, and malleable environments.

The event also features art installations, open - artists studios, gallery openings and an opportunity for visitors to be exposed to other art and social organizations referred to as the «18th Street Connect.»

As newcomers to the material themselves, they sensed that a presentation organized geographically might not mean much to most visitors, so they laid out the show thematically; an introductory gallery is followed by sections on «the Dreaming» — a belief system connecting «all objects, lands, life forces, and beings — the land, ceremony, and mortality.»

I often think of the lobby gallery at the Whitney Museum as a place where visitors kill time while waiting for the elevator and where art goes to die.

Mr. McMillan said part of the problem is traffic; whereas Saturdays used to be the day when visitors poured into galleries, now crowds on that and other days have noticeably thinned, a decline he attributes to art buying through social media as well as the fatigue of «an art fair every month.»

Located in the town of East Hampton, New York, the gallery serves as a forum for emerging and mid career artists and provides a relaxed environment for visitors to view contemporary art.

Dividing and subdividing the gallery, this installation both tackles and expands upon two central themes: an architectural play with transparency and concealment as well as an encounter between an intimate and private exhibition space and a strikingly public stage, which places «on view» the visitor's every movement.

The stunt came shortly after the terrorist attack at a Tunisian beach resort that left 38 tourists dead, leading District Judge Mike Snow to describe it as «quite foreseeable» that visitors to the gallery «would be terrified and panic.

In the centre of the gallery, he set up a fully functional print studio, where he was present with a team of assistants two afternoons per week, making carefully carved woodblock prints as visitors observed him.

Throughout the gallery the visitor experiences differing gallery spaces which will provide a varied experience and provide functional flexibility and a varied palette with which the curatorial team can work, catering for the display of work in an intimate, traditional as well as a large public spectacle capacity.

As part of Immigrant Movement International, she made visitors pass a lie detector test developed from United Kingdom immigration questions before entering the museum's Tanks gallery.

As director, she focused on improving the museum's accessibility, community engagement, and visitor experience, including implementing renovations to the museum's education wing, featuring an upgraded lobby, gallery spaces, and significant advancements in technology.

Tomaszewski begins with video of visitors walking in the sculpture garden and recontextualizes it as part of a projected generative drawing in the gallery, and Schlei creates an outdoor multi-channel sound piece in dialogue with Tony Smith's The Wandering Rocks (1967 - 1969).

Yvonne Thomas's The Game, 1960, an approximately six - foot high canvas greeting visitors at the gallery entrance, reads initially as typical of its period, though when considered as thoughtfully as it was painted, one notices a sense of nervous dismissal in passages that first looked like panache.

As in the case of our juried exhibit open to artist of all ages & persuasions, Viridian has instituted a digital presentation of 30 artists selected by the gallery director, Vernita Nemec, giving an opportunity to 30 additional artists and giving gallery visitors a chance to see the work of more artists of merit.