As a genre film, it's serviceable; it has an interesting story with a few twists here and there and fine performances.
Another film that played
as both a genre film and something more was Melanie Laurent's adaptation of Nic Pizzolatto's novel «Galveston.»
As a genre film though, I've seen very few as good as this in recent years.
They enjoy
it as a genre film, but the reason why they can enjoy it is because Jordan understands the African - American truth that he's trying to portray.
Similar to «Hot Fuzz» and «Shaun of the Dead,» each of which works
as a genre film (buddy cop for «Hot Fuzz» and zombie movie for «Shaun of the Dead») and a send - up of the genre itself, «You're Next» is a smartly devised horror movie masquerading as a really dumb one.
The Spierigs» vision of Winchester seemed like a great idea: a unique snapshot of a life story, told
as a genre film rather than a typical A-to-B-to-C biopic.
As a genre film, Thelma allowed Trier and his team the freedom to make an even more stylized film.
The storytelling maestro, whose auteur status was championed by the French New Wave for the way he defined film as a manipulative medium, was overlooked by his industry peers because his playful, sexually menacing thrillers were seen
as genre films.
Not exact matches
But
as an exercise in style and
genre, the
film stands up - if only because Michael Bay's shameless, sweeping, dynamic style has been so influential in Hollywood since.
The oddity is compounded by the fact that, in recent years, the trappings of the disaster
film have overtaken other
genres as well.
There's perhaps no filmmaker working today who brings
as much artistry and thematic weight to massive
genre films as Christopher Nolan.
The Conjuring came in second
as the highest grossing
genre film ever.
But even more than that, absolutely no other
film genre is premised on the conviction that there is such a thing
as absolute morality.
Many in Hollywood say they see the spiritual - memoir - turned - movie
as the next hot
genre, suggesting there are ongoing talks about turning Lauren Winner's «Girl Meets God» into a romantic comedy, Ian Cron's «Jesus, My Father, the CIA, and Me» into an action flick, Anne Lamott's «Traveling Mercies» into an indie road trip
film, Kathleen Norris» «The Cloister Walk» into something really creepy involving monks.»
In this model, in other words, the arrangement of points would be fractal (a term also tossed out
as an answer to the shape - of - the - world question), meaning that the distribution is the same whether you're talking about the macro level (the top online publishers) or the micro level (the handful of blogs and Twitter feeds about some obscure
film genre).
As such his work has spanned many
genres from
film and television to videogames and underwater imagery.
phrase the question
as, «what sort
films are you into, do you have a particular
genre that you really like?»
As the pioneer of this new
genre in the adult industry, Buck Angel Entertainment focuses on education through motivational speaking and award - winning documentary
films, while striving to spread the message of empowerment through self - acceptance.
A disaster
film or disaster movie is a
film genre that has an impending or ongoing disaster
as its subject and primary plot device.
Join me
as I take a journey through the zombie
genre with reviews and commentary on
films and television that embrace the apocalyptic walking dead.
Maybe that's the reason why,
as you say, «most of the comparable
films made in this
genre are satirical.»
I am being critical about the fact it is a mainstream
genre film as you stated and not a mockumentary.
The story is well crafted and it is a
film that resonates well,
as Jodorowsky crafts a
film that is very unique in the Western
genre, a
film that displays certain ideas that are the director's trademark.
It twists and turns multiple times throughout its short running time, borrowing heavily from a variety of
films in the horror
genre (and other
genres as well), but under the sure direction and
A buddy - cop thriller recast
as Dante's sojourn in Hell, this graphic, allusion - littered
film stands the conventions of the
genre on end — along with the viewer's hair.
Also hard not to respect a
genre film where people are evenly lit rather than typecast
as good and evil.
Yet
as Funny Games and even his latest
film, Amour, prove, Haneke is a
genre filmmaker at heart, no matter how hard he might wish to deny it.
A lurid enigma, erotic noir
as tragedy, Bastards is a
film that burrows into
genre like a parasite, while probing the darkest alcoves of the human heart.
And,
as a non-reader of the J.K. Rowling books (I'm saving them to read with my daughter when she's old enough) and a non-aficionado of the fantasy
genre, I find at least some stretch of every Harry Potter
film arcane and a bit dull (usually the parts involving magician - vs.
A decent, well - made, small - scale
genre film with a great cast of on - the - cusp players, The Lazarus Effect begins
as a modern - day spin on Frankensteinian mad science, but segues into more demonic matters.
As with Eli Roth's Hostel
films, the context should be clear to anyone aware of the role America plays in the developing world and the festering anti-American hostilities out there... or to anyone interested in the politics of horror and / or familiar with the
genre conventions in this regard.
it was certainly a more accessible
film in terms of the sci - fi
genre and has bolstered the credibility, much like Children of Men, however, I disagree with the seamless integration of the
film styles and think the trailer misled,
as the
film is not really mockumentary at all.
The scariest thing to be found in this pointless horror
film is that its director, Rob Schmidt, has less prowess
as a
genre filmmaker in his third
film than Eli Roth did in his first.
It's ultimately clear, though, that Hajdu is looking to riff on the Western
genre,
as the
film boasts many of the beats and developments one expects from such an endeavor.
The
film doesn't do much to satirize the spy
genre, instead using its flimsy plot mostly
as a scaffolding for a barrage of jokes.
While the
film's reach exceeds its grasp when it comes to deconstructing the western
genre and the real life history that it reflects, Hostiles nevertheless makes for a respectable mood piece,
as well
as an acting showcase for its main leads.
Although not
as great
as others in the
genre, this is a
film worth seeing if you're a fan of Sci Fi.
As a horror
film it works, but it is a «self referential» commentary on the
genre itself.
Spoof movies come and go, and there will always be the ones that are great, but
as time goes on, this
genre of
film is what really makes this industry hurt inside and out.
Indeed, the
film's reliance on audience familiarity with sources of so - called high culture has been dismissed in some quarters
as a pretentious gimmick,
as if it were somehow an eighth deadly sin to expect intelligence either in police detectives or attendees of lowly
genre films.
And,
as in most of Tarantino's
films, statements are made in the guise of
genre.
The
film doesn't always work
as a
genre exercise, but it's a winner
as a character study, in large part because of how committed Hagan is to playing Janie's derangement.
As the struggle with Voldemort suggests, the premise of the story is allegorical — good / light against evil / dark — with obvious revivals of the
genre traditions of British heroic legend and medieval romance, even though the
films have modern elements.
With shadowy, black - and - white production, a slow - burning jazz soundtrack, and a wide ensemble of characters that runs the gamut of crime movie archetypes, Dick Hopper serves
as a love letter to
film noir, even
as it skewers the
genre with no mercy.
While it's hard to deny the ineffectiveness of both Peter Berg's directorial choices and the
film's final half hour, Hancock primarily comes off
as an engaging and thoroughly innovative spin on the superhero
genre - with Will Smith's admittedly impressive performance certainly ranking high on the movie's list of positive attributes.
With her role in the The Hulk
as well
as with this
film, Jennifer has proven that she can take on any role from any
genre and inject the passion it needs to make it credible.
With an astoundingly funny vein of dark comedy running through the entire
film, this
film sets itself apart
as a treatise of the horror
genre, something that Scream accomplished a decade previously but Cabin in the Woods elevates to another level.
Following its premiere in Toronto's Platform strand, «Beast» should enjoy broad festival play thanks to its canny art - horror balance — it's a
film as suitable for midnight berths
as it is for less
genre - inclined programs.
It does feature James Cagney playing a good guy for once, which is cool, but
as I said, this is a very typical
genre film.
, and the also - Oscar - snubbed Roger Ebert doc Life Itself) fall under its Magnolia Pictures brand, you can't blame all of the low scores on its Magnet Releasing
genre label,
as many of the company's very worst
films were Magnolia - branded, too.