Sentences with phrase «as grid drawing»

Workshop based 2D 3D making such as grid drawing, watercolour, continuous line, collage, drawing with wire, paper mache heads and 3D ceramic work all based on portraiture.

Workshop based 2D 3D making such as grid drawing, watercolour, continuous line, collage, drawing with wire, paper...

Not exact matches

And so he drew up a grid over Europe, each cell incorporating Bjerknes's weather data, including locational variables such as the extent of open water affecting evaporation, and five vertical divisions in the upper air.

The $ 8m upgrade involves the installation of solar panels to reduce the need to draw energy from the power grid, as well as improved cold chain storage management to ensure quality, freshness and food safety.

Stabilizing a future national grid that draws the majority of its power from renewable sources may seem like a tall order for a technology that delivers megawatts, not gigawatts, of power as it is used today, but some industry insiders are confident batteries can rise to the challenge.

Don't feel bad issuing this as art homework, the students will enjoy this variety of eyes to draw by use the ever useful grid measuring technique.

objectives include: Year 6 objectives • solve problems involving the calculation and conversion of units of measure, using decimal notation up to 3 decimal places where appropriate • use, read, write and convert between standard units, converting measurements of length, mass, volume and time from a smaller unit of measure to a larger unit, and vice versa, using decimal notation to up to 3 decimal places • convert between miles and kilometres • recognise that shapes with the same areas can have different perimeters and vice versa • recognise when it is possible to use formulae for area and volume of shapes • calculate the area of parallelograms and triangles • calculate, estimate and compare volume of cubes and cuboids using standard units, including cubic centimetres (cm ³) and cubic metres (m ³), and extending to other units [for example, mm ³ and km ³] • express missing number problems algebraically • find pairs of numbers that satisfy an equation with 2 unknowns • enumerate possibilities of combinations of 2 variables • draw 2 - D shapes using given dimensions and angles • recognise, describe and build simple 3 - D shapes, including making nets • compare and classify geometric shapes based on their properties and sizes and find unknown angles in any triangles, quadrilaterals, and regular polygons • illustrate and name parts of circles, including radius, diameter and circumference and know that the diameter is twice the radius • recognise angles where they meet at a point, are on a straight line, or are vertically opposite, and find missing angles • describe positions on the full coordinate grid (all 4 quadrants) • draw and translate simple shapes on the coordinate plane, and reflect them in the axes • interpret and construct pie charts and line graphs and use these to solve problems • calculate and interpret the mean as an average • read, write, order and compare numbers up to 10,000,000 and determine the value of each digit • round any whole number to a required degree of accuracy and more!

Use these grid drawings to teach your students drawing skills such as line, tone and detail.

Objectives covered: Compare and classify geometric shapes, including quadrilaterals and triangles, based on their properties and sizes Identify acute and obtuse angles and compare and order angles up to 2 right angles by size Identify lines of symmetry in 2 - D shapes presented in different orientations Complete a simple symmetric figure with respect to a specific line of symmetry Describe positions on a 2 - D grid as coordinates in the first quadrant Describe movements between positions as translations of a given unit to the left / right and up / down Plot specified points and draw sides to complete a given polygon

Also includes nature related grid drawing activities which are ideal as a starter or as a cover lesson.

If you are looking for some primary place value resources, I hope this list of concrete models and drawings is useful: linking cubes, base ten blocks, hundreds grids, 10 x 10 dot arrays, tens and ones cards, counters and cups, bundles of sticks (such as straws or coffee stirrers).

GRID Autosport is the new racing game from Codemasters which draws in spirit from classic titles such as the TOCA series and brings alive the experience of becoming a professional racing driver in new world of contemporary and classic motorsport.

Drawing in spirit from classic Codemasters titles such as the TOCA series, developed in conjunction with community feedback and retaining the core GRID focus of «being all about the race», gamers will experience a world of breadth, of depth, of intensity and of course, of the excitement that only racing cars can deliver.

The level was laid out in a grid and the GPS would automatically draw out each new room as I ran through.

It's more challenging than it sounds, as you need to draw entire lines instead of laying each tile out individually, and you need to take into account obstacles on the grid.

The game's key mechanic — moving hand - drawn art around a 2x2 grid — is simple as it is ingenious.

This show, however, will look at some of Sharif's more lo - fi works, with an emphasis on his use of grids, rules, and geometry in such performances as Drawing Squares on the Floor Using a Cube (1982), for which Sharif traced a cube over and over to create linear patterns.

Their surfaces remain visible, becoming integral to the work as drawn lines, latticed grids, and background textures.

Works included Bob Law's «drawing machine» on a spooling roll of cartridge paper, a removal of a section of plasterboard above a fireplace by Lawrence Weiner, a quote for professionally repainting a wall by Barry Flanagan, as well as a Sol LeWitt wall drawing, a gridded wallpaper pasting by Richard Wentworth and a «white line of a hand's breadth» as proposed by Blinky Palermo.

That was when it opened the refurbished Building 7 with a 25 - year exhibition of 105 in - situ wall drawings by Sol LeWitt, an influential Minimalist - Conceptualist who doesn't figure as prominently in the Dia power grid as others.

One could see Mondrian's plus and minus signage as conflating shadow and line into a sign language of oppositions between field and ground, representation and abstraction, in a broken «analytic» grid that derives its formal language from academic drawing.

Charman's drawings, sculptures and site responsive installations often employ as a framework the structure of the Isometric grid.

This is no doubt why — probably causing great inconvenience to the publishers — Steinberg insisted on an «extra page» in his book Other Criteria (2007), a foldout that erupts like a tongue, rupturing the division between inside and outside and showing the eventual series of paintings that emerged from these drawings as a diagrammatic grid crisscrossed by multiple points of view.

Often combining photography with drawing, he turned to the grid as a foundation, producing drawings that are notable for their meticulous, labor - intensive rendering of numbers and lines.

A 1933 drawing in Abstract Pioneer with squared - off red, yellow and black shapes calls Mondrian's famous grids to mind, and by 1935, Diller was making work, such as a small ink and watercolor drawing in the show, fully under the spell of Mondrian's philosophy of neo-plasticism, albeit with a «muddier palette,» Williams says.

I had always considered her classic, proto - Minimalist pictures from the Sixties — characterised by subtle, ghostly colours and the use of minute elements repeated within a grid often drawn onto a square canvas with a pencil — as ascetic and restrained: the epitome of cerebral self - control.

Sometimes drawing on a precise backgrounds, such as grid paper, she weaves graphite into its framework with rough shadings and lines.

Indeed, the highlight is a grid of 48 simple drawings that read as an experiment in drafting a new alphabet.

The monumentality of this sculpture serves as perfect contrast to what lays beyond: a compositional grid of 32 intimately scaled drawings.

Composed of grids, lines, and geometric shapes, the structures form a volumetric drawing within the space of the gallery, referencing cheap commercial constructions as well as the serial patterning of paintings and sculptures made by Minimalist artists such as Sol LeWitt and Agnes Martin.

Following some external impulse, such as any kind of noise visitors of the exhibition make, these machines draw lines on the walls, conjoining modernist concerns of the grid, monochrome and color field through a concept of interaction.

First - time exhibitor Robilant + Voena's presentation of Gianni Colombo (b. 1937, Italy) will include drawings executed for Colombo's immersive gridded environment «Spazio elastico» (1967), as well as subsequent mixed media and motorized pieces exemplifying his investigation of the potentialities of altered, moving and flexible space.

The paintings» starting point begins with a drawn - on graphite grid made up of 1/4» squares, which serves as a guiding infrastructure for the composition.

From a distance, it's almost possible to make out what's being described, but as the viewer is drawn closer, the images fall apart into pixelated near - abstract grids of colored squares.

Representing the patterns and schema that undergird physical and intellectual life — French philosopher Gilles Deleuze is cited as an important reference — Winters's drawings of grids, networks, and knots illustrate complex encounters between biological drives, technological systems, and mental processes.

Probably best known for her paintings of lines and grids using understated colors, Martin's work has been hailed as «pure abstraction, in which space, metaphysics, and internal emotional states are explored through painting, drawing and printmaking.»

Far outside of his usual choice of materials, he took to the grid, navigating through frustrations and limitations to eventually create these energetic works on paper; they turned out to be more open and expansive, and even after healing he took these materials with him as he continued the series, his curiosity of the materials pushing him from drawing to drawing.

The drawings of this prominent Los Angeles abstract artist have historically served as the backbone of his work: intensely detailed graphite floral patterns as well as his later diagonal grids, which come together to evoke both natural and machine - like landscapes.

Through a series of hand - drawn pencil lines, filled in with delicate layers of color, like Mondrian, she successfully clustered together the most basic and crucial possibilities for the grid as juncture between the sacred and the secular, flattening this polarity (and antagonism) and creating a new way to contain both in harmonious balance.

The titles of the artworks in this show, when they are used at all, are mostly matter - of - fact, referring to materials or processes (as in «Vinyle,» 1976, Jean - Michel Meurice's cheerful collage in red and pink vinyl), but Viallat's come closest to the inventory - like regimen of American - style Minimalism / Conceptualism, such as Sol Lewitt's «Wall Drawing # 122: A 36 ″ (90 cm), grid covering the wall» (1972) or Donald Judd's «Untitled (7 - L)» (1968).

It can be read as an early indicator of her need to impose a limiting framework upon herself — in this case an imagined box — but the score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly onto the walls of the space, drawing attention to the physical characteristics of the gallery itself.

Yet his work actually encompasses such diverse items as a black - and - white painting based on flickering light on the Seine, gridded paintings with squares of color arranged by chance, weathered steel panels, floor pieces, multi-panel paintings, contour drawings of leaves and collages on postcards.

In his Democratic Grids, Willats depicts social models as quasi window like cut - outs from an infinitely large structure, while the drawings of his Ideological Towers series play with the abstractions of architecture and modern paraphernalia as symbols of societal ambiance and individual self - identification.

At the same time, the grids served as a stand - in for the most basic form of drawing — leaving marks on a surface — and the meditative state of mind the artist sought in the solitude of her New Mexico home.

Central to Tompkins's paintings and drawings is a dedication to the grid, which is readily apparent in drawings such as Censored Grid # 1 (1974) and Censored Grid # 5 (1975), one of which cheekily redacts the genitalia; the other highlights them.

Her paintings of the 1960s, which feature square formats, grids, penciled lines drawn on canvas, as well as compositions with subtle variations in shade and hue, marked a crossroads in the history of abstraction.

Still, most of the best art was in the least surprising venue: Tate Liverpool, where imaginative re-presentations of less - often seen parts of the Tate collection (highlight: Paul Nash's bark and slate collages) were shown, plus Nasreen Mohamedi's tremblingly drawn grid dispersions and Mondrian as seen through his studios.

Just as Whitney breaks down the grid central to his paintings, his drawings break the rules of abstract thinking and move beyond color studies and formal exercises to an integrated exploration of image and text, form and content, color and line.

By defying the traditional frame of a canvas, he is able to draw out of the grid with negative spaceas well as materials at hand: strips of bald canvas, packing materials, charcoal, powder, string, tape, gesso, among others.

Each photograph is juxtaposed with a pair of gridded drawings, which look at first as if they might have been issued on an old, clickety - clack dot - matrix printer or an IBM Selectric typewriter.