I follow St. Thomas Aquinas who holds that they are, qualifying
them as habitus that is permanently inhering in the soul [1].
Hence, theology too,
both as habitus and as a «dialectical activity,» is the same in all times and places.
But Wood then objects to Farley's way of defining theology
as a habitus.
Farley tries to describe theology, which he has already defined
as a habitus, in terms of the habitus for it.
He characterizes theologia
as both a habitus and a dialectic.
Not exact matches
Diagonally across New Street from the New York Stock Exchange, the corner of Exchange Place stands a dull red building of queer proportions which is the Consolidated Stock and Petroleum Exchange of New York, familiarly known
as the little board and disrespectfully referred to by
habitus of New Street...
In Farley's case the circle is broken by introducing a subjective construal of
habitus, and hence of theology,
as a mode of consciousness.
Under the rubric of
habitus, he speaks of theology
as both wisdom and science.
where many habits dispose us to act automatically in mechanical and rigid ways,
habitus dispose us to act in a certain characteristic way (say, prudently) but to do so intentionally (
as opposed to automatically), thoughtfully (
as opposed to instinctively), self - critically (
as opposed to mechanically), and inventively (
as opposed to rigidly) in light of the actual circumstances of the action.
However, do not suppose that it is theologically sufficient to appropriate «Athens» solely into the «professional» education pole of theological education on the «Berlin» model's terms (construing «professional» education
as, say, paideia into the
habitus of faith).
habitus is an exhibition created by visual artist Ann Hamilton that weaves text, textile, and image together
as mediums for an imaginative and tactile exchange between artist and audience.
habitus is an exhibition created by artist Ann Hamilton that weaves text, textile, and image together
as mediums for an imaginative and tactile exchange between artist and audience.
daily routines present a body of work addressing such themes
as the perception of time, isolated consciousness, and the illusion of order, all of which depend on «social
habitus.»