Sentences with phrase «as head curator»

Holmes will continue to live in West Hartford, Connecticut, and serve as head curator of the Cartin Collection.

Not exact matches

In order to ready himself to play Reynolds Woodstock, he studied the lives of designers, learnt to sew, watched archive footage of 1950s fashion shows, consulted with the Victoria & Albert Museum's curator of fashion, apprenticed for a time under the head of costumes at the New York City Ballet and created his own couture dress from scratch using his wife, Rebecca Miller, as a model.

Dr. Wyatt Case is simply trying to keep his job as curator of the museum following a downturn in attendance and a board of directors out for his head.

Not that anyone would take the word of an eleven - year - old girl against that of the Second Assistant Curator — even if that girl just happens to be the daughter of the Head Curator of the museum and is rather cleverer than most (or so I've been told; oddly, I don't think they meant it as a compliment).

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

A Universal History of Infamy is presented as part of the Getty - led Pacific Standard Time: LA / LA initiative, and curated by Rita Gonzalez, curator and acting department head of contemporary art at LACMA; José Luis Blondet, curator of special initiatives at LACMA; and Pilar Tompkins Rivas, director of the Vincent Price Art Museum.

(During the 1990s, he kept coming, both as an architecture aficionado and as a curator, borrowing Impressionist works from the DMA and other U.S. museums to supplement an exhibition with a trove of 41 loans from Paris's Musée d'Orsay, and Roy Lichtenstein's Head with Blue Shadow (1965), from Raymond Nasher for a Lichtenstein sculpture survey.

Although the MFA Houston has not yet replaced the distinguished curator Barry Walker, who retired as Head of the Prints and Drawings Department in August of 2011 (and, sadly, died unexpectedly several months later), the museum has retained Assistant Curator of Prints and Drawings Dena Woodall, who held her position when Walkecurator Barry Walker, who retired as Head of the Prints and Drawings Department in August of 2011 (and, sadly, died unexpectedly several months later), the museum has retained Assistant Curator of Prints and Drawings Dena Woodall, who held her position when WalkeCurator of Prints and Drawings Dena Woodall, who held her position when Walker left.

Prior to his tenure at Hood, Taylor spent his career at the Philadelphia Museum of Art from 1997 until 2011, most recently as the Muriel and Philip Berman Curator of Modern Art and Head of the Department of Modern and Contemporary Art.

As Yale Union's head curator from 2012 — 2016, Snowden produced experimental projects, special commissions, and in - depth shows with artists such as sculptor Park McArthur, printer William Oorebeek, assemblage artist Yuji Agematsu, and experimental musician and artist Charlemagne Palestine, among other creators of all stripeAs Yale Union's head curator from 2012 — 2016, Snowden produced experimental projects, special commissions, and in - depth shows with artists such as sculptor Park McArthur, printer William Oorebeek, assemblage artist Yuji Agematsu, and experimental musician and artist Charlemagne Palestine, among other creators of all stripeas sculptor Park McArthur, printer William Oorebeek, assemblage artist Yuji Agematsu, and experimental musician and artist Charlemagne Palestine, among other creators of all stripes.

As part of the Diamonstein - Spielvogel Lecture Series at the National Gallery of Art, artist Brice Marden joined Harry Cooper, the Gallery's curator and head of the department of modern and contemporary art, to discuss the evolution of his career and the influence of his contemporaries on his work.

Included in this catalogue are full - colour reproductions of works in the exhibition, as well as an interview with the artist by Franklin Sirmans, Terri and Michael Smooke Department Head and Curator of Contemporary Art at the Los Angeles County Museum of Art, and an essay by Lowery Stokes Sims, Curator Emerita at the Museum of Arts and Design, New York.

FRANKLIN SIRMANS Curator Franklin Sirmans served as head of contemporary art at the Menil Collection in Houston and the Los Angeles County Museum of Art (LACMA), most recently, before being appointed director of the Perez Art Museum in Miami (PAMM) in September.

As the show opened, we spoke to head curator Nancy Ireson and assistant curator Emma Lewis to find out more.

Britt Salvesen joined the Los Angeles County Museum of Art (LACMA) in 2009 as curator and head of the Wallis Annenberg Photography Department and the Prints and Drawings Department.

We spoke with the Ohio Committee's collaborating curator Reto Thüring, Associate Curator of Contemporary Art at the Cleveland Museum of Art, and the United Kingdom's Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, to hear about the exhibition and its flora and fauna theme as well as their curatorial pcurator Reto Thüring, Associate Curator of Contemporary Art at the Cleveland Museum of Art, and the United Kingdom's Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, to hear about the exhibition and its flora and fauna theme as well as their curatorial pCurator of Contemporary Art at the Cleveland Museum of Art, and the United Kingdom's Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, to hear about the exhibition and its flora and fauna theme as well as their curatorial process.

At the same time, as Chris Stephens (Head of Displays, and Lead Curator of Modern British Art, Tate) has acknowledged, his art «challenged and dispensed with the values at the heart of the American painting», reflecting a new spirit of engagement with popular culture and the mass media.

The Virginia Museum of Fine Arts has named Dr. Leo G. Mazow as the Louise B. and J. Harwood Cochrane Curator and Head of the Department of American Art.

This fully illustrated publication features texts by curator Chus Martínez, head of the Institute of Art of the FHNW Academy of Arts and Design in Basel, Switzerland, art historian and critic Kaira Cabañas, and Gego's grandson, Daniel Crespin, as well as previously unpublished archival material.

As Head of Exhibitions and Display at Tate Modern, London (1997 - 2001), as Director of Exhibitions at the Institute of Contemporary Arts, London (1986 - 92), and as an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous living artistAs Head of Exhibitions and Display at Tate Modern, London (1997 - 2001), as Director of Exhibitions at the Institute of Contemporary Arts, London (1986 - 92), and as an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous living artistas Director of Exhibitions at the Institute of Contemporary Arts, London (1986 - 92), and as an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous living artistas an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous living artists.

Previously, as department head and curator of contemporary art at the Los Angeles County Museum of Art (LACMA), he could duck in...

Franklin Sirmans, the Terri and Michael Smooke Department Head and Curator of Contemporary Art at Los Angeles County Museum of Art (LACMA), is serving as the Artistic Director for «Prospect.3: Notes for Now.»

«It has been an outstanding opportunity to collaborate with Christy and Bill Gautreaux as we identified thematic threads unique to their collection,» states Erin Dziedzic, curator and head of adult programs at the Kemper Museum.

Carlos Picón to direct Colnaghi's New York outpost Carlos Picón, a curator at the Metropolitan Museum of Art, is to take over as head of London dealership Colnaghi's fledgling New York outpost.

Harry Cooper (Curator and Head of Modern Art, National Gallery of Art, Washington, D.C.) will serve as respondent.

AFTER SERVING AS DEPARTMENT HEAD and curator of contemporary art at LACMA and artistic director of the 2014 Prospect New Orleans biennial exhibition, Sirmans joined the PAMM last October.

Formerly head of the Department of Modern and Contemporary art as well as the Houghton Curator of Contemporary Art at the Harvard Art Museum, she presented an exhibition of photographs by Moyra Davey and ACT UP NY: Activism, Art, and the AIDS Crisis 1987 - 1993.

Britt Salvesen joined LACMA in October 2009 as curator and head of the Wallis Annenberg Photography Department and the Prints and Drawings Department.

London's Institute of Contemporary Art has named Katherine Stout as its new head of programs, recruiting her from the Tate, where she has been curator of contemporary art.

The panellists for the 2016 award included curators and artists, such as Clare Lilley, Director of Programme at Yorkshire Sculpture Park; Phillip Prodger, Head of Photographs at the National Portrait Gallery, Alex Newson, Senior Curator at the Design Museum, and John Keane, artist and Aesthetica Art Prize Winner 2015.

Nearly a year after Paul Schimmel's controversial departure from MOCA as the museum's long - standing chief curator in 2012, Schimmel has come out with his head high above water.

Jochen Volz is Chief Curator of the 32th São Paulo Biennale in 2016 and has served as Head of Programmes of the Serpentine Galleries in London between 2012 and 2015.

Ms. Cotton, 45, has held positions as curator of photographs at the Victoria and Albert Museum in London and curator and head of the Wallis Annenberg Department of Photography at the Los Angeles County Museum of Art.

Gavin Delahunty will be leaving his role as Head of Exhibitions and Displays at Tate Liverpool to take up the position of Hoffman Family Senior Curator of Contemporary Art at Dalla Museum of Art (DMA) in the spring of 2014.

Kathryn Kanjo returned to the Museum of Contemporary Art San Diego in 2010 as Chief Curator and Head of Curatorial after nearly two decades across the country as curator and director in museums including Portland Art Museum and University Art Museum at the University of California Santa Barbara, as well as the artist residency program Artpace in San Antonio where she helped turn the formerly private foundation into a public charity that went on to feature over 70 on - site specific works by aCurator and Head of Curatorial after nearly two decades across the country as curator and director in museums including Portland Art Museum and University Art Museum at the University of California Santa Barbara, as well as the artist residency program Artpace in San Antonio where she helped turn the formerly private foundation into a public charity that went on to feature over 70 on - site specific works by acurator and director in museums including Portland Art Museum and University Art Museum at the University of California Santa Barbara, as well as the artist residency program Artpace in San Antonio where she helped turn the formerly private foundation into a public charity that went on to feature over 70 on - site specific works by artists.

Ever since Mark Rosenthal left his job as head of 20th - century art at the National Gallery in Washington to become an independent curator, museums around the country have sought his talents.

The monograph includes a foreword by Hilary Roberts, the Head Curator of Photography at the Imperial War Museums in Britain as well as an essay by Natalie Zelt, the co-author and co-curator of, War / Photography: Images of Armed Conflict and Its Aftermath.

Alexander also served as the Department Head and Senior Curator at the Baltimore Museum of Art and curated the only US retrospective the Austrian artist Franz West during his lifetime, Franz West, To Build a House You Start with the Roof: Work, 1972 - 2008 (MIT Press, 2008).

The National Gallery of Art has announced that it has purchased one of the show's best paintings for its permanent collection, as the only undisputed Arcimboldo work in public hands in the U.S. -LSB-...] Curators are giving it the awkward title of «Four Seasons in One Head» and dating it to around 1490, when Arcimboldo would have been in his 60s.

James David Draper, the Metropolitan Museum's Henry R. Kravis Curator, will then serve as interim head of the department until January.

Anne Pasternak became the first woman to head one of New York's two encyclopedic museums when she was named director of the Brooklyn Museum in 2015, and Nancy Spector rejoined the Guggenheim in New York as chief curator and artistic director earlier this year.

Based in New York, she is continuing her role at Performa, where she serves as curator and head of programming at the Performa Institute.

In 1974 he was appointed Curator and Head of the Film and Video Department at the Whitney Museum of American Art where he directed the «New American Film and Video Series» which featured independent film and video art programming as well as commissioning art projects and expanding the museum's collection to include video installation art.

Heading the artistic office in Athens is Marina Fokidis, a writer and curator who founded the Kunsthalle Athena and the biannual arts and culture publication «South as a State of Mind.»

The Met has observed that process closely, especially since its head of modern and contemporary art, Sheena Wagstaff, spent more than a decade as chief curator at Tate Modern.

Max Presneill is currently the Executive Director and Head Curator for the Torrance Art Museum as well as Curatorial Director of ARTRA Curatorial, an independent curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up exhibitions.

From 2004 - 2008 she was Exhibitions Curator at Iniva, heading their on - site and touring programme as well as off - site public art projects.

The curator, Marie Costello, interim director of the gallery, writes in her catalog essay that the woman is reminiscent of a Renaissance Madonna, and indeed the woman's broad - brimmed black hat appears as a kind of halo around her head.

Previous to the ICA, she served as curator and head of the modern and contemporary art department at the Harvard Art Museums, from 2007 to» 10, before which she was chief curator at the Wexner Center for the Arts, Columbus, Ohio.

Melissa Messina curated solo exhibitions for such artists as Nick Cave, Whitfield Lovell, Rafael Lozano - Hemmer and Shinique Smith, and the photography exhibition Room In My Head: Staging Psychological Spaces, among others as the former Senior Curator at the Savannah College of Art and Design.