Sentences with phrase «as her signature canvases»

The Studio Museum in Harlem and the Frances Young Tang Teaching Museum and Art Gallery at Skidmore present an exhibition featuring works from every period in painter Alma Thomas's career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections.

The exhibition features works from every period in her career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections.

Not exact matches

They are delicious as - is, however I also found Idahoan ® Signature Russets Mashed Potatoes to serve as the perfect blank canvas for creative mashed potatoes, like this recipe for Broccoli Cheddar Mashed Potatoes.

Both the Monogram Canvas as well as the flower are the house's signature symbols.

The SLS AMG Roadster features the same six point three liter V8 engine as the SLS AMG but forgoes the signature gullwing doors in favor of regular doors to make way for the canvas roof.

Signature DNA Unleashed, a Kansas City, Mo. - based company that offers a range of pet DNA portraits (from table - top formats to large canvas prints), as well as rings and dog tags engraved with the DNA image, launched at the 2011 SuperZoo trade show in Las Vegas and has been in business for a little over a year.

The Nippon Ichi online shop will also have a limited edition version, which features everything from the First - Print Premium Box as well as an original canvas illustration with a replica signature (size W275mm × H220mm × D19mm) for 8,980 yen.

Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.

These are then transferred onto a canvas surface where Joo's signature methodology is implemented as he combines painting, print - making, photography and sculpture.

As one can expect to see from Abelow, there is a lot to look at — paintings on canvas and burlap, as well as framed pencil drawings fill out the space in his signature, serial manneAs one can expect to see from Abelow, there is a lot to look at — paintings on canvas and burlap, as well as framed pencil drawings fill out the space in his signature, serial manneas well as framed pencil drawings fill out the space in his signature, serial manneas framed pencil drawings fill out the space in his signature, serial manner.

As Lobel states, «While the reference images for most of Lichtenstein's signature Pop paintings are now known, the source for Mr. Bellamy, an important early canvas in the collection of the Modern Art Museum of Fort Worth, has long gone unidentified.»

Beginning in the period prior to his signature «Black» paintings, massive canvases covered in black house paint in thinly separated stripes, the exhibition will showcase the breadth of Stella's creative output as he transitioned from abstraction to minimalism and sculpture.

She often cited natural elements as inspiration, and her signature style reflects the influences of Henri Matisse, Josef Albers, and Wassily Kandinsky — featuring loosely painted yet meticulously constructed canvases, filled with latticework of bright color creating patterns from negative space.

A prominent Pop artist, Claes Oldenburg's signature sculptures depict everyday objects such as French fries, telephones, and hot water bottles, made from soft materials including latex and canvas.

In order to achieve his signature style, Bhavsar carefully and deliberately sifts layers of pure pigment powder onto canvas using different tools such as sieves and screens.

The persecution of his parents in their homeland, the Ku Klux Klan activities they witnessed in California and his father's suicide were all absorbed into his developing artistic practice, emerging as powerful motifs in his late, signature canvases.

Additionally, the artist stated the signature was not his, that he hasn't been painting on canvas at the time and that he has never painted a single painting in acrylic, as this one was.

Mr. Smith's nine canvases insouciantly sum up the show's no - holds - barred attitude, tripping the light fantastic with works variously monochrome, gestural and figurative, as well as a kitschy sunset and the artist's signature, writ goofily large.

Kenneth Noland's colorful concentric circles, targets, chevrons, stripes, and shaped canvases were among the most recognized and admired signatures of the postwar style of abstraction known as Color Field painting.

As he continued to develop his style, Stella also showed a marked willingness to expand his approach, branching out into his signature shaped canvases as well as his later three - dimensional relief sculptures and architectural designs among other unique projectAs he continued to develop his style, Stella also showed a marked willingness to expand his approach, branching out into his signature shaped canvases as well as his later three - dimensional relief sculptures and architectural designs among other unique projectas well as his later three - dimensional relief sculptures and architectural designs among other unique projectas his later three - dimensional relief sculptures and architectural designs among other unique projects.

The show included intricately woven canvases, handmade geometric glass objects used as paintbrushes, and Auerbach's signature ability to turn heady math into graphic beauty.

This extensively illustrated catalogue — the first comprehensive Reinhardt overview in 13 years — reproduces the artist's signature «black» paintings (his 60 x 60 inch canvases of the 1960s, which he considered to be his «ultimate» aesthetic expression, and «the last paintings that anyone can paint»), as well as his cartoons and photographic slide presentations.

By this time, Vigas had created such signature early pictures as Composición IV (Composition IV, oil on cardboard, 1944), with its melding of abstract forms, layered Cubist pictorial space and a palette recalling that of Old Master canvases.

We'll be exhibiting works in Melissa's signature style of acrylic paint manipulated between many layers of stretched polyethylene films as well as works on raw canvas utilizing this same technique of using the plastic, the pressure of her body and movement as a brush.

We'll be exhibiting works in Melissa's signature style of acrylic paint manipulated between many layers of stretched polyethylene films as well as works on raw canvas utilizing this same technique of using the plastic, the pressure of her body and movement as...

In the 1970s, attempting to free himself from what had become a signature style, Loving began destroying his hard - edged cube paintings and stitching the torn strips of canvas together to create large - scale, brightly colored geometric compositions, an action that echoed the quilting he had studied as a child.

Scaled to his height - Moore's signature format is 80 x 67» - his canvases contain enigmatic ovoid shapes he calls mirrors, floating on the surface as if on water.

The overlapping, sequential arrangement of the figures across the canvas makes it seem as though Baker is in motion, performing one of her signature dances.

Mark Rothkoâ $ ™ s search to express profound emotion through painting culminated in his now - signature compositions of richly colored squares filling large canvases, evoking what he referred to as â $ the sublime.â $ One of the pioneers of Color Field Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled setting.

Examine an intriguing collaboration of sculptural works by Peter Demetz, Caroline d'Andlau Hombourg and Rogerio Timoteo, signature seascape paintings by Antonis Titakis, Javier Banegas» continued exploration into colour and composition and Pedro Campos» monumental works on canvas as well as many more captivating examples of hyper - realistic artwork.

Typographic emblems, such as «Gagosian Gallery» and «Maritime Hotel,» are silk - screened onto canvas, mimicking the original format of the signature - branded notepads.

Das Orgien Mysterien Theater at Massimo De Carlo is structured as a mini retrospective of Hermann Nitsch's work: the artist is presenting a vast series of his signature large canvases spanning from the 1980's to more recent work created specifically for the show along with documentation of the history of Nitsch's performances, immersive installations and vitrines containing objects that are linked to his actions.

Featuring reproductions of early, less familiar paintings, as well as of Rothko's signature abstract canvases, and including essays by art historians, a chronology, and selected interviews.

The first of Gottlieb's signature «Burst» paintings, Black, Blue, Red (1956), will be included in the exhibition as well as a series of nine small, untitled canvases he created in 1968 that reveal Gottlieb's interest in exploring new color relationships.

The artist's signature technique of staining an unprimed canvas with diluted paints is employed to dramatic effect here, with added translucent bands of white that glimmer and oscillate as sunlight might play across its surface, while darker greys and browns add depth, richness and dimension.

CAM Raleigh presents five of these signature works — all abstract — in which the artist layers oil paint onto a plate - glass or Plexiglas support before scraping off the accumulating «skins,» as he calls them, and collaging them onto a canvas, letting the thickened medium ripple, sag, and wrinkle, marvelously, across the cotton surface.

Originally starting out as a painter concentrating on narrative themes, Martin eventually developed her signature influential style of hand - painted grids on canvas, with muted backgrounds.

Many pieces in the exhibition were created by artists working with abstraction, such as Sam Gilliam's works that expand upon color field painting, or Jack Whitten's signature, process - based canvas.

She often cited natural elements as inspiration, and her signature style reflects the influences of Henri Matisse, Josef Albers, and Wassily Kandinsky — featuring loosely painted yet meticulously constructed canvases, filled with lattice works of bright color creating patterns from negative space.