This was not an intentional action — but more so due to the fact that I had not yet had the opportunity to stand in a room with his work, instead experiencing his massive sculptures and spray - painted canvases
as images in books or online.
Not exact matches
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Although quite a few link building text
books advize you to avoid using
image links, and the results for this subject
in the Link Value Factors were inconclusive, I have always believed that optimized
image links can be nearly
as valuable
as regular text links.
These theological visions come from many sources, including: apocalyptic
books of the Bible from Daniel to Revelation; a nineteenth - century viewpoint on the end of times known
as dispensational premillennialism; and
images of the so - called «rapture» popularized
in novels such
as Hal Lindsey's The Late Great Planet Earth (1970) and the more recent Left Behind series.
But a spiritual epiphany, which she openly talks about
in her 2013
book Following the Breadcrumbs (Authentic) led her to use music
as a medium to communicate with young people suffering from low self - esteem and body
image issues.
The war question thus serves
as a proxy for the more fraught question at the heart of her
book: Has the restrictive creative atmosphere post-1979 been good for the moving
image in Iran?
Muslims to this day do not accept
images and such
in their worship and it is confusing
as to why Christianity can't follow suit
in worshipping an invisible God
in doing the same, especially when their history preceded Islam and wrote the
book (so to speak) on such pure worship.
A woman who is held back, minimized, or downplayed is not walking
in the fullness God intended for her
as an
image bearer (for instance, take a look at Carolyn Custis James» excellent discussion about being an «ezer kenegdo»
in her
book, «Half the Church.»)
Blessed John Paul used the relationship between Tobias and Sarah from the
Book of Tobit
as an
image of what life was like
in the Garden of Eden before sin.
In his recently published book, According to Your Faith, Mr. T. S. Gregory, who produced the meditation when it was broadcast in 1953, wrote as follows: «The Cross is Love without remorse or reprieve, sovereign and everlasting, the sole image of omnipotence known to me»
In his recently published
book, According to Your Faith, Mr. T. S. Gregory, who produced the meditation when it was broadcast
in 1953, wrote as follows: «The Cross is Love without remorse or reprieve, sovereign and everlasting, the sole image of omnipotence known to me»
in 1953, wrote
as follows: «The Cross is Love without remorse or reprieve, sovereign and everlasting, the sole
image of omnipotence known to me».
I think I decided to pursue it
as a full
book because I came to realize that the somewhat specific culture of «hipster Christianity» was actually indicative of much broader tensions and paradoxes
in contemporary Christianity dealing with identity,
image, and the question of cool.
Irshad Manji,
in her
book, The Trouble With Islam Today, quotes a Rabbi
as saying, The supreme religious challenge is to see God's
image in one who is not
in our
image.
In his book Third - Eye Theology (Orbis, 1979) he focuses on the image of the third eye in the teaching of the Japanese Zen master Daisetz Suzuki, who suggests that the aim of Zen Buddhism is to open up a vision of life that is usually clouded by our ignorance, a vision that will enable us to see ourselves as we truly ar
In his
book Third - Eye Theology (Orbis, 1979) he focuses on the
image of the third eye
in the teaching of the Japanese Zen master Daisetz Suzuki, who suggests that the aim of Zen Buddhism is to open up a vision of life that is usually clouded by our ignorance, a vision that will enable us to see ourselves as we truly ar
in the teaching of the Japanese Zen master Daisetz Suzuki, who suggests that the aim of Zen Buddhism is to open up a vision of life that is usually clouded by our ignorance, a vision that will enable us to see ourselves
as we truly are.
In the Reformation preaching image the Word of God may wrongly be equated with the solid lines of type in the book; the solidity of the pulpit may be misrepresented as the authoritativeness of something or other; and the preacher's power to interpret may be mistakenly equated with some kind of weight — not necessarily the girth of his stomach, but perhaps the athletic cut of his shoulders, or more probably the weightiness of his voic
In the Reformation preaching
image the Word of God may wrongly be equated with the solid lines of type
in the book; the solidity of the pulpit may be misrepresented as the authoritativeness of something or other; and the preacher's power to interpret may be mistakenly equated with some kind of weight — not necessarily the girth of his stomach, but perhaps the athletic cut of his shoulders, or more probably the weightiness of his voic
in the
book; the solidity of the pulpit may be misrepresented
as the authoritativeness of something or other; and the preacher's power to interpret may be mistakenly equated with some kind of weight — not necessarily the girth of his stomach, but perhaps the athletic cut of his shoulders, or more probably the weightiness of his voice.
Blessed John Paul used the relationship between Tobias and Sarah from the
Book of Tobit
as an
image of what life was like
in the Garden of Eden before...
It is not so much God who is seen
as it is the
image of a man (
as in the
book of Revelation).
Because
images,
in a
book or
in a sermon, are generally regarded
as decorative and hence optional
in their bearing upon the principal form and content of the communication, the imaginative preacher may have to endure such comments
as «His sermons don't seem theologically weighty» or «It was too interesting to have contained much truth», or perhaps such inverted compliments
as «I was much involved
in your talk, or whatever it was.
This isn't so much a coloring
book in the usual sense
as simply a
book of reproducible coloring pages, which feature intricate stained - glass - effect
images of saints for every month of the....
This isn't so much a coloring
book in the usual sense
as simply a
book of reproducible coloring pages, which feature intricate stained - glass - effect
images of saints for every month of the year.
Besides the spirited attacks already mentioned,
in this
book Ellul also criticizes icons and
images as idols, along with computers, comic strips, slogans, technical efficiency, the death - of - God theology, and political and liturgical spectacle.
I am increasingly uncomfortable with current
images of God,
as often found
in books and workshops that mix popular psychology with a theology wholly devoted to self - realization.
As I share
in my
book, after a couple of minutes of praying the
image of the Lion on the Wizard of Oz suddenly popped into my mind and I saw him saying, «I do believe, I do believe, I do, I do, I DO believe!»
We are apt to recognize propaganda
in its most glaring forms, such
as the nationalistic posters of earlier wars that illustrate Keen's
book, but its impact is absorbed without notice when it flows through the river of
images that pours out of the television set.
And OK, I'll admit it: I was happy that I correctly identified each of the 10
images before looking at the description legend
in the back of the
book — a good sign for this Boston lifer
as well
as for Kevin Somers, the talented illustrator of this
book.
In a perfect world, women (and men) would learn about childbirth from reading books and websites and talking to their care provider (doctor or midwife), to a doula, to their mother, aunts and friends, but unless you live under a rock, women (and men) also learn about childbirth when they are bombarded with images on TV and in movies that depict childbirth as something scary, painful and out of contro
In a perfect world, women (and men) would learn about childbirth from reading
books and websites and talking to their care provider (doctor or midwife), to a doula, to their mother, aunts and friends, but unless you live under a rock, women (and men) also learn about childbirth when they are bombarded with
images on TV and
in movies that depict childbirth as something scary, painful and out of contro
in movies that depict childbirth
as something scary, painful and out of control.
Austin and I created this coffee table
book for the sole purpose of educating the world about the true
image of dads
as parents, which embodies the same kind of unconditional love, compassion and dedication that exists
in moms
as parents.
That love is so beautifully pervasive
in the incredible naptime
images of her son Beau and rescued puppy Theo; some of these
images now can be found
in Jessica's new picture
book, Naptime with Theo & Beau, which I'm sharing
as this week's Friday Find.
This
book is the perfect follow up after seeing the film
as each page or double spread has an
image taken from the film and stickers to add
in acting
as a great reminder of the film.
Try to build on the
images in their favorite illustrated
book and have them imagine entering the
book to play with the characters (
as long
as there are no scary themes).
- Read the story and have your child place the picture caps over the corresponding
images in the
book,
as in the picture at the top of the post.
Whilst the resultant designs were expressed purely
as collaged
images for use
in the
book, the projects were considered
in a surprising level of detail.»
For me, this is one of the most engaging chapters
in the
book,
as Suddendorf has spent time with these animals and leaves us with some indelible
images.
Finally, they assembled these still
images to create a film,
as in a «flip
book.»
But from these scraps, we are slowly piecing together an
image of this real - life King Kong -LRB-... or —
as portrayed
in this year's remake of The Jungle
Book — King Louie), how it lived and why it eventually vanished from the face of the planet.
As I wrote
in my
book Wide Open, my issues around food and body
image originated from significant trauma during my childhood.
Kaia has already landed editorials
in high fashion magazines such
as CR Fashion
Book, Interview, and Vogue Italia, but these
images for Chrome Hearts marks her first ad campaign since she signed with IMG Models and began her rapid - fire trajectory towards supermodel - dom just last year.
«Tired of London, Tired of Life: One Thing A Day To Do
in London», a 224 page illustrated colour
book based on this website, published by Virgin
Books on Successful Black Man, also known
as «Successful Negro», is an advice animal
image macro series featuring a photo of a black man dressed
in business
, a map a Tehran for your next vacation, showing notable locations from scenes
in the film, a 40 - page
book with
images and info on the movie, and a reproduction of Tony Mendez's CIA card (with the face of Ben Affleck
as Tony, alas).
Her burden is treated
as grist for comedy, notably
in the repeated
images — fluttering like a flip
book — of her enduring a lonely maternal crucible
as she feeds and diapers the newborn again and again.
Many people, including Harlan Ellison, have claimed that the Star Child was a last - minute addition to the film — but
in Agel's
book, he said that one of the first
images shot was of a little boy
in a leotard, for consideration
as the Star Child.
Keynes,
as an heir to the Darwinian legacy, may have been attempting to redeem the character of his great - great grandfather
in the writing of the
book,
in order clear up his grandfather's lackluster
image — one denounced particularly by those of faith over the century and a half since the publication of... Origin....
A 2019 theatrical release is
in the works for The
Image Book, which uses bold, visual imagery and film clips
as Godard himself comments and reflects on... Read
At various points
in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows
as Homicide and Division 4 for Crawford Productions, was central
in establishing film courses and departments
in places such
as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama
in the 1960s, directed feature films
in the early 1980s (most memorably Ginger Meggs
in 1982), made documentaries for the ABC and SBS (The Myth Makers,
Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such
books as Screenwriting: A Manual and Queensland
Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.
As he does, «The Little Prince» makes a remarkable stylistic leap from the accomplished but familiar CG environs of these opening scenes (big - eyed, bobble - headed humans; modernist - futurist design influences) into 2D stop - motion animation, bringing the world of Saint - Exupery's original story to life
in beautiful handcrafted
images based on the author's own crudely elegant watercolors (seen
in the
book's first printing and all subsequent editions).
Designed like a
book, it featured flecks of blood scattered throughout and a small
image of Annie holding a knife
as Paul lies
in bed behind her.
There's something fundamentally powerful about the film's (and
book's) understanding of humankind
as the push - and - pull between enslavement and freedom, though the directors are better off expressing its themes
in a flurry of gorgeous
images than
in the overly explicit voiceover narration.
Harper really delivered these
images in the highest possible quality
as well
as complete
book presentation.
This
image of Bilbo, caught from behind
in long take, succinctly articulates the essence of Tolkien's
book as a testament to the wonders of leaving one's comfort zone.
This was one of those rare times I'm glad I gave it a shot
as this was a tremendously entertaining film that consistently pushes the limits of 3D creativity
in a way to seem like the
images are leaping straight from the comic
book panels.
In addition to the tie for screenplay, they awarded a «Palme d'Or Spéciale» to the veteran filmmaker Jean - Luc Godard, whose «The Image Book» was the most abrasive and adventurous thing in Cannes by several light years — another of his dense, synapse - frying meditations on the decay of language, imagery and civilization as we know i
In addition to the tie for screenplay, they awarded a «Palme d'Or Spéciale» to the veteran filmmaker Jean - Luc Godard, whose «The
Image Book» was the most abrasive and adventurous thing
in Cannes by several light years — another of his dense, synapse - frying meditations on the decay of language, imagery and civilization as we know i
in Cannes by several light years — another of his dense, synapse - frying meditations on the decay of language, imagery and civilization
as we know it.