That includes abstract artists such as James Nares, Gregg Stone, Walter Biggs, Callum Innes, and Pat Lipsky, as well
as imaginary landscapes by Nancy Scheinman.
The exhibition «The Dream of Forms», presented for the twentieth anniversary of Le Fresnoy — Studio national des arts contemporains, has been conceived
as an imaginary landscape, a monstrous garden with perishable forms growing in it, as well as germinating surfaces, protuberant organisms and flat figures.
Not exact matches
According to him, «While the blackmailers claimed that the contracts were awarded by the Director General of the Agency, Muhammad Sani - Sidi, NEMA has never awarded contract of such huge and
imaginary sums for car park and
landscaping and challenge the blackmailers parading themselves
as whistle blowers to come up with their facts.»
There is a sense of discovery in scene after scene of «The Phantom Menace,»
as he tries out new effects and ideas, and seamlessly integrates real characters and digital ones, real
landscapes and
imaginary places.
Gottlieb called his series Burst and
Imaginary Landscapes, and both titles could apply to Bannard
as well.
Taking a sheep
as a main motif in this body of work, the artist is portraying an
imaginary landscape inspired by a world of order and disorder.
Silver's goal
as an oil painter is to freely use color and shape to create abstract paintings that he transforms into
imaginary landscapes.
Thomas's «Interiors and
Landscapes» series, depicting
imaginary environments (at left, Landscape With Ocean, 2012), was inspired by her residency last year at Giverny, Claude Monet's home and gardens, and is influenced by vintage books on modern décor
as well
as the artist's interest in how we «decorate our spaces to make us feel like a particular character or person.»
Of course,
as both «
Imaginary Landscapes» and «Caribbean: Crossroads of the World» incisively illustrate, this world is indeed very old with a complex history predating Columbus.
With more than 250 works on show, the exhibition explores the tireless experimental spirit that drives Raysse's entire artistic output, from his small, playful sculptures to the self - discipline of drawing; from films expressing the libertarian trends of the 1970s to Raysse's use of neon
as colour; and from installations celebrating consumer society to his paintings, which represent the most complete aspect of his work — among them, transcriptions of great Renaissance masterpieces, female portraits, large group paintings, and
imaginary landscapes.
This new Hatje Cantz publication emphasizes the influence of Arte Povera on Rhode's aesthetic, whose creative dialogue also formed during his meeting with the gallery Tucci Russo and his early collaborative efforts with photographer Paolo Mussat Sartor, in which he transformed urban
landscapes and interior spaces into
imaginary worlds,
as two - dimensional renderings become the subject of three - dimensional interactions by a sole protagonist (usually played by the artist or by an actor inhabiting the role of artist).
Artists Amze Emmons and Kevin Haas present
imaginary landscapes as the potential for progressive living, juxtaposed...
This
imaginary, it seems, does not stem from your own imagination; rather, it exists
as a factual system of references that fosters your belonging to distinct cultural
landscapes and collective styles.
For this installation the artist has isolated the monuments, which are unique to Shanghai, and presents them
as scale models in an
imaginary landscape.
As well as depicting dramas I also create tiny tales of growing and crumbling relationships using «anthropomorphic beings», often set in an imaginary landscap
As well
as depicting dramas I also create tiny tales of growing and crumbling relationships using «anthropomorphic beings», often set in an imaginary landscap
as depicting dramas I also create tiny tales of growing and crumbling relationships using «anthropomorphic beings», often set in an
imaginary landscape.
For example, a wide light box depicting a mirror image of a rural
landscape with a spider web - like vulva
as its center seduces the viewer into penetrating an
imaginary world.
As a child, he sketched
imaginary industrial
landscapes and drafted architectural plans for buildings that would never exist.
My goal
as an oil painter is to freely use color and shape to create abstract paintings that I transform into
imaginary landscapes.
He is one of the few contemporary sculptors who is able to animate his essentially abstract work,
as well
as evoke the delightful wackiness and incipient violence of cartoons without directly quoting their lumpen heads, awkward figures and
imaginary landscapes.
In 1956, the lower part of the
Imaginary Landscapes detached itself from the picture edges to become an independent floating form in vertical compositions known
as the Bursts, Gottlieb's best known works.
In a 1989 statement, Ghirri said his images, «become our impossible
landscape, without scale, without a geographic order to orient us; a tangle of monuments, lights, thoughts, objects, moments, analogies from our
landscape of the mind, which we seek out, even unconsciously, every time we look out a window, into the openness of the outside world,
as if they were the points of an
imaginary compass that indicates a possible direction.»
Trained in the classic artistic mediums, each artist adopted digital technology
as a means of deepening their investigations of invented
landscapes,
imaginary narratives, and personal identity.
As early as 1967 he made drawings of over-life-size sculptures set in imaginary landscape
As early
as 1967 he made drawings of over-life-size sculptures set in imaginary landscape
as 1967 he made drawings of over-life-size sculptures set in
imaginary landscapes.
His
landscapes are in no traditional sense surreal,
as those of Tanguy or Dalí, they are more reminiscent of surveys, outlines of an
imaginary landscape.
The exhibition includes examples from the primary series of Gottlieb's mature work — Labyrinths, Bursts, and
Imaginary Landscapes — highlighting the dialogue between the three bodies of work
as he made subtle but significant variations to a few familiar formats over three decades.
traces the continual and deliberate evolution in the artist's work from his early to late career and reveals Gottlieb's constant willingness to reevaluate his paintings throughout his lifetime.The eleven works on view, created between 1948 and 1972, focus on three specific series: the Pictographs, the
Imaginary Landscapes and the Burst paintings.
As Lilly Wei writes, «All three serve
as deeply meaningful touchstones, sometimes serious in intent, other times playful, to which he returned to time and again, in one formulation or another, all his life.»
While basing herself on the traditional genre divisions
as have existed throughout centuries —
landscape, still life, the human figure and the nude — Barkat shifts her subject matter into a subliminal world,
imaginary spaces and resorts to abstraction.
Using photographic images from newspapers or snapshots
as a starting point, Peter Doig recasts everyday imagery to make
imaginary landscapes and figure scenes.
«I go out and draw on the spot,
as I sit and draw from my car, a particular grouping of buildings upon a
landscape or an odd embellishment suggests an unarticulated
imaginary narrative of the occupants and passers - by.
Other important contributors to action painting include: Mark Tobey noted for his White Writing style of calligraphic gesturalism; Franz Kline, an artist whose works include colour field compositions
as well
as vigorous gestural work, sometimes compared to gigantically enlarged fragments of Chinese calligraphy); Robert Motherwell (in his series entitled Elegy to the Spanish Republic, and his powerful black and white paintings); Cy Twombly (in his gestural works based on calligraphic, linear symbols) and Adolph Gottlieb (noted for his abstract surrealist series including Pictographs,
Imaginary Landscapes and Bursts).
She is reluctant to think of her paintings
as landscapes,
imaginary or otherwise; and the notion that her work belongs to the tradition of «pastoral» painting,
as Lawrence Alloway and other critics have proposed, strikes her (Continued on Page 62)
as mostly rhetoric.
Works in the series «Notations (
Imaginary Landscape)» are on view and seen
as topographical portraits by the artist, visually translating the Antarctic
landscape's mountains and ice.
The compressed and flattened space of his early paintings gave way to illusions of deep, cavernous space, for example in his
imaginary landscapes and seascapes, such
as Un Sospiro di un onda.
Drawing upon his work experience
as a maze illustrator and architect, Aiba uses stone clay, epoxy putty, copper line, plastic, resin and various recycled items to create
imaginary landscapes around his small trees.