Sentences with phrase «as in a critique group»

Not exact matches

Who else can provide context if your portfolio isn't growing as quickly as your peer group, if they believe you paid too high a price on a deal, if they question your due diligence in a given situation or whatever critique they might offer?

As we say in critique group, if you don't like this idea, ignore it.

One way of acknowledging its revisability is to say that it can survive the critique laid for it by Wayne Proudfoot in his 1985 Religious Experience and, more importantly, by the postmodern culture for which Proudfoot speaks.13 If it ignores that kind of postmodern critique, I am suggesting, it will not deliver on the promise it has shown recently in the growth of The American Journal of Theology and Philosophy, in the founding of The Highlands Institute for American Religious Thought, in the resurgence of Columbia and Yale forms of neonaturalism and pragmatism in the work of Robert Corrington and William Shea, 14 and in the American Academy of Religion Group on Empiricism in American Religious Thought — as well as in the growing independent scholarship of those working out of the empirical side of process theology and the Chicago school.

Similarly, when a group of Christians in the Asian American community recently released a letter detailing some of their concerns about common stereotypes and prejudices within the evangelical community, I saw many on social media critique this action as «divisive» and «harmful to Christian unity.»

Given the magnified excessive self - regard of communities, groups, and nations makes love an impossibility in their relations, although love does serve as judgment and a transcendent critique.

While some attention has been drawn to the Christian critique of sex and violence in television programming, the critique must also include other dehumanizing aspects such as consumerism, limited access for such groups as minorities and older people and the continuing exploitation of children and youth.

The critique protocol can be done as a whole class, in small groups, or in pairs.

In an article for Education Next released a few days ago, I critiqued an education theory advanced by a group known as the Broader, Bolder Approach (BBA), a coalition of teacher union leaders and others, including Helen Ladd, a professor at Duke University, who co-chairs the group.

The NM State Plan has been widely recognized as one of the best in the country by independent groups and commissions on both sides of the aisle, and I would like to extend our state's appreciation to the Collaborative for Student Success & Bellwether Education Partners, the Alliance for Excellent Education, Results For America and other leading educational organizations that have weighed in with both praise and critique in the spirit of advancing student outcomes.

And even though SSWS attendees were competing with one another for slots in the book, we cheered each other on, critiqued stories to help one another, and as often happens with this group, we did all we could to help our writing friends succeed.

Can you share some insight as to how to get in a great critique group?

In addition to publishing, consulting, writing and speaking, Tara serves on the Boards of Directors for a Christian writers» critique group, as well as acting as co-president and chaplain of the group.

I think all writers who have been in critique groups or workshops can relate to my scene of the out - of - control writers goaded into bullying by a narcissistic workshop leader.As helpful as critique groups can be, they can be truly toxic when they go bad.

If you're participating in a critique group, it's wise to invest in a couple of good writing books or a vetted, solid writing course as well.

I think that's true in reviews as well as critique groups.

Never take what you hear in critique groups or workshops as gospel.

Also, as a YA writer in a mixed critique group, I have to filter adult - writing critiquers» responses through my understanding of YA writing.

One of my cps had experiences such as you talked about in a «live» critique group.

I do still encourage the use of critique groups and beta readers as a first step in learning the ins and outs of the craft and business of writing, but keep in mind that most of what you hear in a critique group needs to be taken with a grain of salt.

Anne: As you know, I had the great pleasure to be in your mom's critique group when she was writing ROXANNA and we were all impressed with the writing and research that went into it.

Kris Montee, one of the sister pair who write as PJ Parrish, discusses this in Getting pecked to death: Are critique groups worth it?

As a critique group leader, I send approximately 55 invitations each week to people involved in writing a commercial - length novel.

And, as my friend Kasie reminded me yesterday, I have to write something in the next week for critique group.

There are many ways to get free feedback before you get to the editing stage, as we detailed in our August posts on editing, critique groups, and beta readers.

And as you say, the best way to do that is in a critique group.

I have a super critique group, and as I edit, I try to imagine the questions they would ask: Have I placed enough description in my scenes?

I especially wanted to thank you for including resources about beta readers as although I've been part of online and in - person critiquing groups and continue to be in one, I find there's a lot of demand for something to facilitate easier connections between beta readers and writers.

The other «trap» as a new writer, or even as a writer in a critique group, I'd be careful of is the «likeable» character criticism.

I think it's good for us to keep ourselves open to new experiences, such as your critique group, but also build in space for downtime and self - care.

As my critique group knows, I lived in China for about a decade before moving to the Denver area five years ago, and my family (husband, two other kids, and I) are now in the process of adopting a teenager from one of the provinces we lived in.

-- from a new writer in my local SCBWI critique group The «quality of self - published works» is a topic so ripe for contention, it almost intrinsically qualifies as link bait.

RMFW offers regular, general critique groups as well as genre - specific critique groups for members interested in feedback on works in progress, cover letters or synopses.

Lead or start a new critique group: RMFW offers regular, general critique groups as well as genre - specific critique groups for members interested in feedback on works in progress, cover letters or synopses.

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As for my own authenticity in writing, I am fortunate that I'm blessed with a critique group that doesn't pull punches.

If you are serious about your writing; if you are seriously pursuing publication and want to be involved in a group that will push you to your limits as a writer; if you are willing and able to commit the time necessary to give thorough, constructive critiques, check out Romancing the Quill.

Because a good critique group can make a huge difference in how well and how quickly you grow as a writer.

I currently serve Jackson Hole Writers in many different capacities during the annual Jackson Hole Writers Conference, as well as facilitate writing workshops and a bi-monthly writers critique group during the entire year.

As the edges of aspen leaves in our valley begin to flame with gold and dry fields click with grasshoppers, the JHW KidLit Critique Group Read More...

When you're working with your publisher's inhouse editors, you're not as free to have an «I can take it or leave it» attitude toward their editing suggestions as you are when you're in a critique group.

Whether on a writing community such as FictionPress or Wattpad, or a Meetup group that focuses on critiquing fellow writers» work in person, it's a vital step of the writing process to share your works - in - progress with beta readers.

As one of the phrases on this group's logo image indicates, you need «lizard skin» to be an active member in this critique - only group.

Surely at least once a week, in some critique group somewhere, someone is uttering, as if citing stone tablets, that you must never begin a novel with a dream.

Author and radio broadcaster Reggie Lutz discusses her tendency as a writer to synthesize fiction genres, recommends qualities to look for in a writing critique group, offers advice on pitching and interviewing with radio hosts, and more.

Indeed, as head of the Urban Wildlands Group, current president of the Los Angeles Audubon Society, and author of the well - circulated «Critical Assessment of Claims Regarding Management of Feral Cats by Trap - Neuter - Return» (a compilation of cherry - picked «facts,» misrepresentations, and glaring omissions, which I've critiqued in some detail), Longcore (who, I suspect, is the same «Travis» whose comment brought Hutchins back from the brink in November) would seem to be the go - to guy on this topic.

The artist also has the chance to take part in an artist talk, which further clarifies their position, a preview exhibition or open studio event presenting initial work, which takes mid-way through the residency, as well as scheduled consultations and critiques, culminating in a final group exhibition.

Artists have a flexible schedule and availablity for studio visits Monday - Friday, 10 am - 5 pm, 2 - 3 times a month (occasionally on weekends); as well as, attend monthly meetings Tuesday - Thursday, 6 - 8 pm, to share work in progress with peers and participate in group critiques of solo exhibitions on view.

This exhibition seeks to reexamine the BMPT group by placing its work in context with the broader conversations surrounding institutional critique, performance, and the role of painting as a political medium...

That's why working in a collaborative studio space is beneficial as is meeting regularly with artists for group critiques.

This exhibition — the first critical examination of the significant, albeit brief, work of the four artists in 1967 — seeks to reexamine the group by placing its work in context with the broader conversations surrounding institutional critique, performance, and the role of painting as a political medium.