Not exact matches
Social media attacks on her led Kensington Palace (Harry's residence,
as well
as that
of his brother William) to
issue a statement last year decrying the «outright sexism and
racism of social media trolls and web article comments.»
This reminds me
of the way the church deals with critical
issues today such
as women's rights,
racism, sexual abuse, sexuality and gender, same - sex marriage, corruption among its leaders, and so on.
This selective «colorblindness» is a mighty convenient approach to race in America for white people, for it allows us to paper over America's troubled (and decidedly anti-Christian) history, to discount
racism as a thing
of the past for which we are no longer responsible, and to ignore persistent racial injustices like mass incarceration, police brutality, voting rights
issues, white flight, and economic inequality, all while consistently benefiting from an oppressive system we claim we can not even see.
I think people really want to know how to think about these big
issues of the day, whether it's
racism and white supremacy —
as you see things like Charlottesville unfold — people want to know how to think about this from a Christian perspective.
Similarly, although many schools do excellent work promoting knowledge and understanding
of racism and poverty, it is much rarer to find even Catholic schools having Pro-life Awareness Weeks
as a standard annual whole - school activity in which pupils are encouraged to understand the justice and coherence
of Church teaching on abortion and related
issues.
On one side
of the coin the new trend for artists to talk about
issues such
as faith
as well
as mental health, police brutality,
racism, body image and fatherlessness is a refreshing shift from the materialistic, consumerdriven rhymes which hip - hop has become notorious for.
This is not to say that we can not come to impassioned, principled positions about how to vote, particularly when dealing with
issues as important
as sexual assault, bigotry,
racism, responsible foreign policy, religious liberty, and the dignity
of human life at every stage in its development.
Issues such
as racism, sexism, classism, heterosexism, handicapism, anthropocentrism, and whatever other «isms» we have devised toward the ill - being
of peoples require more than an analysis
of individual sin to account for the pervasiveness and depth
of the problem.
It is a commonplace among scholars
of the Women's movement that the 19th century struggle for women's rights in America had lost much
of its radical thrust by the end
of the century
as the vote became the single overriding
issue, and that supporters
of women's suffrage were not above an appeal to blatant
racism and class - consciousness to advance their cause.
As Goldstein shows, he was not sure that this
issue posed the same kind
of clear moral choice that
racism and segregation did.
the
issue is that you and your ilk want to blame him
as if all
of this suddenly happened when he was elected...
as if
racism and these police killings suddenly started under Trump....
She has also had various media and public appearances speaking on a wide range
of issues from multiculturalism, Islamophobia and
racism to social
issues such
as sexual abuse, generation conflicts, domestic violence and gender.
Debby Irving brings to racial justice the perspective
of working
as a community organizer and classroom teacher for 25 years without understanding
racism as a systemic
issue or her own whiteness
as an obstacle to grappling with it.
Briefings produced in 2010 by civil servants in the Department for Education (DfE) on the principle
of whether or not Steiner schools should gain state funding through the Free Schools programme express serious concern about
issues such
as racism, systemic bullying, academic rigour, secrecy and whether or not the schools would be able to pass Ofsted inspections, the British Humanist Association (BHA) can today reveal.
Ms. Timoner, who lives in Park Slope with her wife and two sons, is eager to attack what she sees
as the pressing
issues of the day — poverty,
racism, violence, deep inequality — with a kind
of communitarian approach to Judaism.
The court was concerned not with
racism, but with misrepresentation such
as that illustrated here, and it is not a simple matter since the policing
of it also raises
issues of freedom
of speech -LSB-...]
Appointed a leader to the party machine — ultimately in charge
of dealing with first - level disciplinary
issues — who had previously been in controversy over remarks that many perceived
as downplaying
racism;
«It's really important that we have robust systems in place, so that when somebody highlights, makes a complaint, raises
issues, or queries, around
racism and anti-semitism and sexism and all
of the «isms», that it's taken seriously, and it's acted upon
as swiftly
as possible.
Racist so shouldn't comment on Labour
issues, is it cimvicted racists, that shouldn't comment,
as everyone from David Blunkett, Roy Hattersley, Ken livingstone too Trevor Philips have been accused
of racism.
As with Wonder Woman last year, Black Panther is not only is a kick - ass superhero film, it uses the platform to address deeper
issues, in this case
racism, still - lingering colonial attitudes towards Africa, the role
of science and technology in improving the lives
of the disadvantaged, and what it means to be a leader.
Having just about put up with Dan Aykroyd blacking up in Trading Places, the
issue of Landis himself appearing
as a (highly stupid) Iranian does raise questions with regard to possible
racism.
Detroit makes clear that
as the riot degenerates into uncontrollable violence, the
issues of racism and civil rights fade into the darkness
as the city is destroying itself in a war, both sides fighting for their lives.
Frequently, race -
issue films act
as if black victims
of racism don't matter at all; Richard Attenborough's Cry Freedom (1987), about South African leader Stephen Biko, is focused almost entirely on Kevin Kline's fleeing journalist.
Admirably, the film manages to look at
issues such
as racism and cultural diversity without ever becoming overly - serious or weighty, and every member
of the cast plays their part tremendously.
And it deals with the
issue of racism that also helps to explain why Tarantino chose it
as a template (that, and he just likes to mash things up).
This year the movies moved to a much edgier beat, tackling such tough
issues as racism («Get Out»), revenge («Three Billboards Outside Ebbing, Missouri»), fear
of outsiders («The Shape
of Water»), poverty («The Florida Project») amongst others.
The effect one white American Olympic participant had on another may not be
as substantial a story to take up the 24 - hour news cycle
as the
issue of systemic
racism highlighted by the Rodney King beating and the O.J. Simpson trial, which happened before and after the main events
of this film, but it works to sell one
of the film's notable points.
But the film's true power comes from Rees» vision
of this world,
as her wide angle shots frame the full scale
of prejudice and injustice and reframe the larger
issue of systemic
racism that is
as deeply rooted in this country
as the McAllan's cotton crop.
As Stern Strom explains, after so many years, «we've been able to demonstrate what we said we were doing, in a full way,» in part because there's a much better understanding
of the complex
issues Facing History explores with students and teachers —
issues like
racism, prejudice, hatred, difference, and anti-Semitism.
«While it is a sad indictment on society
as a whole that we are still required to discuss and organise around
issues of racism, the NUT Black Teachers Conference has been instrumental in helping members challenge and achieve change within their schools and colleges.
Retaining an explicit emphasis in the new standards on including «opportunities for students to study relationships among science, technology, and society» (Hicks et al., 2014, Table 1) would open the door to consideration
of a set
of issues that every future teacher ought to be thinking about, for example, the power relationships enacted online
as manifest through sexism,
racism, anti-Semitism, and homophobia; the quality
of the discourse and information that circulates there and the effects
of rumor on reputation; notions
of public and private in a digital age; cyber bullying and suicide; copyright and plagiarism; ethics and professional responsibilities related to social media; and a host
of other topics and questions that a critical media literacy approach could raise regarding technology and citizenship education.
Systemic and / or historic
issues such
as individual and institutionalized
racism and classism; language barriers; gender bias; cultural blinders and a variety
of prejudices represent profound challenges and obstacles to positive parent - teacher relationships.
Racism in America can take the form of so much more than the «N» word, and here Oluo astutely dismantles issues such as police brutality, cultural appropriation and microaggressions, and the pervasive, poisonous power of racism and white supr
Racism in America can take the form
of so much more than the «N» word, and here Oluo astutely dismantles
issues such
as police brutality, cultural appropriation and microaggressions, and the pervasive, poisonous power
of racism and white supr
racism and white supremacy.
With the approach
of difficult
issues such
as rape, murder, or
racism, they shouldn't be handled with kid's gloves.
Developer Sledgehammer Games will also tackle
issues such
as racism, sexism, and religious persecution in the game, and how these
issues play in a world
of war.
Some Fire Emblem games tackle some very complex and adult
issues compared to other Nintendo games, such
as racism, and the cruelties
of war.
Issues of colonialism and
racism encroach upon the formal qualities
of The Battle
of Dien Bien Phu (1998 — 2000), a set
of maps on which the artist has charted the attacks on supply lines in the battle for the remote village in North Vietnam that served
as the final battle stage in the French War in Vietnam.
The participating artists address themes such
as memory and self - reflection, social and political
issues such
as discrimination,
racism, the failure
of the modern utopia, urban violence and exploitation
of the Amazon rain forest.
Those pieces — respectively by Alison Jackson, who's British, and Touba Alipour, who was born in Iran in lives in New York — are just a couple
of the 80 works by contemporary artists ages 18 to 80 from around the world whose creative juices were inspired by such hot - button
issues as racism, sexism and discrimination.
In February 2017, the Barnes Foundation will present Person
of the Crowd: The Contemporary Art
of Flânerie, an exhibition featuring the work
of 50 U.S. and international artists who have taken to the street throughout the post-war period to speak to
issues as diverse
as gentrification, gender politics, globalization,
racism, and homelessness.
In «Passing for White, Passing for Black», you write: «I've learned that there is no «right» way
of managing the
issue of my racial identity, no way that will not offend or alienate someone, because my designated racial identity itself exposes the very concept
of racial classification
as the offensive and irrational instrument
of racism it is.»
Issues of civil rights and government doctrine brought issues such as racism, feminism and the legitimacy of institutions into que
Issues of civil rights and government doctrine brought
issues such as racism, feminism and the legitimacy of institutions into que
issues such
as racism, feminism and the legitimacy
of institutions into question.
Also on view Hard Truths: The Art
of Thornton Dial — on view at NOMAfrom Feb 24 to May 20 — highlights Dial's significant contribution to the field
of American art and shows how the artist's work speaks to the most pressing
issues of our time - including the war in Iraq, 9/11, and social
issues such
as racism and homelessness.
The artist was praised by the judges for her «uncompromising tackling
of issues including colonial history and how
racism persists today»
as well
as her «expansive and exuberant approach to painting, which combines satire and a sense
of theatre».
Pope.L is included in The Barnes Foundation's exhibition, Person
of the Crowd: The Contemporary Art
of Flânerie, which features work by more than 50 international artists who have taken to the street to play detective, make fantastic maps, scavenge and shop for new materials, launch guerrilla campaigns, and make provocative spectacles
of themselves to speak to
issues as diverse
as commodity fetishism, gentrification, gender politics, globalization,
racism, and homelessness.
Large - scale works encompass the
issues that he was most interested in, such
as the Rosenberg trial (Les roses sont belles [The Roses are Beautiful]-RRB- in 1951; torture in Algeria (La question Djamila [The Djamila Question]-RRB- in 1957; the execution
of Julian Grimau (Les puissances du désordre [The Powers
of Disorder]-RRB- in 1963; and the Vietnam war (Burn, Baby Burn) and
racism in Alabama between 1965 and 1966.
The End
of Innocence explored these difficult and lingering early life memories, fantasies, and nightmares in works that address
issues such
as loneliness, bullying,
racism, poverty, violence, and war.
This summer,
as we finally acknowledge marriage equality in the US, Muholi's exhibition brings much - needed visibility to deeper
issues of racism, misogyny, and erasure, reminding us that this is just the beginning.
As a whole, the exhibition evidentiates historical and social
issues around racial stigmatization, the violation
of human rights and
racism.
Some
of these
issues include (but are not limited to) environmental justice, sexual violence, student poverty and housing, combating
racism,
as well
as decolonizing the curriculum.