Sentences with phrase «as loan exhibitions»

The School's gallery at 1156 Chapel Street focuses on work by students, including both those in the School of Art and Yale undergraduates, as well as loan exhibitions curated by students and faculty.

The Wadsworth Atheneum Museum of Art is honored to have been featured as the loan exhibition at the 2016 Winter Antiques Show.

Not exact matches

A number of items were loaned to the exhibition as well as photographs for the publication.

As part of the BFI's major UK - wide Black Star season the BFI Southbank is currently home to the Separate Cinema Exhibition, showcasing original film posters loaned from the most extensive private holdings of African - American film memorabilia in the world, The Separate Cinema Archive.

His significance is widely acknowledged when it comes to music, music videos, dance, choreography and fashion, but his impact on contemporary art is an untold story; one that has not been recognised with an international loan exhibition such as this.

His work can be found in many of the country's leading public and private collections, such as the Museum of Modern Art in New York, Brooklyn Museum and the San Francisico Museum of Modern Art, all of which have loaned work for our exhibition.

The exhibition at the Denver Art Museum, «Audacious: Contemporary Artists Speak Out», features highlights from the museum's collection of contemporary art as well as loans from local collectors.

The exhibition features installations from the Center for Land Use Interpretation, Megan May Daalder, Tara Donovan, Nance Klehm, Postcommodity, Emilija Škarnulyte, and Sissel Marie Tonn with Jonathan Reus, as well as objects and loans from David Brooks, the Center for Big Bend Studies, the Chihuahuan Desert Mining Heritage Exhibit, Rafa Esparza, Raviv Ganchrow, Paul Johnson, Candice Lin, the Long Now Foundation, Iván Navarro, the Sul Ross Herbarium, the Rio Grande Research Center, Oscar Santillán, and The University of Texas at Austin McDonald Observatory.

The impressive program of exhibitions at Gagosian Gallery often including loans and illustrated catalogues, as was done for this special event, are first and foremost concerned with supporting the artists they represent.

Mead Gallery, Warwick, 4 — 6 October 2014 The Mead Gallery takes one of Manet's masterpieces — The Execution of Maximilian (1869), on loan from the National Gallery — as the subject for what looks like a fascinating focus exhibition.

According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspaper.

Through some 120 works and documents loaned by museums in Vitebsk and Minsk and major American and European collections, the exhibition will present the artistic output of three iconic figures — Marc Chagall, El Lissitzky and Kazimir Malevich — as well as works by students and teachers of the Vitebsk school, such as Lazar Khidekel, Nikolai Suetin, Il» ia Chashnik, David Yakerson, Vera Ermolaeva, and Yehuda (Yury) Pen, among others.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

The exhibition presents works from the Daimler Art Collection as well as loans from German and international collections.

As well as some knockout paintings (with some, like Hans Eworth's splendid portrait of Mary I, on rare loan from other institutions), the exhibition presents, in its interpretation material, the fruits of the gallery's five - year research project Making Art in Tudor BritaiAs well as some knockout paintings (with some, like Hans Eworth's splendid portrait of Mary I, on rare loan from other institutions), the exhibition presents, in its interpretation material, the fruits of the gallery's five - year research project Making Art in Tudor Britaias some knockout paintings (with some, like Hans Eworth's splendid portrait of Mary I, on rare loan from other institutions), the exhibition presents, in its interpretation material, the fruits of the gallery's five - year research project Making Art in Tudor Britain.

The «ARTIST ROOMS» exhibition devoted to Hirst at the National Galleries of Scotland included five important works from the d'Offay collection, as well as loans from the artist.

Robert Gober's untitled series of photographs (1978 — 2000) and an untitled drain (1993 — 94), newly pledged long - term loans to the museum from Irma and Norman Braman, are on special view, as well as exhibitions of newly commissioned works by Chris Ofili and emerging Miami - based artist Tomm El - Saieh.

The touring «ARTIST ROOMS» exhibition devoted to Hirst, previously shown at the National Galleries of Scotland, included five important Hirst pieces from the d'Offay collection, as well as loans from the artist.

The gallery collaborates regularly with international institutions for the loan of works for temporary exhibitions, including the Magritte retrospective A to Z at Tate Liverpool and the Albertina in Vienna in 2011, the Magritte exhibition Mystery of the Ordinary 1926 - 1938 at MoMA in New York, the Art Institute of Chicago and the Menil Collection in Houston, in 2013 - 2014, as well as Lisette Model at the Jeu de Paume in Paris in 2009 - 2010.

While works were loaned from a number of private collectors, HBCUs including the Howard University, Hampton University and Clark Atlanta University, Michael Rosenfeld Gallery, and institutions such as the Schomburg Center for Research in Black Culture, Art Institute of Chicago and Museum of Fine Arts Boston, Powell emphasizes that the exhibition required the cooperation of the two women.

Inspired by Stanford faculty member Jeff Chang's much lauded book «Who We Be: A Cultural History of Race in Post-Civil Rights America,» the exhibition features art from the Cantor collection, selections from the Stanford Institute for Diversity in the Arts, as well as loaned works.

Featuring works from the BCMA's robust collection of American art, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confines.

Curated by Arne Glimcher, the founder of Pace Gallery, the exhibition evolved from the critically successful presentation of the series at Pace Gallery in London in 2017 and showcases several monumental paintings from that exhibition, as well as new loans from major museums including the Albright - Knox Art Gallery and the National Gallery.

Robert Rauschenberg: Among Friends is the follow up to the Tate exhibition that opened in late 2016 and features masterpiece, after masterpiece, such as Monogram and Mud Muse (rarely seen) on loan from the Moderna Museet in Stockholm.

(During the 1990s, he kept coming, both as an architecture aficionado and as a curator, borrowing Impressionist works from the DMA and other U.S. museums to supplement an exhibition with a trove of 41 loans from Paris's Musée d'Orsay, and Roy Lichtenstein's Head with Blue Shadow (1965), from Raymond Nasher for a Lichtenstein sculpture survey.

The first major presentation of Truitt's work at the Gallery, the exhibition celebrates the museum's acquisition of several major artworks by Truitt in recent years, including seminal works from the collection of the Corcoran Gallery of Art as well as several outstanding loans.

The majority of works in the exhibition will be on loan from private collections, and will comprise important, large - scale paintings from his most memorable themes, including French Money, Vocabulary Lessons, Civil War Veterans, Camel cigarette packs, as well as portraits of his mother - in - law Berdie, his then wife Augusta, and the poet Frank O'Hara.

The exhibition loans come from a wide variety of leading public and private collections, including: Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; Virginia Museum of Fine Arts; Mugrabi Collection; Berardo Collection; Robert B. Mayer Family Collection, Chicago; Frederick R. Weisman Art Foundation, Los Angeles, as well as from the Estate of Tom Wesselmann, New York.

In addition the museum presents international loan exhibitions such as Je Suis le Cahier: The Sketchbooks of Picasso (1988), German Expressionism After the Great War: The Second Generation (1989), and Picasso and the Age of Iron (1993).

Featuring works from the Guggenheim Panza Collection, augmented with loans from several German collections, the exhibition and catalogue trace the theatrical elements in Nauman's oeuvre, as well as his manipulation of the performer - spectator roles.

With loans from the New Walk Museum in Leicester, the V&A and private collections, this exhibition explores how Picasso enjoyed pushing the boundaries just as much in drawing, printmaking and ceramics as in painting.

The exhibition will feature loans from both museums and private collections, and include examples from Hammons» major series from the past five decades, including Body Prints, found - object assemblages such as the Heads, Basketball Drawings, Basketball Chandeliers, Tarps, Fur Coats, and Mirrors.

In the exhibition «Drawn from the Antique», set in the context of his beloved home, visitors explore the honing of the classical form in rarely seen loaned works by artists such as Rubens, JMW Turner RA and Henry Fuseli RA.

Through the work of artists in the permanent collection such as Martin Johnson Heade and Andy Warhol, as well as loans by contemporary artists such as Jessica Pezalla and Kendell Carter, the exhibition gives visitors new ways of relating to flowers through relationships to the human figure, scientific study, and moments when the floral form becomes ornamentation.

The scholarly, not - for - sale exhibition included loans from The Museum of Modern Art (New York), Musée départemental Matisse (Le Cateau - Cambrésis), The Hirshhorn Museum and Sculpture Garden (Washington D.C.), The Nasher Sculpture Center (Dallas), The Denver Art Museum, The Morgan Library and Museum (New York), as well as works from The Pierre and Tana Matisse Foundation, and private American and European collections.

This exhibition will feature loans from such notable institutions as the Smithsonian American Art Museum, The Metropolitan Museum of Art, The J. Paul Getty Museum, The Phillips Collection and The Pennsylvania Academy of the Fine Arts, among others.

Drawing on the extensive collection of the Norton Simon Museum with a few select loans, the exhibition includes works by the local founders of this movement such as John Altoon, Garo Antreasian, Sam Francis, Ed Moses, Ken Price, Ed Ruscha and June Wayne, as well as those who traveled to Los Angeles specifically to print, such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg and Robert Rauschenberg.

Featuring works by the American post-pop artist Rob Pruitt, the long - term exhibition Rob Pruitt 50th Birthday Bash opened to the public on May 10th, concurrent with the artist's birthday month, bringing together artworks from the Brant collection as well as loans from Gavin Brown's Enterprise.

For example, museums such as the Whitney Museum of American Art, the Museum of Modern Art, New York, the Metropolitan Museum of Art, Burchfield Penney Art Center, and the Chicago Art Institute have all loaned works for this exhibition.

Sawdust and Sequins will feature works by contemporary artists including Sir Peter Blake RWA (Hon), Abigail Lane, Eileen Cooper OBE RA, Beth Carter, PJ Crook MBE RWA, Stephen Jacobson VPRWA and George Tute RWA, as well as new commissions by artists Sadie Tierney, Katharine Jones and Abigail Lane The exhibition will also include historic works by Dame Laura Knight RA RWA, Edward Seago, Walter Sickert RA, David Bomberg, Duncan Grant RWA, Robert Colquhoun, Thérèse Lessore (on loan from The British Council, Arts Council Collection, Government Art Collection, Royal Academy, Royal College of Art and Leeds Art Gallery amongst others).

Selections of work form the Wadsworth's extraordinary collection of contemporary art by artists such as Glenn Ligon and Jacob Lawrence and the loan of a single stunning portrait of Ms. Horne from the Smithsonian will punctuate the exhibition and illuminate the narrative.

About the Juror: Curator at The Heckscher Museum of Art in Huntington, New York, Lisa Chalif has organized dozens of exhibitions that focus on various aspects of the Museum's permanent collection, as well as loan exhibits on a diverse range of subjects, including experimental photography, environmental art, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szabo.

Teenage participants curated the related exhibition Group Portrait, featuring photographic portraits from the Smart Museum's collection as well as works on loan from a private collection.

Organized from the Smart Museum's permanent collection and selected loans, this exhibition included works in a variety of media by Chicago self - taught artists Henry Darger, Bonnie Harris, Aldobrando Piacenza, Pauline Simon, and Joseph Yoakum, as well as Jesse Howard, Martin Ramirez and others who did not live in Chicago but were influential and collected here.

As exhibitions are rotating, some works are also on loan from other important collections and institutions.

NMMA considers loans involving 10 or more objects from NMMA as a traveling exhibition with a rental fee based upon the costs involved in organizing the exhibition.

As the Winter Antiques Show's selection for the 2016 loan exhibition, the Wadsworth Atheneum has brought together an array of intriguing objects that illuminate the unique story of America's oldest continually operating public art museum.

The exhibition includes over forty loans from Italian collections as well as those from the United States including the Metropolitan Museum of Art and the National Gallery of Art.

The exhibition includes major loans from private collections and notable German institutions such as the Städel Museum, Frankfurt and the Staatliche Graphische Sammlung, Munich.

As Curatorial Fellow for European Art, Kelsey Brosnan will primarily work on the planning and implementation of the major international loan exhibition The Orléans Collection, to open October 26, 2018.