Sentences with phrase «as loans from private collections»

Not exact matches

While the cost of placing your loan with a private collection agency is usually the largest collection cost you may face if you default, there may be other collection costs, such as Treasury offset processing fees and costs associated with potential civil litigation from the Department of Justice.

If you defaulted on student loans that you took out from a private lender, such as Sallie Mae, Navient, National Collegiate Student Loan Trust, then they will use their vast debt collection resources and teams of attorneys to sue you to collect the debt.

The show includes works on loan from the Berkeley Art Museum, as well as from prominent American and European museums and private collections.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

After establishing the Ferus Gallery and promoting the local avant garde, Hopps arrived at the Pasadena Art Museum well prepared to tackle this ambitious paean to Duchamp, one that would necessitate loans from private collections and art institutions, as well as the re-fabrication of several lost works.

Mutlu Çerkez: 1988 — 2065 brings together the artist's key remaining works loaned from public and private collections across Australia as well as from the artist's family.

The Kunsthistorisches Museum in Vienna is billing «Bruegel» (2 October 2018 — 13 January 2019) as «a uniquely comprehensive survey of his oeuvre», with panels that are rarely, if ever, loaned from international museums and private collections joining the Viennese institution's holdings of 12 paintings by the artist (around 40 paintings by him survive).

Featuring works from the BCMA's robust collection of American art, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confines.

Working among Flowers will feature major loans from institutional members of FRAME (French Regional American Museum Exchange) as well as other important public and private collections.

«John Graham: Maverick Modernist,» which opened on May 7 and runs through July 30, features 66 paintings loaned from museums as well as many private collections, which together make it possible to understand this artist's aesthetic trajectory and level of skill.»

Organized in collaboration with her daughter, Catherine Hutin - Blay, the show includes nearly 140 paintings, sculptures and drawings borrowed from museums and private collections worldwide, as well as works on loan from the Picasso family and the estate of Roque, a number of which are being presented publicly for the first time.

The majority of works in the exhibition will be on loan from private collections, and will comprise important, large - scale paintings from his most memorable themes, including French Money, Vocabulary Lessons, Civil War Veterans, Camel cigarette packs, as well as portraits of his mother - in - law Berdie, his then wife Augusta, and the poet Frank O'Hara.

The exhibition loans come from a wide variety of leading public and private collections, including: Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; Virginia Museum of Fine Arts; Mugrabi Collection; Berardo Collection; Robert B. Mayer Family Collection, Chicago; Frederick R. Weisman Art Foundation, Los Angeles, as well as from the Estate of Tom Wesselmann, New York.

«The luminosity and depth of his work stands up to any Old Master or 19th Century Master that we have ever seen, but with an added modernity — employing the use of innovative materials and collage to tie it all together,» said gallerist Laura Grenning, who arranged the show by selecting works from private collections as well as those on loan from Marlborough Gallery.

Photographs of soldiers» graffiti in training sites are shown alongside items from the museum's collections, as well as loans from other museums and private lenders.

With loans from the New Walk Museum in Leicester, the V&A and private collections, this exhibition explores how Picasso enjoyed pushing the boundaries just as much in drawing, printmaking and ceramics as in painting.

The exhibition will feature loans from both museums and private collections, and include examples from Hammons» major series from the past five decades, including Body Prints, found - object assemblages such as the Heads, Basketball Drawings, Basketball Chandeliers, Tarps, Fur Coats, and Mirrors.

Van Gogh, Manet, and Matisse will feature major loans from institutional members of FRAME (French Regional American Museum Exchange) as well as other important public and private collections.

The scholarly, not - for - sale exhibition included loans from The Museum of Modern Art (New York), Musée départemental Matisse (Le Cateau - Cambrésis), The Hirshhorn Museum and Sculpture Garden (Washington D.C.), The Nasher Sculpture Center (Dallas), The Denver Art Museum, The Morgan Library and Museum (New York), as well as works from The Pierre and Tana Matisse Foundation, and private American and European collections.

Van Gogh, Manet, and Matisse: The Art of the Flower features major loans from institutional members of FRAME (French Regional American Museum Exchange) as well as other important public and private collections.

After establishing the Ferus Gallery and promoting the local avant - garde, Hopps arrived at the Pasadena Art Museum well prepared to tackle this ambitious paean to Duchamp, one that would necessitate loans from private collections and art institutions, as well as the re-fabrication of several lost works.

Teenage participants curated the related exhibition Group Portrait, featuring photographic portraits from the Smart Museum's collection as well as works on loan from a private collection.

The work is on loan from a private collection, New York, and will be the source of discussion in a show as it is juxtaposed with and against the work of ten contemporary artists.

Total Art features a diverse range of artists — Dara Birnbaum, Mwangi Hutter, Pipilotti Rist, Michal Rovner, Janaina Tschäpe, and others — and the videos include recently acquired works from NMWA's collection as well as loans from private and public collections.

The exhibition includes major loans from private collections and notable German institutions such as the Städel Museum, Frankfurt and the Staatliche Graphische Sammlung, Munich.

The show also features several loans from museums and private collections, including early paintings and found - object assemblages such as Basket Chandeliers, Tarps, Fur Coats, and Mirrors.

Most of the objects are drawn from the Kunstbibliothek's multifaceted collections, enriched by loans from collections of Staatliche Museen zu Berlin and diverse libraries, archives, as well as private collections.

The Museum also exhibits works of art given to the Solomon R. Guggenheim Foundation for its Venetian Museum since Peggy Guggenheim's death, as well as long - term loans from private collections.

The loans come from German and European public and private collections, such as the collection Deutsche Bank, the museum of modern Art Leipzig, the Pinakothek of the Moderne in Munich, the Fondation Beyeler in Riehen.

«Art and China after 1989» focuses on and highlights the conceptual and artistic achievements of 71 artists and collectives, of whom nearly 150 significant works — on loan from private and public collections across Asia, Europe, the Middle East, and the United States, as well as from the Guggenheim's collection — are on view in the New York's iconic museum.

A long - term loan from what's billed as one of the world's largest private collections of Islamic art will transform the Dallas Museum of Art's Islamic collection into «the third largest of its kind in North America,» the DMA announced in February.

The exhibition includes over 200 works, the exhibition will include loans from the State Russian Museum in St Petersburg and the State Tretyakov Gallery in Moscow as well as some of the most significant international private collections.

Nuvolo and Post-War Materiality 1950 — 1965 brings together works of art from private collections as well as loans from museums and foundations such as the Museum of Fine Arts, Boston; the Pinacoteca Comunale, Città di Castello; the MAC - Museo d'Arte Contemporanea di Lissone; and the Fondazione Toti Scialoja, Rome.

Specializing in: • Developing exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation

Drawn from the private collection of the family of the artist, this group of works has never been exhibited as a whole, although individual pieces have been loaned to major museums across Europe and South America.

Further highlights of the exhibition include Mêle moments (1976), Les données de I «instant (1977), and Site aux disjonctions (1977) on loan from the Fondation Dubuffet and private collections, as well as a a display of works from Brefs exercices d'école journalière, the series Dubuffet made directly after the Théâtres de mémoire.

Since Islamic art spans 13 centuries and three continents from the Western Mediterranean to South Asia, any encyclopedic art worth its salt should want to devote «prime real estate,» as DMA director Agustín Arteaga dubs the gallery's ground - floor location near the admissions desk, to a long - term loan of one of the world's most important private collections of the material, on view through April 28, 2019.

Curated by Julie Sylvester and Philip Larratt - Smith, the exhibition features works that have never before been exhibited as well as loans from major museums and private collections.

Largely drawn from the Newark Museum's superb collection of U.S. geometric abstraction, the exhibition also includes major works on loan from acclaimed private and public collections across both continents, such as Colección Patricia Phelps de Cisneros, Malba - Costantini Foundation (Museo de Arte Latinoamericano de Buenos Aires), Philadelphia Museum of Art, Pinacoteca do Estado de São Paulo and Whitney Museum of American Art.

Bending Light: Neon Art 1965 to Now will provide a selective survey of neon art from 1965 to the present and will feature iconic works from the Neuberger Museum's permanent collection including Chryssa's Ampersand V (1965), Otto Piene's Neon Medusa (1969), and Cerith Wyn Evans» TIX3 (1994) as well as loaned work from public and private collections.

The exhibition will include several paintings on loan from private collections that have never been shown in New York as well as five paintings from the artist's studio that have never been exhibited publicly.

In addition to significant loans from prestigious private collections and institutions such as the National Gallery of Art in Washington, D.C., the Andy Warhol Museum in Pittsburgh, The Museum of Modern Art in New York and The Museum of Contemporary Art in Los Angeles, the exhibition will include seminal work from several of the artists» personal collections.

Organized by the Schirn in collaboration with Ateneum Art Museum, Finnish National Gallery the exhibition comprises outstanding loans from the Ateneum and public collections as well as rarely accessible impressive works from private collections.

The exhibition at the National Gallery of Ireland brings together a group of major paintings from the period 1980 - 2000 on loan from Tate, Arts Council England, Irish Museum of Modern Art, Kerlin Gallery, as well as works on paper from a private collection.

All in all, the show presents around one hundred paintings and works on paper, including treasures from private collections as well as eminent works on loan from museums in Europe, the United States, Australia, and Japan.

Works drawn from the British Museum's superb collection of metalpoint drawings sit alongside major loans from European and American museums as well as private collections, including four sheets by Leonardo da Vinci from the Royal Collection.

Pastel Portraits gives visitors the unusual opportunity to view these exquisite works in a museum exhibition, which includes loans from the Princeton University Art Museum and the Yale Center for British Art, New Haven, as well as from the Frick Collection, Pierpont Morgan Library, and New - York Historical Society, New York, and several private collections.

An important focus is on Minimalist art and Conceptual art — supported by permanent loans from private collections — by artists such as Robert Morris, Sol LeWitt, Dan Graham, Donald Judd, Robert Mangold, and Hanne Darboven.

This Sculpture Garden presents 3 - D works both from the permanent collection (for example by Jean Arp, Raymond Duchamp - Villon, Max Ernst, Barry Flanagan, Alberto Giacometti, Andy Goldsworthy, Jenny Holzer, Marino Marini, and Henry Moore), as well as works on loan from foundations and private collections.

It draws on selected work from the Musgrave Kinley Outsider Art Collection, which is on loan to the Irish Museum of Modern Art, as well as from works from public and private collections in Europe, Brazil and the US.