With topics such
as luxury objects in the pre-Columbian Americas, 20th - century Afro - Brazilian art, alternative spaces in Mexico City, and boundary - crossing practices of Latino artists, exhibitions will range from monographic studies of individual artists to broad surveys that cut across numerous countries.
Not exact matches
«The DNA of magazines is the same
as the DNA of
luxury products: to make beautiful
objects and reflect a certain amount of intelligence.»
The new 2017 Armada provides a unique combination of
luxury, power and utility, including best - in - class2 standard towing and a suite of advanced Nissan Safety Shield technologies such
as Predictive Forward Collision Warning3 and Backup Collision Intervention4.It also offers a fresh exterior design, enhanced performance from a new 5.6 - liter Endurance ® V8 with best - in - class2 390 - horsepower and new 7 - speed automatic transmission, a comfortable full - feature cabin and class - exclusive2 available safety and security features — including Blind Spot Intervention (BSI) 5 and Around View ® Monitor (AVM) with Moving
Object Detection (MOD) 6.
The main thrust of the new displays will be to explore a society that in terms of material culture was marked by the creation of well - made and elegant
objects for a general public,
as the curators put it, allowing for the «democratisation of
luxury».
The delightful parallelism in placing an
object of such overblown market value
as Koons» balloon animals amongst these
objects of natural wonder, themselves
luxury objects in much the same way, is one of the best uses of the various contexts the Carnegie Museum has to offer.
An outlier among the well - known generation of young artists who emerged in London in the 1990s, Landy shares their wry attitude towards the marketplace, although his works have never celebrated their status
as commodity -
objects or
luxury goods.
As you walk down the aisles of these fairs the feel is of giant supermarkets: supermarkets that happen to be selling
luxury objects of unimaginable price.
Each ceases contemporary art that connects with the history of glasswork, from
luxury objects such
as chandeliers and mirrors to household items like drinking vessels and light bulbs.
«Although paintings can be quite valuable, their status
as primarily aesthetic
objects means people often consider conservation
as something of a
luxury — a
luxury on top of a
luxury, if you like.»
His work features imagery of everyday and consumer
objects, such
as paper clips, light bulbs, and champagne flutes, found in desolate urban settings
as a reference to his upbringing, but also to broader universal ideas including desire,
luxury, and the influx of consumerism into South African society.
At first sight, they simply seem to be oversized representatives of
luxury label products, but at a closer look some of the
objects bear names such
as Rolls Phillipe and Real Sprada.
«Even within my family, they were treated
as a
luxury commodity
as well
as a decorative
object or even a form of investment.»
Their resulting participation in the event consists of two arrangements, orbiting each other: first, the re-staged Merlin Carpenter show, denuded of its obscene
luxury with
objects borrowed from other Portlanders and bought from Craigslist; and second, a novella, MC: Emerging Artist — published by hq Objective — whose prose addresses Carpenter directly, attempting to elucidate the intent and context of the restaging
as well
as of Cherry & Lucic more generally.
The sculptures, which often take fruit or vegetable
as their subject matter, transform the furniture from
objects of
luxury into
objects of ridicule.
Luxury images of equestrian sports and wealthy leisure pursuits are repurposed,
as are furniture ready - mades into new sculpture where an exchange between consumer image, domestic
object and organic matter test the ubiquitous conventions of tradition against the unwieldy nature of the ageing process.
As a first - generation immigrant of Puerto Rican decent, the artist creates
objects questioning the concept of
luxury and craft making to explore questions of identity, integration and aspiration.
«Wiener Werkstätte, 1903 — 1932: The
Luxury of Beauty» Through 1/29 at the Neue Galerie The goal of the early - 20th - century design collective known
as the Wiener Werkstätte (or Vienna workshops) was to elevate everyday
objects into pieces of art.
Ongoing disagreements relate, inter alia, to two points: one relates to the application of Coty beyond
luxury products, already discussed, and the second to the treatment of other clauses having a similar
object and effect — such
as a ban on the use of price comparison websites.
What's most interesting to me about their reaction to the Watch
as a hardware
object is how much it still comes off
as a gadget, despite Apple's best efforts to make it a
luxury item.