Sentences with phrase «as lyrical abstraction»

Christenberry describes Calcagno's painting style as lyrical abstraction, which provided a counterbalance to Mel Price's style of Abstract Expressionism.

American Lyrical Abstraction (1960s, 1970s) A movement which became known as Lyrical Abstraction emerged in America during the 1960s and 1970s, in response to the growth of Minimalism and Conceptual art.

Meanwhile, parallel movements in Western Europe were appearing under various titles, such as Art Informel (c.1945 - 60), along with sub-variants such as Lyrical Abstraction (late 1940s, 1950s), Tachisme (c.1945 - 60) and the COBRA group (1948 - 51).

He was known for his paintings that served as a lyrical abstraction that paved the way for newer generations of artists to express their own techniques.

This encompassed abstract art movements such as Lyrical Abstraction, as well as various forms of Minimalism including Hard - Edge Painting.

In 1950s France, a parallel type of colour - related abstract painting sprang up, known as Lyrical Abstraction.

Andrew Russel Coate's photograms map the pulsing lights of fireflies bouncing inside of mason jars, to record the alchemical and accidental as well as a lyrical abstraction of summer nights.»

Marilyn Kirsch (born 1950 in Lowell, Massachusetts) is an American artist, known for abstract and non-objective paintings often described as Lyrical Abstraction.

With the exception of Kelly, all of those artists developed their versions of painterly abstraction that has been characterized at times as lyrical abstraction, tachisme, color field, Nuagisme and abstract expressionism.

While younger artists like Frank Stella, Ronald Davis, Larry Zox, Larry Poons, Walter Darby Bannard, Ronnie Landfield, Dan Christensen, began with Post-Painterly Abstraction and eventually moved forward towards a new type of expressionism, referred to as Lyrical Abstraction.

Not exact matches

Matisse and Miró, as well as Pablo Picasso, Paul Klee, Wassily Kandinsky, and Piet Mondrian directly influenced the Abstract Expressionists, the Color Field painters of Post-Painterly Abstraction and the Lyrical Abstractionists.

Lyrical Abstraction as perceived in the media of the late sixties was largely misunderstood because of several factors.

Lyrical Abstraction developed as a reaction to Formalism and Anti-Formalism's denouncing of personal expression in favor of a critical dialectic.

As Anti-Formalism in general dominated the critical dialogue Lyrical Abstraction grew increasingly passe.

With a career spanning over six decades, this film presents Mason as a shy yet innovative figure in American art, a pioneer in the field of lyrical abstraction, and a master of the so - called «poetry of color».

During the later phases of Color Field painting; as reflections of the zeitgeist of the late 1960s (in which everything began to hang loose) and the angst of the age (with all of the uncertainties of the time) merged with the gestalt of Post-Painterly Abstraction, producing Lyrical Abstraction which combined precision of the Color Field idiom with the malerische of the Abstract Expressionists.

Lyrical Abstraction shares with both Abstract Expressionism and Color Field Painting a sense of spontaneous and immediate sensual expression, consequently distinctions between specific artists and their styles become blurred, and seemingly interchangeable as they evolve.

Lyrical Abstraction is sometimes described as the last art movement to be killed off.

His work fits, more precisely, in the Lyrical Abstraction school of thought, which is also promoted by painters such as Michelle Destarac and Pierre Célice.

Finally, in the late 1960s (partially as a response to minimal art, and the dogmatic interpretations by some to Greenbergian and Juddian formalism), many painters re-introduced painterly options into their works and the Whitney Museum and several other museums and institutions at the time formally named and identified the movement and uncompromising return to painterly abstraction as «lyrical abstraction».

American Lyrical Abstraction's European counterpart Neo-expressionism came to dominate the 1980s, and also developed as a response to American Pop Art and Minimalism and borrows heavily from American Abstract Expressionism.

European Abstraction Lyrique born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered as a component of (Tachisme) when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne the author of L'Art à Paris 1945 — 1966, and American Lyrical Abstraction a movement described by Larry Aldrich (the founder of the Aldrich Contemporary Art Museum, Ridgefield Connecticut) in 1969.

However, instead of trying to establish a pedigree that approximates the emergence and development of modern art in larger metropolitan areas like New York, Chicago, or Los Angeles, with its requisite local variations of welded steel sculpture and lyrical abstraction, the historic past proposed in this exhibition is one that is just as idiosyncratic as the present it influences.

Ehrenhalt's work across media — on canvas, in tapestry, on paper, or in sculpture — reveals a fluid sense of ease and a breadth of mastery as she pursues her own lyrical vision of abstraction over time.

By the late 1960s however, postminimalism, process art and Arte Povera [121] also emerged as revolutionary concepts and movements that encompassed both painting and sculpture, via lyrical abstraction and the postminimalist movement, and in early conceptual art.

Color Field painting, hard - edge painting and lyrical abstraction [120] emerged as radical new directions.

Breathing luminous color and varying in media from stain paintings to digitally controlled light emitting diodes, this select gathering of abstract images showcases Lyrical Abstraction as -LSB-...]

By the late 1960s however, process art emerged as a revolutionary concept and movement that encompassed painting and sculpture, via lyrical abstraction and the postminimalist movement, and in early Conceptual Art.

Understood as an umbrella under which hard - edge painting, color stain painting, lyrical abstraction, and minimal painting stood, post-painterly abstraction introduced a more logical and systematic approach to creativity.

The simple abstraction has a remarkable effect: the quotidian video is reactivated and re-presented as an energetic, lyrical still.

Her ideas about surface, scale, and color are not only daring; they presaged the work of artists as varied as Barnett Newman, Milton Avery, Mark Rothko, Morris Louis, and Mary Heilmann, as well as Color Field painting, Lyrical Abstraction, and contemporary postmodern aAbstraction, and contemporary postmodern abstractionabstraction.

By the late 1960s, Postminimalism, Process Art and Arte Povera [38] also emerged as revolutionary concepts and movements encompassing painting and sculpture, via Lyrical Abstraction and the Postminimalist movement, and in early Conceptual Art.

Beginning in the 1950s and 1960s, several Abstract Expressionist / color field artists (notably: Barnett Newman, Mark Rothko, Robert Motherwell, Adolph Gottlieb, Theodoros Stamos, Sam Francis, Ludwig Sander, Clyfford Still, Jules Olitski, and others) explored motifs that seemed to imply monochrome, employing broad, flat fields of colour in large scale pictures which proved highly influential to newer styles, such as Post-Painterly Abstraction, Lyrical Abstraction, and Minimalism.

As a pioneer of Lyrical Abstraction, he made images through the use of layers and bold brushwork, rejecting geometry, and building a connection with the natural world.

A major pioneer of Lyrical Abstraction, a gestural and personal form of abstraction, along with Hans Hartung and Pierre Soulages, Gérard Schneider was shown in Paris at the Galerie Louis Carré as earAbstraction, a gestural and personal form of abstraction, along with Hans Hartung and Pierre Soulages, Gérard Schneider was shown in Paris at the Galerie Louis Carré as earabstraction, along with Hans Hartung and Pierre Soulages, Gérard Schneider was shown in Paris at the Galerie Louis Carré as early as 1950.

Lynda Benglis is an American sculptor and visual artist, considered as a pioneer of a form of abstraction in which each work is the result of materials in action, creating sculptures that eschew minimalist reserve in favor of bold colors, sensual lines, and lyrical references to the human body.

Her unprecedented piece Rhapsody (1975 — 76, collection Museum of Modern Art), a painting on 987 gridded, enameled steel plates, reads as a lyrical conversation between mathematical abstraction and painterly figuration.

His technique shows some influence of the New York School of Abstract Expressionism, as well as the more subtle European style of Art Informel, the more gestural French style of Tachisme, and the softer Lyrical Abstraction.

It doesn't include Klee, but it's a catholic mix, ranging from modernist abstraction (including a lovely, lyrical 1950 Ad Reinhardt that makes you wonder how he ever turned into the implacable maker of nearly uncommunicative black paintings within just a decade) to Renaissance allegory (such as Albrecht Dürer's celebrated 1513 engraving The Knight, Death, and the Devil).

By this time, Bowling had developed a very personal palette for his large, light - filled, lyrical colour abstractions that distinguished his work from that of earlier Colour Field painters working in the USA such as Kenneth Noland, Jules Olitski or Larry Poons.

His works have also been described as belonging to abstract expressionism and lyrical abstraction.

Greenberg saw Bush's post-Painters Eleven work as a clear manifestation of the shift from abstract expressionism to Color Field painting and Lyrical Abstraction, a shift he had called for in most of his critical writings of the period.

After a foundation course at Wimbledon School of Art, he did a painting degree at St Martin's, where he reacted against the prevailing lyrical abstraction, thinking of himself as a Pop Art - inspired urban narrative artist.

Photorealism and the remnants of «lyrical abstraction» waned as Pattern and Decoration, New Image, and «bad» painting waxed in a Darwinian struggle for philosophical

One example would be an exhibition that traces the emergence of and shows the interrelationship between important movements such as abstract expressionism, hard - edge painting, lyrical abstraction, minimalism, and conceptual art.

As schematic abstraction goes, Scacco's work is warm, evocative, and unusually lyrical.

Despite these experiences, Tàpies was swiftly drawn to the lyrical abstraction known as art informel, especially after 1953, when he experienced the American equivalent, abstract expressionism, at the time of his first one - man show in New York.

(Note: several of these artists later moved to non-geometric art forms, such as lyrical or biomorphic / organic abstraction).

During the 1960s, this highly formalist trend of Colour Field painting (which Greenberg nicknamed Post-Painterly Abstraction) fragmented into smaller groups such as Washington Colour School, Hard - edge painting, Lyrical Abstraction, and Minimal Painting.

Tachisme, also known as Art Informel and Lyrical Abstraction, rejected geometric abstraction as lifeless and tAbstraction, rejected geometric abstraction as lifeless and tabstraction as lifeless and too passive.