Douglas has enjoyed positive response to his work since the late 1980s, featured at Documenta IX (Kassel, 1992), the Sydney Biennale (1990, 1996), the Centre Pompidou's touring Passages de l'Image (1990) and the Biennale de Lyon (1995, 1997), as well
as major solo exhibitions at museums in France, Germany, the Netherlands, Switzerland, the United States and Canada.
Not exact matches
The selection includes
major solo museum
exhibitions such
as Kerry James Marshall at MCA Chicago; Simone Leigh at the New Museum in New York; Norman Lewis at the Amon Carter Museum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in Harlem.
For the artist's first
solo exhibition in New York, C24 Gallery will present texts from billboards that appeared on the streets of Berlin, London, and Paris
as well
as major new light works, and a large - scale «Fire Poem.»
As I Went Out One Morning, a
major solo exhibition of Houseago's work, is on view at the Storm King Art Center in Mountainville, New York until 11 November 2013.
His work can be seen today in
solo exhibitions and the collections of
major museums such
as the Museum of Modern Art in New York, the Centre Pompidou in Paris and the Museo Nacional Centro de Arte Reina Sofía in Madrid.
Her work has been exhibited in many
solo and group
exhibitions at
major venues in the United States and abroad such
as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.
He subsequently had
major retrospectives at the China National Museum of Fine Arts, Beijing, and the new Shanghai Museum,
as well
as a
solo exhibition at the Musée Granet in Aix - en - Provence, France.
Artists kept playing catch - up
as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum of Modern Art photography curator John Szarkowski gave William Eggleston a
major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject of the photograph,» Rohrbach writes.
Recent
solo and
major notable museum
exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined
as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).
Cecilia Vicuña's
exhibition «About to Happen» at the Contemporary Arts Center New Orleans is billed
as the first
major solo exhibition for the artist in the United States and features an array of media: performance, sculpture, drawing, video, text, and site - specific installation.
His work has featured at
major international events such
as Art Basel 2010 and he has held numerous
solo exhibitions in South Africa.
This being Frieze week, there are plenty of other — free — art shows to check out, such
as the first
major solo exhibition of Oscar Murillo at the South London Gallery.
The success of the show led to an extraordinary string of
major solo exhibitions worldwide: with Gagosian in Los Angeles, Bischofberger in Zurich and the Galerie Delta in Rotterdam,
as well
as Achille Bonito Oliva's Transavanguardia show in Modena.
Rojas has had multiple
solo exhibitions in recent years, including
major installations at the Rose Art Museum at Brandeis University and the Ulrich Museum of Art at Wichita State University,
as well
as gallery
exhibitions in Chicago, London, Los Angeles, New York, London, and San Francisco.
Major solo exhibitions include To Speculate Darkly: Theaster Gates and Dave, the Slave Potter at Milwaukee Art Museum (2010), Theaster Gates: The Listening Room at Seattle Art Museum (2011/2012), and Theaster Gates: 13th Ballad at MCA Chicago (2013),
as well
as The Black Monastic residency at Museu Serralves, Porto (2014).
Her work is included in
major collections such
as Arts Council of Great Britain, British Council Collection, Tate Gallery, London and Yale Center for British Art, New Haven, CT
Solo Exhibitions include Wilkinson Gallery, London (2013) and The Corridor, Reykjavík, Iceland.
The proposal must include four or more artists, half of whom must qualify
as under - recognized (no gallery representation and no
solo exhibitions in a
major venue within the past five years).
His first one - person
exhibition took place in 1950, and was shown in
major solo exhibits, in group
exhibitions such
as MoMA's «The Art of Assemblage» and the 1970 Venice Biennale, and is in many
major museum collections.
Cassel Oliver has also mounted numerous
solo exhibitions including a
major retrospective on Benjamin Patterson, Born in the State of Flux / us,
as well
as the surveys Donald Moffett: The Extravagant Vein (2011); Jennie C. Jones: Compilation (2015); Angel Otero: Everything and Nothing (2016) and most recently, Annabeth Rosen: Fired, Broken, Gathered, Heaped (2017).
Following her time
as Padnos Artist - in - Residence, Daniel said she will return to Israel where she has been invited to contribute her work to a large
solo exhibition at a
major museum.
She has held
major solo exhibitions in renowned international museums — such
as the Tate, Serpentine, Guggenheim Bilbao, Whitney Museum of American Art.
Sarah Dobai's first
major solo exhibition in the UK took place in 2006 at Kettles» Yard, Cambridge, coinciding with the end of her two - year residency at London's Delfina Studio Trust and featured photographic and film works made during that time, including a new, specially commissioned, two - screen film installation,
as well
as key earlier works.
As an artist, he has had more than 150
solo and 400 group
exhibitions in
major museums and galleries, including the Museum of Modern Art, New York; San Diego Museum of Contemporary Art; Corcoran Gallery of Art, (Washington D.C); Museum of Contemporary Art, (Cleveland, Ohio); Fort Wayne Museum of Art, (Indiana); Scottsdale Museum of Contemporary Art, (Arizona); Peggy Guggenheim Collection, (Venice, Italy); and the Ca» Pesaro International Gallery of Modern Art, (Venice, Italy).
In March 2014, Ingleby Gallery hosted a
major solo exhibition of Owen's eraser drawings and sculptural work and from June 2014 to January 2015 Owen exhibited work at the Scottish National Gallery of Modern Art
as part of the nationwide series of
exhibitions GENERATION.
Whitney's works featured in a
major solo exhibition «Dance the Orange», at the Studio Museum in Harlem, New York, USA (2015), and he has been included in many prominent group shows such
as Documenta 14 in Athens, Greece and Kassel, Germany (2017), «Nero su Bianco» at the American Academy in Rome, Italy (2015); «Outside the Lines: Black in the Abstract», Contemporary Art Museum of Houston, USA (2014); «Reinventing Abstraction: New York Painting in the 1980s», Cheim & Read, New York (2013) and «Utopia Station» at the 50th Venice Biennale (2003).
His paintings, sculptures, drawings, and prints have been the subject of numerous
solo and
major group
exhibitions and his work is represented in many museums,
as well
as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modern Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musèe Beaubourg in Paris, and The Paine Weber Collection.
Recognized for organizing the first
solo museum
exhibitions in the United States of international artists such
as Erwin Wurm, The Bass also presents
major exhibitions by influential artists such
as El Anatsui, Isaac Julien, Eve Sussman, and Piotr Uklański.
Fischl's paintings, sculptures, drawings and prints have been the subject of numerous
solo and
major group
exhibitions and his work is represented in many museums,
as well
as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musée Beaubourg in Paris, The Paine Weber Collection, and many others.
She has had numerous
solo exhibitions in South Africa and has participated in
major international shows such
as Sphères, at Le Moulin, France in 2009 and Lust and Vice: From Durer to Nauman at the Kunstmuseum Bern in 2010.
Considered one of the most important figurative artists of the late 20th and early 21st centuries, Fischl's work has been the subject of numerous
solo and
major group
exhibitions and is represented in many museums,
as well
as prestigious private and corporate collections.
The
exhibition at Kunsthaus Bregenz, Austria, is a
major solo show that presents four key bodies of work: Body and Fruit, Critial Mass, Allotment II and Clearing V. «Embedded in the context of Peter Zumthor's architecture, they challenge the fine line in the human psyche that marks the mental balance between asserting oneself
as an individual and blending into the masses.»
Her work is often exhibited in Canada and abroad, and
major solo exhibitions include «Voyage dans le monde des choses», organized by the Musée d'art contemporain de Montréal in 1986, «Les Fleuves invisibles», produced by the Musée d'art de Joliette in 1997 and circulated in Canada and France until 2000, and «Tout embrasser», presented at the Leonard and Bina Ellen Art Gallery of Concordia University
as part of Le Mois de la photo à Montréal 2001.
Solo exhibitions of Richter's work have been organized by
major museums such
as the Museum of Modern Art in San Francisco (1989), Tate Gallery in London (1991), Museo Nacional Centro de Arte Reina Sofía in Madrid (1994), Martin - Gropius - Bau in Berlin (1997), Deutsche Guggenheim in Berlin (2002), Museum of Modern Art in New York (2002), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (2003), Kunst Museum in Bonn (2004), National Museum of China in Beijing (2008), and National Portrait Gallery in London (2009).
His artwork is represented in many distinguished museums throughout the world and has been featured in over one thousand publications, numerous
solo and
major group
exhibitions in many museums,
as well
as prestigious private and corporate collections.
Dumas has exhibited internationally since the late 1970s, and her work has been the subject of
major solo exhibitions at museums such
as the Tate Gallery in London (1996), the Centre Pompidou in Paris (2001) and the Museum of Modern Art in New York (2008).
He staged his first
solo exhibition at Marlborough New London Gallery in London in 1963, entitled «Pictures with commentary, Pictures without commentary», in which text included in the pictures and the accompanying catalogue referred to a range of literature and history, citing Aby Warburg's analysis of symbolic forms
as a
major influence.
In his first
major solo exhibition, Asbjørn Skou transforms Overgaden into a total installation of collages and sculptures that articulates repressed architectural spaces
as crossing points to possible futures.
After being a part of numerous
exhibitions of the group character, Mehretu's first
major solo exhibition, titled
as Grey Area, took place at the Guggenheim Museum in New York in 2010.
In 2013 the Qatari Government's UK Year of Culture featured «This Breathing World», a
major solo exhibition of 54 artworks & films
as part of the first ever Art & Disability Festival in the Middle East at Katara Cultural Village, Doha.
In addition to the numerous
solo exhibitions that have been devoted to the artist over the past thirty years, a number of
major artistic events, such
as Aurora Borealis in 1985, have included his work.
Userunfriendly is Hans Bernhard and Lizvlx's first
major solo exhibition in the UK
as UBERMORGEN.
About the artist Cho Yong - Ik has been highly lauded
as one of South Korea's most important painters and recently held a
major solo exhibition at the Sungkok Art Museum, Seoul.
Since 1997 his critically acclaimed
solo shows have appeared in
major museums around the world, such
as the Museum of Modern Art, New York, and Tate Modern, London, and in
major international
exhibitions such
as the Venice Biennale.
Since then he has emerged
as one of the most significant abstract painters of his generation, achieving widespread recognition through
major solo and group
exhibitions worldwide.
Two of Tom Dale's
major recent works, Terminal Blue and Infinity are currently on show
as part of a
solo exhibition at Southampton's John Hansard Gallery until 7th of February.
As Curatorial Assistant at the MCA Chicago, Bridges most recently curated a
solo exhibition of the work of Chicago - based artist Faheem Majeed and assisted with the
major retrospective
exhibition of the work of Doris Salcedo.
He has held more than 40
solo exhibitions and participated in over 100 group
exhibitions in all
major art museums and art spaces in Iceland,
as well
as in Europe, USA, Mexico, Uruguay and New Zealand.
On the heels of an important
solo exhibition at Magasin 3 Stockholm Konsthall, Zittel's work currently has a
major presence at the Museum of Modern Art, in a room dedicated to the artist in the Contemporary Galleries on the second floor,
as well
as a commission by the Museum in the window of its 53rd Street entrance.
In 2015 his
major solo exhibition at the Louisiana Museum of Modern Art was described by Artforum
as «a subscription to the singular power of pictures».
With
major solo exhibitions including «All Those Vanished Engines» at MASS MoCA, North Adams, MA (2011 - 2016); «A Bell For Every Minute» on The High Line, NYC (2010 - 2011); «More Songs About Buildings and Bells» at Museum 52, New York (2011); and «Stephen Vitiello» at The Project, New York (2006), the artist has also performed nationally and internationally, at locations such
as the Tate Modern, London; the San Francisco Electronic Music Festival; The Kitchen, New York; and the Cartier Foundation, Paris.