I suspect it's killing them, and
as their midlist thins out they'll go ahead and die.
She branched out into a second pen name writing YA Fantasy, hit the USA Today bestseller list multiple times with each pen name (and without the backing of a publisher), sold over 300,000 copies of her books worldwide, and is now making a good living
as a midlist author.
But
as a midlist writer like me, or if you write mystery, romance, SF / F, YA (non-blockbuster YA... not Hunger Games / Divergent), then there's a limit to what you're getting back.
After decades of slow decline, as advances grow smaller, as sales concentrate more in the head, and
as the midlist disappears, what was once somewhat possible — writing as a profession — is now unlikely, and is fast becoming impossible.
Who do you think of
as midlist authors?
Not exact matches
Agents and their
midlist or lower - profile authors are being pressured to sign such contracts right now
as I type.
You sign a modern traditional contract
as a beginning writer or low - level
midlist writer, you must trust the publisher, a large corporation, to watch out for your interests for the life of your copyright.
``... for those countless
midlist authors stuck with unconscionable contracts because they had no choice, and the multitude of authors kept out of the industry by gatekeepers such
as yourself, it didn't work.
And honestly,
as a life - long
midlist writer, I find that normal.
There were genre writers on both sides of the dispute, but on the publishing side were huddled the biographers, urban historians,
midlist novelists — that is, all the people who were able to eke out a living because publishers still paid advances, acting
as a kind of local literary bank, in anticipation of future sales.
Those publishers have often started with
midlist or backlist content, but
as the concept and its compensation structure have become clear, some publishers are even placing their frontlist and bestselling titles in the models.
A lot of established traditionally - published
midlist authors are seeing huge success (
as well
as increased income) by making their backlist available
as self - published ebooks.
I've included debut and
midlist authors trying to break into the top hundreds,
as well
as authors like Joanna Penn who already have a relatively huge platform and fanbase.
a focus on the far more reasonably priced and equally high - quality
midlist and independent publishers (IPG, Lerner, Rosen, and many others), and the rising tide of quality self - published content (such
as those available through Smashwords)
But it's getting more and more possible for
midlist authors to find an audience of appreciative readers and make a living or at least pay some bills
as self - published authors and it's because of the rise of eBooks and online distributors like Amazon.
You are correct that the real important questions are at the
midlist level
as few authors will be in the outlier cateory.
«Through the hoopla digital platform, publishers will now have the opportunity to showcase backlist and
midlist titles,
as they do their frontlist; financially benefiting from all transactions.»
I'd like to see you compare
midlist legacy and self - pubbed authors to see whether the relationship holds between earnings and sales for them
as well
as bestsellers.
If your book wound up on the
midlist (which by definition most did) then low volume and a small cut of the books total sales price made it financially impossible for authors to write full time
as their sole source of income.
Of her post today, Judy says, «I've always been convinced that
as writers we share a unique kind of fragile ego, regardless of where we are in our writing careers — trying to get an agent or publisher, first book being published, hanging onto the
midlist, or even when we are blockbuster best sellers.
As far as I can tell, the oft - touted rarely seen midlist self - published authors is as small as the upper echelon of millionaire author
As far
as I can tell, the oft - touted rarely seen midlist self - published authors is as small as the upper echelon of millionaire author
as I can tell, the oft - touted rarely seen
midlist self - published authors is
as small as the upper echelon of millionaire author
as small
as the upper echelon of millionaire author
as the upper echelon of millionaire authors.
Distribution directly to the readers became possible, the silliness of thinking of self - publishing
as a bad thing got shot in the head after fifty years of life, and some
midlist writers finally got completely sick of the bad contracts and even worse treatment from traditional publishers.
I think of myself
as a «
midlist» self - published author.
I firmly believe the future will see more and more authors (new,
midlist trad - pubbed,
as well
as veteran bestsellers) going indie, in part or whole.
And the
midlist self - pub authors can get just
as squeezed because they don't yet have enough word of mouth and name recognition.
As you've pointed out on many occasions, there aren't a lot of advantages a publishing house can give a
midlist author.
They are playing this whole PR game very smartly by targeting
midlist authors though,
as one of the previous commenters mentioned.
Authors with fans acquired in a previous existence
as a «
midlist author» traditionally published have a head start, no question about it, and that head start is decisive.