Sentences with phrase «as movement sequences»

Despite being comprised of reproductions, the work feels completely in line with Cunningham's Events, which he described as being «comprised of dances from the repertory, or parts of them, as well as movement sequences made particularly for them, are mostly given in non-proscenium spaces.»

Not exact matches

The History of the Crusades is presented as history that should «attempt to record in one sweeping sequence the greater events and movements that have swayed the destinies of man.»

But the other elements of community organizing would come together again and again: the foot - slogging, one - on - one recruitment effort to form an organization of organizations, the struggle to get past ethnic differences, the taking of the public stage, the sequence of conflict - organization - power as the route to negotiation, and the critical relationship to other social movements — which became a guarded relation to the civil rights movement.

As a part of a sequence of movement, pause and stillness, a dancer begins by kneeling, with back to the congregation.

As the interactions between the God of love and the beneficiaries of that empowering love occur successively in temporal sequence, with movement taking place in both directions — from God to us, from us to God, as I explain later in this chapter — so is God a part of the temporal continuuAs the interactions between the God of love and the beneficiaries of that empowering love occur successively in temporal sequence, with movement taking place in both directions — from God to us, from us to God, as I explain later in this chapter — so is God a part of the temporal continuuas I explain later in this chapter — so is God a part of the temporal continuum.

A subsequent study in 2003 showed such stimulation could improve a cognitive ability psychologists call motor sequence learning — the process of training the brain in the precisely sequenced steps required to interact with the world via means such as listening or executing a movement.

Coupled to the ring that serves as an engine, this enzyme synthesizes an RNA strand based on the DNA sequence and uses the chemical energy released during this process for the rotational movement of the DNA ring.

As a result, robots can minimize the damage or injury they might cause to themselves or others while falling by learning the best sequence of movements to slow their momentum.

«Athletes such as gymnasts often imagine sequences of movements and use that for training,» Aflalo says.

Gentle movement, such as Cat - Cow Series and Dynamic Forward-Fold Sequence, leads the way to deeper release.

Movements in PiYO are choreographed and flow one into the other, building a sequence as you keep moving.

This is a powerful, energetic class that emphasizes the coordination of breath with movement as you flow through dynamic posture sequences.

With its combination of breath linked movement and an unchanging sequence, ashtanga yoga uses the asana practice not only as a movement practice but a breath practice and moving meditation as well.

There is so much thought and consciousness put into the way that she sequences, and she is truly present in every moment of class, energetically holding a space for each of us as we work through our own growth and movement.»

She creates challenging sequences and metaphorical movements, using the mat as a place to work through the emotions that linger in the body.

Instead of continuous movement for 20 or more minutes, as is typical for exercise walkers, joggers and cyclists, HIIT usually involves 30 to 60 seconds of exercise near the peak of a person's ability, followed by a comparable recovery period of easy activity, with the sequence repeated for a total of about 20 minutes three times a week.

The flashback sequences — especially the ones featuring an enigmatic Laura Dern as her mother — are a nice break from her hiking adventure, and sport a dream - like quality, with quick flashes and lots of camera movement.

Telegraphing the right time to go fast has always been a major design issue in the series, but it's magnified here, where obstacles and platforming sequences that require slower, more methodical movements aren't as explicitly signposted as they should be.

While it starts out as a strong character portrait, it soon morphs into a hard - to - believe sequence of events in which either Cecil or his son is present, Zelig - like, at every single pivotal moment in the civil rights movement.

Appropriately, the long takes in the musical sequences aren't there so the audience can «see the dancing,» as the old cliché goes, but to cast a spell: The unbroken camera movements, self - conscious as they may be, make the movie more dreamlike.

In his essential book Planet Hong Kong, David Bordwell examines a sequence in the 1986 film Peking Opera Blues where director Tsui Hark deftly coordinates the movements of his actors as they try to remain hidden from an inquisitive father (three of them, two men and a woman, are in his daughter's bed and at least two of them shouldn't be).

The music is also pivotal with the superb editing from Jonathan Amos and Paul Machliss, whom, along with Wright's direction, can utilise a song such as «Easy» by The Commodores within a particular sequence where the music is just one facet of the overall musicality and movement of the film.

As gnarly as the footage was (I saw someone on Twitter claiming that someone at their table had thrown down their napkin and stormed out of the room), the entire sequence was beautifully shot and edited with laser precision, with each of Johnson's movements causing an immediate reaction on the young lady in the first rooAs gnarly as the footage was (I saw someone on Twitter claiming that someone at their table had thrown down their napkin and stormed out of the room), the entire sequence was beautifully shot and edited with laser precision, with each of Johnson's movements causing an immediate reaction on the young lady in the first rooas the footage was (I saw someone on Twitter claiming that someone at their table had thrown down their napkin and stormed out of the room), the entire sequence was beautifully shot and edited with laser precision, with each of Johnson's movements causing an immediate reaction on the young lady in the first room.

Where he needs more work as a feature - film director is in sequencing and connectivity; The Lazarus Effect collapses under the sheer amount of ideas or concepts that play out in stunted progression, or are outright jilted by the forward movement of the film.

Deeper and deeper Charley travels into the truth of Jerry's nightly activities, uncovering a secret passageway with locked cells on either side and witnessing a feeding (The victim gives the first of a few notable character moments when she shows concern for the kid as the life slowly drains from her), until Gillespie brings the sequence to a minimalist climax with a precise series of pans that track Jerry's movements while Charley awaits a moment to escape.

9 • solve one - step problems involving multiplication and division, by calculating the answer using concrete objects, pictorial representations and arrays with the support of the teacher • recognise, find and name a half as 1 of 2 equal parts of an object, shape or quantity • recognise, find and name a quarter as 1 of 4 equal parts of an object, shape or quantity • Compare, describe and solve practical problems for: lengths and heights [for example, long / short, longer / shorter, tall / short, double / half]; mass or weight [for example, heavy / light, heavier than, lighter than]; capacity / volume [for example, full / empty, more than, less than, half, half full, quarter]; time [for example, quicker, slower, earlier, later]; • measure and begin to record the following: lengths and height; mass / weight; capacity and volume; time (hours, minutes, seconds) • recognise and know the value of different denominations of coins and notes • sequence events in chronological order using language (for example, before and after, next, first, today, yesterday, tomorrow, morning, afternoon and evening) • describe position direction and movement including whole half quarter and three quarter turns PLUS MANY MORE OBJECTIVES!

- characters are drawn in the main screen in a super-deformed style - features a lot of fan - service - play as Eduard, an innkeeper of an inn who doesn't have a lot of customers - stumble into a cave while looking for crystals and meet a girl who has amnesia - this girl also has six sisters who unlock each other's memories as you come across them - your subordinate at the inn gets the idea to put all of the girls into maid uniforms - the girls transform into battle - appropriate clothing during the battle sequences - strategy / action - RPG hybrid - unlimited movement within a circle around the character's starting point - combo system - when attacking weaker enemies, you knock them back in a fashion that takes out others and builds up a combo - extra turn awarded if you manage to take out 10 or more enemies in one swing - enemies do respawn their weak helpers at a hit point cost to them - right side of the screen shows a time bar so you know which friend or foe will attack nex - male character you play as is more of a support role in battle - he'll provide a lot of your stat buffs - events for each of the maidens that give them a chance to level up and unlock new abilities in each battle - possible 18 quests - each of the girls has their own quirks

AC: There are smart film - proven techniques to do it, such as having a zoomed - in shot and being somewhere else entirely with the next zoomed - out shot, putting an emphasis on the emotions on a character's face to distract from shifts, starting your cinematic sequence with an environmental overview shot, timing it together with dynamic movements, etc..

Wei Wei sees her mark - making as the record of vast sequences of gesture and movement.

«As with living organisms, it is repetition of birth and death, death and birth, yet it must be sequenced so each movement is unique and separate.

Names such as Pablo Picasso, Marcel Duchamp, Piet Mondrian, Joan Miró, Francis Bacon, Andy Warhol, Donald Judd, Bruce Nauman or Cindy Sherman, among many others, are presented within the framework of the artistic movements which their works helped to define, through a chronological sequence that allows a journey through time.

She uses choreography as a tool to create movement sequences that re-interpret our everyday physical gestures, reflexes, and rituals, and direct the viewer into the frame of the composition.

The film depicts the conservators handling the work according to a carefully choreographed sequence of movements and gestures, inducing what Byrne describes as «a sort of performativity in time».

Davenport uses the colors as a reference point to initiate his own color sequences and explorations of movement, surface and light.

With rapid camera movements in action sequences, such as the marketplace portion of the opening chase scene in Skyfall, some objects like extras in the crowd would momentarily flicker out of view.