Sentences with phrase «as much dialogue»

Walters also stated that when a number of dialogue options are taken into account, there's as much dialogue in Andromeda as Mass Effect 2 and Mass Effect 3 combined.

And in a game with as much dialogue as this one, that's a real accomplishment.

Matt: There's not as much dialogue in the film as I was expecting.

Thornton, whose character in The Man Who Wasn't There was borderline mute, returns as a chatterbox this time around, spouting nearly as much dialogue in his first onscreen minute as he did in the entire previous film.

Not exact matches

«Shakespeare this ain't, and Gears 3 struggles at times with its forced attempts at heart - string pluckery, but I can forgive it as much; gore - starved guns adorned with toothy chainsaws easily atone for any cheesiness suffered along the way... the Gears 3 story continues with what amounts to a blood - drenched tale of woe, suffering, loss and absolution, cathartica that stands out in harsh relief when framed by the»80s era Schwarzenegger - ness of most of the dialogue.

The fact of imposition, as well, admittedly, as the mistakes in much of Reconstructionist policy framed by «the North,» further stifled dialogue between the South and the rest of the nation, contributing to the hardening of unrespecting intersectional relations.

Much of the value of this dialogue for process philosophers lies in following along precisely the sorts of things that Hausman and I said, for these are the sorts of things nearly all process philosophers say about Bergson, even those such as Hausman and I, who are very sympathetic to Bergson and try to study him closely (although admittedly, Hausman is really more a Peircean and I am more a Whiteheadian, and Gunter is really Bergson's true apologist).

The present pluralism - in - isolation which characterizes much of evangelical thought must give way, as an initial step in the consensus - building process, to a pluralism - in - dialogue.22 Diversity must be faced openly and in love, as evangelicals together seek theological consensus.

To treat them as though they were less serious and less interesting than this is to misunderstand and mistreat them, as interreligious dialogue and much of the academic study of religion typically do.

What spoke to me through this story, is how much this pastor knew the people in his church (you and I have the same definition of church, however I'm using the word here as it applies to this group of people I feel the problem in many churches today (and why dialogue during sermons wouldn't go over well) is that the pastors do not take the time to invest in the people they are trying to teach.

If a genuine dialogue occurs, as it can at the university level, theology will learn much about the «ever - changing models of the various disciplines» and «work out appropriately new routes to God» as well as alert other disciplines to its own developments.

As is underscored in the 1994 declaration, «Evangelicals and Catholics Together,» to which McGrath is in part responding in his article, much more needs to be done in specific dialogue with evangelical Protestants.

Through my intensive interaction with faith and theology in the WCC as much as through my studies on Leonardo Boff in Brazil, Raimon Panikkar in India, I have come to the conclusion that it is, indeed, confidence that is the condition for ecumenical dialogue and agreement.

Go for direct dialogue and try to learn as much as you teach.

Reviving the vision of the Greek Fathers it saw Jesus Christ as the recapitulation of the whole of history, but it did not offer much specific development of philosophy or theology to underpin a new apologetic able to inform a fruitful dialogue with modernity and a new call to faith.

He presented to the Church of his day, after much dialogue and discussion, a doctrine of Original Sin which the Church recognised as true in all essentials to what she did in fact believe.

I love being part of ecumenical dialogues because I always learn as much about my own family of churches as I do about the other traditions represented.

As regards philosophy, the later Wittgenstein was much discussed for many years, and though he has not lasted as a leading dialogue partner, one of the classics of British philosophical theology has been Fergus Kerr's Theology After WittgensteiAs regards philosophy, the later Wittgenstein was much discussed for many years, and though he has not lasted as a leading dialogue partner, one of the classics of British philosophical theology has been Fergus Kerr's Theology After Wittgensteias a leading dialogue partner, one of the classics of British philosophical theology has been Fergus Kerr's Theology After Wittgenstein.

So that gives the Primate of All England about 12 minutes» «face time» with the Supreme Pontiff to discuss the ecumenical earthquake of the Personal Ordinariates — but, in fact, it looks as if they devoted much of it to ARCIC, the official dialogue between the Communions which I thought had been wound down years ago.

Christian faith is open to... indeed, welcomes... interdisciplinary and inter-faith dialogue, not only because it believes it has something to share, but because it knows it has much to learn from the various intellectual disciplines and other religions, as well as from the developments of a technological and electronic society.

Schleiermacher has always been a theological model not so much in the content of his thought as in his basic approach to faith, which is a very rational, historically oriented approach within a tradition, with the understanding that one can not simply swallow the tradition but has to enter into a reasonable dialogue with it.

In this dialogue, Beth tells us about self - care as the foundation for happiness, having a schedule as a way to avoid stress, why she doesn't believe in the idea of work - life balance, and how her routine has changed since becoming a mother, as well as her newfound love for weight training, the adaptogens and herbs she incorporates into her everyday potions, beauty, motivation, sustenance, and much more.

But, as much as I wanted that idea to take off, I thought the dialogue was often stilted or didn't ring true, and the plot felt forced.

They provide an opportunity to share your message with greater numbers of people, especially if they're recorded and uploaded to the internet, but they tend not to lead to as much direct engagement or dialogue as some other types of interactions.

The most popular dialogue that middle - aged guys engage in is about going «high - rep», how we no longer try to lift as much as possible and how we now lift to stay in shape.

This may seem like a knock on Rowan Joffe's screenplay (adapted from Martin Booth's novel A Very Private Gentleman), but it could say as much or more about the director's decision to shoot in a moody, meditative manner — and cast characterful Euro faces who deliver dialogue as if it were carved in stone.

The late and much - lamented Ian Charleson is superb as Eric Liddell, inhabiting the character to the point of writing much of his own dialogue (for instance, his speech to the athletics crowd gathered in the rain).

It's clear immediately that filmmaker Peter Berg is looking to ape the feel and tone of Paul Greengrass» work, as Deepwater Horizon boasts a documentary - like feel that's heightened by its low - key performances and general lack of context - with scripters Matthew Michael Carnahan and Matthew Sand, in terms of the latter, delivering dialogue that tends to emphasize authenticity over exposition (ie much of this stuff sounds as though it was pulled directly from real - life transcripts).

Although much of the speech needed to be looped, dialogue always came across as natural and distinct, and I heard no problems related to intelligibility or edginess.

Julian Mitchell's script tends to drag its feet, if not cut short a lot of expository depth, but it keeps consistent on razor - sharp dialogue, occasionally broken up by witty humor that puts a bit of kick in the slower spots, about as much as highlights in Brian Gilbert's direction which break up slow spells and sentimentality with occasions of color and effective thoughtfulness.

It shouldn't come as much of a surprise that Fred gets most of the offensive dialogue and ends up in most of the worst situations like being stuck in a bathroom with a party - girl afflicted with a gastrointestinal disorder.

The film too often puts too much trust in dialogue, as Marie and Boris's predicament is sometimes perfectly conveyed by the actors» facial expressions and body language.

Consequently, he developed an audacious fusion of pop culture and independent art house cinema; his films were thrillers that were distinguished as much by their clever, twisting dialogue as their outbursts of extreme violence.

The dialogue doesn't crackle as much as it should, the imagery is typical money - money - shiny - shiny music video fare, and the humor is uniformly shallow and unclever.

She knows how to let body language say as much as the dialogue, and how to capture all the tiny nuances of real emotions.

There isn't a lucid moment in it (and much of the dialogue is rendered unintelligible by Russell's subversive direction), but it has dash, style, and good looks, as well as the funniest curtain line since Some Like It Hot.

Filmed without narration, subtitles, or any comprehensible dialogue, Babies is a direct encounter with four babies who stumble their predictable ways to participating in the awesome beauty of life.Needless to say, their experience of the first year of life is vastly different, yet what stands out is not how much is different but how much is universal as each in their own way attempts to conquer their physical environment.Though the language is different as well as the environment, the babies cry the same, laugh the same, and try to learn the frustrating, yet satisfying art of crawling, then walking in the same way.You will either find Babies entrancing or slow moving depending on your attitude towards babies because frankly that's all there is, yet for all it will be an immediate experience far removed from the world of cell phones and texting, exploring up close and personal the mystery of life as the individual personality of each child begins to emerge.

As much as Blanchett gives herself to the role of Hela, the character is yet another lackluster villain without interesting dialogue or a long - term purpose, a Monster of the WeeAs much as Blanchett gives herself to the role of Hela, the character is yet another lackluster villain without interesting dialogue or a long - term purpose, a Monster of the Weeas Blanchett gives herself to the role of Hela, the character is yet another lackluster villain without interesting dialogue or a long - term purpose, a Monster of the Week.

Lends itself much better to multiplayer adventuring as there is no central character and, more importantly, the dialogue trees are kept to a minimum while the exploration and adventure are maxxed out.

Though «Highball» doesn't hold much of a candle to Baumbach's later successes, it's still a must for Baumbach diehards, as it contains the director's penchant for quick - witted dialogue and his laid back style, even if it's a decidedly lesser effort.

Marc Shaiman's score may make clever period choices (backing eyelash flutters with a plonk of the xylophone, for instance), but almost every line of dialogue is tainted with as much irony as charm, transforming the film's script into a self - conscious anachronism.

As a straight up genre flick, it's an anti-thriller — the actual hunt for Russell and Frankie is pretty much skipped over entirely, and solved with a couple lines of dialogue.

While I love the way Gerwig and Baumbach's rapid - fire dialogue moves and breathes, it's difficult to not notice characters don't really talk to each other as much as they talk at each other, divulging random personal facts with little to no follow up.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

Fredrik Edfeldt's feature debut is the type of film I long for and rarely get: a beautifully shot film which captures as much emotion and story from silence as it does from any dialogue.

Cusack delivers much of his dialogue directly to the screen — not an easy task, but one he executes with charm — and has great rapport with Jack Black and Todd Louiso as his fellow music fanatics and losers - in - love.

I thought he put on too much of a «Batman voice», so I couldn't make out what he was saying half the time as he mumbled and grumbled his dialogue, which prevented me from appreciating the prose.

This one, however, cost quite a bit more: Mr. Affleck and Ms. Lopez's combined fees reportedly ran close to $ 25 million, and they earn their money by hogging as much screen time as possible and uttering some of the lamest dialogue ever committed to film.

But this is Rampling's film, thanks to a beautifully restrained performance that is one of the best of her career and conveys as much with a single glance as does a whole page of dialogue.

Without so much as a line of dialogue on the part of Winstead, Trachtenberg artfully presents the character and her circumstances (including a voice cameo from Bradley Cooper), bringing his protagonist to life out of mere screen direction.