Bultmann, says Ogden, employs the terms
myth and mythology in the sense of «a language objectifying the life of the gods,» or,
as we might say, of objectifying the powers of Spirit into a supernaturalism, a super-history
transcending or supervening our human history, thus forming a «double history.»
This compilation of work features iconography based on the black experience
as it
transcends trends,
myths, societal mental conditioning, and conscious ignorance.