Interested in both commercial fiction (women's and mystery), and especially literary fiction (including historical), as well
as narrative non-fiction.
Not exact matches
Written
as a first - person
non-fiction narrative, Born to Run combines the excitement of ultra-racing with very interesting scientific running research, and just a dash of a spiritual journey... it is perfect!
Based on the
non-fiction bestseller of the same name, «Fast Food Nation» is a poorly written
narrative that would have been better off
as a documentary.
Perhaps neither was quite suited for this material
as Berg's skill with
non-fiction doesn't translate to her first
narrative film and Holofcener's gifts with character are smothered by the twisting and turning requirements of airport bookstore thriller fiction.
The Cage Fighter played
as a work - in - progress secret screening at last year's True / False Film Festival before having its world premiere at the San Francisco International Film Festival
as part of The Launch Initiative, its program of curated
narrative and
non-fiction titles it gives special exposure to participating distributors and press.
But the art of telling a
non-fiction narrative effectively can be
as challenging
as spinning a yarn from whole cloth, if not more so.
Lessons are based on the understanding of the text and its themes,
as well
as narrative,
non-fiction and descriptive writing skills.
The lesson is also available
as part of a scheme of work that is based on the understanding of the text and its themes,
as well
as narrative,
non-fiction and descriptive writing skills.
Will highlight students» areas of strength and weaknesses in key reading areas including: giving / explaining meanings of words in context, retrieving and recording information / identifying key details from fiction and
non-fiction, summarising main ideas from one or more paragraphs, making inferences from the text / explaining and justifying inferences with evidence from the text, identifying / explaining how information /
narrative content is related and contributes to meaning
as a whole, and identifying / explaining how meaning is enhanced through choice of words and phrases.
Sarah has a decade's experience
as an editor of
narrative non-fiction, fiction and poetry.
«We recommend the Microsoft Word path
as the best option for most fiction and
narrative non-fiction authors because it's the easiest method to produce high - quality ebooks that are readable on any e-reading device.
Jonathan Lyons represents a select list of authors of biographies, history, science, pop culture, sports, general
narrative non-fiction, mysteries, thrillers, science fiction and fantasy, and young adult fiction, in addition to serving
as subagent in the United States for several agencies in the UK.
A frequent lecturer, Hampton divides his time between Santa Fe, New Mexico, and Colorado College, where he teaches
narrative non-fiction and serves
as Journalist in Residence.
She focuses her practice on publishing, technology and start - ups, and also works
as an independent literary agent, representing authors of practical and
narrative non-fiction.
In the tradition of writers such
as the deceased Oliver Sacks, who based his
non-fiction narratives on people who suffer from inconvenient and often bizarre neurological conditions, Ananthaswamy has built his book on several individual case studies.
Shana forged new paths for the agency, working in science fiction and fantasy and young adult,
as well
as following in our well - hewn paths in
narrative non-fiction and memoir.
This critique consists of an overall review of your manuscript or
non-fiction proposal to assess the general editorial and marketing weaknesses (and strengths) in the material: the eloquence, precision, and mastery of the language and descriptive prose; the freshness and resonance of the
narrative voice; the general interest level of the
non-fiction topic (or the presence of tension and drama in the
narrative arc of the novel or memoir); and the real chances of the book,
as is, to reach a targeted readership and book - buying market.
Isabel Losada (pinterest.com/isabellosada), author of The Battersea Park Road to Paradise says: «
As an author Pinterest gives me the opportunity to post pictures from my books (as I write narrative non-fiction) and to promote the covers.&raqu
As an author Pinterest gives me the opportunity to post pictures from my books (
as I write narrative non-fiction) and to promote the covers.&raqu
as I write
narrative non-fiction) and to promote the covers.»
It also helps to create
narrative arcs that span several books (something that can be done with
non-fiction as well) to keep readers coming back for more.
I always envisioned this
as a character - driven book,
narrative non-fiction that keeps you turning pages like a novel.