Sentences with phrase «as narrative painting»

No less important, this film relies on a variety of storytelling devices and narrative forms, such as narrative painting, the gothic tale, the incest story, the letter, the dream, the flashback, the omniscient narrator, and the horizontal wipe.

Not exact matches

U nder the influence of western painters who settled in Bali in the 1930s - Balinese artist started painting single scenes instead of narratives tales, using images from everyday life as their theme,

Tolstoy, for instance, is an epic writer, whose books overflow with physical details and frequently threaten to overflow their own narrative structures and become as vast and as inconclusive as life itself, while Dostoevsky is a dramatic writer, whose books are full of fraught and urgent voices, at times almost disembodied, trapped in situations of immediate and pressing crisis, and surrounded by a physical world usually having no more substance than a collection of painted canvasses or pasteboard silhouettes at the back of the stage.

I have long remembered the remark of a notable art critic — though I have forgotten which one — that many modernist paintings could be understood as fragments of classical painting blown up for their own sake, displaying the formal and technical elements by which painting is accomplished but eschewing the narrative depiction within which such patches of paint on canvas would earlier have had their place.

The media narrative surrounding the match painted this as the first time that Jurgen Klopp and Pep Guardiola had faced one another with something approaching similar squads.

As soon as I walked into the door I knew it would be a narrative painting, because I could see there was so much potential therAs soon as I walked into the door I knew it would be a narrative painting, because I could see there was so much potential theras I walked into the door I knew it would be a narrative painting, because I could see there was so much potential there.

Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story.

A lazy, paint - by - numbers thriller, Confidence follows professional grifter Jake Vig (Edward Burns) as he and his team prepare to fleece a mob - backed banker (Robert Forster's Morgan Price) of $ 5 million - with complications and double - crosses naturally ensuing as the frenetic narrative unfolds.

As the critic David Thomson recently wrote, «Long - form television is the narrative form that has transcended movies as the novel once surpassed cave paintings.&raquAs the critic David Thomson recently wrote, «Long - form television is the narrative form that has transcended movies as the novel once surpassed cave paintings.&raquas the novel once surpassed cave paintings.»

In both features, Altman is familiarly painted as an adventurous man given to trusting his intuition, whether advising Keith Carradine to cut his hair, or sticking with a handful of Leonard Cohen songs for the soundtrack, despite the anachronism of their presence in a narrative set in 1900.

The challenge might as handily have been provoked by numerous interpersonal events of a more explicitly private nature (but these lack the cachet of apparent social comment); for the most compelling relationships in the film and the narrative turns they generate are satisfyingly free of 1:1, paint - by - the - numbers cause and effect.

Being painted as the villain in a tabloid - fueled narrative will do that.

For a film that's success hinged on comic book accuracy as well as the simplicity of its narrative, Deadpool painted itself in a corner during the post-credits scene by promising the time traveling mutant from the future, Cable (Josh Brolin), for the sequel.

11 - 11: Memories Retold will sport a story - driven narrative adventure experience as well as a unique painted style that plans to deliver a uniquely entertaining experience.

The narrative does nothing to paint its crooked cops tied to the mob as anything but despicable human beings that no one will be able to relate to.

With powerful prose and poetry, his narrative as student and then later, NYC teacher leader, loving father (and husband), and advocate for children paints a portrait of what public education can and must be for American society.

Finally, we must change the narrative of what it means to be a teacher from the current story that paints uncaring educators as the problem of American education to one in which teachers are recognized as the crucial nation builders that they are.

Despite efforts to paint the teachers unions as the evil empire, teachers, and those who support them from home, know this to be a false narrative.

Whether students represent their thinking with paint, pencil, collage, sculpture, or clay, the medium is not as important as the narrative students create.

Secondly, this paper will attempt to paint a fuller picture of the way the Archdiocese of Chicago's schools can be thought of as part of the school choice system for, regardless of the date, the narrative thus far perpetuates a very limited view of the relationship between Chicago's catholic schools and school choice.

Small, square - frame illustrations, a gentle narrative, and a celebratory spirit provide a clear, sensitive portrait of Henri Matisse, story and soul alike, tracing his career as it evolved from paintings to paper cutouts.

This certainly took the wind out of the narrative as it seems quite happy to paint by the numbers most of the time, producing a predictable story.

A customisable paint and decal system, along with a full singleplayer story mode (Zoids features highly detailed lore narratives known as Battle Stories) would be the icing on the roaring robotic cake, with everything culminating together to create an incredible gaming experience for both Eastern and Western audiences.

The game trailers we've seen so far have painted a dark picture of the types of decisions players will be faced with throughout the narrative, as moral ethics seem like they will play a large part in the proceedings.

I really liked the angle the writers at Telltale took for the narrative, painting the Wayne family as nothing more than equal to the gansters and mob bosses in Gotham.

With a world so full of serious questions, I'm just trying to let viewers laugh as they construct their own narrative from some new oil paint humorously added to some old, neglected bit of Americana.»

Exploring Kahlo's highly choreographed appearance and style, these include 22 distinctive colourful Tehuana garments; pre-Columbian necklaces that Frida strung herself; examples of intricately hand - painted corsets and prosthetics which will be displayed alongside film and photography of the artist as a visual narrative of her life.

Like paintings, which can be experienced at once as a whole, Walser's compressed prose (rarely more than a page or two) constructs full narratives than can be consumed rapidly — nearly «at a glance» as it were.

O'Reilly's understanding of the language of painting as a medium allows for the evolution of narrative in his palettes and mark - making.

By defining the painting as a made - up space in which an open - ended narrative (or dream) can unfold without reaching a resolution, Reginato gains an immense amount of freedom for himself.

I am thinking of objects in nature such as rocks, water, branches or a big fat sun / moon - as part of the narrative in these paintings and acting as metaphor for human interaction and strength of feeling.

In her narrative works on paper, detailed drawings and paintings come off as quirky, cutting and humorous.

Curated by Fairfax Dorn, Comic Future features paintings, drawings and sculpture by artists who combine abstraction, formalism and narrative with political satire as well as cultural and biographical commentary to explore both comedic and apocalyptic visions of the future.

But her relation to representation is not in the realm of narrative or allegory, the thing itself is the important thing, the painting as an object that projects into our space carrying pigment on its surface.

Most recently, her paintings have been featured as a focal point and narrative vehicle in the ABC tv drama, The Catch.

In turn, the potted plants in Paul Wackers» shelf paintings are used as clues or props to strengthen narratives and root them in reality.

Formally, they function as screens between the figure and the viewer or as arms that hold the figure in the painting, but I also think they play a narrative role.

The connection between abstract painting and painting's self - definition is always seen as central part of Greenbergian doctrine, an extension of the grand narrative's account of the arts «coming into their own» in the 18th and 19th centuries which Wolterstorff describes.

If narrative was banished from modernism (to become the trope of post-modernism), Bercea's paintings maintain «touches of modernism» such as «form, function and structure» but similarly act like cryptic short stories in which no plot exists, the characters appearing fluid and changeable.

Through painting and sculpture, each artist transforms this typically self - referential genre into one that speaks as loudly as narrative imagery.

I often use literature as a starting point, and these works recast the plot of Jerzy Kosinski's The Painted Bird to portray a narrative of displacement in a world scourged by global warming.

Employing grand religious subjects as familiar narratives for his works, Furnas has developed a suite of six large - scale paintings presented in the downstairs gallery which depict the Creation myth, while upstairs, a series of contemplative near - abstractions evoke the vast desolation of the final flood.

With painting as his main artistic expression since the 1960s (M.M.M. in G and A, 1961 — 66 and P.D.Stengel, 1963), Baselitz has reinvented himself through the richness of his palette and the expressionist depiction of his narrative, which has never stopped embracing the human hypostasis.

Narrative Texture James Chad Hanna Angel Otero spends as much time working with dried paint as wet.

The results will embody the edict that «the journey is greater than the destination,» with each day yielding contributions to an evolving personal narrative in the form of performances manifesting as live events, recorded videos, drawings & paintings, site - specific installation, and a mashup of the above with online research trail crumbs in the form of digital collages posted to NewHive.

It starts with the subject of his narrative paintings, much as for a pre-Romantic like Jean - Baptiste Greuze.

Fukui's work reads as non-objective painting at a distance, yet on closer observation intrigues with surprising imagery that suggests narrative.

Margie Livingston's work participates directly in this narrative, creating hybrid objects that shift back and forth between sculpture and painting as well as abstraction and representation.

Her own work challenges these boundaries, as seen in her solo show Revenge, featuring consecutive paintings of black women protagonists and memorials to the horrors of the transatlantic slave trade, at Rochdale Art Gallery and the South Bank Centre, London, in 1992, which contested the pictorial narratives so frequently repeated in art history.

Anne Marie Kornachak, the only artist featured who will not be exhibiting when this show moves to Jacksonville, Florida, paints highly mysterious tableaus of an ambiguous narrative, emphasizing voluminous folds of fabric and small hints of human figuration to illustrate emotion as products of internal and highly private dynamics.