Sentences with phrase «as new generations of artists»

V - A-C is deeply committed to the growing importance of art made in Russia as well as the new generations of artists from around the world.
In recent years, clay has moulded back into the realm of contemporary art as new generations of artists reshape this tactile medium in exciting directions.
The title of Nauman's piece, itself a cropped representation of the artist's arms tied behind his back, plays on a deadpan joke of literal interpretation while referencing the domino effect as new generations of artists (sculptors emerging in the 1960s, in this case) take precedence over their elders (the titular Henry Moore).
Courtesy of the artist.Bad Boy follows Fischl's maturation both as an artist and sculptor, and his inevitable fall from grace as a new generation of artists takes center stage, and he is forced to grapple with his legacy and place among museums and collectors.
At its core, «Red» also explores the uncertainty and futility Rothko feels as a new generation of artists is taking center stage.
The photographs in the show represent a wide range of approaches and sensibilities and include such pioneers of instant photography as Ansel Adams, Ellen Carey, Chuck Close, Walker Evans, David Hockney, Dash Snow, Joyce Neimanas, Andy Warhol, and William Wegman as well as a new generation of artists including Anne Collier, Bryan Graf, and Grant Worth.
As a new generation of artists who also use recycled materials, for the same / different reasons as their forebears, diligently address social and political issues.

Not exact matches

As well as inspiring cocktail creators and gin mixologists, our creative and eclectic style also entices and intrigues new generations of designers and artistAs well as inspiring cocktail creators and gin mixologists, our creative and eclectic style also entices and intrigues new generations of designers and artistas inspiring cocktail creators and gin mixologists, our creative and eclectic style also entices and intrigues new generations of designers and artists.
The past 10 - 15 years have seen jumps in the popularity of names Rhianna, Beyonce, Taylor, Miley and Shakira as a new generation of parents opt to name their offspring after their favourite artists.
As the most visited art museum in the state of New Mexico and the first museum in the United States that is dedicated to a single woman artist, we work hard every day to ensure the preservation of these treasures for the enjoyment of generations to come.
Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytArtists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytartists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.
After leaving the Royal Academy Schools in 1960, he was included in the influential Situation group exhibitions in 1960 and»61 and selected as one of Robertson's New Generation artists at the Whitechapel Gallery in 1964.
From the «precursors» who developed Congo's first works on paper when it was still a Belgian colony to the 1970s «popular painters» who worked as sign painters and created comics, and a new generation of artists that emerged in the 2000s, this unique show offers an historic overview of Congo's artistic landscape.
As figurative painting made a comeback in the late»80s and»90s, a younger generation of artists began to see Katz with new appreciation.
The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful artist as a brand; the ascendancy of a post-Thatcher generation of Young British Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideliNew York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sidelinew kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.
COVER ART April 7: Work by Chicago - based artist Hebru Brantley appears on cover of «The BreakBeat Poets: New American Poetry in the Age of Hip - Hop,» which the publisher describes as «the first poetry anthology by and for the hip - hop generation
She has collaborated with numerous artists of her generation including Mike Kelley, Matt Mullican, Tony Oursler, and James Welling and was a pioneer of the artistic reflection on new and emerging technical advancements such as virtual reality, artificial intelligence, and computer games.
The activities of that era provided a path for the increasingly influential voices and innovative practices of new generations of contemporary artists working today, figures such as Nina Chanel Abney, Mark Bradford, and Adam Pendleton, whose recent publications are also among the best of 2017.
Minimalism emerged in the late 1950s when artists such as Frank Stella, whose Black Paintings were exhibited at the Museum of Modern Art in New York in 1959, began to turn away from the gestural art of the previous generation.
The initiators behind MELK want to showcase the new generation of photographic artists in Norway and Scandinavia and discuss photography as art in an exhibition context in an intricate time for the media.
Willamson has been described by Robert Storr, former director of the Museum of Modern Art in New York as «one of the foremost artists of her generation», and her early series A Few South Africans, acquired by the Tate Modern, London last year, is currently on display on Citizens and State.
Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.
Saatchi's taste for fast art — rapidly clocked, swiftly absorbed, abruptly administering whatever one - two punch it has — is ideal for the hyper - quick generation, for the time - starved traveller, for a quick check of the briefly new at home and abroad, especially if you are sizing up the market as a young artist yourself.
This cross-generational group of artists includes pioneers of the technique as well as a vibrant new generation of painters.
On the secondary market, the specialist continues, «Diebenkorn doesn't come up at auction as frequently as other artists of his generation,» partly because West Coast artists never received as much critical attention as their New York counterparts.
Keeping with its aim of promoting a new generation of Asian artists, Galerie Paris - Beijing celebrates the creative energy of the Land of the Calm Morning with works that combine the use of traditional materials such as wood, metal or charcoal, and the exploration of highly innovative techniques.
Painters such as Noel Mahaffey, John Moore, Elizabeth Osborne and Warren Rohrer tackled traditional subjects such as the landscape, the figure or interiors with new expressive energy - stirred by Pop, and influences from an older generation of artists such as George Segal, Agnes Martin, Alice Neel and Alex Katz.
After the second world war, as the US became a superpower, a new generation of artists made New York the centre of modern art, with a strange yet authoritative form of abstraction that was free from the influence of the still - living European modern mastenew generation of artists made New York the centre of modern art, with a strange yet authoritative form of abstraction that was free from the influence of the still - living European modern masteNew York the centre of modern art, with a strange yet authoritative form of abstraction that was free from the influence of the still - living European modern masters.
Currently living and working in Beijing, the spirit of his work resonates with a new generation of emerging Chinese artists using photography as an instrument to capture human encounters with a rapidly developing China.
Increasingly, the Irish - born, New York - based Sean Scully is viewed as one of the most gifted artists of his generation.
Strategies that emerged earlier in the circles of the surrealists and New Vision photographers — the untutored «photographic mistake,» photography as a form of literary pointing — adopted by the artists in this exhibition have subsequently been absorbed by the contemporary generation using photography as conceptual art, from Gabriel Orozco to Hank Willis Thomas.
1971 Salon des Nouvelles Réalities, Galeries Nationales d'Exposition du Grand Palais, Paris, France Two Generations, Newark Museum of Art, Newark, NJ Salon de la Jeune Sculpture, Musée National d'Art Moderne, Paris, France Contemporary Jewelry, Art Gallery of Ontario, Toronto, Canada Contemporary Black Artists in America, Whitney Museum of American Art, New York, NY Jewelry as Sculpture as Jewelry, National Gallery of Canada, Ottawa, Canada
Innerst broke onto the New York art scene in the early 1980s with exquisitely executed small - scale paintings with hand - made frames, and his works were considered part of the Pictures Generation of artists who employed widely varied images as source material culled from the expanding media of the pre-digital age.
Canadian artist Kelly Richardson is one of the leading representatives of a new generation of artists working with digital technologies to create hyper - real, highly charged landscapes, alongside figures such as John Gerrard and Saskia Olde Wolbers.
Drawing in Tintoretto's Venice will be the first exhibition since 1956 to explore the drawing practice of this major figure of the Venetian Renaissance and will offer an entirely new perspective on Tintoretto's evolution as a draftsman, his individuality as an artist, and his influence on a generation of painters in northern Italy.
Breslin offers us not only an enticing look at Rothko as a person, but delivers a lush, in - depth portrait of the New York art scene of the 1930s,»40s, and»50s — the world of Abstract Expressionism, of Pollock, Rothko, de Kooning, and Klein, which would influence artists for generations to come.
Thus they spread the way for a new generation of artists who combine virtual reality with other media in a seemingly effortless manner, the Internet as their ubiquitous and inexhaustible source of inspiration.
Under the tutelage of the photographers and conceptual artists Bernd and Hilla Becher at the city's Staatliche Kunstakademie, this generation of photographers took the methodical, taxonomic approach of the Bechers and applied conceptual modifications, veering from the pure «straight» photography of their mentors to produce works that functioned more self - consciously as art, and ushering in a new era for photography where the medium was not simply accepted as art but embraced.
Given his spotlight - stealing video piece Re'Search Wait»S at the New Museum's 2009 inaugural «Younger Than Jesus» Triennial and his widespread critical acceptance as one of the most important artists of his generation, Ryan Trecartin seems to be a prudent choice for co-curating this year's Triennial «Surround Audience» alongside the Museum's in - house curator Lauren Cornell.
«As one of the first American museums to acquire Pollock's work, it only is fitting that the DMA should present this definitive exhibition of the black paintings, engaging a new generation of audiences with this important and under - examined aspect of the artist's practice,» Delahunty concluded.
This two - parted exhibition will both trace the history of Sol LeWitt's relationship with NMSU, as well as show the extent of his influence on a new generation of artists who use the surface of the wall as their canvas.
oung London 2013 is the third in V22's series of annual exhibitions which present a snapshot of emerging cultural and artistic attitudes and trends in London as perceived by a new generation of young artists.
Aftermath: Art in the Wake of World War One at Tate Britain explores how artists responded to Europe's physical and psychological scars, while Generation Hope: Life after the First World War at IWM London takes visitors from 1918 to the heart of the «roaring» twenties, showcasing developments in art, literature, film, fashion and technology as people tried to shape a new world.
And, in fact, Schapiro's improvisatory, almost performative work at the lectern shaped a generation of art historians, as well as the artists who would sit in on his lectures at the New School.
JS: «Chinese contemporary art is reinvented each decade as fresh generations of Chinese artists take their work in new directions.
Renowned visual artists Shirin Neshat and Pratt alumna Mickalene Thomas (B.F.A.» 00), and Heidi Zuckerman, director of the Aspen Art Museum, will explore the qualities that define a new generation of female artists and leaders in art, as well as the many different ways in which they have achieved success, despite obstacles and prevailing inequalities.
Bluhm acknowledged his artistic debt to artists of the New York School, but he also rejected the label of «second - generation abstract expressionist,» which he saw as limiting and pejorative.
A member of the «second generation» of New York graffiti artists, Daze has been hailed as one of the most important artist - writers of his time.
The anachronism implies a continuity between the myths of hard - drinking artists from different eras: as if the beer - swilling painters of the Dutch Golden Age, the absinthe - addled wretches of 19th - century Paris, the tough guys of the New York School, liquored - up and rowdy at the Cedar Tavern, and several generations of British artists, stumbling out drunk in the late afternoon from Soho's Colony Room Club, could all be imagined in some timeless bar - room.
The new Tate Britain show is billed as the largest exhibition of the artist's work for a generation, covering all of Nash's output from early watercolours through to his final landscapes.
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