V - A-C is deeply committed to the growing importance of art made in Russia as well
as the new generations of artists from around the world.
In recent years, clay has moulded back into the realm of contemporary art
as new generations of artists reshape this tactile medium in exciting directions.
The title of Nauman's piece, itself a cropped representation of the artist's arms tied behind his back, plays on a deadpan joke of literal interpretation while referencing the domino effect
as new generations of artists (sculptors emerging in the 1960s, in this case) take precedence over their elders (the titular Henry Moore).
Courtesy of the artist.Bad Boy follows Fischl's maturation both as an artist and sculptor, and his inevitable fall from grace
as a new generation of artists takes center stage, and he is forced to grapple with his legacy and place among museums and collectors.
At its core, «Red» also explores the uncertainty and futility Rothko feels
as a new generation of artists is taking center stage.
The photographs in the show represent a wide range of approaches and sensibilities and include such pioneers of instant photography as Ansel Adams, Ellen Carey, Chuck Close, Walker Evans, David Hockney, Dash Snow, Joyce Neimanas, Andy Warhol, and William Wegman as well
as a new generation of artists including Anne Collier, Bryan Graf, and Grant Worth.
As a new generation of artists who also use recycled materials, for the same / different reasons as their forebears, diligently address social and political issues.
Not exact matches
As well as inspiring cocktail creators and gin mixologists, our creative and eclectic style also entices and intrigues new generations of designers and artist
As well
as inspiring cocktail creators and gin mixologists, our creative and eclectic style also entices and intrigues new generations of designers and artist
as inspiring cocktail creators and gin mixologists, our creative and eclectic style also entices and intrigues
new generations of designers and
artists.
The past 10 - 15 years have seen jumps in the popularity
of names Rhianna, Beyonce, Taylor, Miley and Shakira
as a
new generation of parents opt to name their offspring after their favourite
artists.
As the most visited art museum in the state
of New Mexico and the first museum in the United States that is dedicated to a single woman
artist, we work hard every day to ensure the preservation
of these treasures for the enjoyment
of generations to come.
Partially in response to an exhibition at the Jewish Museum,
Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal myt
Artists of the
New York School: Second
Generation (1957), organized by Meyer Schapiro, which included twenty - three
artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal myt
artists, not one
of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned
as their own
New York project, a series
of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.
After leaving the Royal Academy Schools in 1960, he was included in the influential Situation group exhibitions in 1960 and»61 and selected
as one
of Robertson's
New Generation artists at the Whitechapel Gallery in 1964.
From the «precursors» who developed Congo's first works on paper when it was still a Belgian colony to the 1970s «popular painters» who worked
as sign painters and created comics, and a
new generation of artists that emerged in the 2000s, this unique show offers an historic overview
of Congo's artistic landscape.
As figurative painting made a comeback in the late»80s and»90s, a younger
generation of artists began to see Katz with
new appreciation.
The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise
of art
as commodity and the successful
artist as a brand; the ascendancy
of a post-Thatcher
generation of Young British
Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise
of uber - dealers such
as Jay Jopling in London and Larry Gagosian in
New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideli
New York; and the birth
of a
new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideli
new kind
of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.
COVER ART April 7: Work by Chicago - based
artist Hebru Brantley appears on cover
of «The BreakBeat Poets:
New American Poetry in the Age
of Hip - Hop,» which the publisher describes
as «the first poetry anthology by and for the hip - hop
generation.»
She has collaborated with numerous
artists of her
generation including Mike Kelley, Matt Mullican, Tony Oursler, and James Welling and was a pioneer
of the artistic reflection on
new and emerging technical advancements such
as virtual reality, artificial intelligence, and computer games.
The activities
of that era provided a path for the increasingly influential voices and innovative practices
of new generations of contemporary
artists working today, figures such
as Nina Chanel Abney, Mark Bradford, and Adam Pendleton, whose recent publications are also among the best
of 2017.
Minimalism emerged in the late 1950s when
artists such
as Frank Stella, whose Black Paintings were exhibited at the Museum
of Modern Art in
New York in 1959, began to turn away from the gestural art
of the previous
generation.
The initiators behind MELK want to showcase the
new generation of photographic
artists in Norway and Scandinavia and discuss photography
as art in an exhibition context in an intricate time for the media.
Willamson has been described by Robert Storr, former director
of the Museum
of Modern Art in
New York
as «one
of the foremost
artists of her
generation», and her early series A Few South Africans, acquired by the Tate Modern, London last year, is currently on display on Citizens and State.
Through audio interviews with founders and key staff, a reading room
of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story
of pioneering spaces — like P.S. 1,
Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more —
as well
as document a
new generation of alternative projects such
as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.
Saatchi's taste for fast art — rapidly clocked, swiftly absorbed, abruptly administering whatever one - two punch it has — is ideal for the hyper - quick
generation, for the time - starved traveller, for a quick check
of the briefly
new at home and abroad, especially if you are sizing up the market
as a young
artist yourself.
This cross-generational group
of artists includes pioneers
of the technique
as well
as a vibrant
new generation of painters.
On the secondary market, the specialist continues, «Diebenkorn doesn't come up at auction
as frequently
as other
artists of his
generation,» partly because West Coast
artists never received
as much critical attention
as their
New York counterparts.
Keeping with its aim
of promoting a
new generation of Asian
artists, Galerie Paris - Beijing celebrates the creative energy
of the Land
of the Calm Morning with works that combine the use
of traditional materials such
as wood, metal or charcoal, and the exploration
of highly innovative techniques.
Painters such
as Noel Mahaffey, John Moore, Elizabeth Osborne and Warren Rohrer tackled traditional subjects such
as the landscape, the figure or interiors with
new expressive energy - stirred by Pop, and influences from an older
generation of artists such
as George Segal, Agnes Martin, Alice Neel and Alex Katz.
After the second world war,
as the US became a superpower, a
new generation of artists made New York the centre of modern art, with a strange yet authoritative form of abstraction that was free from the influence of the still - living European modern maste
new generation of artists made
New York the centre of modern art, with a strange yet authoritative form of abstraction that was free from the influence of the still - living European modern maste
New York the centre
of modern art, with a strange yet authoritative form
of abstraction that was free from the influence
of the still - living European modern masters.
Currently living and working in Beijing, the spirit
of his work resonates with a
new generation of emerging Chinese
artists using photography
as an instrument to capture human encounters with a rapidly developing China.
Increasingly, the Irish - born,
New York - based Sean Scully is viewed
as one
of the most gifted
artists of his
generation.
Strategies that emerged earlier in the circles
of the surrealists and
New Vision photographers — the untutored «photographic mistake,» photography
as a form
of literary pointing — adopted by the
artists in this exhibition have subsequently been absorbed by the contemporary
generation using photography
as conceptual art, from Gabriel Orozco to Hank Willis Thomas.
1971 Salon des Nouvelles Réalities, Galeries Nationales d'Exposition du Grand Palais, Paris, France Two
Generations, Newark Museum
of Art, Newark, NJ Salon de la Jeune Sculpture, Musée National d'Art Moderne, Paris, France Contemporary Jewelry, Art Gallery
of Ontario, Toronto, Canada Contemporary Black
Artists in America, Whitney Museum
of American Art,
New York, NY Jewelry
as Sculpture
as Jewelry, National Gallery
of Canada, Ottawa, Canada
Innerst broke onto the
New York art scene in the early 1980s with exquisitely executed small - scale paintings with hand - made frames, and his works were considered part
of the Pictures
Generation of artists who employed widely varied images
as source material culled from the expanding media
of the pre-digital age.
Canadian
artist Kelly Richardson is one
of the leading representatives
of a
new generation of artists working with digital technologies to create hyper - real, highly charged landscapes, alongside figures such
as John Gerrard and Saskia Olde Wolbers.
Drawing in Tintoretto's Venice will be the first exhibition since 1956 to explore the drawing practice
of this major figure
of the Venetian Renaissance and will offer an entirely
new perspective on Tintoretto's evolution
as a draftsman, his individuality
as an
artist, and his influence on a
generation of painters in northern Italy.
Breslin offers us not only an enticing look at Rothko
as a person, but delivers a lush, in - depth portrait
of the
New York art scene
of the 1930s,»40s, and»50s — the world
of Abstract Expressionism,
of Pollock, Rothko, de Kooning, and Klein, which would influence
artists for
generations to come.
Thus they spread the way for a
new generation of artists who combine virtual reality with other media in a seemingly effortless manner, the Internet
as their ubiquitous and inexhaustible source
of inspiration.
Under the tutelage
of the photographers and conceptual
artists Bernd and Hilla Becher at the city's Staatliche Kunstakademie, this
generation of photographers took the methodical, taxonomic approach
of the Bechers and applied conceptual modifications, veering from the pure «straight» photography
of their mentors to produce works that functioned more self - consciously
as art, and ushering in a
new era for photography where the medium was not simply accepted
as art but embraced.
Given his spotlight - stealing video piece Re'Search Wait»S at the
New Museum's 2009 inaugural «Younger Than Jesus» Triennial and his widespread critical acceptance
as one
of the most important
artists of his
generation, Ryan Trecartin seems to be a prudent choice for co-curating this year's Triennial «Surround Audience» alongside the Museum's in - house curator Lauren Cornell.
«
As one
of the first American museums to acquire Pollock's work, it only is fitting that the DMA should present this definitive exhibition
of the black paintings, engaging a
new generation of audiences with this important and under - examined aspect
of the
artist's practice,» Delahunty concluded.
This two - parted exhibition will both trace the history
of Sol LeWitt's relationship with NMSU,
as well
as show the extent
of his influence on a
new generation of artists who use the surface
of the wall
as their canvas.
oung London 2013 is the third in V22's series
of annual exhibitions which present a snapshot
of emerging cultural and artistic attitudes and trends in London
as perceived by a
new generation of young
artists.
Aftermath: Art in the Wake
of World War One at Tate Britain explores how
artists responded to Europe's physical and psychological scars, while
Generation Hope: Life after the First World War at IWM London takes visitors from 1918 to the heart
of the «roaring» twenties, showcasing developments in art, literature, film, fashion and technology
as people tried to shape a
new world.
And, in fact, Schapiro's improvisatory, almost performative work at the lectern shaped a
generation of art historians,
as well
as the
artists who would sit in on his lectures at the
New School.
JS: «Chinese contemporary art is reinvented each decade
as fresh
generations of Chinese
artists take their work in
new directions.
Renowned visual
artists Shirin Neshat and Pratt alumna Mickalene Thomas (B.F.A.» 00), and Heidi Zuckerman, director
of the Aspen Art Museum, will explore the qualities that define a
new generation of female
artists and leaders in art,
as well
as the many different ways in which they have achieved success, despite obstacles and prevailing inequalities.
Bluhm acknowledged his artistic debt to
artists of the
New York School, but he also rejected the label
of «second -
generation abstract expressionist,» which he saw
as limiting and pejorative.
A member
of the «second
generation»
of New York graffiti
artists, Daze has been hailed
as one
of the most important
artist - writers
of his time.
The anachronism implies a continuity between the myths
of hard - drinking
artists from different eras:
as if the beer - swilling painters
of the Dutch Golden Age, the absinthe - addled wretches
of 19th - century Paris, the tough guys
of the
New York School, liquored - up and rowdy at the Cedar Tavern, and several
generations of British
artists, stumbling out drunk in the late afternoon from Soho's Colony Room Club, could all be imagined in some timeless bar - room.
The
new Tate Britain show is billed
as the largest exhibition
of the
artist's work for a
generation, covering all
of Nash's output from early watercolours through to his final landscapes.