Sentences with phrase «as nocturnes»

I think Digital Devil Saga would be too much control, but I enjoyed those games too, just no where near as much as nocturnes.

From 1932 to 1939, he was seen on Broadway in such productions as Nocturne and Our Town.

The last time we got a true Shin Megami Tensei title was back in 2003/2004, as Sony's PlayStation 2 played host to Shin Megami Tensei III — better known on our shores as Nocturne.

Played from a first - person perspective, you can explore both the real region of Amami, and virtual city of Paradigm X, working through various dungeons as the story progresses, in a fashion reminiscent of more traditional Shin Megami Tensei titles such as Nocturne.

There are other games in which the music doesn't fit the game itself, such as the Nocturne track from the Sonic Chronicles: The Dark Brotherhood which disregards the tone of the game's events entirely.

Compositionally, the paintings range from compressed layers to airy patterns, such as Nocturne with Architectural Fragments (2014), with its layered structure of geometrical lines.

Not exact matches

Owners Lawrie Lipton and Mark Manfield are such music fans they've even given their wines names like Nocturne and Quintet, as you can see at lorimarwinery.com.

I also went with a round straw bag to keep with the nature - y vibe of the outfit, as well as a big feather necklace from Nocturne Studio.

Anglade sealed his success with Maladie d'Amour (1987) and Nocturne Indien (1989) before reuniting with director Besson in Nikita; the film, which cast him as the boyfriend of the titular punk turned assassin (Anne Parillaud), helped him attract notice in the United States.

A trailer has been released for the upcoming thriller Manhattan Night, which you can view below along with the poster for the film... The new thriller is based on the acclaimed New York Times Notable Book of the Year Manhattan Nocturne by author Colin Harrison, and stars Adrien Brody (Third Person, The Pianist) as «a -LSB-...]

I wrote and edited a novelette that I was targeting toward the Silhouette Nocturne Bites line, with the hope of expanding it into a series of Bites and maybe some Silhouette Nocturnes as well.

Nocturne for a Widow is beautiful, as well.

The third game in the Shin Megami Tensei franchise, Shin Megami Tensei: Nocturne is now available for download on the PlayStation 3 Store as a PS2 Classic.

Set in a post-apocalyptic Japan, Shin Megami Tensei: Nocturne casts the player as a young man who must ally himself various demons (most of whom should be familiar to fans of the Persona series) in order to decide the fate of the world.

As for Nocturne....

Shin Megami Tensei: Nocturne remains unfinished, as does Infamous, Folklore, Ninja Gaiden 1 and 2, Metroid Prime 3... you catch my drift.

The Shin Megami Tensei series is one that I always felt I came into quite late in 2005 with Shin Megami Tensei: Lucifer's Call or Nocturne as it is known outside of the UK.

The game was released in America as Shin Megami Tensei: Nocturne in 2004 and includes additional «Director's Cut» material as well as a CD soundtrack.

Progress through Nocturne was dependent on one's ability to navigate convoluted mazes as well as understand the combat system and exploit enemy weaknesses.

A decade in the making, the development team boasts the creative talent of staff from such well - known games and series as Persona, SMT: Nocturne, Devil Summoner, Trauma Center, SMT: Strange Journey, Digital Devil Saga, and Soul Hackers.

Shin Megami Tensei III was actually released as Shin Megami Tensei: Nocturne in the USA.

And coming as someone who beat Nocturne, you die a lot easier in this game.

As with Nocturne, you control a single character throughout your journey and collect an assortment of demons to make up your party and assist on your many quests.

The Incendiary Nocturne paintings lean heavily on earlier masterworks of this era, especially the Romanticist paintings of J.M.Turner (1775 - 1851) whose The Eruption of the Souffrier Mountains looks as though it was painted on an adjacent easel with the same palette of burnt umber and cadmium yellow.

Bringing this collection of nocturnes together for the first time, Night Vision seeks to expand the broader discourse on American art, the rise of modernism, and the value of art as personal expression.»

The Museum is also a prominent summer venue for major exhibitions such as Edward Hopper's Maine (2011), William Wegman: Hello Nature (2012), Maurice Prendergast: By the Sea (2013), Richard Tuttle: A Print Retrospective (2014); Night Vision: Nocturnes in American Art, 1860 - 1960 (2015); and This Is a Portrait If I Say So: Identity in American Art, 1912 to Today (2016).

Night Vision: Nocturnes in American Art explores the critical importance of nocturnal imagery in the development of modern art by bringing together 90 works in a range of media — including paintings, prints, drawings, photographs, and sculptures — created by such leading American artists as Ansel Adams, Charles Burchfield, Winslow Homer, Lee Krasner, Georgia O'Keeffe, Albert Ryder, John Sloan, Edward Steichen, and Andrew Wyeth, among others.

Two jagged black peaks, set against a deep midnight blue in Nocturne (2016) emerge as dense, structural presences — whether buildings or rock — against a vast expanse of open sky.

This display of late works includes a series of busy Nocturnes cloaked in shadow (up close, you can see traces of colourful brushstrokes that have been obscured by black overpaint), as well as his powerful final work, Death of a Poet.

The Museum is also a prominent summer venue for major exhibitions such as Edward Hopper's Maine (2011); William Wegman: Hello Nature (2012); Maurice Prendergast: By the Sea (2013); Richard Tuttle: A Print Retrospective (2014); Night Vision: Nocturnes in American Art, 1860 — 1960 (2015); This Is a Portrait If I Say So: Identity in American Art, 1912 to Today (2016); and The Ivory Mirror: The Art of Mortality in Renaissance Europe (2017).

«The darkened soul, as envisioned by St. John of the Cross, is a concept that well suits the nocturne.

Nocturne painting depicts scenes evocative of night or subjects as they appear in a veil of light, in twilight, or in the absence of direct light.

Sullivan Goss presents a new exhibition of paintings by Nicole Strasburg, featuring turns towards fauna as well as flora and with the artist's first nocturne painting.

New York Times critic Roberta Smith reviewed very favorably Nakadate's recent show, «Strangers and Relations (2013),» a show consisting of portraits of Americans distantly related to the artist (and located through DNA - testing), calling it «unusually gripping,» and adding, «Ms. Nakadate's nocturnes envelop us in darkness and tenderness and, as usual in her work, an unexpected intimacy opens up.»

Ostensibly an homage to Whistler's «Nocturnes,» Hodgkin's work flips back and forth between figuration and abstraction, as the bright, sumptuous lines and dark framing device hint at a distant seashore viewed from a shadowy interior.

As a teacher, Thomas has taught painting through the S.B.C.C. Continuing Education program for ten years, two Plein Air Painting Nocturne workshops through the Carnegie Art Museum, Oxnard California, and oil painting workshops in Santa Barbara.

Luminist landscapes - exemplified by those of Frederic E Church, Albert Bierstadt, and the Missouri frontier painter George Caleb Bingham (1811 - 79)- were characterized by intense, often dramatic light effects, a style visible also in the hauntingly beautiful works of Whistler, such as Crepuscule in Flesh Colour and Green, Valparaiso (1866) and Nocturne: Blue and Silver - Chelsea (1871).

Atmos Sala Alcalá 31, Madrid (catalogue) Hemispheres and Continents Matthew Marks Gallery, New York 2012 All Things Pass Galerie Max Hetzler, Berlin (catalogue) Patricia Low Contemporary, Gstaad Fullmoon and Night + Fog Domaine de Chaumont - sur - Loire, Chaumont - sur - Loire 2011 Landscape with Path The High Line, New York Xippas, Montevideo L'Abbaye de la Chaise Dieu, Chaise Dieu Nocturne Villa Merkel, Esslingen (catalogue)... between here and the surface of the moon FRAC Auvergne, Clermont Ferrand; traveled to: FRAC Haute - Normandie, Sotteville - lès - Rouen 2010 As it is Alfonso Artiaco, Naples The Principle of Moments Whitecube, London Fullmoon@Eifel Weidingen, Eifel Matthew Marks Gallery, New York PKM Trinity Gallery, Seoul 2009 Sommer Gallery, Tel Aviv Xippas Gallery, Athens Sometimestill Galerie Max Hetzler, Berlin 2008 Nail to Nail David Patton, Los Angeles SCAI The Bathhouse, Tokyo In The Between Eye of Gyre, Omotesando Substitute Galleri K, Oslo Fire under snow Parasol unit, London (catalogue) Moons of the Iapetus Ocean White Cube, London (catalogue) 2007 Galleria Alfonso Artiaco, Naples Day Return Castle Ujazdowski — Center for Contemporary Art, Warsaw (catalogue) Night + Fog Galerie Max Hetzler, Berlin (catalogue) In the Between Musée d'art contemporain, Montreal SITE Santa Fe, Santa Fe Matthew Marks Gallery, New York 2006 Day Return Museum Folkwang, Essen (catalogue) Darren Almond and Janice Kerbel: Impossible Landscapes The Horticultural Society of New York, New York If I had you Domus Artium 2002 — Center for Contemporary Art, Salamanca Darren Almond / Albert Oehlen: Time 2 Kill Galerie Max Hetzler, Berlin 2005 Take Me Home Matthew Marks Gallery, New York Alfonso Artiaco, Naples Isolation K21 - Kunstsammmlung Nordrhein - Westfalen, Düsseldorf Only Sound Needs Echo and Dreads its Lack Galerie Chantal Crousel, Paris 2004 Live Sentence Lentos Kunstmuseum Linz, Linz (catalogue) If I Had You Galerie Max Hetzler, St. Johannes Evangelist Church, Berlin 2003 11 miles... from Safety White Cube, London (catalogue) If I Had You Fondazione Nicola Trussardi, Palazzo della Ragione, Milan Mine, A Galleri K, Oslo A Galerie Max Hetzler, Berlin Full Moon Sommer Contemporary Art, Tel - Aviv 2002 A National Theatre, London; Yorkshire Sculpture Park, commissioned by Public Art Development Trust, London at speed (with Sarah Morris) Galerie Max Hetzler, Berlin 2001 Coming up for air Matthew Marks Gallery, New York Kunsthalle Zürich, Zurich (catalogue) Night as Day Tate Britain, London (catalogue) De Appel Foundation - Center for Contemporary Art, Amsterdam Galerie Max Hetzler, E-Werk, Abspannwerk Buchhändlerhof, Berlin 2000 Mean Time Matthew Marks Gallery, New York Geisterbahn The Approach, London Traction Chisenhale Gallery, London 1999 Galerie Max Hetzler, Berlin The Renaissance Society, University of Chicago, Chicago 1997 ICA - Institute of Contemporary Arts, comissioned by Toshiba Art & Innovation, London Fan White Cube, London 1995 KN120 Great Western Studios, London 1991 Crawford Art College, CoAs it is Alfonso Artiaco, Naples The Principle of Moments Whitecube, London Fullmoon@Eifel Weidingen, Eifel Matthew Marks Gallery, New York PKM Trinity Gallery, Seoul 2009 Sommer Gallery, Tel Aviv Xippas Gallery, Athens Sometimestill Galerie Max Hetzler, Berlin 2008 Nail to Nail David Patton, Los Angeles SCAI The Bathhouse, Tokyo In The Between Eye of Gyre, Omotesando Substitute Galleri K, Oslo Fire under snow Parasol unit, London (catalogue) Moons of the Iapetus Ocean White Cube, London (catalogue) 2007 Galleria Alfonso Artiaco, Naples Day Return Castle Ujazdowski — Center for Contemporary Art, Warsaw (catalogue) Night + Fog Galerie Max Hetzler, Berlin (catalogue) In the Between Musée d'art contemporain, Montreal SITE Santa Fe, Santa Fe Matthew Marks Gallery, New York 2006 Day Return Museum Folkwang, Essen (catalogue) Darren Almond and Janice Kerbel: Impossible Landscapes The Horticultural Society of New York, New York If I had you Domus Artium 2002 — Center for Contemporary Art, Salamanca Darren Almond / Albert Oehlen: Time 2 Kill Galerie Max Hetzler, Berlin 2005 Take Me Home Matthew Marks Gallery, New York Alfonso Artiaco, Naples Isolation K21 - Kunstsammmlung Nordrhein - Westfalen, Düsseldorf Only Sound Needs Echo and Dreads its Lack Galerie Chantal Crousel, Paris 2004 Live Sentence Lentos Kunstmuseum Linz, Linz (catalogue) If I Had You Galerie Max Hetzler, St. Johannes Evangelist Church, Berlin 2003 11 miles... from Safety White Cube, London (catalogue) If I Had You Fondazione Nicola Trussardi, Palazzo della Ragione, Milan Mine, A Galleri K, Oslo A Galerie Max Hetzler, Berlin Full Moon Sommer Contemporary Art, Tel - Aviv 2002 A National Theatre, London; Yorkshire Sculpture Park, commissioned by Public Art Development Trust, London at speed (with Sarah Morris) Galerie Max Hetzler, Berlin 2001 Coming up for air Matthew Marks Gallery, New York Kunsthalle Zürich, Zurich (catalogue) Night as Day Tate Britain, London (catalogue) De Appel Foundation - Center for Contemporary Art, Amsterdam Galerie Max Hetzler, E-Werk, Abspannwerk Buchhändlerhof, Berlin 2000 Mean Time Matthew Marks Gallery, New York Geisterbahn The Approach, London Traction Chisenhale Gallery, London 1999 Galerie Max Hetzler, Berlin The Renaissance Society, University of Chicago, Chicago 1997 ICA - Institute of Contemporary Arts, comissioned by Toshiba Art & Innovation, London Fan White Cube, London 1995 KN120 Great Western Studios, London 1991 Crawford Art College, Coas Day Tate Britain, London (catalogue) De Appel Foundation - Center for Contemporary Art, Amsterdam Galerie Max Hetzler, E-Werk, Abspannwerk Buchhändlerhof, Berlin 2000 Mean Time Matthew Marks Gallery, New York Geisterbahn The Approach, London Traction Chisenhale Gallery, London 1999 Galerie Max Hetzler, Berlin The Renaissance Society, University of Chicago, Chicago 1997 ICA - Institute of Contemporary Arts, comissioned by Toshiba Art & Innovation, London Fan White Cube, London 1995 KN120 Great Western Studios, London 1991 Crawford Art College, Cork

This catalog includes three insightful essays discussing Remington's series of 70 nocturnes within the literary, historic, aesthetic, and technological context of his time, as well as large reproductions of these stunning paintings, excerpts from Remington's personal diaries and letters, and commentary from contemporary critics.

And as a departure from Wilner's self imposed representational parameters of the year, Making History: September 2009 made use of selections from musical scores to create a kind of soundtrack to the cinematic visuals of the rest of the year, a nocturne composed from the detritus of daily events.

Martin Wittfooth (MFA 2008 Illustration as Visual Essay) Painter; selected for several solo and group shows: «Nocturnes,» National Arts Club, NYC (2013); «HEY!

For example, although the exhibition focuses exclusively on paintings from the last ten years, echoes of earlier works, such as those from the mid-1980s that pay homage to abstract artists Bridget Riley and Barnett Newman, can be seen in Rose Nocturne (2002) and Port of Saints (2007).

Active in Britain as a portraitist, landscape artist, symbolist, and member of the Aesthetic movement, he is best known for his «arrangements», «harmonies» and «nocturnes».

Titled «Nocturne,» it was an ambitious, mural - size work in a palette of dark blues, reds, and greens whose «weight,» as Fishman would put it, defied the modesty and delicacy of its materials.