Sentences with phrase «as objects in motion»

27 young adults were recruited and completed an experiment to view dynamic happy and neutral facial expressions as well as objects in motion in an er - fMRI paradigm.

Not exact matches

Whether or not Mickey is a gamer, Disney Research in Pittsburgh is developing a new technology called Aireal that would enable users of hands free, motion - controlled devices such as the Microsoft Kinect or Leap Motion to actually feel the virtual objects they're manipulmotion - controlled devices such as the Microsoft Kinect or Leap Motion to actually feel the virtual objects they're manipulMotion to actually feel the virtual objects they're manipulating.
As Sir Isaac Newton taught us a long time ago, objects at rest tend to stay at rest and objects in motion tend to stay in motion.
Therefore on the one hand they call Him the Object of Love and Yearning as being Beautiful and Good, and on the other they call Him Yearning and Love as being a Motive - Power leading all things to Himself, Who is the only ultimate Beautiful and Good — yea, as being His own Self - Revelation and the Bounteous Emanation of His own Transcendent Unity, a Motion of Yearning simple, self - moved, self - acting, pre-existent in the Good, and overflowing from the Good into creation, and once again returning to the Good.6
Galileo saw a swinging pendulum as an object with inertia, which almost repeats its oscillating motion; his predecessors, inheriting the Aristotelian interest in progress towards — final ends, had seen a pendulum as a constrained falling object, which slowly attains its final state of rest.
The mass attributed to ordinary objects is required as an independent parameter in predicting the motions that result from the interactions among a system of physical objects.
Now, given any system of material objects that might be considered as a frame of reference in a theory of dynamics, that system is either at rest, or in motion with uniform velocity, or in accelerated motion relative to absolute space.
Therefore, no system of material objects may serve as a frame of reference and be completely suitable for the purpose of analyzing in terms of laws the motions of material objects; for such laws of motion should be stated in such a manner that they are unaffected by the peculiar absence or presence of inertial forces in particular physical frames of reference.
The students were able to better perceive moving objects (motion perception) in the far periphery, they were able to better attend to visual crowding, such as identifying a specific letter within a field of other letters, and they were much faster at finding objects in cluttered scenes (visual search), like finding a stapler on a messy desk.
They developed a technique known as «best - matching,» in which the motion of an object (for instance, the moon) is tracked solely by its changing distance from other objects (like the sun and the Earth), rather than its changing location against a grid.
Their contrasting notions of the nature of time — in one case as a real flowing entity and in the other as an apparent illusion — is one of the major hurdles in uniting the two frameworks into a single theory of quantum gravity that explains the motions of all objects, from atoms to planets.
The key finding of a research team based at Brown University is that neurons in the area of the brain responsible for planning grasping motions retain information about the object to be gripped as they make their movement plan.
When you see the satellite as a line against a background of stars, it is due to the object's motion in the sky during a long exposure.
The researchers were able to model that intuitive distinction as a statistical relationship between a mathematical model of an object's motion and the «noise,» or error, in the visual signal.
However, the same algorithm that helps our brain track motion can be tricked by the pattern motion of an object, such as the seams on a spinning baseball, which causes our brain to «see» the ball suddenly drop from its path when, in reality, it curves steadily.
• Extra: In this activity you tested whether the distance between objects has an effect on apparent motion, but there are other variables you can test, such as the speed at which the flip - books are flipped and the size of the circles.
(Damage to the MT causes motion blindness, in which moving objects look like a succession of static objectsas if lit by a strobe light.)
The extremely dim companion object was observed to share the same high proper motion as Epsilon Indi — around 4.7 arcseconds per year — from the perspective of an observer in the Solar System.
Initially estimated to be 12 to 50 million years old, the object shares the same motion as stars in the young Omicron Velorum cluster (IC 2391), which resides around 450 light - years away in Constellation Vela, next to Columba.
Therefore, general relativity will leave an imprint in the motion of all moving objects in the universe (creating a deviation in an object's predicted Newtonian motion), and its slight effects become obvious in extremely strong gravitational environments, such as the immediate vicinity of Sgr A *.
For the seated row using resistance band, the exerciser uses an attachment to hold the band in place, or wraps the band around a rigid object, such as a post, before pulling the handles back for the rowing motion.
This can be made more difficult by using a longer object, such as a pole, and jumping over it laterally (sideways) and forwards in a zig zag motion.
In physics, motion is defined as a change in position of an object with respect to timIn physics, motion is defined as a change in position of an object with respect to timin position of an object with respect to time.
It has all the good and bad elements of Anderson's style, including some of his best straight - ahead compositions (the ones with the camera facing perpendicular to a rectangular object like a wall or train while the characters either look straight ahead or move sideways as the camera tracks with them, often in slow - motion) and a vibrant use of color (including the blues and yellows he also used well in The Life Aquatic).
The medium itself is an essential motif in the film, not only in its generic characteristics and references, but also as an object that twice sets the film's crimes in motion.
For example a current state benchmark for early elementary grades regarding motion requires students to «Demonstrate and describe the various ways that objects can move, such as in a straight line, zigzag, back - and - forth, round - and - round, fast, and slow.»
Orient Objects to Motion Paths — You can change an object's orientation as it moves in a non ‑ linear path to ensure it faces the direction it is moving.
As with other objects in motion, trends feed on themselves because they draw in fresh energy (from cash and emotions on the sidelines).
The motion sensor should be high enough so it's not obstructed by objects in the room, but low enough so it also captures as much of the room as possible.
The heart of the Switch lies in its Joy - Con controllers, which allow for motion controls, can be used sideways as mini-controllers and pack an «HD rumble» feature that mimics the feel of actual objects.
Object motion blur also makes its way to the PC version, and advanced surface shaders are deployed en masse across characters and environments, resulting in material properties - such as wetness, sheen and reflections - all handled with far more realism than on current - gen platforms.
Motion Camera — Built in to the Right Joy - Con is a motion camera that senses hand movements and gestures as well as detecting objects in the enviroMotion Camera — Built in to the Right Joy - Con is a motion camera that senses hand movements and gestures as well as detecting objects in the enviromotion camera that senses hand movements and gestures as well as detecting objects in the environment.
The right Joy - Con includes an NFC touchpoint for interaction with amiibo figures, as well as an IR Motion Camera that can detect the distance, shape and motion of nearby objects in specially designed Motion Camera that can detect the distance, shape and motion of nearby objects in specially designed motion of nearby objects in specially designed games.
The creators» roots in Burnout are heavily apparent here: if we can give game objects physics, we should destroy those objects in luscious slow motion as often as possible.
There is no PlayStation Move compatibility, although there are two control schemes with the free mode allowing players to move using the DualShock 4's analogue sticks, while comfort mode projects a transparent Lara Croft to show where in your surroundings you are about to transport to, alongside the ability in both control schemes to utilise the DualShock 4's gyroscopic motion sensing functionality to manipulate objects such as documents to search for clues as to the location of the mastery key to open up more rooms and find the safe combination.
This is accomplished during the transition to the next level by ensuring that a certain object stays in the centre of the screen, which is done via the Playstation Vita's motion sensor as well as the left analogue stick.
So Kline's painted lines and angles in «Untitled - Locomotive» are densely interlocked to disclose the object named «train» as indistinguishable from motion itself.
Graduating painting at Columbia University and the University of Illinois, Carolee Schneemann started using simple mechanisms to set her paintings in motion at the early stage of her career, integrating photographs and everyday objects into works she referred to as «painting constructions».
In them, Dávila advances Albers inquiry by establishing the square as a three - dimensional object, existing in a dynamic state of motioIn them, Dávila advances Albers inquiry by establishing the square as a three - dimensional object, existing in a dynamic state of motioin a dynamic state of motion.
He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.
The work is presented as an object in a constant motion, rather than a time based video carrying a narrative.
The idea would be to enlarge such a mobile as the one I saw in the Museum of Modern Art to stage proportions using different colored objects in motion and then playing lights on the mobile from the wings and elsewhere in the theatre.
Likewise, the works exhibited are positioned as «objects» caught in motion, images whose trajectories operate to articulate power structures, disrupt official histories, colonial legacies, and other forms of epistemological violence.
Although museums most commonly present his sculptures as static objects, this exhibition offers a unique opportunity to experience them as the artist intended — in motion.
As a way to enter Barriball's works, this idea opens a view to seeing her works as explorations of air in motion — within and through objects and spaces, as breath and wind, and as passages between the animate and inanimate, life and deatAs a way to enter Barriball's works, this idea opens a view to seeing her works as explorations of air in motion — within and through objects and spaces, as breath and wind, and as passages between the animate and inanimate, life and deatas explorations of air in motion — within and through objects and spaces, as breath and wind, and as passages between the animate and inanimate, life and deatas breath and wind, and as passages between the animate and inanimate, life and deatas passages between the animate and inanimate, life and death.
As the center's Web site explains, the animation shows the motion of objects in the inner region of the solar system over a two - year period at 10 - day intervals.
That calculation is redone for every point in space (meaning ANYWHERE, not meaning «outer space»), constantly, as varying pulls come from all the objects in motion universally, in the time frame that we receive them.
If we treat ourselves as a static object, and then consider our motion in space, you will find we are always going in 3 circles, several times, of varying dimension.
The measurements for the Earth's motions come from a variety of space - based measurements including satellites, like those in the Global Positioning System (GPS), the geodetic satellites that included records from NASA's older LAGEOS satellite, and observations of distant astronomical objects using a technique known as Very Long Baseline Interferometry.
Our Facebook friends are objects at rest, and we know that objects at rest tend to remain at rest (as opposed to objects in motion which apparently join Altly).
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