Not exact matches
I all but begged him to let me do a series of
oral - history interviews with him to record his
story, central
as it was to a critical phase of Silicon Valley's development.
Particularly at certain points, we sense the
oral quality of the
stories: this, or this, or this strikes us
as something told, even though we read it now.
The two accounts, J and E, both draw from a common
oral source, or, still
as oral tradition, the Joseph
story circulated simultaneously in central and southern Canaan.
It used the incident,
as it used everything else that was given it in the
oral tradition about Jesus which preceded the setting - down in written texts the
story of Jesus,
as a way in which the importance of the originating event was declared.
Gospels, like
oral epics, were composed anew at each performance; tellers improvised along
story lines and using
oral formulas just
as the earliest Greek rhapsodes had done with Homeric epics.
We have already noted that there are reasons for thinking that the burial
story had been in circulation in
oral tradition for some time,
as it exhibits signs of having passed through a transformation.
Let us set down three observations: (a) Mark 15:40 - 16:8 possesses several features which divide it so sharply from the Passion narrative that it could hardly have been the natural continuation of that in the stage of
oral tradition, (b) this pericope, however, could not have existed in its present form
as an independent tradition, (c) the pericope itself falls naturally into two parts, the first of which can exist
as an independent
story, but the second of which can not, for it depends upon the first.
You have verifiable fact type books, then moral carrying fictional
stories of an
oral tradition which
as most
oral traditions go, the base
stories were built up on every time they were retold and so again every time they were rewritten and translated!!!
We can learn skills that will enable us to memorize and recite biblical
stories in corporate worship and other gatherings, or at least read them aloud
as stories, letters, poems, and other expressions of
oral art.
You can not even prove any of the godspel accounts are
oral histories and not invented
stories, and
as a JD you must surely know at least three are lies.
Thomas Boomershine's
Story Journey: An Invitation to the Gospel
as Storytelling reflects the influence of this
oral, traditional approach.
They hold on to a particular interpretation of an ancient
story in Genesis that they have fashioned into a modern account of origins - a
story that began
as an
oral tradition for a wandering tribe of Jews thousands of years ago.
Everything of enduring significance that ancient Israel became, believed, and proclaimed is ultimately influenced not only by what actually occurred in the time of the exodus, but by the
story of the exodus — the
story as it was first remembered and repeated; the
story as it assumed relatively fixed classical forms in different areas, in the North or South; the
story as its multiple versions, written and
oral, were compared, mutually «corrected,» and finally composed into the single, unified narrative that is before us now.
Riddles: There are a number of riddles known
as PODUPU KATHALU (= puzzle
stories), or VIPPUDU KATHALU (= untie
stories) most of which are still in
oral transmission.
Hello wellness mama i just want to say thank you for all your great information i have been reading a lot of your articles especially the dental care ones, i have just recently found you while looking for alternatives on taking better care of my teeth since my dentist recently found 7 cavities in my mouth despite the fact that i have always taken care of my teeth by brushing 2x / day, flossing,
oral rinsing etc.
as a matter of fact too much care maybe thats why im in this situation ok so long
story short i need to know if the molars that have been filled or «fixed» (the way dentists like to call it!)
Instead,
as if from some other age, an
oral history of the coach developed, and whenever old players or other Scooba minstrels gathered, they would share Bull Cyclone
stories, telling the same ones over and over, word for word, liturgically,
as the wives drifted to the corners and shook their heads.
Your toddler will enjoy seeing smiling faces and colorful pictures, and her
oral language skills will grow
as you recall the
stories that go with the snapshots.
Space
Stories:
Oral Histories from the Pioneers of the American Space Program has been published
as an e-book containing condensed versions of selected interviews.
Engage in Conversations and
Oral Story Telling - Capitalize on down time such
as the waiting room at a doctor's appointment or while getting the oil changed in the car by engaging in conversation, telling
stories, or playing word games with your child.
Your toddler will enjoy seeing smiling faces and colorful pictures, and her
oral language skills will grow
as you recall the people, places and
stories that go with the snapshots.
As part of its ongoing
Oral History Project to record personal
stories.
All things said, the text of «Beowulf» would prove nearly impossible to craft into a commercial motion picture if it were to adhere to complete slavish adaptation,
as those great early epic
stories, born from
oral tradition, weren't exactly rife with depth of characters or motivations.
Elaine Arnold emphasizes that students should bring the finished
stories back to the residents
as gifts, and Glandon loves the idea of working with theater teachers to dramatize the
oral histories.
Also included is a biography WAGOLL that was used
as our
oral text (learning actions and creating a
story map), a boxing up activity and a writers toolkit - and everything is editable to match the needs of your class!
Also included is a newspaper WAGOLL that was used
as our
oral text (learning actions and creating a
story map), a boxing up activity and a writers toolkit - and everything is editable to match the needs of your class!
Luckily, the Bishop Museum Press had just published Mary Kawena Pukui's bilingual collection of Hawaiian folktales, and breaking my department's copying budget, I set about using it
as the basis for a semester long project on family folk
stories incorporating
oral, written, and visual presentations.
Dating back even to the 1920s and 1930s, basals had provided at least a «token» section in which teachers were encouraged to extend the themes or skills of the basal
story into related writing (e.g., rewriting
stories),
oral language (e.g., transforming a
story into a play and dramatizing it), or cross-curricular activities (e.g., conducting community surveys, tallying the results, and reporting them), but these forays were regarded
as peripheral rather than core.
Stories started
as oral traditions, evolved to writing,....
By reimagining the poem and setting it firmly in the
oral tradition, Lombardo captures both the sense and rhythms of the familiar
story, and
as reader of this epic, he is without peer.
In many ways, Ocean Meets Sky is a tribute to the tradition of
oral storytelling, in particular to the
stories told by the Fans» Taiwanese grandfather, who lived on the other side of the world and didn't frequently visit (both Eric and Terry were born in the U.S. but moved to Canada
as children).
Working under the sign of Benjamin, «Storyteller» curators Claire Gilman and Margaret Sundell grouped together fourteen artists who employ the
story form
as a documentary mode, setting aside Benjamin's distinction between the subjectivity of
oral communication and the assumed veracity of mechanical broadcast in order to investigate the use of narrative across a swath of contemporary art.
A personal
story told through the eyes of director and writer Amanda Strong,
as she connects the
oral and written history of her family
as well
as the history of the Michif (Métis), Cree and Anishinaabe people and their cultural ties to the buffalo.
She uses
as a reference traditional
oral country
stories and myth, but also takes the contemporary city woman
as a central character, using a narrative guided by ambiguous and sensual feminine elements for a dreamlike reflection on a woman's daily life.
Influenced by the
oral history of her family's arrival in the United States from the Philippines, and of growing up in the midwest, Palileo infuses her narratives with both memory and imagination:
as stories and recollections are subjected to time and constant retelling, the narratives become questionable, somewhere between fact and fiction, even
as they remain cloaked in the convincingly familiar.
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As a part of its
Oral History Project documenting the life
stories of New York City's African American artists, BOMB magazine published an interview with Eldzier Cortor (left), who died last November.
As part of a commissioned art project, her plan presents an
oral guide to Bronx history by giving voice to the community about their connections to its ecosystem with
stories by current and former residents, from beekeepers to rappers.
The ESA and Spinelli online
oral history projects make legal biography more accessible and more «real»
as we can hear the interviewees tell their
stories in their own voices.