Sentences with phrase «as other art institutions»

The North Carolina Museum of Art only reviews unsolicited proposals for temporary exhibitions from North Carolina artists or representatives, as well as other art institutions.

Hauser & Wirth, whose own roster of artists includes over two men for every woman, is as mainstream in its bias as any other art institution out there.

Not exact matches

Bon Appétit's clients include major companies such as Google, Adobe, and LinkedIn as well as prestigious institutions including the Getty Center, the Art Institute of Chicago, Johns Hopkins University, the University of Pennsylvania, and many others.

The surveys included multiple items that assessed knowledge about art, as well as measures of tolerance, historical empathy and sustained interest in visiting art museums and other cultural institutions.

Art institutions, stadiums and other monuments are only minutes away via the Skytrain located nearby as well.

Felix Salmon on the phenomenon of institutions around the world putting on art exhibitions that have high budgets and low quality standards: «If a museum becomes popular by putting on blockbusters, then people start to think of it as a place to check out temporary exhibitions and see no reason to go there at any other time.»

In the past she has collaborated with various institutions including Centro Atlantico de Arte Moderno (CAAM), Las Palmas de Gran Canaria, ES; Durban Art Gallery, ZA; Joburg Art Fair, Johannesburg, ZA; Johannesburg Workshop in Theory and Criticism (JWTC), Johannesburg, ZA; LUMA / Westbau, Pool, Zurich, CH; New Museum, Museum as Hub, New York, US; and Raw Material Company, Dakar, SN, amongst others.

MOCA (formally the Contemporary Art Center of Virginia) publications serve as academic record for our institution which, unlike many other Museums, does not have a permanent collection to document its institutional growth.

Before joining the Foundation, Neckles - Ortiz worked as an Art Education consultant and Adjunct Professor for Pratt Institute and other leading NYC art institutions and organizatioArt Education consultant and Adjunct Professor for Pratt Institute and other leading NYC art institutions and organizatioart institutions and organizations.

The redesigned galleries will include both the collection's familiar works as well as objects on loan from other institutions, such as historical Native American art, folk art, furniture and art from other regions and time periods.

As well as some knockout paintings (with some, like Hans Eworth's splendid portrait of Mary I, on rare loan from other institutions), the exhibition presents, in its interpretation material, the fruits of the gallery's five - year research project Making Art in Tudor BritaiAs well as some knockout paintings (with some, like Hans Eworth's splendid portrait of Mary I, on rare loan from other institutions), the exhibition presents, in its interpretation material, the fruits of the gallery's five - year research project Making Art in Tudor Britaias some knockout paintings (with some, like Hans Eworth's splendid portrait of Mary I, on rare loan from other institutions), the exhibition presents, in its interpretation material, the fruits of the gallery's five - year research project Making Art in Tudor Britain.

As Co-Founder of CAN, the Centre d'art Neuchâtel, Switzerland, and director from 1995 - 2000, Wahler integrated researchers at the University of Neuchâtel into the institution's contemporary art programming, including site - specific performances and solo and group exhibitions with Steven Parrino, Fischli and Weiss, Roman Signer, Cheryl Donegan, Philippe Parreno, and Mike Kelley, among others.

She is the founder and curator of Lunch Bytes (www.lunch-bytes.com)-- a project on digital art and culture which includes talks, discussions and an online platform for which she collaborated with institutions such as Art Basel; CCA, Glasgow; ICA, London; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. among otheart and culture which includes talks, discussions and an online platform for which she collaborated with institutions such as Art Basel; CCA, Glasgow; ICA, London; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. among otheArt Basel; CCA, Glasgow; ICA, London; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. among others.

Campbell adds, «As a leading alternative arts center in the United States, this is the mission, and therefore the role, I see for 18th Street Arts Center: to question, probe, reflect on tough subjects that other cultural institutions or market driven venues will not address.&raarts center in the United States, this is the mission, and therefore the role, I see for 18th Street Arts Center: to question, probe, reflect on tough subjects that other cultural institutions or market driven venues will not address.&raArts Center: to question, probe, reflect on tough subjects that other cultural institutions or market driven venues will not address.»

As part of the course, students have had the opportunity to curate exhibitions in partner institutions such as the Korean Cultural Centre, the Government Art Collection, NHS practice, Mansion House, Mint Hotel, Rich Mix, Royal College of Psychiatrists, Valentine's Mansion, the Zabludowicz Collection in London, and the ME - Collector's Room / the Thomas Olbricht Collection, Berlin among otherAs part of the course, students have had the opportunity to curate exhibitions in partner institutions such as the Korean Cultural Centre, the Government Art Collection, NHS practice, Mansion House, Mint Hotel, Rich Mix, Royal College of Psychiatrists, Valentine's Mansion, the Zabludowicz Collection in London, and the ME - Collector's Room / the Thomas Olbricht Collection, Berlin among otheras the Korean Cultural Centre, the Government Art Collection, NHS practice, Mansion House, Mint Hotel, Rich Mix, Royal College of Psychiatrists, Valentine's Mansion, the Zabludowicz Collection in London, and the ME - Collector's Room / the Thomas Olbricht Collection, Berlin among others.

As the connection between fashion and art has become deeper and more open over the years, it has become rare that any one link in the art collector's chain will not lead to another in the fashion world, and other in design, architecture, auction houses, and art institutions.

Institutional critique could expand its focus beyond art spaces to others, like scientific and medical institutions (as in Leonard's photographs of terrifyingly metallic antique gynecological instruments).

Finally, in the late 1960s (partially as a response to minimal art, and the dogmatic interpretations by some to Greenbergian and Juddian formalism), many painters re-introduced painterly options into their works and the Whitney Museum and several other museums and institutions at the time formally named and identified the movement and uncompromising return to painterly abstraction as «lyrical abstraction».

Other highlights include «LA / LA and Institutional Collaboration», which will use Pacific Standard Time: LA / LA as a reference point to examine how institutions can encourage the growth of regional art scenes; «Digital Museums and Virtual Audiences», focusing on digital innovation and how new technology is starting to leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on contemporary art.

CSMRC Fellows will have an opportunity to access materials from the CSM archives and art collection, as well as other collections, including materials from two adjacent institutions, the Denver Public Library (DPL) and the Denver Art Museum (DAart collection, as well as other collections, including materials from two adjacent institutions, the Denver Public Library (DPL) and the Denver Art Museum (DAArt Museum (DAM).

The gallery has also fostered ties with other prominent galleries, as well as major public institutions including MoMA, The Whitney Museum of American Art, San Francisco MoMA, The Walker Art Center, MoCA Los Angeles, Fogg Art Museum, Cooper - Hewitt National Design Museum and internationally The Serralves Museum, Porto, Portugal, as well as the Devi Art Foundation, New Delhi, to name a few.

His work has been exhibited at such international institutions and festivals as The Bruce Museum of Arts and Sciences (CT), Yuan Art Museum (Beijing), MOCA Tucson (AZ), MAC Lima (Peru), and Islamic Arts Festival (Sharjah), among others.

She has exhibited at such venues as the 2011 Istanbul Biennial, Turkey; the Manifesta 9 Biennial, Belgium; the Getty Center, Los Angeles; Atlanta Contemporary Arts Center; Rowan University, New Jersey; SUNY, New York; galleries in Los Angeles, Düsseldorf, Belgrade, and Tijuana; and many other public sites and institutions.

While studio space is something that will always be one of the most necessary ingredients for artists in the NYC area, there are other factors that I personally consider just as important and integral to successful residency programs and arts institutions.

His work is in the permanent collections of public institutions such as Albright - Knox Art Gallery, Buffalo, NY; The Baltimore Museum of Art, Baltimore, MD; The Denver Art Museum, Denver, CO; Indianapolis Museum of Art, Indianapolis, IN; Lehmbruck Museum, Duisburg, Germany; Museo de Arte Moderno, Bogota, Colombia; Metropolitan Museum of Art, New York, NY; Museum of Contemporary Art, Chicago, IL; The Museum of Modern Art, NY; Museo de Ponce, Ponce, Puerto Rico; Pasadena Museum, Pasadena, CA; Philadelphia Museum of Art, Philadelphia, PA; Rhode Island School of Design, Providence, RI; and Whitney Museum of American Art, New York, NY, and others.

Their work has been featured internationally, at venues including the 50th Venice Biennial, the 2nd Sevilla Biennial, the 5th Berlin Biennial, the 8th Gwangju Biennial, 1st Cartagena Biennial and in institutions such as MIT, The Generali Foundation, Haud der Kulturen der Welt, with solo exhibitions at The New Museum of Contemporary Art New York, Moderna Museet Stockholm, Museo Rufino Tamayo Mexico City, Lunds Kunsthall, DAAD Galerie - Berlin, MMK Museum für Moderne Kunst Frankfurt, among others.

Crewdson's work has been exhibited extensively at institutions such as the Whitney Museum, the Victoria and Albert Museum, the Metropolitan Museum of Art, and the Museum of Modern Art, among many others.

Mariko Mori has been the subject of numerous international solo exhibitions at institutions such as the Royal Academy of Arts, London, United Kingdom; the Japan Society, New York; Espace Louis Vuitton, Tokyo, Japan; The Museum of Contemporary Art, Tokyo, Japan; The Brooklyn Museum of Art, New York; the Museum of Contemporary Art, Chicago; and the Serpentine Gallery, London, United Kingdom among others.

The thesis of my book takes as its operative assumption that the art system — its history, institutions, market, press, and so forth — is a hegemony that privileges white male creativity to the exclusion of all Other artists.

Its other prongs include an artist residency at her home in Sonoma, California, for living artists in her collection, as well as scholars and curators whose work extends the canon and relates to the artists in her collection; sitting on the boards of museums like the Art Institute of Chicago; publishing critical scholarship, beginning with the 2016 book Four Generations: The Joyner Giuffrida Collection of Abstract Art; and collecting and gifting major works by black artists to institutions.

Frandsen's work has been exhibited in solo shows at institutions such as the Red Brick Contemporary Art Museum in Beijing, the Aarhus Art Museum in Denmark, and the Danish National Gallery, and in group shows at the Stavanger Art Museum in Norway, the Louisiana Museum of Modern Art in Denmark, the Fondation Beyeler in Basel, and the Haifa Museum of Art, among others.

Their work has been presented in major art institutions such as the Hamburger Bahnhof in Berlin, Kunstverein Bregenz (Austria), Haus der Kunst in Munich, Domus Artium da2 in Salamanca (Spain), Schirn Kunsthalle in Frankfurt (Germany) and others.

S. 1; Tate Modern, London; Hirschhorn Museum and Sculpture Garden D.C.; Kunstmuseum Lucerne, Switzerland; Philadelphia Museum of Art; Denver Art Museum; Indianapolis Museum of Art; Museum of Contemporary Art Chicago; Mass MoCA; MoCA Cleveland; San Francisco Museum of Modern Art; High Museum of Art Atlanta; Los Angeles County Museum of Art; Stedelijk Museum, Amsterdam; Kunsthalle Bern, Switzerland; ICA Boston; Albright - Knox Gallery, Buffalo; El Museo del Barrio NY; The Jewish Museum NY; Socrates Sculpture Park; Sculpture Center NY; ICA Philadelphia; New Museum NY; Bronx Museum; Brooklyn Museum; Creative Time NY; Pinchuk Art Centre Kiev; American Academy in Rome; Guggenheim NY, Venice, Bilbao & Berlin; White Columns; Art in General; Studio Museum in Harlem; Zacheta National Gallery of Art Poland; Artists Space NY; The Menil Collection Houston; J Paul Getty Museum LA and many other museums nationally and internationally; as well as every major cultural institution in South Florida.

Over time, the Guggenheim has expanded the type of art that it exhibits and collects through the addition of other great collections — notably, those of Karl Nierendorf, Peggy Guggenheim, Justin and Hilde Thannhauser, and Giuseppe Panza di Biumo — as well as through opportunities that resulted from the institution's increasingly international focus in more recent decades.

McGinness has shown internationally and has been included in many museum exhibitions at such highly prestigious institutions as the Museum of Modern Art, New York, the Saatchi Gallery at the Academy of Arts in London, PS1 / MOMA in New York, and the Mori Art Museum in Tokyo, among many others.

Art in General artists have gone on to be included in the Whitney Biennial, Documenta, Istanbul Biennial, and the Venice Biennale, among others, as well as in exhibitions at major institutions in New York abroad, such as MoMA, the New Museum, Tate Modern, and many more.

Liu's work has been featured in group exhibitions at key institutions internationally, such as the Ullens Center for Contemporary Art, Beijing; K11 Art Foundation, Hong Kong; Pino Pascali Foundation Museum, Polignano; Foundation Louis Vuitton, Paris; Solomon R. Guggenheim Museum and Whitebox Art Center, New York; Dimensions Variable, Miami; Long Museum and Aurora Museum, Shanghai; OCT - Contemporary Art Terminal and He Xiangning Art Museum, Shenzhen; and Vermillion Sands, Copenhagen, among others.

Moreover, their work has been included in group exhibitions at institutions such as the Los Angeles County Museum of Art, CA, USA (2017); The Royal Academy of Arts, London, UK (2016); Museo de Arte Latinoamericano de Buenos Aires MALBA, Buenos Aires, Argentina (2015); Museum Lenbachhaus, Munich, Germany (2015); Barbican Centre, London, UK (2015); Centre Pompidou, Paris, France (2014); Solomon R. Guggenheim Museum, New York, NY, USA (2014); Muséum National d'Histoire naturelle, Paris, France (2013); Museo de Arte Contemporáneo de Castilla y León MUSAC, León, Spain (2011); Princeton University Art Museum, Princeton, NJ, USA (2010); Power Plant, Toronto, Canada (2010); Aspen Art Museum, Aspen, CO, USA (2010); Museu de Arte Moderna de São Paulo, Brazil (2009); The New Museum, New York, NY, USA (2008); Museo d'arte Moderna e Contemporaneo MUSEION, Bolzano, Italy (2008); Cincinnati Contemporary Arts Center, Cincinnati, OH, USA (2007); Smith College, Northampton, USA (2007); Mori Art Museum, Tokyo, Japan (2007); Grand Palais, Paris, France (2006); and Hamburger Bahnhof Museum, Berlin, Germany (2006), among others.

This exhibition will feature loans from such notable institutions as the Smithsonian American Art Museum, The Metropolitan Museum of Art, The J. Paul Getty Museum, The Phillips Collection and The Pennsylvania Academy of the Fine Arts, among others.

Along with familiar works from the collection, the installation will include objects on loan from other institutions, such as historical Native American art, folk art, furniture, and art from other regions and time periods to encourage a more textured narrative about the first centuries of US art and history.

Her work is included in the collections of major institutions such as the Metropolitan Museum of Art, the Los Angeles County Museum of Art, the Whitney Museum of American Art, and the Indianapolis Museum of Art, among many others.

Moreover, her work has been included in group exhibitions at institutions such as the, Museo Jumex, Mexico City Mexico (2013); Kunsthaus Bregenz, Bregenz, Austria (2013); Musée d'art moderne de la Ville de Paris (MAM / ARC), Paris, France (2012); MUAC Museo Universitario de Arte Contemporáneo, Mexico City, Mexico (2011); KW Institute for Contemporary Art, Berlin, Germany (2010); Centre Pompidou, Paris, France (2010) San Francisco Museum of Modern Art, San Francisco, United States (2008) among others.

Her work has been shown at institutions such as MOMA PS1, Massachusetts Museum of Contemporary Art, and the Musée d'Art Moderne de la Ville de Paris, among other galleries and institutions around the world.

His works are held in the collections of numerous museums within Japan including the Museum of Contemporary Art Tokyo, and international institutions such as the Tate Modern, the Dallas Museum of Art, M +, the Guggenheim Abu Dhabi, the Glenstone Foundation, the Pinault Collection and numerous others.

Henri did not look highly upon American art institutions at the time, which led to him joining John Sloan and six other anti-institutional artists (known as «the Eight») to put on an exhibit at the Macbeth Gallery in 1908.

In 1946, Margo was a visiting artist at American University in Washington, DC; he spent two years as a visiting professor at the School of the Art Institute of Chicago (1957 - 1959); and he was invited to be a visiting artist and / or professor at several other prestigious institutions.

Recognized as a defining force of the alternative space movement, MoMA PS1 stands out from other major arts institutions through its cutting - edge approach to exhibitions and direct involvement of artists within a scholarly framework.

To broaden the audience for its artistic endeavors, the Council works with such institutions as Whitney Musuem, the PEN Literary organization, Guggenheim Museum, Lower Manhattan Cultural Council, New York Foundation for the Arts, and others.

Public institutions include the Metropolitan Museum of Art, New York; The Guggenheim, The Museum of Contemporary Art, Los Angeles The Hirshhorn Museum and Sculpture Garden, Washington DC; and Tate, London, among others as well as collaborating with Merce Cunningham on the production of Ground Level Overlay.

Six months after Franklin Sirmans took the helm of the Perez Art Museum Miami, the institution has announced a series of major acquisitions, including 100 works donated by Miami developer Craig Robins from his personal collection, as well as the Douglas and Bearden works, and several others by African American artists.