Sentences with phrase «as other artists of his generation»

On the secondary market, the specialist continues, «Diebenkorn doesn't come up at auction as frequently as other artists of his generation,» partly because West Coast artists never received as much critical attention as their New York counterparts.

To nearly everyone's surprise, Stella appreciated Hawkinson as someone who has inexplicably made memorable art from «gestures as lightweight, banal and self - absorbed» as those any other artist of his generation practice.

Not exact matches

As it currently stands, it will jeopardise the future success of our creative industries by significantly reducing opportunities for the next generation of musicians, technicians, designers, artists, actors and all the other vital roles in the industry.

It's a chance to see works by three generations of the famed Wyeth family of artists — N.C., Andrew and Jamie — as well as others.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

Proposals are evaluated on the basis of the following criteria, which are weighed equally: How well a project aligns with the MAP Fund's goal of supporting experimentation and innovation in all traditions and disciplines of live performance, especially work that brings insight to the issue of cultural difference, be that in class, gender, generation, race, religion, sexual orientation or other aspects of diversity The artistic strength of the proposed project The viability of the project, based on the applicant's professional capabilities as demonstrated in the project narrative, bio and artist statement, and work samples.

The organizer, the American painter and art dealer William Copley, conceived of it as an intermedia and intergenerational publication, presenting works by an impressive array of artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up - and - coming generation of conceptual and post-studio artists represented by Joseph Kosuth and Bruce Nauman, among others.

Others were «Take It or Leave It: Institution, Image, Ideology» at the Hammer Museum (2014), which surveyed the use of appropriation and institutional critique in art from the 1980s; and «Jack Goldstein X 10,000» at Orange County Museum of Art (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.»

Thus they spread the way for a new generation of artists who combine virtual reality with other media in a seemingly effortless manner, the Internet as their ubiquitous and inexhaustible source of inspiration.

Emerging in the 1970s as part of the Pictures Generation, she established her signature style in the early 1980s, when she began taking pictures of other artists» works displayed in museums, storage spaces, auction houses, and collectors» homes.

His students and successors — such as Jo Ann Callis, Judy Fiskin, and James Welling — have gone on to teach and influence a younger generation of artists, including Amy Adler, Anne Collier, and Florian Maier - Aichen among many others.

Its other prongs include an artist residency at her home in Sonoma, California, for living artists in her collection, as well as scholars and curators whose work extends the canon and relates to the artists in her collection; sitting on the boards of museums like the Art Institute of Chicago; publishing critical scholarship, beginning with the 2016 book Four Generations: The Joyner Giuffrida Collection of Abstract Art; and collecting and gifting major works by black artists to institutions.

Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human legs.

Together with solo presentations by seven other artists closely associated with Feature Inc. and a booth representing the recently launched non-profit Feature Hudson Foundation (FHF), For Your Infotainment honors a man remembered in The New York Times as «one of the most prescient, independent - minded and admired gallerists of his generation.»

She sets up art — historical generations, locating artists such as Ellen Gallagher, Gary Simmons, Carrie Mae Weems, and Fred Wilson, among others, as the heirs of Robert Colescott, David Hammons, and Adrian Piper.2 MATRIX artist Sanford Biggers is part of a new art - historical generation.

The exhibition then turns to other works from 1960 onwards, including pieces from movements such as Fluxus and the socalled Pictures Generation, as well as an introspective look at the history of America through work by artists such as Romare Bearden, Jeff Wall, and Cady Noland.

Influential on other artists after Morris Louis and Kenneth Noland first saw her work in the early 1950s, since 2000 her art has inspired a new generation of younger painters such as Carrie Moyer, Jackie Saccaccio, and Mary Weatherford.

EXILE presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generational and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

Robert Ryman and Ellsworth Kelly were both working steadily, granted, but so distinctively as to be inimitable by younger artists — not that Heilmann seems to have ever resorted to simple mimicry, despite the frequency with which other artists of her generation have used it as a tool.

This period served to establish the artist's reputation in the United States, where he was crowned by none other than Alfred Barr of the Museum of Modern Art as the «most versatile, learned, and courageous» of the younger generation of Cuban modern artists.

Over five decades of performance art practices by such artists as Benjamin Patterson, David Hammons, Senga Nengudi, Lorraine O'Grady, Adrian Piper and Ulysses Jenkins are presented along representatives of subsequent generations such as Carrie Mae Weems, William Pope.L, Terry Adkins, Sherman Fleming, Danny Tisdale, Lyle Ashton Harris, Clifford Owens, Kalup Linzy and Adam Pendleton, among others.

In this exhibition we present a selection of these works, together with works from other Norwegian collections, in an exhibition that reviews Kitaj's contribution as a historical artist, but also as one whose works still resonate with those of younger generations of artists.

I am excited to showcase Andre's work as well as that of other artists of his generation like Guy De Cointet, alongside a younger group.

The museum's permanent collection of Damian Hirst's iconic formaldehyde - works are in this exhibition contextualised with other British artists of the same generation, who in the 1990s were known as the YBAs: Young British Aartists of the same generation, who in the 1990s were known as the YBAs: Young British ArtistsArtists.

After his untimely, self - inflicted death in 2008, Tate's director Nicholas Serota spoke of him as one of the wittiest creators of his generation and «an enormously influential friend of other British artists who came to prominence in the early nineties ``.

They're not going to burn out as sometimes happens with younger artists... and normally the prices are far below the other artists of their generation, so you're offering a value to someone.»

Women House's 39 artists come from four continents; they span from historic figures such as Claude Cahun to a young generation: Mexican artist Pia Camil, Iranian Nazgol Ansarinia, Portuguese Joana Vasconcelos, German Isa Melsheimer or the French Laure Tixierand Elsa Sahal... Some of the names are already famous (Louise Bourgeois, Niki de Saint Phalle, Martha Rosler, Mona Hatoum, Cindy Sherman, Rachel Whiteread), others are the subject of recent rediscoveries connected to a rereading of the History of Art in terms of gender parity (Birgit Jürgenssen, Ana Vieira, Laetitia Parente, Heidi Bucher).

These trends and traditions continue today with a new generation of artists, both those from Santa Fe as well as others drawn to the city's creative vibe.

It seems highly unlikely that Parker will have anything pungently direct to say about Corbyn, May or an election that could quake the political landscape, as might other conceptual artists of her generation such as Mark Wallinger or Jeremy Deller.

Amended and rearranged after its first installment, the show will explore the impact that Mexico had on Artaud's work, as well as the influences that his creative practice has had on different generations of artists, filmmakers and other cultural practitioners.

His work was also featured in many important group exhibitions, such as L'art vivant aux États - Unis (1970, Fondation Maeght, Saint - Paul, France), Contemporary Black Artists in America (1971, Whitney Museum of American Art), Lamp Black: Afro - American Artists, New York and Boston (1973, Museum of Fine Arts, Boston), Another Generation (1979, The Studio Museum in Harlem, New York), Afro - American Abstraction (1981, P.S. 1 Contemporary Art Center, Queens), and The Appropriate Object (1989, Albright - Knox Art Gallery, Buffalo), among others.

Represent culminates with a wide - ranging array of portraits created by several generations of artists, from those active over a century ago to those making work today, as well as audio excerpts of interviews with contemporary artists Moe Brooker, Barkley L. Hendricks, Odili Donald Odita, Joyce J. Scott, and others.

Holliday became famous in New York during the 1970s and 1980s and through his career, he has worked in close association with preeminent artists of his generation such as Keith Haring, with whom he had a two - man show at Club 57 in 1980, Jean - Michele Basquiat, Ann Magnuson, Kenny Scharf and Donald Bachelor, among others.

Exile presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generatioal and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

On the other hand, I have a show that is opening very soon with Mark Bradford, who is not an emerging artist, but he is actually of my generation, but someone who I've known for many years, and actually have had some of the most important discussions to me about painting over the years, as well as feminism, and queerness, and all kinds of other things that Mark thinks about.

As a vital member of the generation of pioneering performance artists that includes Bruce Nauman, Vito Acconci, Chris Burden and others, Abramović has created an influential and enduring «body of work.»

By contrast, Pretty Raw positions Frankenthaler as central to an alternative account of second - generation artists figured as more «feminine,» not only for the contributions of Frankenthaler, Grace Hartigan, Jane Freilicher, and other women, but also for the gay artists who presented a counterpoint to the previous generation's macho posturing.

Women House's 39 artists come from four continents; they span from historic figures such as Claude Cahun to a young generation: Mexican artist Pia Camil, Iranian Nazgol Ansarinia, Portuguese Joana Vasconcelos, German Isa Melsheimer or the French Laure Tixier and Elsa Sahal... Some of the names are already famous (Louise Bourgeois, Niki de Saint Phalle, Martha Rosler, Mona Hatoum, Cindy Sherman, Rachel Whiteread), others are the subject of recent rediscoveries connected to a rereading of the History of Art in terms of gender parity (Birgit Jürgenssen, Ana Vieira, Laetitia Parente, Heidi Bucher).

This group inspired later generations of artists such as Henry Schnakenberg, Aaron Harry Gorson, and others who painted subjects of labor and leisure.

MIAMI BEACH — Artist Rosalyn Drexler was once immortalized in silkscreen by Andy Warhol as her wrestling persona «Rosa Carlo, the Mexican Spitfire,» yet Drexler's own powerful Pop Art has never received as much acclaim as Warhol's work and others of her generation.

IN 1996 Nicolas Bourriaud included Lothar Hempel in «Traffic» at CAPC in Bordeaux, France, placing the German artist alongside numerous others of his generation such as Liam Gillick, Philippe Parreno, and Dominique Gonzalez - Foerster.

Cinema also connects him to artists of other generations such as John Stezaker and before that Richard Hamilton.

Her work was part of the traveling exhibition Cuba / USA: First Generation, and has been included in museum exhibitions such as Ancient Roots / New Visions, Contemporaries: Juxtaposing Perceptions, at the Museum of Contemporary Hispanic Art in New York, Ten Contemporary Hispanic Artists, at the Brooklyn Museum, and Resurgimiento, at the Museo del Barrio in New York, among others.

The 1939 - 1949 frame inevitably leaves out many important older and younger artists of the time (just as the limits of wall space impose other exclusions), but the subject of this show is not the entirety of New York abstract painting of the 1980s, rather what a specific generation contributed to it.

Lawler emerged in the 1970s as part of the Pictures Generation — a loosely knit group of artists who used media tactics to critically examine the functions and codes of representation — when she began taking pictures of other artists» works displayed in private collections, museums, galleries, storage spaces, and auction houses, subtly commenting on the sociological use and value of art.

His distinct perspective is what makes his work so noteworthy and over three decades later, his photos still resonate with the contemporary generation of artists, as evidenced by the contributions from Wes Anderson and other art world creators, each of whom command their own chapters of the new body of work.

Given Vancouver's dominant lineage of conceptual and post-conceptual art practice, McIntosh became somewhat of an alternative model of success, one that indirectly gave a young generation of artists (Arabella Campbell, Jeremy Hof, Eli Bornowsky and Rebecca Brewer, among others) permission to take up painting as a so - called serious contemporary art form.

Others, such as Sheeler, took the stark, yet impressive geometry of the new industrial landscape as a point of departureThe exhibition also examines another familiar subject, the human figure, which proved to be of abiding interest to the artists of this generation.

Exhibiting together for five years, these artists, along with Jackson Pollock, Willem de Kooning, and others would come to be known as the first generation of Abstract Expressionists.

Since emerging from the Glasgow art scene in the early 1990s, Simon Starling (British, b. 1967) has established himself as one of the leading artists of his generation, working in a wide variety of media (film, installation, photography) to interrogate the histories of art and design, scientific discoveries, and global economic and ecological issues, among other subjects.