Sentences with phrase «as painterly practice»

Not exact matches

As though they were photographs of scenarios and regions that had never yet been seen» — Gerhard Richter With its grid of dark, marbled bands, Gerhard Richter's Abstraktes Bild is a shimmering greyscale vision dating from the finest period of his abstract painterly practice.

In Albert Oehlen's Titanium Cat with Laboratory Tested Animal (1999), the influence of Gerhard Richter's painterly practice and the process known as vermalung: the act of creating movement through undoing, scraping and over-painting, is in full evidence.

Immediate and fresh, they challenge the assumptions of painting as they exist within Hughes» oeuvre while also extending her painterly practice in surprising ways.

Throughout the evolution of his painterly practice, Colen has engaged in long periods of material experimentation, using substances such as chewing gum, flowers, dirt, grass, confetti and tar and feathers.

Her artistic practice has recently focused on producing works that incorporate found fabrics as well as new textiles, which the artist stretches on wooden frames to create organic and almost painterly compositions that oscillate between transparency and density, foreground and background.

Remainders and markings of Lewis» physical practice continue to accumulate onto his surfaces until the moment of their installation, rendering his painterly objects as repositories of their own history.

In 2005, disenchanted with the increasingly abstract appearance of his works, he revived the vivid book cover as part of his new painterly explorations, hoping to reintroduce a sense of pictorial content to his practice.

Alexander writes that Shields» work is»... deeply rooted in a ritualization of the painting process and an assertion of art - making as an ancient practice... the large paintings possess a rich merger of painterly field and constructed objecthood — at once offhanded and painstakingly built.»

Despite this turbid content, it remains fashionable to talk about Baselitz's paintings as abstractions, as though the perverse act of reversing the figure — the works at Michael Werner, from the»70s, include some of the first examples of this practice — were merely a technical matter, and as though his painterly explorations were mere attempts to stretch

Anna Virnich's artistic practice incorporates a variety of media, such as sculpture, installation, photography, video and textile - based tableaus made of found fabrics as well as new materials, stretched on wooden frames thus creating organic and almost painterly compositions that oscilate between transparency and density.

Thinking about his sound work as an audio parallel to the painterly practice of translating information from the world onto a surface in the studio, Augustus Thompson's installation combines sounds from the studio, outside noises and constructed harmonies into what the artist considers a «sound painting.»

Woodman's practice related to her ceramics, their decorative design, imagery and unusual use of various media, and can be seen as a way of exploring her painterly sensibility.

Anna Virnich's artistic practice focuses on textile - based tableaus, incorporating found fabrics as well as new materials, which the artist stretches on wooden frames thus creating organic and almost painterly compositions that oscillate between transparency and density, foreground and background, agility and standstill.

Though initially born as an elegant riposte to the painterly gesturalism that dominated the New York art scene at that time, the cosmic sublimity of these mesmeric compositions positioned Kusama as heir to the Abstract Expressionist practices of Jackson Pollock and Barnett Newman.

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).

In her writings on paintings in essays such as «Figure / Ground,» 2001, Schor is seen as making a case for the relevance of painting in a post-medium visual culture and for arguing for the compatibility and mutuality of painterly and theoretical practices.

Not only will participants develop a painterly practice through techniques such as acrylic, watercolor, and encaustic, but also the power of how to impact the viewer through the use of mood and myth.

It's almost as if I'm shut in Plato's cave, seeing the world in the shadows on the walls — the shadows being my library of second - hand images and the cave being my studio, I suppose» — G. BROWN A display of astounding technical splendour and compelling conceptual depth, Glenn Brown's The Creeping Flesh is an enthralling example of the artist's unique painterly practice.

The titles — such as Liner Shelf, Phoenix, and White Preserver are testament to Bradford's painterly themes — footnotes to her studio practice itself.

If the painterly side of this work looks back to de Kooning's practice of hanging abstract compositions on letter shapes, and the linguistic aspect engages conceptual art, it's the apparent nonchalance of the paintings, their complete lack of pretense or fussiness, that marks them as belonging to NOW.

Pioneering a mode of practice that slowly but deliberately broke ranks with the painterly abstraction and object - based practice of the era to develop a mode of art - making that embraced light, form and space as free - floating, conceptual tools.

As Mossé honed his painterly practice, a unique kind of color - saturated abstraction became his focus, and each composition possesses an intense luminosity.