With solo exhibitions at Spike Island and Modern Art Oxford, archive work included in The Place is Here at Nottingham Contemporary and other work included in a new exhibition just opened at the Bluecoat, 2017 is already proving to be a busy year for Lubaina Himid
as her paintings and installations attract both popular and critical acclaim.
Not exact matches
BabyZone covers this idea in a nice roundup called «The Best Baby Shower Games Guide»
and suggests focusing on small, meaningful tasks such
as stencil decoration or glow - in - the - dark star
installation rather than full wall
painting.
You provide the labor for
painting, insulation
installation and landscaping,
and your hard work is applied
as a cash equivalent towards the down payment.
The event will include murals, art
installations, live music, face
painting, chalk art,
and live
painting, all
as a stunning introduction to this brand new addition to the Napa Valley wine country arts community.
The other has been
as a fine artist, which has seen his
installation art, sculpture,
painting and photography exhibited at galleries
and museums around the world.
For the past quarter century, primarily with his
paintings but also,
as a recent exhibition title put it, «other stuff,» like photographs, videos, sculptures,
and installations, he has been getting black figures onto museum walls.
Exhibiting in a wide variety of medias including
installation, drawing, photography,
painting and sculpture — each created over the past five decades - act
as relevant notes to the testimony of the artists» interpretation of the concept of human intervention.
And yet she has never stopped producing bold, propulsive work that spans painting, sculpture, fashion, and installation, such as her mirrored infinity rooms, which surely reflect the cosmos of Kusama's own imaginin
And yet she has never stopped producing bold, propulsive work that spans
painting, sculpture, fashion,
and installation, such as her mirrored infinity rooms, which surely reflect the cosmos of Kusama's own imaginin
and installation, such
as her mirrored infinity rooms, which surely reflect the cosmos of Kusama's own imaginings.
As such, they appear throughout his graffiti writing,
painting, drawings
and found object
installations.
The exhibition will present six of these rooms
as well
as sculptures,
paintings, works on paper, film excerpts, archival ephemera,
and additional large - scale
installations that span the early 1950s to the present day.
Pieces ranging from early -»60s
paintings incorporating casts of manhole covers to brand - new sculptures made of resin
and horsehair variously bring to mind Sue Coe's activist art, Robert Rauschenberg's indexical work of the 1950s, Bruce Nauman's casts of animal bodies
and Jack Pierson's early
installations,
as well
as fiber art
and African artifacts.
Known for expansive grid panoramas
and painted installations, Bartlett's art was aptly described by New York Times critic John Russell
as enlarging «our notion of time, memory,
and of change,
and of
painting itself.»
Best known for her colossal sculptural projects, for over five decades Phyllida Barlow has employed a distinctive vocabulary of inexpensive materials such
as plywood, cardboard, plaster, cement, fabric
and paint to create striking sculptures
and bold
and expansive
installations that confront the relationship between objects
and the space that surrounds them.
The exhibition features
paintings — a language in which light plays an essential role —
as well
as sculptural investigations
and installations that use optical
and luminous elements, like mirrors
and light bulbs.
Encompassing some 100 works in
painting, sculpture, video,
and installation, «The Everywhere Studio» presents over 50 artists from the past five decades to reveal the artist's studio
as a charged site that has both predicted
and responded to broader social
and economic changes of our time.
The featured works in the exhibition — ranging from
painting and sculpture to photography, film
and installation — examine the passage of time by alluding to nostalgia or sentiments about aging, often depicting specific places in states of decay; these works can act
as documentation, memorial or symbol.
The 70 works featured in the show range from
painting to woven
installations to video projections,
and span subjects
as large
as celestial bodies to
as tiny
as the flower of a bush plum.
The presentation of our Ampersand exhibition includes site - specific
installations and video art
as well
as paintings, drawings
and photography.
A case in point is the current exhibition of
painting and installation by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about th
painting and installation by the artist Franklin Evans where a physical copy of
Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about th
Painting as Modelsits up front
and center on the gallery floor while material unleashed from the book orbits about the space.
Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed
and produced catalogue — with a text by noted curator
and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil
paintings, along with newly commissioned color photography of exhibition
and studio
installation views,
as well
as the artist's notebooks
and sketches.
The adjacent room of Hard - Edge
and Colorfield
Painting is
as empty
and absurd an
installation as I've ever seen.
His work spans a range of media including photography,
painting, sculpture,
installation and use of the ready - made to create assemblages from everyday found objects such
as books, ceramics, TV sets
and other house - hold goods
and paraphernalia, which Liu Wei transforms into sculptural objects
and installations of eloquent complexity.
The European
installation culminates in a display of the
paintings that provoked the most bewilderment
and notoriety in 1913: Cubist works by Picabia
and Gleizes, along with Duchamp's «Nude Descending a Staircase (No. 2),» which prompted its famous description by one critic
as «an explosion in a shingle factory.»
Visually Del Reverda - Jennings, is known for a broad range of work inclusive of sculpture,
installation,
painting and mixed - media,
and her interdisciplinary role in the artworld
as a journalist, arts editor, published author
and poet.
2016 «Cadence,» Three - Person Exhibit of
Paintings and Monotypes, Gallery B, Bethesda MD «New This Week» 11/21/2016 Collection on Saatchi Art's homepage McLean Project for the Arts, Artfest, McLean VA «Art
as Politics,» Touchstone Gallery, Washington DC «Not a Box»
Installation Exhibit, Received Honorable Mention, Art League Gallery, Alexandria VA «Making Sense» Nora Atkinson, Juror, McLean Project for the Arts, McLean, VA Patricia Ladd Carega Gallery, Sandwich NH National Juried Exhibition, Delaplaine Arts Center, Frederick MD Auction Gala, Washington Project for the Arts Resident Artists Exhibition, Palette 22, Arlington, VA Print Portfolio, George Mason University Printmaking Dept.
The show, organized by the ICA's senior curator, Jenelle Porter, consists of
installations of
painted plaster sculptures,
as well
as cast porcelain
and cast paper vessels, an array of large - scale works on paper,
and some mouth - blown crystal vessels.
Philip Maysles presents a large - scale wall
painting and sound
installation inspired by Robert Motherwell's Elegy series that the abstract expressionist produced
as a belated response to the Spanish Civil War.
3:45 — 4:45 pm Madness of the Present: Abstraction's Radical Possibilities: A conversation between Adam Pendleton
and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his
installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of
paintings entitled Untitled (A Victim of American Democracy), Pendleton
and curator Adrienne Edwards explore abstraction
as a platform for revolutionary possibilities in art
and politics.
Ranging from text to
installation,
painting, sculpture, performance
and sound, the selection presents some of Lisson's leading artists, of both the past
and present — beginning with monumental works such
as one of Dan Graham's large - scale glass -
and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects
and refracts visitors
and its Brutalist architectural surroundings.
Using a variety of processes that include
painting, sculpture, digital
and new media,
installation and sound, the works on view in this exhibition highlight language itself
as a diverse medium to be explored, dissected
and reframed to reflect the nuances of communication in the 21st century.
The symbolism traditionally associated with each genre has continued to resonate over the past century
and serve
as a point of dialogue with contemporary artwork with a range of contemporary mediums including photography, video,
installation and painting.
These images are drawn from his imagination
as well
as a range of other sources
and also manifest themselves across large
paintings on paper, used domestic objects such
as batteries, mops
and Underground Travelcard receipts,
and expansive wall
painting installations involving the surrounding architectural elements.
We view this space
as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being
painted over
and recommissioned for the next show.The site specific
installation pushes the artists craft
and practice to create something beyond their normal scale — the wall being 20 foot long
and 14 foot high.
Pietro Roccasalva will recreate an
installation of two magical rooms,
and Angelo Filomeno will present a diptych of embroidered
paintings as well
as two spectacular feathered helmet sculptures.
He made the ugly pretty, the worthless priceless,
and the tragic redemptive; he also helped cement Los Angeles's reputation
as an international art hub, especially thanks to his
installations that included large - scale drawings
and paintings,
as well
as sculptures, videos,
and his own writing.
Including
paintings made during the last four years
and a new video, the
installation extends Bittle's practice of using exhibitions
as a medium for storytelling.
His work traverses
painting and installation with an intuitive ease
as he subtly translates music, movement
and the forces of the natural world into
paint.
Composed of 25 works, which include
paintings, sculpture, prints, works with paper,
and installations, the exhibition explores a range of issues that have occupied Grabner since she started her creative career, such
as the history of
painting in relation to the present, the relationship of centre to periphery, the significance of routine in life
and in art,
and the integration of work into family life
and vice versa.
Featuring her iconic
paintings, photographs,
installation, video
and wallpaper, it showcases why Sturtevant is acknowledged
as one of the most important artists of the 21st century.
Previous rounds have been broad in scope
and concept, ranging from topics of activism to architecture,
and including disciplines such
as design, media arts, drawing, film,
installation, intervention, literature,
painting, performance, photography, print making, sculpture,
and others, such
as scientific field work.
As a community activist
and artist in Detroit focusing on city history
and neighborhood empowerment, Nicole creates large - scale
paintings for
installation on abandoned buildings.
Qiu Xiaofei's artistic practice focuses on
painting,
as well
as sculpture
and installation related to
painting.
Like the works of Newman
and Rothko, these works achieve the sublime in each colour state; however, light
installations are not
as limited
as the more permanent medium,
paint on canvas.
The results will embody the edict that «the journey is greater than the destination,» with each day yielding contributions to an evolving personal narrative in the form of performances manifesting
as live events, recorded videos, drawings &
paintings, site - specific
installation,
and a mashup of the above with online research trail crumbs in the form of digital collages posted to NewHive.
Young artists such
as Donald Judd, Robert Morris
and Dan Flavin were drawn to these Modernist movements, eventually abandoning
painting in favor of unconventional
installation - based works that utilized clean lines
and modular forms.
Online, in the digital recreation of the original 1959 exhibition
Paintings by Clyfford Still, at www.clyffordstill1959.org, users can explore all of the works in the original exhibition, materials used to plan the exhibition, such
as diagrams
and notes, vintage
installation photographs,
and other ephemera.
All of the shown works - mostly
paintings but also an
installation and a video - concentrate on architecture
and spatial geometry:
as main motiv, background, frame or
as symbolic element.
Recognized since the early 1990s
as a pioneer of contemporary
installation art, Jessica Stockholder uses a combination of
paint, found objects,
and architectural interventions.
Active in the Post-Sense Sensation events from the late 1990s, his work has explored a wide range of mediums from
painting to film,
installation and sculpture
as he gradually shaped a unique artistic approach that has garnered increasing acclaim across the world.
Highlights include a focus on «experimental» drawing with individual displays by artists such
as Eduardo Basualdo, from Argentina; Mateo López
and Nicolás Paris from Colombia; deconstructed
painting and sculpture with largescale displays by Brazilian artists Leda Catunda, Adriano Costa, Maria Nepomuceno, Erika Verzutti
and Cuban artists Los Carpinteros, among others;
and a strong emphasis on street art
and urban culture, with largescale participative
installations by Os Gêmeos
and Paulo Nazareth from Brazil,
and individual displays by Mexican artists Pedro Reyes, Moris,
and Edgardo Aragón.