Sentences with phrase «as painting installations»

This new solo exhibition will present the artist's latest works on canvas and paper, as well as painting installations.

This exhibition will present the artist's latest works on canvas and paper, as well as painting installations.

Not exact matches

BabyZone covers this idea in a nice roundup called «The Best Baby Shower Games Guide» and suggests focusing on small, meaningful tasks such as stencil decoration or glow - in - the - dark star installation rather than full wall painting.

You provide the labor for painting, insulation installation and landscaping, and your hard work is applied as a cash equivalent towards the down payment.

The event will include murals, art installations, live music, face painting, chalk art, and live painting, all as a stunning introduction to this brand new addition to the Napa Valley wine country arts community.

The show features new paintings, a multimedia installation as well as a major work in the lobby which features a map of HIV diagnoses in the United States as of 2009.

The other has been as a fine artist, which has seen his installation art, sculpture, painting and photography exhibited at galleries and museums around the world.

For the past quarter century, primarily with his paintings but also, as a recent exhibition title put it, «other stuff,» like photographs, videos, sculptures, and installations, he has been getting black figures onto museum walls.

Exhibiting in a wide variety of medias including installation, drawing, photography, painting and sculpture — each created over the past five decades - act as relevant notes to the testimony of the artists» interpretation of the concept of human intervention.

And yet she has never stopped producing bold, propulsive work that spans painting, sculpture, fashion, and installation, such as her mirrored infinity rooms, which surely reflect the cosmos of Kusama's own imaginings.

As such, they appear throughout his graffiti writing, painting, drawings and found object installations.

The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the early 1950s to the present day.

Pieces ranging from early -»60s paintings incorporating casts of manhole covers to brand - new sculptures made of resin and horsehair variously bring to mind Sue Coe's activist art, Robert Rauschenberg's indexical work of the 1950s, Bruce Nauman's casts of animal bodies and Jack Pierson's early installations, as well as fiber art and African artifacts.

Known for expansive grid panoramas and painted installations, Bartlett's art was aptly described by New York Times critic John Russell as enlarging «our notion of time, memory, and of change, and of painting itself.»

Best known for her colossal sculptural projects, for over five decades Phyllida Barlow has employed a distinctive vocabulary of inexpensive materials such as plywood, cardboard, plaster, cement, fabric and paint to create striking sculptures and bold and expansive installations that confront the relationship between objects and the space that surrounds them.

The exhibition features paintings — a language in which light plays an essential role — as well as sculptural investigations and installations that use optical and luminous elements, like mirrors and light bulbs.

Encompassing some 100 works in painting, sculpture, video, and installation, «The Everywhere Studio» presents over 50 artists from the past five decades to reveal the artist's studio as a charged site that has both predicted and responded to broader social and economic changes of our time.

The featured works in the exhibition — ranging from painting and sculpture to photography, film and installation — examine the passage of time by alluding to nostalgia or sentiments about aging, often depicting specific places in states of decay; these works can act as documentation, memorial or symbol.

The 70 works featured in the show range from painting to woven installations to video projections, and span subjects as large as celestial bodies to as tiny as the flower of a bush plum.

The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photography.

The exhibit spanned paintings, sculptures, photographs, works on paper as well as installations.

A case in point is the current exhibition of painting and installation by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about thpainting and installation by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about thPainting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about the space.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

Franklin Evans creates painting installations with the artist's studio as subject.

The adjacent room of Hard - Edge and Colorfield Painting is as empty and absurd an installation as I've ever seen.

Viewers will be able to see pieces ranging from her early paintings inspired by the use of LSD to later works such as her «What It's Like What It Is # 3» (1991), a large scale mixed media installation addressing racist stereotypes.

His work spans a range of media including photography, painting, sculpture, installation and use of the ready - made to create assemblages from everyday found objects such as books, ceramics, TV sets and other house - hold goods and paraphernalia, which Liu Wei transforms into sculptural objects and installations of eloquent complexity.

The European installation culminates in a display of the paintings that provoked the most bewilderment and notoriety in 1913: Cubist works by Picabia and Gleizes, along with Duchamp's «Nude Descending a Staircase (No. 2),» which prompted its famous description by one critic as «an explosion in a shingle factory.»

Visually Del Reverda - Jennings, is known for a broad range of work inclusive of sculpture, installation, painting and mixed - media, and her interdisciplinary role in the artworld as a journalist, arts editor, published author and poet.

2016 «Cadence,» Three - Person Exhibit of Paintings and Monotypes, Gallery B, Bethesda MD «New This Week» 11/21/2016 Collection on Saatchi Art's homepage McLean Project for the Arts, Artfest, McLean VA «Art as Politics,» Touchstone Gallery, Washington DC «Not a Box» Installation Exhibit, Received Honorable Mention, Art League Gallery, Alexandria VA «Making Sense» Nora Atkinson, Juror, McLean Project for the Arts, McLean, VA Patricia Ladd Carega Gallery, Sandwich NH National Juried Exhibition, Delaplaine Arts Center, Frederick MD Auction Gala, Washington Project for the Arts Resident Artists Exhibition, Palette 22, Arlington, VA Print Portfolio, George Mason University Printmaking Dept.

The show, organized by the ICA's senior curator, Jenelle Porter, consists of installations of painted plaster sculptures, as well as cast porcelain and cast paper vessels, an array of large - scale works on paper, and some mouth - blown crystal vessels.

Philip Maysles presents a large - scale wall painting and sound installation inspired by Robert Motherwell's Elegy series that the abstract expressionist produced as a belated response to the Spanish Civil War.

3:45 — 4:45 pm Madness of the Present: Abstraction's Radical Possibilities: A conversation between Adam Pendleton and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator Adrienne Edwards explore abstraction as a platform for revolutionary possibilities in art and politics.

Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.

Using a variety of processes that include painting, sculpture, digital and new media, installation and sound, the works on view in this exhibition highlight language itself as a diverse medium to be explored, dissected and reframed to reflect the nuances of communication in the 21st century.

The symbolism traditionally associated with each genre has continued to resonate over the past century and serve as a point of dialogue with contemporary artwork with a range of contemporary mediums including photography, video, installation and painting.

These images are drawn from his imagination as well as a range of other sources and also manifest themselves across large paintings on paper, used domestic objects such as batteries, mops and Underground Travelcard receipts, and expansive wall painting installations involving the surrounding architectural elements.

We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.

Franklin Evans creates painting installations with the artist's studio as his subject.

Pietro Roccasalva will recreate an installation of two magical rooms, and Angelo Filomeno will present a diptych of embroidered paintings as well as two spectacular feathered helmet sculptures.

He made the ugly pretty, the worthless priceless, and the tragic redemptive; he also helped cement Los Angeles's reputation as an international art hub, especially thanks to his installations that included large - scale drawings and paintings, as well as sculptures, videos, and his own writing.

Including paintings made during the last four years and a new video, the installation extends Bittle's practice of using exhibitions as a medium for storytelling.

His work traverses painting and installation with an intuitive ease as he subtly translates music, movement and the forces of the natural world into paint.

Composed of 25 works, which include paintings, sculpture, prints, works with paper, and installations, the exhibition explores a range of issues that have occupied Grabner since she started her creative career, such as the history of painting in relation to the present, the relationship of centre to periphery, the significance of routine in life and in art, and the integration of work into family life and vice versa.

Featuring her iconic paintings, photographs, installation, video and wallpaper, it showcases why Sturtevant is acknowledged as one of the most important artists of the 21st century.

Previous rounds have been broad in scope and concept, ranging from topics of activism to architecture, and including disciplines such as design, media arts, drawing, film, installation, intervention, literature, painting, performance, photography, print making, sculpture, and others, such as scientific field work.

As a community activist and artist in Detroit focusing on city history and neighborhood empowerment, Nicole creates large - scale paintings for installation on abandoned buildings.

Qiu Xiaofei's artistic practice focuses on painting, as well as sculpture and installation related to painting.

Like the works of Newman and Rothko, these works achieve the sublime in each colour state; however, light installations are not as limited as the more permanent medium, paint on canvas.

The results will embody the edict that «the journey is greater than the destination,» with each day yielding contributions to an evolving personal narrative in the form of performances manifesting as live events, recorded videos, drawings & paintings, site - specific installation, and a mashup of the above with online research trail crumbs in the form of digital collages posted to NewHive.