Sentences with phrase «as paintings from live»

Her father taught her anatomy and traditional oil painting techniques, and she learned painting both from masterworks as well as painting from life.

As paintings from life dominated by a versatile blue sheet, Kerr has painted his working environment again and again.

Not exact matches

U nder the influence of western painters who settled in Bali in the 1930s - Balinese artist started painting single scenes instead of narratives tales, using images from everyday life as their theme,

Even as a preteen, I realized that something was clearly missing from the portrait of Jesus I had painted in my own short life.

As van Gogh pointed out, the sentiment in this painting is «far from all theology,» but he wanted to show that though he had rejected institutional religion, he remained profoundly religious and firmly believed in a spiritual life after death.

You can only imagine the way it must have haunted them for the rest of their lives as they looked back on how they had actually sat there with him, eating and drinking and talking; and through their various accounts of it, including the above passage from John, and through all the paintings of it, like the great, half - mined da Vinci fresco in Milan, and through 2,000 years of the church's reenactment of it in the Eucharist, it has come to haunt us too.

Her sharp eyes are the same as the famous glinting eyes of her son, which Cranach often portrayed — he lived in Wittenberg and came to the painting of Luther's parents from a very close friendship with Martin of over ten years.

«Weary of self and laden with my sin, I look to heaven and long to enter in...» So runs one of the most popular of those hymns; and there were many more which in one way or another focused on death as release from this life into one which was painted as inevitably a happier state.

Aside from the grim image of every living thing on earth gasping for breath and choking on water as they sink beneath the waves, the flood story also paints a troubling portrait of a God who seems incompetent because He regrets that He made mankind (Didn't He know this would happen?)

This fact needs to be continually reiterated to decision makers as otherwise manufacturers of breast milk substitutes will capitalise on HIV infection as a reason for promoting free samples of their formula.10 It is extraordinary that the Wall Street Journal painted the baby food manufacturers as heroes poised to save African children from certain death because of their offer to donate free formula to HIV infected mothers.11 The WHO recommends avoidance of breast feeding by HIV infected mothers only if replacement feeding is feasible, safe, sustainable, and affordable — otherwise exclusive breast feeding is recommended during the first six months of life.12 Non-infected women must be given access to credible information, quality care, and support, in order to empower them to make informed decisions regarding feeding of their infant.13

Unshackled from the Lib Dems he painted himself as a great social reformer, the «One Nation» Tory who would improve life chances, stamp out extremism and reform prisons.

The researchers are using «big data» concepts and techniques to discover and design new nanomaterials — a priority area under the White House's Materials Genome Initiative — using a methodology that will revolutionize materials design, impacting a broad range of products that affect our daily lives, from drugs and agricultural chemicals such as pesticides or herbicides to fuel additives, paints and varnishes, and even personal care products such as shampoo.

These objects are painting vivid pictures of life at the site now known as the Bathonea excavations, from the earliest days of the Lower Paleolithic era to the bustle of a busy trading port during the Byzantine Empire.

To understand why the long - spined urchins have not returned to the reef more than 30 years later, Scripps scientists Katie Cramer and Dick Norris analyzed the amount of fossilized urchin spines that accumulated in reef sediment layers over the past 3,000 years to paint a picture of life on the reef before it was altered from the disease outbreak and human activities such as fishing and pollution.

Living in modern industrialized society, we take in toxins from the environment, such as exhaust fumes from passing traffic, pesticides from treated lawns or golf courses, and chemicalssuch as asbestos and lead paint.

Just as quickly as I decided to paint our living room wall black, I opted to give it an update and repaint it in Aquamarine Light from Little Greene.

It's clear virtually from the get - go that filmmaker Todd Phillips is looking to transform this true - life tale into a Martin Scorsese - like crime drama, as evidenced by War Dogs» less - than - subtle visuals and almost paint - by - numbers rise - and - fall structure.

She does this while using eco-friendly products such as wallpaper made from 50 % recycled fibres and salvaged chairs found online which find new life with a fresh coat of paint and upholstery.

As directors Rybicky and Wickendon unravel Peter Anton's past, they allow themselves to become vulnerable to the audience as well, thus painting a complex portrait of the relationship between filmmaker and subject, art and life, and the joy of coming up from being down.&raquAs directors Rybicky and Wickendon unravel Peter Anton's past, they allow themselves to become vulnerable to the audience as well, thus painting a complex portrait of the relationship between filmmaker and subject, art and life, and the joy of coming up from being down.&raquas well, thus painting a complex portrait of the relationship between filmmaker and subject, art and life, and the joy of coming up from being down.»

Taking on the considerable task of directing, writing and starring in his film, Everett lavishes great care on a subject he clearly holds in high esteem, and to his credit, does not shy away from painting a less - than - glamorous portrait of an aging Wilde, syphilitic and lecherous as he lives out his exile in Europe following his scandalous imprisonment for gross indecency.

From that point forward, the shameless sinner reformed, dedicating his life to Jesus and seeking salvation by creating Christian - themed paintings and by preaching as an ordained minister.

Additionally from the narration paints the film as an exploration of the delicacy of both life - sustaining systems in space, and interpersonal relationships as the characters are faced with colliding satellites, extra-terrestrial slime mold and fear of the unknown.

Over two minutes, the trailer paints a picture of confusion and loss, as Green goes missing from Woodley's life, leaving her and her father to try and pick up the pieces.

Although some of the imagery, beautifully captured by cinematographer Caroline Champetier, derives directly from the paintings of Jean - François Millet and the work of such filmmakers as Marcel Pagnol and Jean Renoir, I never felt as if he was aestheticizing the arduousness of the life put before us.

Above all, the documentary paints Linklater as a master of the milestone, having a knack of honing in on pivotal moments and life experiences and extracting nuanced drama from them.

The illegitimate child of a black slave and a Royal Navy captain (Matthew Goode), Dido Belle Lindsay was sent to live with her great - uncle, the Lord of Mansfield and Lord Chief Justice of England and Wales, in the safe and protected environment of Kenwood House in Hampstead, spared from an underprivileged and poverty - stricken upbringing, and raised as an aristocrat along with the other girl in the painting, her cousin Elizabeth (Sarah Gadon).

We observe the life cycle of Painted Lady butterflies, as they grow from caterpillar to chrysalis to butterfly.

An Urus begins life as a freshly painted chassis brought in to the factory from an external supplier.

The bright red paint job, not only factory - correct, but literally the same hue it was brought to life with, shines convincingly from all angles and is complemented by the broad blackness of its scooped hood - a feature unique to T / As - as well as the stripes occupying the upper region of its sideAs - as well as the stripes occupying the upper region of its sideas well as the stripes occupying the upper region of its sideas the stripes occupying the upper region of its sides.

Throughout the novel, Hay moves back and forth through Elsie's years, giving the reader introspective looks into her life: from her days as a vibrant, adventurous young woman to her years mothering her twins, Elaine and Don; from the time she stepped out of her ordinary life to have her portrait painted to the present day, when she looks into her mirror at «the facility» and says to herself, «I have no idea who you are or why you're here.»

«It feels as if he is now painting from life,» Gaiman says on Frontrow of Dadd's work once he'd become mentally ill, killed his father, and been arrested on a train to Paris.

There are two parts to this chateau, a fortress dating from the 13th century, dominated by an octagonal living area and a Renaissance castle (the room designed by Jacquet Montbron) with richly furnished rooms such as the «golden sumptuous lounge with a beautiful painted ceiling.

Featuring full - length windows, parquet floors, a library, Art Deco - style elements, contemporary paintings, and a sculpture from the Demsa collection, the living room is as welcoming as a private residence.

Now on Earth, Atlas is walking through notable periods of time, meeting various historical and mythological figures, all of whom have been depicted (in real life) in paintings and other works of art, such as statues or books — from the likes of Henry VIII, to Medusa, to William Wallace and a demon that blew up Mount Vesuvius.

Although I make my living as a painter, I get most of my ideas on how to write about painting from people who do other things.

I thought that Art Tutor didn't allow us to use digital images, and to be honest, I think that using something like this is not all that far from going digital... As far as Dragongirl's comment that she was sure Phil did not mean us to use this tool to make our paintings look better than they actually are in «real life», well, just look at his demo of how to use Pixlr and see how much better the cropped, colour enhanced, brightened, pictures look at the end compared with the «original» photos and it's obvious they are different (otherwise why go through the process if not to make a difference) AND they have more impact, i.e. are BETTER than beforAs far as Dragongirl's comment that she was sure Phil did not mean us to use this tool to make our paintings look better than they actually are in «real life», well, just look at his demo of how to use Pixlr and see how much better the cropped, colour enhanced, brightened, pictures look at the end compared with the «original» photos and it's obvious they are different (otherwise why go through the process if not to make a difference) AND they have more impact, i.e. are BETTER than beforas Dragongirl's comment that she was sure Phil did not mean us to use this tool to make our paintings look better than they actually are in «real life», well, just look at his demo of how to use Pixlr and see how much better the cropped, colour enhanced, brightened, pictures look at the end compared with the «original» photos and it's obvious they are different (otherwise why go through the process if not to make a difference) AND they have more impact, i.e. are BETTER than before.

I will be taking hints from a range of artists, such as Gauguin and Picasso, but paying particular attention to this still life painted by Cezanne, «Still Life with Fruit Bowl&raqlife painted by Cezanne, «Still Life with Fruit Bowl&raqLife with Fruit Bowl».

I will be painting from life, so as the flowers open and move, the drawing will change and evolve, therefore any painting of flowers is a collected impression of them over the period of the painting.

We have talked with him about his drive to work from life, the painting challenges that come with diminished vision, how to use the inspiration you get from other painters, and what it was like coming to New York City as a young artist in the nineteen fifties.

Sharing his as I like to call them, «stroke - of - genius» moments of when he receives a vision to paint, his remarkable detail, curvature and lightness radiate life from the canvas.

Obering's art practice began to converge with the parts of her life that appeared as dreamy diversions, or even interruptions, from making paintings.

It includes an essay by David Rhodes that places Lawlor's work alongside still living but older European painters such as Per Kirkeby, Howard Hodgkins, and Pierre Soulage, and more directly compares Lawlor's paintings to Willem de Kooning's works from the 1980s.

American painter Mark Bradford has moved away from paint itself and uses materials such as liquefied paper in his work, material that «has something to do with the social fabric of the times we live in, and not just to do with the history of art.»

It should be noted that while the overall effect of Murray's work is one of abstraction, and the artist described herself as an abstract painter in an interview included in the 1987 catalogue, there are many representational elements and references in her paintings, in a stylized style emerging from cartoons, comics, and graffiti as well as from pop artists like Claes Oldenburg: works are shaped like shoes or cups and contains stylized abstracted but identifiable figuration and still - life imagery.

They include scenes from Andy Warhol's daily life at the Factory: Warhol on the infamous red couch, shopping at a nearby Gristedes for Brillo Boxes and Campbell Soup cans, socializing with his glamorous inner - circle at parties, filming, and posing with his flower paintings as well as the «The American Man» suite.

De Miguel's imagery derives from her unique life, and through paint she presents her art as a celebration, and as a viable lifestyle.

Virtually gone were fragile materials and unstable surfaces — the coffee, chocolate, feathers, blood, ashes and living plants that have been plaguing museum curators — though brilliantly executed exceptions, such as the collaged paintings Egan Frantz builds up from toilet paper traversed by blue - painted bicycle treads at the Michael Jon Art Nova space, sold out.

Tate Modern's new exhibition, Henri Matisse: The Cut - outs, opens tomorrow, and it's already been hailed as the exhibition of the year — a colourful, life - affirming show of the artist's bold, abstract collage works, which he created when health problems prevented him from painting.

Drawing from his daily life, and using his work as a tool to deal with the experience of existence, Auerbach has stated that painting is «something that happens to a man working in a room, alone with his actions, his ideas, and perhaps his model.

He is not Georgia O'Keeffe, but sunlight soaks the top of objects in a still life from those years, casting shadows beneath them as if they were floating on paint.