Sentences with phrase «as parallel exhibitions»

Not exact matches

No one, myself included, seems to have been bowled over by these paintings, which should serve as a cautionary note that there is an occult or shadow history, which is not a chronicle of rave reviews, glitzy museum exhibitions and news - making auction records, paralleling the conventional one.

As a parallel event to the Venice Biennale, a group of artists from Russia present an exhibition tha...

As their Hyundai commission opens to the public at Tate Modern, the artists collective explore shifting perception and parallel reality in works of art with Reem Fadda, recipient of the 2017 Walter Hopps Award for Curatorial Achievement, and curator of the inaugural exhibition at the Palestinian Museum, Ramallah.

In parallel with his studio work, Bradford is deeply engaged with social issues, as co-founder of Los Angeles - based nonprofit organization Art + Practice, which encourages education and culture by supporting the needs of foster youth predominantly living in South Los Angeles, and providing access to free, museum - curated art exhibitions and moderated art lectures to the community of Leimert Park.

Announced June 15 in Basel, the winners are currently presented as part of a group exhibition, the «Swiss Art Awards 2015,» which takes place parallel to Art Basel June 16 - 21.

The exhibition's chronological installation brings to light intriguing parallels between these three time periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such as the turn to language, symbolic attributes, and the metaphorical significance of color and form.

If one arrangement better suits the irregularities of the wall on which they are hung, the order of the panels may be changed as well.25 This history of repainting and refabrication reinforces the parallel with 4» 33» — not only do the exhibition settings change but the paintings themselves can and do as well.

The exhibition's chronological installation reveals intriguing parallels between these three time periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such as the turn to language, symbolic attributes, and the metaphorical significance of color and form.

This exhibition reveals the parallels between Warhol's personal history — including his struggles with his own physical appearance, such as early signs of balding in 1950s and the gruesome scars following his shooting in 1968 — and the treatment of the body as a subject in his work.

After an interruption in the 1970s, the exhibition resumed in 1977 and 1979 as the International Series, single - artist shows intended as a parallel to the Nobel Prize for the arts.

Tagged as: Bushwick Open Studios, Camera Club, CUE, Dennis Congdon, Grace Exhibition Space, John Miserendino, Le Poisson Rouge, Matte Magazine, Matthew Leifheit, Microscope, Momenta Art, NURTUREart, NYPL, parallel, RECESS, Recess Activities, Save the NYPL, the living gallery, Third Ward, Transfer Gallery, Venice Biennale, What You Want

This 30 + page cover story runs parallel and serves as a spin - off to the artist's first US solo museum exhibition a New York's MoMA, centered around her new feature - length film, Incense Sweaters & Ice.

The exhibition centres on a group of sculptures designed as a stage set for Constellations 2012, a play by British writer Nick Payne which explores the notion that everything you can imagine is simultaneously happening in a parallel universe.

The exhibitions» title «Dark Matters Without Time» takes this reference further, building on the relationship dark matter has as an unseen yet binding force in the universe and the parallel references in Torreano's abstraction of undefined space as being enigmatic yet universal.

Paralleling this, I'm interested in the title «Recent British Painting» operating as a kind of «excuse» to make an exhibition.

Taking drawings specifically as the focus — the skill they most admired in each other — this exhibition brings together works from the two single - artist collections at Watts Gallery and Leighton House for display in parallel.

Installed throughout the galleries and connecting spaces, the exhibition is presented in parallel with a series of live performances and special events, both at the South London Gallery SLG and at nearby off - site venues as part of SLG Local.

After an interruption in the 1970s, the exhibition resumed in 1977 and 1979 as the Pittsburgh International Series, single - artist shows intended as a parallel to the Nobel Prize for the arts.

Also on display: «A series of drawings runs through the entire exhibition as a parallel narrative: monsters, which the children's book illustrator Johan Olander, who lives in New York, developed for the work of Philippe Parreno — interpretations of an oeuvre — mutate to funny, threatening, shocking and amusing ogres.

Parallel with the 4th Berlin Biennale (25 March — 30 April 2006) Arndt & Partner opended a Special Exhibition Space one floor above the main gallery space at Zimmerstrasse, Berlin, showing sculptural positions by new gallery artists, such as Florian Baudrexel, Karsten Konrad, and Veron Urdarianu.

In 2011, he curated the exhibition Uncontainable as part of the parallel events of the 12th Istanbul Biennial and exhibited artworks on the media facade of the Museum of Contemporary Art, Zagreb.

In its new location, the gallery was able to further develop its exhibition program through a project room dedicated mostly to younger artists, as well as a courtyard for outdoor installations, both running parallel to the gallery main shows.

Thanks to support from the Art Fund, three of the works are now making their UK debut at Sir John Soane's Museum, as part of the exhibition Power in Woman, which draws parallels between Sir John Soane's classical plaster casts and Lucas's sculptures.

These selections will be screened as part of a special program that runs parallel to the exhibition.

Occasionally, Collection has been given new contexts in special exhibitions such as Aesthetics of Graffiti, a 1978 show organized by Rolando Castellón that examined the parallel but sometimes conflicting aesthetics of street graffiti and graffiti - influenced fine art.

His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»

Parallel to her career, she has organised and co - curated significant exhibitions of her father's work including a major retrospective in Casablanca and Meetings in Marrakech, a joint exhibition with Winston Churchill's paintings hosted at Leighton House in London and most recently, La Mamounia in Marrakech, as part of the 2014 Marrakech Biennale.

Such is the expansion and the growth of both the London art market and parallel exhibition gallery activity that a smaller institution such as the Serpentine Gallery, offering many free - access public exhibitions (as a registered charity), has to rely, like major galleries, on the profit element in the provision of restaurant facilities of a high order.

These texts will act as prompts, persuasions, and parallel meditation for the other artworks on exhibition.

Featuring over 40 original prints, each made by Brancusi himself, this exhibition reveals Brancusi's visionary dedication to the photographic medium as means of personal expression — an art form that the artist explored parallel to his sculpture.

Further questioning the possibility or desirability of a single authorial narrative, the exhibition will also include Lost Paradise Information Service (1994), where a parallel exhibition narrative describing and presenting the show, and at the same time challenging the official materials such as press releases and signage, will be developed by CCS Bard students.

She has exhibited in group exhibition in many venues, such as Baden - Baden, Germany (2016); Museum of Contemporary Photography, Chicago (2016); Marrakech Biennale / Parallel Project», Marrakech (2016); Amoca: The Arab Museum Of Contemporary Art, Sakhnin, Israel (2015); Goethe - Institut, Paris (2015); Boghossian Foundation — Villa Empain, Brussels (2014); 55th Venice Biennial — Padiglione Venezia (2013) and Whitechapel Gallery, London (2008).

I was a male Yvonne de Carlo, exhibition catalogue, edited by Marie de Brugerolles and Dora Garcia, MUSAC, Léon, Spain The Circus as Parallel Universe, exhibition catalog, Kunsthalle Wien

In parallel to the exhibition «Dimensions of constructive art from Brazil», Haus Konstruktiv is showing works by Rita Ernst (born in 1956) as part of the exhibition series «Visionary Collection».

And, as the show's curator, John Ravenal, writes in the exhibition catalogue, the title «echo [es] a 1955 painting by Jackson Pollock, possibly his last, and draws a parallel with Pollock's method of covering canvas with an allover pattern.»

As objects that have been incrementally filled with content in a private and reflective working mode, but are now on view in an exhibition, they are parallel with Shafran's photographs: both function to make evident and long - lasting the private, interior and prosaic aspects of life as lived each daAs objects that have been incrementally filled with content in a private and reflective working mode, but are now on view in an exhibition, they are parallel with Shafran's photographs: both function to make evident and long - lasting the private, interior and prosaic aspects of life as lived each daas lived each day.

In support of the building, as well as urgently needed scholarship endowment for students in the School of Art, an unprecedented fundraising initiative, The CalArts Art Benefit and Auction, will kick - off with a preview exhibition at Regen Projects in Los Angeles on Feb. 26, 2014, continue with parallel shows at the Paula Cooper Gallery and Metro Pictures in New York opening on April 5, 2014, and culminate in a special auction of major works donated by CalArts alumni, faculty and friends at Christie's spring auction on May 13 - 14 in New York.

Isotopia is the parallel world, utopia infernal, built from the table of isotopes which serves as a workshop and exhibition Continue Reading»

Presented as a parallel event to the exhibition IA25: Mapping a Practice of Media Art Curated by Nina Czegledy and Angella Mackey with Simone Jones & Julian Oliver, Lorena Salom», Galen Scorer and Norman White Exhibition opens January 25 with a reception at 8:00 pm and runs until March 8, 2008 InterAccess Electronic Media Arts Centre, 9 Ossington Avenue, Toronto Gallery hours: Wednesday through Saturday,exhibition IA25: Mapping a Practice of Media Art Curated by Nina Czegledy and Angella Mackey with Simone Jones & Julian Oliver, Lorena Salom», Galen Scorer and Norman White Exhibition opens January 25 with a reception at 8:00 pm and runs until March 8, 2008 InterAccess Electronic Media Arts Centre, 9 Ossington Avenue, Toronto Gallery hours: Wednesday through Saturday,Exhibition opens January 25 with a reception at 8:00 pm and runs until March 8, 2008 InterAccess Electronic Media Arts Centre, 9 Ossington Avenue, Toronto Gallery hours: Wednesday through Saturday, 12 - 5 pm

Her work has been presented in numerous group exhibitions such as at Cooper Cole Gallery, Toronto; Le Confort Moderne, Poitiers; Kunstraum, London; ABC Klubhuis, Antwerp; Parallel, Oaxaca; Komplot, Brussels; Dash, Kortrijk; Diesel Project Space, Seraing; Damien and the Love Guru, Brussels.

The Black Mountain School might be seen as a parallel phenomenon to the host of recent art exhibitions celebrating past movements that embody the values of collectivity and intuitive intellectual inquiry widely believed to be missing in the art world today.

That exhibition space is treated as a «dimension,» a sort of parallel universe where the laws of rationality and logic are not necessarily observed — or so it is conceived by Costa Rican painter Federico Herrero who, through his site - specific intervention, will offer his imagining of portals and what lies on the other side.

Through different methods, the exhibition, curated by the Fondazione Prada's «Thought Council» (Shumon Basar, Elvira Dyangani Ose, Cédric Libert and Dieter Roelstraete) presents a parallel between the front (Recto in Latin) and the back (Verso) of works of art by artists such as Carla Accardi, Louis - Léopold Boilly, Gerard Byrne, Sarah Charlesworth, Daniel Dezeuze, Llyn Foulkes, Philippe Gronon, Roy Lichtenstein, Matts Leiderstam, Gastone Novelli, Giulio Paolini, Alberto Burri, Ian Wallace, Thomas Demand, and Pierre Toby, among others.

«As the preeminent center for the exhibition and research of Cobra in America, this exhibition encourages a fresh look of Cobra on its own terms rather than as a parallel Abstract Expressionism.&raquAs the preeminent center for the exhibition and research of Cobra in America, this exhibition encourages a fresh look of Cobra on its own terms rather than as a parallel Abstract Expressionism.&raquas a parallel Abstract Expressionism.»

(Los Angeles, CA)-- VENUS is pleased to present Piston Head II, an exhibition which explores the relationship and parallels between art and the automobile, featuring new works in which the car is considered as both a cultural icon and sculptural form.

After an interruption due to soaring costs and the construction of the museum's new wing, the exhibition resumed in 1977 and 1979 as the International Series, single - artist shows intended as a parallel to the Nobel Prize for the arts.

The homely setting of the exhibition space is duplicated as fictional residents ghost through on a parallel level — possibly the ones of Club Caligula docked at Batoeva's paintings?

The exhibition aims to question the problematic distinction between Insider and Outsider Art by exploring the parallels between them as well as the impact of some Outsider artists on major figures of twentieth century art.

There are also collateral events and exhibitions which run in parallel to the Art Biennale, such as Philip Guston at Gallerie dell» Accademia and Intuition at Palazzo Fortuny.

Events such as artist's talks, public discussions, and screenings are organized parallel to the gallery's exhibitions, cultivating the cultural context and conversation around visual art.