Sentences with phrase «as part of their living space»

If you start small, and keep the whole experience positive, your puppy will eventually think of each new area as part of their living space that they're supposed to keep clean.

Windows can be a strong tool in visually enlarging a small room because your eye moves beyond the wall to the outdoor view and embraces it as part of your living space.

This industrial look as part of your living space interior designs will provide the awe - str... Read More

Not exact matches

More recently, WeWork began experimenting with a co-living space, WeLive, where people rent part of a living space and take part in shared amenities as part of the deal.

As we live in a world desperate for a glimpse of God, desperate for a rescue, crushed by evil and poverty and war and the grind of lonely existence in quiet desperation, we, the Church are part of God's plan to push back that darkness and make space for his Kingdom.

Add to these the conquest of space by the airplane as the normal mode of long distance travel, and the automobile which began to be used before the turn of the century has become so much a part of life to millions that a curtailment of gasoline sends the economy into a tailspin.

They, the mckers and scoffers of God and the Godly will all become but their first atom and deep into outer space places will they be placed never to be a part of living life in abundant measures as is so written!

As a man who sees women in all their beauty in the later part of their life, the opening to this blog comes across as women being just plain «bored» with the men they share a living space witAs a man who sees women in all their beauty in the later part of their life, the opening to this blog comes across as women being just plain «bored» with the men they share a living space witas women being just plain «bored» with the men they share a living space with.

Birthing from Within Advanced Mentor Retreat with Virginia Bobro, 2017 Doula Trainings International Doula Training with Jackie Davey, 2017 Creating a Culture of Breastfeeding in the NICU with BreastfeedLA, 2017 Diversity, Determinants, and Disparities in Maternal Mental Health, 2017 Hypnobirthing for Birth Professionals with Ellie Shea, 2017 (certified 2017) Working with Diverse Populations in Maternal and Child Health with Shafia Monroe, 2017 Changing the Paradigm: Social and Historical Trauma, 2017 Seeking Safety with Treatment Innovations, 2017 Holding Space for Pregnancy Loss with Amy Wright Glenn, 2017 Working with Childhood Trauma with Echo Parenting, 2017 Breastfeeding Full Circle with Dr. Jack Newman, 2016 Art of Sacred Postpartum and Mother Roasting with Sara Harkness, 2016 (certified 2017) Birth Story Medicine Part I with Pam England, 2016 Supporting Perinatal Mental Health as a Doula with Sonia Nikore, 2016 Prenatal and Postpartum Nutrition with Elizabeth Kotek, 2016 Sacred Blood Mysteries Online Class with Sacred Living, 2016 Birthing from Within Introductory Workshop with Virginia Bobro, 2016 Supporting Breastfeeding as a Doula with Kate Zachary, 2016 Homebirth Caesarean Workshop with Courtney Jarecki, 2016 Return to Zero Training for Supporting Fetal and Infant Loss with Kiley Hanish and Ivy Margulies, 2016 Acupressure for Pregnancy, Labor, Birth and Postpartum with Abigail Morgan, 2016 Becoming Dad Workshop with Darren Mattock, 2015 Diversity Roundtable for Birth Workers with Debra Langford, 2015 Babywearing for Doulas with Laura Brown, 2015 Co-leader, BabywearingLA, 2014 - 2016 DASC Director of Hospitality, 2014 - 2015 Co-leader, Silver Lake meeting of the International Caesarean Awareness Network, 2013 CAPPA Lactation Educator Training with Christy Jo Hendricks, 2013 (certified 2015, recertified 2018) Acupressure for Labor and Birth with Abigail Morgan, 2013 Essential Oils for Doulas with BluJay Hawk, 2013 Babywearing for Birthworkers with Laura Brown, 2013 Rebozo Techniques with Angela Leon, 2013 Massage Techniques for Doulas with Jenna Denning, 2013 Breeches, Twins and VBACs with Stuart Fischbein, 2013 DASC co-Director of Development, 2012 - 2013 Co-founded Two Doulas Birth, 2012 Spinning Babies Training with Gail Tully, 2012 Featured as the Doula Expert in LA Parent Magazine, 2012 Advanced Doula Training with Penny Simkin, 2012 CAPPA Postpartum Doula Training with Darla Burns, 2012 (certified 2014, recertified 2017) Yoga Instructor, Yogavidala, Los Angeles, CA, 2011 - 2012 Billings Ovulation Method Teacher Training, 2011 CAPPA Labor Doula Training with Angie Whatley, 2010 (certified 2011, recertified 2014, recertified 2017) CAPPA Childbirth Educator Training with Angie Whatley, 2010 (certified 2011, recertified 2014, recertified 2017) Neonatal Resuscitation Program Workshop with Karen Strange, 2010 (certified 2010) Herbs and Homeopathics in the Care of Women and Infants, 2010 The Farm Midwifery Center Midwife Assistant Workshop with Ina May Gaskin, 2009 Birthing from Within Introductory Workshop with Pam England, 2009 Iyengar Yoga Introductory I Assessment passed, 2010 Yoga Instructor, Eastern Sun Yoga, Memphis, TN 2008 - 2011 Yoga Instructor, Evergreen Yoga Center, Memphis, TN, 2009 - 2011 Eastern Sun Yoga Iyengar Teacher Training with Lou Hoyt, 2008 - 2011 Audubon Yoga Iyengar Teacher Training with Karin O'Bannon, 2010 - 2011

Three volunteers in China have just spent three months eating beetle larvae as part of a project to test life - support systems for deep - space travel.

«But over time the making money part really dwindled, and it's become a mission,» a way to change the global standard of living with ubiquitous energy and access to resources such as raw minerals from asteroids, helium - 3 from the moon, or oxygen, water and other lunar materials for space - or Mars - based habitats.

WASHINGTON — As part of the Obama Administration's recognition of the critical role that space technology and innovation will play in enabling both future space missions and bettering life here on Earth, NASA Administrator Charles Bolden has announced the creation of the Space Technology Mission Directospace technology and innovation will play in enabling both future space missions and bettering life here on Earth, NASA Administrator Charles Bolden has announced the creation of the Space Technology Mission Directospace missions and bettering life here on Earth, NASA Administrator Charles Bolden has announced the creation of the Space Technology Mission DirectoSpace Technology Mission Directorate.

So this precursor for life can form in interstellar space to become an integral part of the material that's condensing as protoplanetary disks around these young stars.

High stomach acid is required in certain parts of the digestive track are also needed to help stimulate normal bowel function as well as create an uninhabitable space for bacteria, viruses and parasites to live.

I'm sharing these spaces today as part of an online house tour hosted by Marty from A Stroll Through Life.

This Season's Gold is a space that celebrates strength, passion and inspiration in all those parts of life, as every season brings you something new to treasure.

Presented by The Greene Space and directed by Tony Award - winning actress Phylicia Rashad, Joe Turner was performed as a part of the historic reading and recording of all 10 works of Wilson's American Century Cycle, his decade - by - decade chronicle and celebration of African - American life in the 20th century.

Spending as much time in as many parts of the ship as we do, the inevitable second act troubles pain us not only for the threat to human life but for the damage to be incurred by this enchanting shared space, an engineering achievement of incalculable hubris.

The programme focuses on creating neighbourhoods, streets, public spaces and buildings that make it easy and appealing to be active, as part of everyday life.

As part of the Colleges & Universities Conference session, Aaron Taylor addressed changing space requirements in a talk called «Building communities for student living».

Part of making educational spaces work, according to architects, is incorporating long - term flexibility so that as technology, curricula, and pedagogies evolve over a building's 50 - year life span, it can support and not hinder those changes.

BMW is finally bringing its baby SUV, the BMW X1, to the US this fall as part of the X1's mid-life refresh or life cycle impulse (in BMW - speak) and it fits a whole lot of trends into a car smaller than the Toyota RAV4: It targets city dwellers who need small vehicles for tight parking spaces; it speaks to baby boomers who have fewer possessions (and kids) to lug around but still want an upscale vehicle; and it has many but not all of the big - Bimmer tech goodies that can raise the price of a new Bimmer by $ 20K, including BMW's suite of applications that live in the center stack for music, information, and navigation.

First, establish your dog's living area (we will call it «den» from here out) in a small confined space such as a bathroom, part of the kitchen or garage.

In some units where there is a wall bed or sofa sleeper in this space, it easily becomes part of the living space when not in use as a bedroom.

The hotel offers 2,000 square feet of meeting space; a Re: chargeSM fitness center; Re: fuelSM by Aloft — a one - stop gourmet grab & go food and beverage area; and live, local music at the brand's signature WXYZ ® bar as part of the signature Live At Aloft Hotels music serlive, local music at the brand's signature WXYZ ® bar as part of the signature Live At Aloft Hotels music serLive At Aloft Hotels music series.

The expansion will also add new parts to the game, including fuel tanks, adapters, decouplers, fairings, and command pods inspired by the American and Soviet space programs, and also Kerbal Personal Parachutes, which can save a Kerbal's life as long as they don't try to use it in the cold void of space.

The work serves as a performance space, playing host to live events that are part of MoMA PS1's Sunday Sessions program.

Perhaps it had to do with the fact that a video of Jérôme Bel's Veronique Doisneau occupied that very space before as part of the performance - centered exhibit, Double Life, and a fantastic live performance of Bel's Cédric Andrieux had blessed the space a month earlier.

Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.

As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistorieAs part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistorieAs part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistorieAS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistorieAS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistorieAS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistorieAS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Historieas part of the curatorial research conducted for the 2010 exhibition, Alternative Historieas part of the curatorial research conducted for the 2010 exhibition, Alternative Histories.

As part of ICI's Curator's Perspective — an itinerant public discussion series featuring national and international curators — Jay Pather, Director of the Gordon Institute for Performing and Creative Arts (GIPCA), will speak about curating performance and live art in public space.

As a part of an artist - owned gallery community, Viridian artists are conscious of not only how expensive space is today both for showing and working, but also, how important it is for artists to live and work in a competitive and supportive environment.

During his tenure, he curated award winning exhibitions such as Ryan McGinness: Studio Visit (2014); Xu Bing: Tobacco Project (2011); Sally Mann: The Flesh and The Spirit (2010); Chuck Close: People Who Matter to Me (2010); Artificial Light (2006), which appeared at VCU Anderson Gallery and MOCA at Goldman Warehouse in Miami; Robert Lazzarini (2003), recognized by the International Association of Art Critics as one of year's best exhibitions; Outer and Inner Space: A Video Exhibition in Three Parts (2002), recipient of an Emily Hall Tremaine Exhibition Award; and Vanitas: Meditations on Life and Death in Contemporary Art (2000).

As part of our audience development strategy, and to integrate the gallery into the wider life of our city, we actively host the work of other local organisations in our 300 sq metre performance space.

Her recent exhibitions include One Step Forward, Two Steps Back, Times Museum, Guangzhou, 2013; Alternatives to Ritual Goethe Open Space, Shanghai, 2012; Institution for the Future as part of the Asia Triennial, Manchester, 2011; Taking the Stage OVER, a one - year exhibition engaging aspects of live art, Shanghai, 2011.

Our first solo exhibit with Megan Euell, shows how one painter can travel to different parts of the globe and bring us, as a collective, to be solidly grounded in our current space, place and time; simultaneously feeling the connections and echoes of life that have brought us here.

As part of an interdisciplinary initiative at the College to explore the rich traditions of large - scale artworks and to develop new scholarship around the mural format, Nadia Haji Omar, a Sri Lankan multimedia artist living and working in Rhode Island, will transform the exhibition space with mirrored surfaces and her signature alpha - numeric abstraction.

Red Grooms, Claes Oldenburg, and Allan Kaprow — all of whom drew both inspiration and materials from New York City — played a central role in the creation and rapid growth of these often short - lived spaces, which were conceived as part studio, part gallery, part laboratory.

Installed throughout the galleries and connecting spaces, the exhibition is presented in parallel with a series of live performances and special events, both at the South London Gallery SLG and at nearby off - site venues as part of SLG Local.

His most recent curated projects include Zach Rockhill's reconstruction of Allan Kaprow's «Fluids» at The Cooper Union as part of Performa 07; «Performa TV» with artist Ronnie Bass, a 24/7 live video broadcast that served as an open, public platform for artists and organizers of Performa 07; «Beyond The Pale» at Moti Hasson Gallery (2007); and «Salad Days» at Artists Space (2006).

Additionally, Jesse directed the Live to Tape Artist Television Festival last month at Links Hall, programs at the Nightingale Cinema, co-directs the mobile exhibition space Trunk Show, programs through ACRE TV and spends part of each summer as a Visiting Artist Liaison with ACRE.

As part of their applications, grantee artists note how they plan to use these funds, with needs typically falling into four categories: acquiring the materials or equipment necessary for their art - making; securing better or larger spaces to work or live; for research, travel, and experimentation with their practice, in order to develop more ambitious work; and to find new ways to engage with their communities.

Offering desk space, for either half days or full, along with facilities such as screen printing and product photography studio — it's the perfect spot if you happen to live locally and want to become part of a thriving creative community.

As part of our commitment to supporting emerging artists we have created a membership scheme for artists living in the Croydon and South London area aimed at giving artists affordable space, facilities and support to work locally.

Collar's exhibitions and performances include: A rock that keeps tigers away, group exhibition, Kunstverein München, Munich, July 2017; a performance event and micro residency, Kunstraum, London, June 2017; Plural Melts at Yvonne Lambert, Berlin, 2017; Tall Tales, touring group exhibition and performance, Freud Museum, London, Touchstones Gallery and Museum, Rochdale and Glasgow Women's Library 2016; Tarantallegra, group exhibition, Hester, New York, July - Aug 2016; Secret Surface, group exhibition, KW, Berlin, Feb - May 2016; 11/50, solo exhibition, Fig - 2, ICA, London, March 2015; Probably, Like a Melon Rolling Off a Table: Part II, solo performance for Saturday Live, Serpentine Galleries, London, Jan 2015; Secret Agents, group exhibition, Finnish Museum of Photography, Helsinki, Sept - Oct 2015; PALIMPSEST, performance collaboration with William Cobbing at Hayward Gallery Project Space, London, 2014; Let's Make Another Possible Now, group performance event as part of ANTIKNOW at Flat Time House, London, 2Part II, solo performance for Saturday Live, Serpentine Galleries, London, Jan 2015; Secret Agents, group exhibition, Finnish Museum of Photography, Helsinki, Sept - Oct 2015; PALIMPSEST, performance collaboration with William Cobbing at Hayward Gallery Project Space, London, 2014; Let's Make Another Possible Now, group performance event as part of ANTIKNOW at Flat Time House, London, 2part of ANTIKNOW at Flat Time House, London, 2014.

The props often stay behind in the exhibition space where they serve both as part of an installation and as a remnant of the live act.

His use of blown glass is an effort to explore materials that allow for both an aesthetic and emotional experience to create a piece that's sinister and somehow active while remaining functionally inert; he cites seeking out images of parasites and viruses as part of his research process for this piece, inspired by their ability to alter the space and living bodies around them without ever fully revealing themselves.

Most recently, his work has shifted to encompass more elaborate installations, as when he and his studio completely appropriated the idea of space exploration in Space Program: Mars (2012), a massive installation that transformed the New York Armory into a 55,000 - square - foot demonstration of Sachs's warped vision of a mission to Mars — complete with his own imaginings of the equipment needed to live and work as part of such a mission and live performers who played the roles of scientists and explorers maneuvering within this imagined rspace exploration in Space Program: Mars (2012), a massive installation that transformed the New York Armory into a 55,000 - square - foot demonstration of Sachs's warped vision of a mission to Mars — complete with his own imaginings of the equipment needed to live and work as part of such a mission and live performers who played the roles of scientists and explorers maneuvering within this imagined rSpace Program: Mars (2012), a massive installation that transformed the New York Armory into a 55,000 - square - foot demonstration of Sachs's warped vision of a mission to Mars — complete with his own imaginings of the equipment needed to live and work as part of such a mission and live performers who played the roles of scientists and explorers maneuvering within this imagined realm.

As part of the inHarlem exhibition series, the portraits are hung in the Latimer / Edison Gallery of the Schomburg Center, turning the space into a celebration «of the joy that these extraordinary women brought out of the fire of their lives.»

This lecture - cum - performance took place at The Galleries at Moore — the exhibition space maintained at Philadelphia's Moore College of Art and Design — as a part of Show - and - Share, a weekly program by local online journal - cum - arts - organization The St. Claire (the-st-claire.com), held in conjunction with Creative Time's traveling exhibition Living As Form: The Nomadic Version [January 26 — March 16, 2013as a part of Show - and - Share, a weekly program by local online journal - cum - arts - organization The St. Claire (the-st-claire.com), held in conjunction with Creative Time's traveling exhibition Living As Form: The Nomadic Version [January 26 — March 16, 2013As Form: The Nomadic Version [January 26 — March 16, 2013].