Sentences with phrase «as performance curator»

Live is curated by Adrienne Edwards, who joins the Whitney Museum of American Art in May as performance curator.

Not exact matches

«The Square» is a wry and decidedly dark Swedish comedy about an art museum curator (Claes Bang) who is variously forced to contend with a stolen wallet and phone; with trust issues, particularly as they pertain to a one - night stand with a reporter (Elisabeth Moss); with a viral - advertising disaster; and with a formal dinner disrupted by a performance artist (motion - capture coach Terry Notary) who seems to have reverted to a primal state.

Claes Bang gives a tremendous performance as chief curator at Sweden's X-Royal Museum, undone by the viral video that was intended to promote his latest exhibit.

Deliberately invoking the TV program, «Laugh - In: Art, Comedy, Performance,» assembled by MCASD's associate curator Jill Dawsey, ostensibly examined humor's function as a social corrective.

The Whitney Museum in New York has appointed Adrienne Edwards as its Engell Speyer Family Curator and Curator of Performance.

Scott Rothkopf, the deputy director for programs and the chief curator at the Whitney, said in a statement, «Adrienne has distinguished herself as one of the most innovative curators working in performance today by engaging artists across diverse disciplines and often challenging them to explore new genres and experimental forms.

In the catalogue for «Radical Presence: Black Performance in Contemporary Art,» currently at NYU's Grey Art Gallery, curator Naomi Beckwith describes Mythic Being as «a seminal work of self - fashioning that both posited and critiqued models of gender and racial subjectivity.»

As a curator of performance, Tancons organized the first New York solo exhibitions of artists Robin Rhode at Artists Space (2004) and Ralph Lemon at the Kitchen (2007) as well as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper GallerAs a curator of performance, Tancons organized the first New York solo exhibitions of artists Robin Rhode at Artists Space (2004) and Ralph Lemon at the Kitchen (2007) as well as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper Galleras well as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper Galleras one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper Gallery.

Stuart Comer, the museum's chief curator of media and performance art, described the piece as «a watershed transition in her work, about activating a social and political space for the viewer.»

Previously serving as Curator of Public Programs at Nottingham Contemporary, the UK's newest public contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and live events.

Artists working in all mediums (including — but not limited to — video and film, new media, installation, painting, social practice, sculpture and performance), as well as curators, are encouraged to submit exhibition proposals.

Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under - recognized artists, experimental theater and performance works, as well as national and international film and video programs.

He had an indelible arc with Feature, but I still remember him as the first performance curator at Randolph Street Gallery, as well as for his own irreverent works — brave, naked, patriotic for the spaces he helped us see and believe in.

As former curator of Thread Waxing Space, NY, her exhibitions, screenings, and performances include Spectacular Optical (1998), Luther Price: Imitation of Life (1999), The Life Casts of Cynthia Plaster Caster: 1968 - 2000 (2000), Børre Sæthre: Module for Mood (2000) and Sigalit Landau (2001).

Selected for the job were Stuart Comer, formerly a film curator at Tate Modern and now chief curator of media and performance art at the Museum of Modern Art; Anthony Elms, associate curator at the Institute of Contemporary Art, in Philadelphia; and Michelle Grabner, an artist and professor of painting and drawing at the School of the Art Institute of Chicago as well as a teacher at Yale.

Vibrant photos of each artist's performance by renowned photographer Paula Court and texts contributed by a range of curators and critics provide accounts of every show, as well as an understanding of the importance of each work within the artist's individual career and in relation to larger historical trends.

In conjunction with the presentation of Axis Mundo: Queer Networks in Chicano L.A. as a part of Pacific Standard Time: LA / LA, ONE Archives at the USC Libraries and MOCA, Los Angeles have organized related programs including a panel discussion with the curators, performances, and screenings.

During a recent conversation at the Center, our visiting scholar Kristy Edmunds and Philip Bither, Senior Curator at the Walker Art Center, discussed the role audiences play in conserving performance works — what Edmunds describes as «art forms which we can't collect, and preserve, or own.»

Critical and historical context is provided in the form of five thoughtful, themed essays, interspersed throughout the book, by Whitechapel Gallery director Iwona Blazwick on the subjects of «The Found Object», «Performance», «Abstraction», «Knowledge» and «Power Structures», which, alongside an introduction by curator Bruce Ferguson and an endorsement by Yoko Ono, add up to an artist's monograph that's as intimate as it is expansive.

Dr Omar Kholeif, Manilow Senior Curator at the Museum of Contemporary Art Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film progCurator at the Museum of Contemporary Art Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film progcurator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film programmes.

Last year, while traveling the country to make studio visits for the Biennial, he took on a new position as chief curator for media and performance at New York's Museum of Modern Art.

Thinking of painting as a form of technology is a very interesting vantage point, because if you consider the whole sweep of different mediums that artists are employing today — from video and virtual reality to immersive installation and performance — then painting becomes the least optimized medium for avant - garde curators to engage the kinds of crowds that come to biennials and exhibitions.

As part of ICI's Curator's Perspective — an itinerant public discussion series featuring national and international curators — Jay Pather, Director of the Gordon Institute for Performing and Creative Arts (GIPCA), will speak about curating performance and live art in public space.

Since our first audiovisual performances and video projections as Celestial Twins (a collective of experimental cinema and avant - garde music platform), my mission as an independent curator has been to create space that reclaims and reflects on the poetic, political and erotic, and to support greater female representation as a dynamic force in the international scene, encouraging subversions to audiovisual language, abstractions and occult art.

Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)

Performance: Keil Borrman, «Airing the Facilitation Banner Paintings,» at Osmos As part of a program called «Beer on Sundays,» inspired by anarchist saloonkeeper Justus Schwab's effort in the late 19th century to operate his drinking establishment on that day, which was once housed at Osmos's address, Keil Borrman will stage a performance, curated by Jovana Stokic, which involves the audience taking banners with political messages from the gallery, recently founded by curator Cay Sophie Rabinowitz, to the nearby First Street Green, at 33 East Performance: Keil Borrman, «Airing the Facilitation Banner Paintings,» at Osmos As part of a program called «Beer on Sundays,» inspired by anarchist saloonkeeper Justus Schwab's effort in the late 19th century to operate his drinking establishment on that day, which was once housed at Osmos's address, Keil Borrman will stage a performance, curated by Jovana Stokic, which involves the audience taking banners with political messages from the gallery, recently founded by curator Cay Sophie Rabinowitz, to the nearby First Street Green, at 33 East performance, curated by Jovana Stokic, which involves the audience taking banners with political messages from the gallery, recently founded by curator Cay Sophie Rabinowitz, to the nearby First Street Green, at 33 East 1st Street.

Such a condition is opposite to the intention of a curator such as Valerie Cassel Oliver, who seeks to amend the historical record to recognize the myriad contributions of black artists to the history of performance art.

Thomas J. Lax, an associate curator in the Department of Media and Performance Art at the Museum of Modern Art, spoke to Finkelpearl, who currently serves as commissioner of the New York City Department of Cultural Affairs, about the experience with Hammons for Triple Canopy magazine.

Organized by the museum's Assistant Curator, Amber Harper, the exhibition highlights Raissnia's mixed media work on paper as a central element of her multivalent practice, which encompasses film, photography, and performance.

Following Roland Barthes's notion of «written clothing» (as articulated in The Fashion System, 1967), the group show Costume: Written Clothing attempts to reflect on some of these themes by drawing together a fairly disparate range of artists who have, according to curator Claire Jackson, conceived of costume as «a device or prism through which to investigate relationships between performance, image and Sculpture.»

Person of the Crowd: The Contemporary Art of Flânerie is curated by Thom Collins, executive director and president of the Barnes Foundation in collaboration with Dr. Martha Lucy, deputy director for education & public programs and curator, as well as exhibition guest curator Judith Tannenbaum, who will collaborate on the performance series and billboard installations.

But in the hands of curator Boris Groys the proposition turns ambiguous... «Specters,» as conceived by Groys, explores Russian «post-conceptual realism,» an artistic practice in which artists shift attention from isolated art objects and performances to their social and political context.

Prior to moving to Frankfurt, Fabian worked as Assistant Curator at Kunsthalle Basel and as Curator of LISTE's performance project.

«The unstable identity of the present begs for the return of power of the mask from ancient times, when it was used as a form of protection, disguise, performance, or just plain entertainment», states curator and artist Bogomir Doringer in the catalogue for his newly opened exhibition Faceless II at the Freiraum Quartier21 International of MuseumsQuartier Wien.

Schneeman, whose career spans six decades, was hailed as «one of the most important figures in the development of performance and body art» by this year's exhibition curator, Christine Macel.

Combining the power of installation and performance art, and involving a year of collaborations and exclusive events such as private studio views with artists, She Inspires Art is brought together by Chair Lady Alison Deighton and a dedicated high profile Honorary Committee with Artistic Directors / Curators Tamar Arnon and Eli Zagury.

To celebrate the launch, Habsburg - Lorthringen and Martha Wilson offered inter-generational perspectives on feminism, performance, and the archive as they relate to their respective practices at a talk titled, «Framing Femininity» at the Independent Curators International in NYC.

Off to SAIC - School of Art Institute Chicago as a visiting curator to visit with the Performance Department MFAs, behold the InTime Performance Festival and more.

This fourth and final curator highlights one particular project as the deciding factor for selecting the innovative group: Echo (2006), at Tate Modern's Turbine Hall, which Clark describes as: «A performance piece in which the human form was represented through a 3 - D data cloud, rendered directly behind the dancers.»

Join Erin Brannigan in conversation with Catherine Wood, Senior Curator of International Art (Performance) as they trace the influence of dance on Robert Rauschenberg's work from the 1950s and 1960s.

[33] Maria Troy, «I Say I Am: Women's Performance Video from the 1970s,» also the title to a collection of «early feminist tapes» curated by Troy as Associate Curator of Media at the Wexner Center in Columbus, Ohio.

The Museum's signature survey of contemporary American Art will take on a new form as three outside curators — Stuart Comer (currently Curator: Film at Tate Modern, London, and soon to become Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversee one floor.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

The 2014 Whitney Biennial will take a bold new form as three curators from outside the Museum - Stuart Comer (Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), an...

He has taught at the California Institute of the Arts and the University of California San Diego, and is currently an Associate Professor of Art at Pomona College, where he teaches, «Foundations of 2D design,» «Junior / Senior Art seminar,» «Performance in Contemporary Art,» and «Artist as Curator, Artist as Organizer.»

2008, Collecting Dust and Other Things: Town Hall as Hair Salon, Four Walls, San Diego, California, month - long performance and catalog of interviews of museum directors, curators, and arts professionals

As always, the symposium takes as its starting point the relationship between art and new media with a series of events examining the «current state of contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynoteAs always, the symposium takes as its starting point the relationship between art and new media with a series of events examining the «current state of contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynoteas its starting point the relationship between art and new media with a series of events examining the «current state of contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynotes.

Acting as curator, Santiago Muñoz has selected works from the permanent collection that include Hector Mendez - Caratini's photographs of Taino petroglyphs, Ana Mendieta's polaroids of her performance Body Tracks, a selection of destroyed film works by El Museo's founder Raphael Montañez Ortiz, and works by Nuyorican artists including Marcos Dimas.

As curator of Thread Waxing Space, NY, her exhibitions, screenings, and performances included Spectacular Optical (1998), Luther Price: Imitation of Life (1999), Børre Sæthre: Module for Mood (2000) and Sigalit Landau (2001).

Highlights of the night include Rhizome assistant curator of net art Aria Dean's presentation on William Pope.L's work Disturbing Martin (2000 — 05) and a talk from Eva and Franco Mattes, also known as http://0100101110101101.org, who made the entirety of their desktop available for public view for their online performance Life Sharing (2000 — 03).