Sentences with phrase «as photographic books»

Not exact matches

Some of them were of the bones of the hand, others of coins and keys photographed through the opaque walls of a leather pocket - book, all clearly demonstrating that he had found some strange new rays which had the amazing property of penetrating as opaque an object as the human body and revealing on a photographic plate the skeleton of a living person.

But it is only recently that they have begun popping up on photographic plates in large numbers, and only recently that they have been revealed as a whole new class of galaxy whose members actually outnumber the more familiar galaxies we see in books and posters.

MADE IN THE USA Wine Across America: A Photographic Road Trip, by husband - and - wife team Charles O'Rear and Daphne Larkin, took two years and 80,000 miles to create; but as a coffee - table book, it makes a pretty travel brochure.

Internationally shown and a prolific artist, her photographic work, postcards, and books were exhibited in Beautiful Losers in the United States and Europe from 2004 - 2009 establishing herself as a pioneer in DIY culture.

The chronicle of the history of African Americans as photographers and as photographic subjects, based on the book «Reflections in Black» by Deborah Willis, will be shown on Thursday, March 19, at the Wadsworth Atheneum Museum of Art.

Arnold Newman is responsible for creating a new vocabulary for photographic portraiture, as explained by Gregory Heisler, Professor of Photography, Syracuse University in the introduction to the upcoming book Arnold Newman: One Hundred.

The resulting series of 500 images of white monochromes have been presented in a number of different forms since he began making them in the 1990's, appearing as photographic prints, 35 mm slide projections, digital projections and also in book form.

Curated by Abdellah Karroum, the exhibition will feature Neshat's existing and newly produced works, including the major photographic series, The Book of Kings (2012) as well as a selection of video installations commenting on the historical, cultural and political realities that she has focused on for over 30 years.

Artists Justine Kurland and Alec Soth (Weinstein Gallery) speak with «Aperature» Photobook Editor Denise Wolff about «The Open Road: Photography and the American Road Trip,» the first survey book to consider the American road trip as a photographic genre.

This book arose as a consequence of the artist's photographic engagement with the Auschwitz Cycle.

The main gallery spaces will feature examples of large - scale works featuring evocative photographic images from various sources such as books about experimental theater or puppetry, as well as Japanese textile designs, all screen - printed onto different fabrics that are layered and stitched together.

Yet the book also shows how many of these photographs re-main photographic, as coequal pictures in their own right, upending the simpler notion of source material versus final product.

Published on the occasion of a major exhibition drawn from The Buhl Collection, this book demonstrates the prevalence of the hand as a photographic theme, a result, in part, of photography's easy ability to capture fragments and detail, as well as ephemeral movement.

Rami Maymon pulls connections from portraits and their reprints within art books — originals and reproductions — as a way of investigating authenticity within modes of photographic production.

These found film cuttings would later serve as the new «emulsion» for Cracknell's photographic work, which has appeared on several magazine covers and over 300 book jackets.

Written by freelance journalist Rachel Segal Hamilton — who has written extensively on photography for The British Journal of Photography, VICE, The Telegraph, The Royal Photographic Society Journal and Professional Photography — the book shows «London as it is today, and as you've never seen it before.»

Artists Justine Kurland and Alec Soth (Weinstein Gallery) will speak with «Aperture» Photobook Editor Denise Wolff about «The Open Road: Photography and the American Road Trip,» the first survey book to consider the American road trip as a photographic genre.

The exhibited works have been taken from Broadbent's recent book, The Photographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic prints.

Baumgarten's body of work has included ephemeral sculptures, photographic work, slide projection pieces, 16 mm film works, recordings, drawings, prints, books, short stories, as well as site - specific works and wall drawings and architecture related interventions.

Wolberger has completed a series of 12 self - published artists books collectively known as «The Photographic Book Project.»

It contains all original works that were made in editions, such as prints, photographic editions, artist's books, artist's posters, multiples and editions of paintings, which were produced before 2013.

She is currently working on the final manuscript for her book The Benefit of the Doubt: Regarding the Photographic Conditions of Conceptual Art, 1966 - 1973, and editing a volume on the critical conjunction between conceptual art and humor, based on a panel she co-chaired at the College Art Conference (CAA) in Los Angeles (2012), entitled «Conceptual Art as Comedic Practice.»

It contains all original work, including color and black - and - white photographic prints, alternative processes, as well as computer generated imagery, collages, artist books, and installation pieces.

They make use of newspapers, books, magazines and turn - of - the - century photographic archives as source material.

Ed Ruscha's 16 photographic books made in the 60s and 70s distil popular culture — such as Hollywood logos and gas stations — into a cinematic language that is at once familiar and achingly profound.

For Reduction, Reduction, a selection of works have been taken from Broadbent's recent book, The Photographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic photograPhotographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic photographicphotographic prints.

This unprecedented retrospective features nearly 300 black - and - white photographic prints as well as a selection of the artist's many important photo books.

While the wall drawings, which he started in 1968 at the age of 40, constitute LeWitt's most emblematic practice, his oeuvre also includes three - dimensional works (which he referred to as «structures»), innumerable drawings on paper, photographic series and artist's books.

Her work has been selected for group exhibitions by jurors such as Lesley Martin, publisher of the Aperture Book Program; Kathy Ryan, photo editor of The New York Times Magazine; Jennifer Blessing, curator of photography at the Solomon R. Guggenheim Museum; Christopher James, author of The Book of Alternative Photographic Processes; and Louis Grachos, director of Albright - Knox Gallery.

Influenced by photographers such as Lewis Hine and Paul Strand and by the worker - photography movement, Killip recovers the documentary image through long observation of daily life, recorded in books and extensive photographic series.

Through critical examination and personal interviews, the book showcases established names in the photographic art scene such as Asger Carlsen and Emil Salto, along with emerging talents that include Mårten Lange and Marthe Elise Stramrud.

Her works have been featured in publications such as Levure Litteraire, The Book of Alternative Photographic Processes, Photographer's Forum, Detroit Metro Times, and INSIGHT 7 magazine.

They stand as single images and feature in photographic books.

This catalogue raisonné, compiled through intensive research over a period of many years by art historian Hubertus Butin, Richter's former assistant, documents the full range of graphic and photographic editions as well as the artistís books, multiples and editions in oil realized by the artist between 1965 and 2004.

Recent publications such as Andrew Roth's The Book of 101 Books: Seminal Photographic Books of the Twentieth Century, Martin Parr's two volume The Photobook: A History and the Hasselblad Center's The Open Book have shed new light on the importance and influence of photographic books throughout the history of the meBooks: Seminal Photographic Books of the Twentieth Century, Martin Parr's two volume The Photobook: A History and the Hasselblad Center's The Open Book have shed new light on the importance and influence of photographic books throughout the history ofPhotographic Books of the Twentieth Century, Martin Parr's two volume The Photobook: A History and the Hasselblad Center's The Open Book have shed new light on the importance and influence of photographic books throughout the history of the meBooks of the Twentieth Century, Martin Parr's two volume The Photobook: A History and the Hasselblad Center's The Open Book have shed new light on the importance and influence of photographic books throughout the history ofphotographic books throughout the history of the mebooks throughout the history of the medium.

As well as reproductions of paintings by David Reeb and photographs and articles by both authors, the book also includes works by other visual producers, such as Hans Haacke, Peter Kennard, Miki Kratsman, and the Israel / Palestine - based photographic collective ActiveStillAs well as reproductions of paintings by David Reeb and photographs and articles by both authors, the book also includes works by other visual producers, such as Hans Haacke, Peter Kennard, Miki Kratsman, and the Israel / Palestine - based photographic collective ActiveStillas reproductions of paintings by David Reeb and photographs and articles by both authors, the book also includes works by other visual producers, such as Hans Haacke, Peter Kennard, Miki Kratsman, and the Israel / Palestine - based photographic collective ActiveStillas Hans Haacke, Peter Kennard, Miki Kratsman, and the Israel / Palestine - based photographic collective ActiveStills.

His books have also been selected by The New Yorker, TIME, and PDN Photo Annual as best of the year, for «Most Outstanding Design» and «Best Photobook» from Independent Publisher, and received an Infinity award for «Best Photographic Book of the Year.»

Where as the photographic slideshows has one coordinate for fidelity — the image — Book for Architects as an installation has a different priority: that of space, edges, and the shapes that cut through the expanse of skylines.

The Walker - produced catalogue will include an extensive photographic walk - through of the installations as well as contributions from the participating artists, expanding the material in the form of a book - as - exhibition and capturing the show's site - specific nature.

The London - based collection now contains more than 2,000 publications, and exists as both a physical manifestation of a worldwide movement and, as SPBH refers to it, a «call to action», aiming to inspire visitors to create books through different photographic and printing processes.

The collection contains all original work, including color and black - and - white photographic prints, alternative processes, as well as computer generated imagery, collages, artist books, and installation pieces.

McCarney's carefully hand - bound editions and found - altered books incorporate photographic imagery and utilize the space of the gallery to explore reading as display (on pedestals and shelves, hanging from the ceiling, mounted on the wall).

Authored by exhibition curator Sara Krajewski, the book's chapters trace the development of Warhol's printmaking practices and his exploration of the photographic image as his source material through three time periods: the books and ephemera of the 1950s, the Factory and Factory Additions 1963 - 1974, and Andy Warhol Enterprises, Inc., 1975 - 1987.

Authored by exhibition curator Sara Krajewski, the book traces the development of Warhol's printmaking practices and his exploration of the photographic image as his source material through three time periods: the books and ephemera of the 1950s, the Factory and Factory Additions (1963 — 1974) and Andy Warhol Enterprises, Inc., 1975 — 1987.

The book is conceived as a genuine, extended monograph, featuring rich photographic and textual documentation, much of which has never before been published.

Bochner's contemporary Bruce Nauman (American, born 1941) created a small but influential body of photographic work in the same years, including the book L.A. Air, while a third member of their generation, Gordon Matta - Clark (American, 1943 - 1978) made his gallery debut in 1969 by frying Polaroid photographs in cooking oil as «souvenirs.»

Her practice, which is based on extensive on - site research and an ever - expanding archive of visual material, primarily deploys photography, video, slide projection and large scale photographic installations of blown up photocopies or silkscreens, as well as the publication of artists books in the form of photographic visual essays.

As well as its superb collection of paintings, sculpture and drawings, The Courtauld has two photographic libraries - the Lord Martin Conway library, embracing architectural drawings, sculpture and illuminated manuscripts; and the Robert Witt library, covering paintings, drawings and engravings, with over 2 million reproductions of works by more than 70,000 artists - and a Book Library, which contains one of the UK's largest archives of works on the history of arAs well as its superb collection of paintings, sculpture and drawings, The Courtauld has two photographic libraries - the Lord Martin Conway library, embracing architectural drawings, sculpture and illuminated manuscripts; and the Robert Witt library, covering paintings, drawings and engravings, with over 2 million reproductions of works by more than 70,000 artists - and a Book Library, which contains one of the UK's largest archives of works on the history of aras its superb collection of paintings, sculpture and drawings, The Courtauld has two photographic libraries - the Lord Martin Conway library, embracing architectural drawings, sculpture and illuminated manuscripts; and the Robert Witt library, covering paintings, drawings and engravings, with over 2 million reproductions of works by more than 70,000 artists - and a Book Library, which contains one of the UK's largest archives of works on the history of art.