Sentences with phrase «as photographic representations»

I should say, the other three parts of Mogamma I have only seen as photographic representations.

They reveal a new model of representation: not through indexical photographs but through automated data collection from a myriad of different sources constantly updated and endlessly combined to create a seamless illusion; Google Earth is a database disguised as a photographic representation.

Not exact matches

Additional highlights include Helen Frankenthaler's Belfry and February Turn (both 1979), which mimic the look and feel of Abstract Expressionism yet in truth represent a rupture with that tradition through the use of a staining technique that seemingly minimizes the artist's role in the process; Frank Stella's Double Scramble (1978), whose nested squares, color contrasts, and pulsing optical effects bridge the artist's early minimalism and later illusionism; and Robert Rauschenberg's Golden Chalice (1989) which, insofar as it marries abstraction and representation and juxtaposes gestural brushwork and photographic media, affords a crucial link to late 20th - century abstraction.

Major topics include the worldwide production and dissemination of photographic images; the local and global character of specific genres, such as portraiture and photojournalism; the photographic representation of human movement and migration; and (post) colonial photographies.

Taking female roles in photographic representations as her starting point, Sherman creates recognizable pictures that mirror the human condition in its many nuances.

By the end of this decade, many artists turned to photography as a vehicle through which to critique photographic representation itself and to subvert an art system premised on the notion of the original.

As UCLA Professor Anthony Vidler writes «Casebere's «spatial unconscious» is in photographic representation, an opening through vision into the psychopathology of lived space, a space that blurs all the traditional distinctions between the space and the space represented».

As Anthony Vidler Dean of The Cooper Union School of Architecture writes, «Casebere's «spatial unconscious» is in photographic representation, an opening through vision into the psychopathology of lived space, a space that blurs all the traditional distinctions between the space and the space represented».

Engaging what Siskind famously described as «the drama of objects,» Rauschenberg would continue to examine the tension between the characteristics of an actual object and its photographic representation in later works.

Andrea Geyer Spiral Lands / Chapter 2 (2008) is a multi-media installation that utilizes a dual construct of an enacted discourse and photographs taken by the artist in 2008 of the Chaco Canyon, a National Historic Park in New Mexico.Spiral Lands / Chapter 2 is constructed as a pairing of excerpts from post-colonial and postmodern discourse with a sequence of photographic representations of landscape from the Southwest.

Thomas Allen Harris believes that photographic representation can be just as important as political representation.

From Andy Warhol to Richard Prince, these artists open up the question of what it means to utilize the photographic medium for representation, as well as in the creation of form.

The featured works explore the status of the photographic image as such, as any other image — a representation, a sign of presence, of absence.

Instead of relying on photography as a technology of representation, the works in the exhibition push the photographic frame to its edges, to its built - in cutting and fragmentation.

The show — her first in the UK — showcases a new body of work all based around photographic representations of Washington State's Picture Lake, so called for being so photogenic it's become familiar to everyone through its ubiquity as screensavers and computer desktop backgrounds.

These representations include photographic archives and related artifacts, which she treats as material to produce new images and installations.

Rather than attempting a definitive history, the publication posits an alternative approach to the myriad questions and debates associated with representation, presenting its technological history as inextricable from the social history of media, and staging this through the complex and multivalent relationship between the photographic image and the body, whether it be the body of the viewer, or that of the depicted.

Staging papers and objects as dividers of light and shadow, Lichtenstein uses the apparatus of the camera and elemental forms of photography to explore the larger philosophical and theoretic issues around photographic representation.

His film stages a confrontation between the photographic image and the forms of representation that it supplanted and raises questions as to what comes next.

This course explores the history of photographic portraiture as well as the work of contemporary artists working in a post-modern age where representation and identity are deconstructed.

By the end of the 70s, many artists turned to photography as a vehicle through which to critique photographic representation and to subvert an art system premised on the notion of the original.

Jo Spence (b. 1934 — d. 1992) emerged as a key figure in the mid 1970s from the British photographic left, crucial in debates on photography and the critique of representation.

This monograph presents a ten - year overview of Walead Beshty's approach to photographic and sculptural representation, and contains newly commissioned essays by Suzanne Hudson and Nicolas Bourriaud, as well as a conversation between Bob Nickas and Beshty.

This exhibition, as the title suggests, focuses on the photographic representation of nature.

Choosing subject matter that is rich in color and texture, Young takes her photographic references and brings them into the studio where she crafts inspiring compositions that serve as faithful representations of their real - world counterparts.

These experiments would result in a group of photographic prints as well as footage for a related film, both dealing with filmic / photographic representation of the human body in relation to mortality.

The exhibition — which contextualizes drawing as part of her broader consideration of photographic and film representation — shows how drawing can revisit, question and change images used for personal, cultural and national identity.

As is well known, artists such as Cindy Sherman and Louise Lawler emerged in the late 1970s with work that effected a critique of representation through the détournement of photographic and filmic tropeAs is well known, artists such as Cindy Sherman and Louise Lawler emerged in the late 1970s with work that effected a critique of representation through the détournement of photographic and filmic tropeas Cindy Sherman and Louise Lawler emerged in the late 1970s with work that effected a critique of representation through the détournement of photographic and filmic tropes.

Each figure appears as a ghostly double; even the photographic representation of Brandes herself acts as the artist's doppelgänger.

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