Sentences with phrase «as photographic series»

Charlott constructs still lifes and arrangements that end up predominantly as photographic series and site - specific spatial works.

«This is a project that's just beginning, and it's as much an anthropological study as a photographic series.

Not exact matches

To create this series of photographs, Lisa Oppenheim used very thin slices of wood from different North American trees as photographic negatives.

Or do you think there can be some confusion in their reception, just as with your photographic series?

While working across multiple series, much of her photographic work functions as a personal act of deconstruction and reappropriation — both of images she has created herself and images she has singled out as influence.

In this series of photographic works landscape is explored as an agent that not only acts as a central character but also forms the characters that populate it.

In the mid-1970s, the artist began using the photocopy machine as a new type of photographic lens through which she created series of works that defy an accepted understanding of the limitations of the photocopier.

Other works such as the series Blushes 2000 - ongoing, made without a camera by manipulating the effects of light directly on photographic paper, show how the artist's work with abstraction continues to push the boundaries and definitions of the photographic form.

From his earliest photographic self - portraits to his sculptural still lifes, each series is a remarkable creation suggestive of interiors or furniture, theater settings or architecture, yet they often seem absent of an immediate identifiable content, as if they confront the viewer with a riddle.

As White's first extended exploration of portraiture, this body of work is a departure from the narrative themes of his past photographic series.

Taking the form of drawings, photographic series and video installations, his work consistently invokes the use of systems as generative part of the artist's practice, investigating the relationships between aesthetic experience, political beliefs and the formation of meaning.

These are aspects that are visible in her exploration of well - established photographic genres such as film stills, fashion photography or classic portraits, as well as in series where she explores a more abject material related to themes like fairytales, catastrophes, pornography, war and surrealism.

The exhibition includes more than 125 paintings, drawings, watercolors, and sculptures by O'Keeffe as well as selected examples of Alfred Stieglitz's famous photographic portrait series of O'Keeffe.

As part of an ongoing series of works on paper collectively entitled Perceptual Ecology, Mat Chivers has been making drawings that result from the mirroring and combination of self - made and found photographic images, film and CAD renderings.

This innovative photographic series, which documents the world as it is now, was acquired by GoMa in 2013 and will go on display this month.

The solo exhibition will feature work from several of Hanzlová's photographic projects, including Rokytnik and Forest, taken in the Czech village and surrounding forest where the artist grew up; Cotton Rose, taken in Gifu, Japan; as well as the artist's three most recent series, Horses, Flowers and There Is Something I Don't Know.

Zhang Huan's intrigue with cultural and personal identity continues through the trajectory of his work, as evident in the photographic series «Family Tree» (2000).

In a series of twelve oversized and strategically altered photographic portraits, Gabrielle Goliath presents a cross-section of «everyday South Africans» as Faces of People who may or may not be Victims or Perpetrators of Domestic Violence.

Pile onto John Chamberlain's couch and create ekphrastic poetry in response to Chamberlain's intuitive, colorful, and humorous photographic series that Chamberlain once described as «self portraits of the nervous system».

As a proactive member of the feminist art movement, she began adopting the photographic techniques and subject matter used in pornography to create a series of paintings that presented a different narrative from the fetishized one promoted by the porn industry.

The resulting series of 500 images of white monochromes have been presented in a number of different forms since he began making them in the 1990's, appearing as photographic prints, 35 mm slide projections, digital projections and also in book form.

It's a subject that's as easy to satirize as it is to romanticize, and it's this prickly theme that American artists Sasha Bezzubov and Jessica Sucher tackle in their photographic series «The Searchers» (2006).

The 22 works in the exhibition will focus on the digital videos that Rhode identifies as «animations» and photographic series that correspond to or complement the time - based work.

tête - à - tête poses a series of back - and - forth conversations across the photographic and video works of fourteen artists that address social, political and personal mythologies of the black body as constructed and represented in visual media.

Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human legs.

Curated by Abdellah Karroum, the exhibition will feature Neshat's existing and newly produced works, including the major photographic series, The Book of Kings (2012) as well as a selection of video installations commenting on the historical, cultural and political realities that she has focused on for over 30 years.

In a collaborative program between The Noguchi Museum and Socrates Sculpture Park, artist Leah Raintree discusses her photographic series Another Land, a body of work that takes as its point of departure a 1968 sculpture of the same name by Isamu Noguchi.

There is also a retrospective «The Nineties» section, selected by Geneva - based curator Nicolas Trembley, that revisits such significant exhibitions as Richard Billingham's photographic series,» Ray's a Laugh,» that appeared in the landmark «Sensation» show at the Royal Academy in 1997.

The foundation's new home in south - east Bristol will present an ongoing exhibitions programme, beginning in late October with a show of one of Parr's photographic series, as well as talks and seminars, primarily focusing on documentary photography in the United Kingdom and Ireland.

Her conceptual expansions of photographic abstraction manifest in series such as Sleight of Hand and Haptic Wonders (both 2011 — ongoing), which primarily focus on the photogram.

At Hammonds House Museum in Atlanta, Weems's photographic series From Here I Saw What Happened and I Cried, along with selected works and her 2016 film People of A Darker Hue, demonstrates the artist's strength as a storyteller, and as a powerful voice against racism, white nationalism, and the white - washed narrative of our country.

Challenging aesthetic norms of what sculpture or painting or installation or plain photographic documentation is, Smit's artistic practice presents a series of new works that are the result of the serendipitous nature of life interpreted as an errare.

In her photographic series Line of Fate (2011), Dean follows the hand of art historian Leo Steinberg as he writes quietly in his Manhattan apartment.

The series has art historical roots, because the Ruhr valley is best known in photographic circles as the stomping grounds of Bernd and Hilla Becher, Coolidge's teachers at the Düsseldorf Kunstakademie.

This exhibition focuses on the years between 1979 — 89, a period in which Whitten was influenced by scientific and technological change; works such as his DNA series reveal his interest in photographic processes and electronic imaging.

During Deep Epoch, Dullaart shows a new series of oil paintings based on images generated by «neural networks»; works derived from his recent performative intervention The Possibility of an Army, as well as photographic prints from his Instragram project for Jeu de Paume and HMKV: High Retention, Slow Delivery.

She questions the veracity of photographic realism and the stereotypes of American culture, as in her Cowboys (1979) series, which places cowboy figurines in outdoor settings and compositions that replicate realistic scale and proportion.

The collection also includes central works from her photographic series of urban spaces, her poster paintings and rubbish bins, as well as elements from larger installations, which shows how Kagge concentrates on collecting across time, formats, media and thematic structures.

Twisted pieces of paper, toothpaste swashes and soap scum, were just a few of the odd findings and castoff materials Brassaï used as subjects in a 1932 photographic series he coined, «Involuntary Sculptures.»

Her most recent series of portraits and landscapes struck us as the perfect opportunity to do that — it's a bold bringing together of the two photographic traditions she's been faithful to throughout her career.

However, what strikes me, when contextualizing this work, as well as Marshall's use of the black figure in general, is how the collage is not merely a response to iconic Bearden photographic collages (e.g. Block, 1971), but of the black figures from the later Odyssey series of 1977.

The photographs in my current series are printed as cyanotypes: a photographic process invented in 1842 by the English scientist and astronomer Sir John Hershel.

These enclosed tranches of landscape, culturally displaced and geopolitically charged, relate to Land Art exponent Robert Smithson's Non-Site series; while other homages to recent heroes of art history include Blow Up, which reveals itself as a playful destruction of the photographic work of German couple Bernd and Hilla Becher and the life - sized, white ceramic Pig (2012) which is both a scaled - up version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff Koons.

The Chimney NYC is pleased to present «Eyes as Big as Plates», the ongoing collaborative photographic series between the Finnish - Norwegian artist duo Riitta Ikonen and Karoline Hjorth.

As can be deduced from this photographic series, Echo served as a kind of fixed reference point for its changing architectural environAs can be deduced from this photographic series, Echo served as a kind of fixed reference point for its changing architectural environas a kind of fixed reference point for its changing architectural environs.

Her early works began grappling with issues of femininity and sexuality, with the black and white series I am a Woman (1994 - 1996) and Born with Cultural Revolution (1995) counted as some of her earlier photographic works.

As both an artist and an academic, Bright utilizes a keen historical and pop - culture eye to illustrate an intriguing fantasy: created between 1989 and 1990, the photographic series has Bright's own image superimposed onto stills from classic films like

Running counter to what he perceives as a tendency toward embellishment, his photographic series The Geometry of Color, on view at Lehmann Maupin in New York, depicts simple yet vibrant large - scale geometric wall paintings.

Photographic series by Kelly Nipper, Christopher Williams and Elad Lassry freeze time while expanding the notion of dance as a time - based medium.

«Aaron's Rod Turning Into A Snake,» Lot 234, by Anselm Kiefer, is a 25 by 33 inch oil, lacquer and photographic collage on paper, executed circa 1984 as part of the artist's Departure from Egypt series.