Sentences with phrase «as photography assistant»

While working as a photography assistant for Yellow Entertainment, I brought the following value to the company:

Competencies, sometimes called success factors and key characteristics, are as important (as far as photography assistant cover letters are concerned) as skills are.

I am confident that my photography skills and eye towards detailing in photography will surely make me an eligible candidate to work with you as a photography assistant.

I am confident that my photography skills and eye towards detailing in photography will surely make me an eligible candidature to work with you as a photography assistant.

Not exact matches

Nicole studied photography at the University of California, Irvine where she simultaneously worked as an assistant photographer for the Strategic Communications team.

I will start working as a logistics assistant in June / July this year and also start studying photography

In between, she earns a Guna S. Mundheim Visual Arts Fellowship in Berlin, a Guggenheim Fellowship, a United States Artists Fellowship; exhibits at the 11th Nicaraguan Visual Arts Biennial in Managua; and accepts an appointment as assistant professor of photography position at School of the Art Institute of Chicago.

She lived in New York City for several years after graduate school and gained experience teaching art and photography to a wide range of students as well as working in the Fashion and Publishing Industries as an illustrator and studio assistant.

Michelle came to Skinner from the Fogg Museum / Harvard Art Museums, where she first joined the Department of Photographs in 2004 and, beginning in 2008, served as the John R. and Barbara Robinson Family Assistant Curator of Photography.

Organized by the museum's Assistant Curator, Amber Harper, the exhibition highlights Raissnia's mixed media work on paper as a central element of her multivalent practice, which encompasses film, photography, and performance.

Diener is currently working as the Photography Collection Assistant at the Art Institute Chicago and teaches Photography at Oakton Community College.

James Karales (1930 - 2002) received a B.F.A. in photography from Ohio University in 1955 and then headed to New York and found work as a darkroom assistant to master photographer W. Eugene Smith.

Brielmaier is an assistant professor of critical studies in the Department of Photography, Imaging, and Emerging Media at Tisch School of the Arts at New York University, and also serves as curator and director of arts and cultural programming at Westfield World Trade Center.

Daido Moriyama studied photography under Takeji Iwamiya before moving to Tokyo in 1961 to work as an assistant to Eikoh Hosoe.

She was also the exhibitions assistant in the department of American and British art at the National Gallery of Art, and served as the curatorial assistant in the department of photography at the Smithsonian American Art Museum.

As part of PhotoFest 2015, Prescott Gallery is proud to present Home and Away: Landscapes from Nebraska and Beyond, an exhibition of photography by local artists Jan Christensen and Phil Perry, University of Nebraska, Lincoln Professor of Art Dana Fritz, Assistant Professor of Art Walker Pickering, and undergraduate students Nathan Kathol, Alec Kaus, Ben McCain and Grant McMullen.

He has been a full - time professor for five years, first at Westchester Community College, SUNY, and now as an Assistant Professor of Photography, on a tenure track at The College of Staten Island, CUNY.

He has served as Artistic Director of Minnesota Center for Photography and Adjunct Assistant Curator of Photographs at the Minneapolis Institute of Arts.

I have also worked as the Assistant Curator at City Ice Arts Gallery in Kansas City and I have taught digital and darkroom photography through the Kansas City Art Institute.

Prior to that, she served as assistant curator in the Department of Photography at the San Francisco Museum of Modern Art.

Arthur Dayras / Head of Development After studying politics in Lille, France, and graduating with a master in Management of Cultural Institution, Arthur Dayras became an Education Assistant at Van Gogh Foundation in Arles, then a Curatorial Assistant curatorial at DIA Foundation, in the United States, before joining The Eye of Photography as its Head of Devlopment.

Shooting about 80 % of the photography in each issue this covered fashion, portrait, social events, interiors; and I travelled all over Western Europe, as well as parts of Africa and the Middle East, and went from photographer's assistant to picture editor.

Curated by Sophie Hackett, the AGO's assistant curator of photography, Light My Fire is a tribute to the collection as it considers portraiture through five propositions or themes.

She is currently based in Houston and works as the Education Assistant for the Houston Center for Photography.

This forum includes the contributors to Photography at MoMA: 1960 to Now as lead speakers: Quentin Bajac, The Joel and Anne Ehrenkranz Chief Curator of Photography, MoMA; David Campany, Reader in Photography, University of Westminster, London, artist, and writer; Noam M. Elcott, Associate Professor, Department of Art History and Archaeology, Columbia University; Lucy Gallun, Assistant Curator, Department of Photography, MoMA; Roxana Marcoci, Senior Curator, Department of Photography, MoMA; Sarah Hermanson Meister, Curator, Department of Photography, MoMA; Eva Respini, Barbara Lee Chief Curator, Institute of Contemporary Art, Boston; and Robert Slifkin, Associate Professor of Fine Arts, Institute of Fine Arts, New York University.

Previously, she worked as a curatorial assistant at MoMA and at the International Center of Photography in New York, and as a curator at the Averoff Museum of Modern Art in Athens.

The catalogue includes an essay by photography historian Deborah Irmas as guest curator and 50 extended written entries by Eve Schillo, assistant curator, LACMA, and the curatorial team at the Wallis Annenberg Photography Department at LACMA, along with a foreword by Susan Sayre Batton, Oshman Executive Directphotography historian Deborah Irmas as guest curator and 50 extended written entries by Eve Schillo, assistant curator, LACMA, and the curatorial team at the Wallis Annenberg Photography Department at LACMA, along with a foreword by Susan Sayre Batton, Oshman Executive DirectPhotography Department at LACMA, along with a foreword by Susan Sayre Batton, Oshman Executive Director at SJMA.

This Is Not a Selfie: Photographic Self - Portraits from the Audrey and Sydney Irmas Collection is organized by the Los Angeles County Museum of Art and Deborah Irmas as guest curator along with Eve Schillo, assistant curator, LACMA, with the curatorial team of the Wallis Annenberg Photography Department at LACMA.

First working as a graphic designer, then a photography assistant to Eikoh Hosoe Moriyama became an independent photographer in 1964, publishing two bodies of work in 1968 and 1972: Nippon Gekijo Shashincho (Japan Theatre Photo Album) and Shashin yo Sayounara (Farewell Photography); the work revealed other perspectives of daily urban life anphotography assistant to Eikoh Hosoe Moriyama became an independent photographer in 1964, publishing two bodies of work in 1968 and 1972: Nippon Gekijo Shashincho (Japan Theatre Photo Album) and Shashin yo Sayounara (Farewell Photography); the work revealed other perspectives of daily urban life anPhotography); the work revealed other perspectives of daily urban life and the city.

«These photographers brought images of America's natural landmarks to the public — they helped create the idea of these places as tourist destinations,» said Ariel Pate, Assistant Curator of Photography at the Milwaukee Art Museum and curator of the exhibition.

She is an assistant professor of critical studies in the Department of Photography, Imaging, and Emerging Media at Tisch School of the Arts at New York University, and also serves as curator and director of arts and cultural programming at Westfield World Trade Center.

An illustrated, print - on - demand catalogue will accompany the exhibition, with essays written by Deborah Irmas as guest curator along with Eve Schillo, Assistant Curator, LACMA, and the team at the Wallis Annenberg Photography Department at LACMA, along with a foreword by SJMA's Oshman Executive Director Sayre Batton.

In 2009, he began instructing at the same University in the Photo - Video department, and is currently instructing Animation and the History of Photography as an Assistant Lecturer.

from August 2nd to 28th Nick Meek studied photography in Leeds, West Yorkshire before spending a brief period as assistant to a London / New York based advertising photographer.An avid traveler Meek spent the following few years traveling the world building a solid portfolio of landscapes and still life studies.

Ms. Marcoci joined the Museum in 1999 as the Janice H. Levin Fellow / Curatorial Assistant in the Department of Painting and Sculpture, subsequently joining the Department of Photography in 2003 as Assistant Curator, and being promoted to Associate Curator in 2005, and to Curator in 2007.

Confessions * of a male chauvinist pig is organized by the California Museum of Photography at UCR ARTSblock, and is guest curated by graduate students from the Departments of Art, History of Art, and Public History, as advised by Susan Laxton, UCR Assistant Professor of the History of Art.

On Thursday, June 9, the California Museum of Photography will celebrate current exhibitions, including Larry Clark: Tulsa in the main gallery, curated by UCR graduate students as advised by Joanna and Susan Laxton, Assistant Professor of the History of Art at UCR; States of Incarceration on the second floor, guest curated by Catherine Gudis, Associate Professor of History and Director of the Public History Program at UCR, with contributions from her students; Rotation 2015 on the third floor, a collection show featuring new acquisitions, curated by Joanna; and Cauleen Smith: Crow Requiem, part of Joanna's FLASH!

She held artist residencies at the Lower Manhattan Cultural Council (2009 — 2010) and the Whitney Museum of American Art Independent Study Program (2010 — 2011) and was the Guna S. Mundheim Fellow at the American Academy in Berlin (2013 — 2014) before assuming her current position as assistant professor in the Department of Photography at the School of the Art Institute of Chicago.

Unruly Bodies is organized by California Museum of Photography at UCR ARTSblock, and is guest curated by graduate students from the Departments of Art, History of Art, and Public History: Pamona Alexander, Marissa Friedman, Robin Hextrum, Rocio Medina, Daisy Ocampo, Karlyn Olvido, Meranda Roberts, and Sara Rowe, as advised by Susan Laxton, UCR Assistant Professor of the History of Art.

Born on April 19, 1928 in New York, NY, Klein studied painting and worked briefly as Fernand Léger's assistant in Paris, but never received formal training in photography.

He previously served as Assistant Curator of Photography at George Eastman House, Rochester, NY.

We've set up a white card and our trusty photography assistant Spawn out in the garden on a weathered bench, framed against a backdrop of green hosta leaves and an old fence — with the goal of this arrangement to show the white as a true reference point and the rest of the photo to show how a shifting white balance can really affect the overall color balance of your photos.

In an effort to solve a number of pain points found in videos and photography, Google Lens collaborates with other Google features such as Assistant and Photos to help users execute functions more seamlessly.

People who specialize in fine arts, advertising, editorial photography, fashion photography and social photography can also work as photographer assistants in the initial stages of their career.

As a skilled, ambitious, and detail - driven professional with rigorous training and education in photography, coupled with key experience supporting photographers in managing shooting sessions for a variety of clients, I am well positioned to make a significant impact as your next Photography AssistanAs a skilled, ambitious, and detail - driven professional with rigorous training and education in photography, coupled with key experience supporting photographers in managing shooting sessions for a variety of clients, I am well positioned to make a significant impact as your next Photographyphotography, coupled with key experience supporting photographers in managing shooting sessions for a variety of clients, I am well positioned to make a significant impact as your next Photography Assistanas your next PhotographyPhotography Assistant.

To work as a photographer or assistant photographer one has to attend classes of photography.

Assistant Photographers list such occupational responsibilities on their resumes as analyzing a subject and deciding how to compose it, and creating, presenting, and selling premium photography services.

Insert Title — Duties & Responsibilities Serve as art director, press manager, photographer, IT assistant, maintenance technician, and customer service rep Manage corporate art / advertising department and oversee more than 270 orders per day Create publication layouts, promotional campaigns, advertisements, and other collateral for varied clientele Conceive photography concepts, settings, and capture engaging images for company projects Oversee project timelines, staff workflows, quality control, and staff development programs Perform maintenance on digital printing equipment ensuring cost effective and professional operations Design and implement corporate safety protocols as Safety Committee Co-chairman Assist IT department with computer maintenance, network administration, and troubleshooting Oversee customer service operations ensuring client satisfaction with corporate art products and services Implement methods to reduce costs while enhancing team productivity Skilled in PC, Mac, Microsoft Office Suite, Photoshop 5 - CS5, Corel Draw 9 - x3, Illustrator 8 - CS3, Poser 8, In - Design CS, and Adobe Acrobat Proficient in Nikon D Series, Roland Versa Cam, Encad Wide Format, Acuity UV 2504, Presstek 34 DI, Xenetech Laser Engraver, and Epson Printer Proof Certified welder, forklift operator, heavy equipment operator, and air compressed systems technician Study internal literature to become an expert on products and services Consistently promoted due to excellence in team management, art production, and dedication to company values Represent company brand with poise, integrity, and positivity