Sentences with phrase «as physical architecture»

In contending that the cause of issues such as online anti-social behaviour is the design / software of social media itself, Dr Miller suggests that social media architecture needs to be managed and planned in the same way as physical architecture.

Not exact matches

Although the twine is lightweight, it is 15 times stronger than steel, and the artist views it's relationship with the surrounding hard - edge architecture as a «physical manifestation of interconnectedness and strength through resiliency.»
The complex research area of nuclear architecture presents challenging demands on mathematical analysis and physical modeling, as theories are constantly confronted with new findings.
Using mostly a half - French, half - Japanese cast and crew, with locations restricted to Nevers, France, and the titular city, Resnais» film is an intense, intimate film: poetic dialogue, newsreel images of Hiroshima bomb victims, intense physical foreplay, a revolutionary flashback structure, political subtext, and a decisively striking use of modernistic Japanese architecture, contrasted with roughly hewn and ornately decorated stone homes in Nevers, France collectively evoke a dreamlike atmosphere, as a romance is joined during its fiery rise, and left when the morning embers offer a mere faint and dusty glow.
This year, what most prominently characterizes the winning projects is the trend toward architecture that increasingly aims to serve as a physical, tangible, multidimensional primer to inform and inspire students and teachers as vividly as the best books, curricula, and educational Web sites.
As a result, pursuing an integrated and proprietary approach to developing the technologies and controlling how they interact with the school's teachers, physical architecture, and philosophy may be critical.
We have re-imagined the physical classroom and school environment by removing walls to create a 7000 - square - foot open architecture learning facility that accommodates 200 students in individual workstations, as well as, four learning spaces dedicated to small group learning, 1:1 coaching, and larger workshops and seminars.
As I understand it, the DB11's physical architecture is all Aston's doing.
Artist Do Ho Suh is interested in architecture as physical and mental spaces, in how we organise and experience the space around us and, in doing so, how we attempt to understand the world and ourselves.
Artist Do Ho Suh investigates architecture as both physical and psychological spaces.
Artist Do Ho Suh investigates architecture as both physical and psychological rooms.
There is plenty of talk here about Los Angeles as a physical, mental, and historical site; hideous institutional architecture; gay pornography pioneer Fred Halsted; the revolutionary political stance and unlikely resurrection of Christ; the decline of celluloid filmmaking; and even catty commentary about the church - going habits of Ronald and Nancy Reagan.
For centuries, Western art traditions have been centred on creating tangible and physical objects such as paintings, architecture and sculpture.
The photographs also serve as an extension of the artist's previous installations, which explore memory, architecture, and the notion of home through the modification of physical space.
Downey sought to redefine architecture as the wielding of invisible forces — physical, social, and psychic.
By revealing the architectural surface as index of violence, she questions architecture itself as physical representation of visible and invisible state power.
Such works show Burden engaging architecture's physical forms and capacities as much as the institutional priorities and negotiations with power that architecture siphons.
These observations became translated through the construction of three - dimensional spatial paintings as pictorial compositions that reconfigure the space and its architecture, using specific physical things.
Whether referencing geography, architecture, or time, each artist examines how our relationships to site, memory, and physical structures speak to where we, as viewers, stand in relation to them.
Stingel's carpets actually function more as interventions into surrounding architecture, in a manner related to the methods of the French artist Daniel Buren, who has installed his striped paint ngs and banners on walls, ceilings, windows, storefronts, and outdoor benches, partly to call attention to their environments, both physical and political.
The generous and generative nature of his practice was immediately apparent to me, each architecture offering itself up both as a surface for other artists and as a physical embodiment of labor and land.
In her work, architecture is captured as a physical extension of ritual experience, with particular attention to the material traces left by these practices.
The series addresses painting as a physical force, both in its materiality and in its capacity to echo the properties of sculpture and architecture.
Branzi's theoretical approach, as well as his designs, expose the links between seemingly opposing concepts of nature vs. technology, landscape vs. architecture, wilderness vs. civilization, derived from a longtime fascination with how humans interact with each other and with their physical surroundings, especially in urban centers.
However, the drawings don't only reference the physical architecture but also functions as metaphors, mirroring a mental space.
Whether referencing geography, architecture, or time, each artist in the exhibition's depiction of these elements within their work examines how our relationships to site, memory, and physical structures speaks to where we, as viewers, stand in relation to them.
And it is no part of its goal to reconstruct the original physical space, as rather than representing the historical void by the artists, the retrospective — working closely with the artist and their estate — considers the void itself, and not the architecture that hosted the void.
In erasing physical imperfections through a template, the created forms recall traditions of fresco or stucco used as ornament and decoration in architecture.
Martin Creed's exuberant installation examines our perceptions of space by filling a room with balloons and drastically altering one's physical experience of the environment as well as exploring the relationship between sculpture and architecture.
Konrad is interested in probing the social, economic, historical and political parameters that inform and underlie architecture and urbanism, as much as she in interested in exploring the physical presence of architecture and building types, particularly those of modernist genealogy.
Highlighting the gallery space through a transformation of architecture and light, Everett's installation emphasizes the physical act of supporting a painting, the routine practice an artist undertakes daily, as well as pedagogical rituals shaped through rehearsal.
While the chandeliers themselves possess sculptural form as objects, demanding a physical encounter, the light they emit, variously controlled and directed, is less tangible, experienced in the spaces between each work and the surrounding architecture, set aglow and appearing to change throughout the day according to ambient light conditions.
Situated in this architecture, the exhibition imagines the open geometry of the gallery as a context to re-examine how the visual and material languages of contemporary art generate experiential, emotional, physical, environmental and intuitive intelligence.
Every country around the world, they note, has a unique energy storage potential that is based on the combination of energy resources, historical physical infrastructure, and electricity market structure, as well as regulatory framework, population demographics, energy demand patterns and trends, and general grid architecture and condition.
Basically, the laboratory is aiming to build a virtual library architecture as easy to navigate as the physical library.
Professional Experience Client — XL Insurance (Hartford, CT) 6/2008 — Present Role — Business Intelligence Solutions Consultant — Insurance Data Warehouse • Participate in information - gathering sessions to determine and assess project requirements, identifying best - fit architecture solutions in line with enterprise data warehouse architectural standards • Work closely with the data modeler and the DBA in the design of the logical and physical data model • Create and maintain models for Cognos, performing extensive STAR Schema modeling to enable reporting decentralization and allow for user - driven ad - hoc reporting as well as drawing upon SSRS and OBIEE reporting solutions • Strategize with the ETL team to identify the best case design strategy for ETL - related activities including ETL design patterns determination, load strategies, load timing and frequency, and data retrieval expectations determination • Participate in providing Rough order of Magnitudes (ROM) estimates in and out of release projects, estimating resource requirements and managing within determined time constraints • Assist in the development of security tools in Cognos 8 using LDAP and Active directory while holding responsibility for maintaining run books and project documentation in Sharepoint
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