Sentences with phrase «as pictorial compositions»

These observations became translated through the construction of three - dimensional spatial paintings as pictorial compositions that reconfigure the space and its architecture, using specific physical things.

Not exact matches

Poons became increasingly pictorial as his color and composition developed along a romantic and decidedly subjective path.

His kaleidoscopic compositions of overlapping grids and patterns create complex pictorial spaces, and his use of transparent pigments allows the viewer to see, as the artist has said, «all the events that went into the making of the painting.»

Describing abstraction as a «revolution of twentieth century art», Hoyland began making early enquiries into how rational thought and visual perception could be used as the sole basis for pictorial composition.

Over the course of nearly six decades, William Eggleston — often referred to as the «father of color photography» — has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition.

At the same time, her almost decorative technique of making human and animal figures components of formal composition, through the arrangement, or insertion, of color fields within the pictorial space, credits Kudo as an aspiring successor of the modernist formal painting championed by Matisse»

The first works in the series were debuted in Douglas's 2016 Hasselblad Award solo exhibition at the Hasselblad Center in Gothenburg, Sweden, and the compositions that will be on view in this exhibition represent a more expansive and nuanced investigation into pictorial abstraction as well as the complex relationship between technology and image making.

(«Hopper bets everything on composition, which, in his work, is almost as tautly considered as in a Mondrian,» Schjeldahl wrote in his 2007 review, in which he also advised viewers to sketch Hopper's paintings in order to better grasp them: «Just get the main shapes, including those of empty space, and how they nest together in the pictorial rectangle.»)

Since then and throughout all the years of the 1950s, her artworks showed tendencies to be highly focused on the center, meaning that the majority of main pictorial incidents took place in the middle of the canvas, while the edges were of little consequence to the composition as a whole.

Expressive, gestural fields of colors, juxtaposed within the pictorial space are signature Stamos compositions that seem to speak the same language as another famous abstractionist of the time, Clyfford Still, albeit in a calmer tone.

These artists, as pictorial cartographers in their own right, have utilized the human form in their compositions as metaphorical representations; «figural» signifiers of the continent, highlighting the innate interconnectivity between man, visual culture and evolvements in the urban sphere.

By this time, Vigas had created such signature early pictures as Composición IV (Composition IV, oil on cardboard, 1944), with its melding of abstract forms, layered Cubist pictorial space and a palette recalling that of Old Master canvases.

For the decorative in Stubbs's work stands for the rootlessness of painting, for the need to concoct it upon a «groundless ground,» to conjure it up out of nothing, yet conjure it as style and as a composition of stylised pictorial phrases.

Color now carried independent content, along with basic geometric forms, which became free from all iconographic reference and are meaningfully valid as elements of the pictorial composition.

The pictorial space in these mesmerizing assemblages is comprised of clean geometric forms reminiscent of Constructivist experiments where light with its reflections and distortions acts as a foundation for the structure of the composition.

Bowling abandoned the political narratives found in his early works such as the Martyrdom of Patrice Lumumba, 1961, and began to focus on purely pictorial issues of colour and composition.

As a result they focused greater attention on matters of pictorial organisation, structure, composition and colour.

While at Bennington College, Frankenthaler studied under the direction of Paul Feeley, who is credited with helping her understand pictorial composition, as well as influencing her early cubist - derived style.

Noting her «complex, highly poetic pictorial compositions based on the structures and settings and shifting light» around «windows and doorways,» our late colleague Hilton Kramer rightly championed Dodd as among the «class of highly accomplished American painters whose work has been consistently rejected by the New York museum establishment.»

The rhythm of composition and color float to the foreground of his consciousness as he reconciles issues within the pictorial space.

The show attempts to bridge the gap between the two bodies of works by engaging the issue of pictorial representation as an abstraction of depicted objects — a far - reaching pursuit for compositions and techniques that seem fairly simple and straightforward on the surface.

Within the framework of the way 20th - century art has developed, the language of abstraction — as a basis for synthetic ordering — comes closest to the process of musical composition, or the possibility to make a pictorial parallel to the work of let's say symphonic...

Winters» kaleidoscopic compositions of overlapping grids and patterns create complex pictorial spaces, and his use of transparent pigments allows the viewer to see, as the artist has said, «all the events that went into the making of the painting.»

Stella describes the compulsion he felt to continue the series in the pursuit of a perfect geometric composition: «The concentric square format is about as neutral and as simple as you can get... It's just a powerful pictorial image.

The images challenge the notion of how to make a line or create a new posture for flattened space or abstract composition, swivelling from geometry to gesture, propelling representation and language into abstraction, exploring pictorial edges and boundaries as well as the constitutive or disruptive role of blank space,.

Further upending any kind of conventional pictorial logic, Ayhens is unafraid to cast entire compositions in fantastically - colored glows, such as the intestinal pink and red hues of Computer Lab.

Taking an interest in elementary geometry, he turned to the rectangle and its potential measurements as the basis of pictorial composition.