«The idea of a building
as a piece of sculpture is 100 years old now,» Wines says.
«The Lofts at 688 13thStreet is designed
as a piece of sculpture, a poised and urbane presence.
Not exact matches
Known
as the «iron man,» a 24 - centimeter - high
sculpture was likely created from a
piece of the Chinga meteorite that was strewn across the border region between Russia and Mongolia between 10,000 and 20,000 years ago
These «wearable
sculptures»,
as the founder and designer Janice Perez describes them, have been created from reclaimed noble woods that were originally
pieces of furniture.
As a tribute to these gorgeous
pieces of rolling
sculpture, Bremont created the Jaguar MKI, which features a minimal dial that replicates the E-Type's tachometer gauge.
His work here is one
of two
pieces of wit the movie has to offer; the other is courtesy
of production designers Sebastian T. Krawinkel and Antonello Rubino, who place a replica
of the
sculpture in the Mosfilm logo title shot in the repository
of Soviet kitsch that serves
as Jones» character's panic room.
These qualities, given added weight by the shot's extended duration, encourage the viewer to regard the action
as though it were a
piece of sculpture, to contemplate the intermingling
of glamour and sleaze.
«New Renault Clio was conceived
as a
piece of sensuous
sculpture which stimulates desire.
The Clio IV represents a new shift in Renault's visual language
as Laurens van den Acker, Senior Vice-President, Corporate Design explains: «New Renault Clio was conceived
as a
piece of sensuous
sculpture which stimulates desire.
«The goal
of the Deutsche Digitale Bibliothek (DDB) is to offer everyone unrestricted access to Germany's cultural and scientific heritage, that is, access to millions
of books, archived items, images,
sculptures,
pieces of music and other sound documents,
as well
as films and scores, from all over Germany» explained Hermann Parzinger.
If, on the one hand, the azulejos
of Portinari fulfill a functional
as well
as an esthetic purpose and are an important part
of the design
of the building, on the other hand both
pieces of sculpture, by Lipchitz and Giorgi, fail to make a notable contribution.
In his original request for artists proposals for inclusion in the Artists» Balls show, curator Hugh Margerum said, «
as we all know, whether you are male or female, it takes balls to make art...» The resulting show encompasses that sentiment and extends in the case
of the nine participating artists to a broad interpretation
of the ball theme in paintings, drawings,
sculpture, and wall
pieces.
Get lost in the artistic spirit
of St. Augustine
as you browse original art
pieces,
sculptures, ceramics and storied décor in the Grand Bohemian Gallery.
One
of the most intriguing techniques that Jojo incorporates into his work
as an artist is a water - pressure - inflation technique, which he uses to shape metals into one -
of - a-kind
pieces of art, including wall
sculptures, chairs, coffee tables, and other
pieces of furniture.
Pieces ranging from early -»60s paintings incorporating casts
of manhole covers to brand - new
sculptures made
of resin and horsehair variously bring to mind Sue Coe's activist art, Robert Rauschenberg's indexical work
of the 1950s, Bruce Nauman's casts
of animal bodies and Jack Pierson's early installations,
as well
as fiber art and African artifacts.
He is renowned for being one
of the first artists to make the radical gesture
of taking the canvas off the stretcher and hanging it directly on the wall in works such
as Purple Octagonal 1967,
as well
as making provocative
sculptures such
as Third Rope
Piece 1974, the intimate scale
of which directly responds to traditional ideas
of monumental art.
Color Field pioneer Sam Gilliam, for example, first applied acrylic paint to raw, unprimed canvas by staining it like a
piece of fabric,
as realized in the
sculpture - painting hybrid Hedge Sky.
This he referred to
as his «found drawing»; it created a fluidity between his painting,
sculpture and printmaking: «I loved the idea that simply inking the surface
of the plywood board would produce a web
of white lines, if one only pressed a
piece of paper against it.
He has been subject to numerous solo and group exhibitions in galleries across the country
as well
as abroad lending to most
of his works becoming key
pieces in many prominent private and public collections including The Metropolitan Museum
of Art, The De Young Museum, San Francisco, CA and the Hirschhorn Museum and
Sculpture Garden, Smithsonian Institute, Washington, DC.
In the garden, patrons can find Richard Serra's cylindrical
sculpture, One, at the end
of a long sloping staircase amidst trees,
as well
as Mark diSuervo's K
Piece, a bright red steel
sculpture with an rigid shape befitting its name.
Famous for their shadow
sculptures, the artists have taken the opportunity to return to their on - going fascination with dead animals and have created a woodland chess set complete with hand carved tree stump with bronze chess
pieces inspired by the artists» collection
of mummified animals — found on their farm in Gloucestershire — squirrels take the roles
of King and Queen and frogs act
as Pawns.
There was also an interesting mix
of «in - your - face», what I would describe
as adolescent rebellion statement art that included everything from your run -
of - the - mill one word paintings and
sculptures, to catchy art - fair - destined
pieces like Juan Miguel Palacios» Damien Hirst - recalling scull painted on multiple clear panels.
Combine the
piece's insensitive siting with the oddly quiet way in which the Menil acquired the work — without the fanfare that accompanied such accessions
as its Maurizio Cattelan
sculpture or the marketing blitz that led up to the «wedding» —
as well
as Kamps's professed surprise at a controversy he had cited in the No Zoning catalogue, then top all that off with the Menil's refusal to present a public discussion
of an artwork whose meaning was supposed to be shaped «by the ensuing debate,» and you're looking at a colossal screw - up by a rightly revered institution.
The artist has acquired a range
of interesting
pieces as a collector, from Japanese prints and landscapes to 17th - and 18th - century paintings,
as well
as an Egyptian funerary mask and other
pieces of ancient
sculpture.
Andre's first major exhibition in Britain for over 10 years, it features eight
sculptures made between 1967 and 1983,
as well
as some
of his typed - out poems from the same period (their words are arranged to form bold patterns on the page, almost like little
pieces of sculpture).
Tomaszewski begins with video
of visitors walking in the
sculpture garden and recontextualizes it
as part
of a projected generative drawing in the gallery, and Schlei creates an outdoor multi-channel sound
piece in dialogue with Tony Smith's The Wandering Rocks (1967 - 1969).
The exhibition included both freestanding
sculptures and wall works combining text and image; exhibited
as well were examples
of «interactive
sculptures» (some produced in collaboration with Esther Shalev - Gerz),
pieces either re-created, presented in the form
of photographic documentation, or made accessible by computer.
As if painting is just another
piece of material that is used in her
sculpture; medium: wood, ceramics, painting.
Nicole Cherubini presentation on contemporary ceramics where paint acts
as the union between disparate mediums presents painting
as a verb, creating some
of the most successful
pieces in the exhibition, Cherubini follows suit with Apfelbaum, merging the disciplines
of sculpture and painting.
He previously depicted food items in
pieces such
as Pumpkin
Sculpture (1998) and the large - scale, cartoonish sculpture Hot Dog Man (2011), and his use of found objects (like the jars and bottles in the «Spill Paintings») started with My Empire (2011), a 6 - foot - tall assemblage of detritus that came from cleaning out hi
Sculpture (1998) and the large - scale, cartoonish
sculpture Hot Dog Man (2011), and his use of found objects (like the jars and bottles in the «Spill Paintings») started with My Empire (2011), a 6 - foot - tall assemblage of detritus that came from cleaning out hi
sculpture Hot Dog Man (2011), and his use
of found objects (like the jars and bottles in the «Spill Paintings») started with My Empire (2011), a 6 - foot - tall assemblage
of detritus that came from cleaning out his office.
Chareau and his wife were keenly interested in contemporary art, and the exhibition reunites several
pieces from their collection
of paintings,
sculptures, and drawings by significant artists such
as Piet Mondrian, Amedeo Modigliani, Max Ernst, Jacques Lipchitz, and Robert Motherwell.
Giese views his artistic project
as one
of repair and re-presentation
of natural objects; he employs processes that echo nature's slow and repetitive rhythms
as he reconstructs
pieces of the physical world in his
sculptures and installations.
Both the three - dimensional and four - dimensional
pieces reference the structure and patterns inherent in their conception: taking the five separate
pieces of Smith's
sculpture as a starting point, Schlei has organized his sounds in five - note clusters and groups
of five.
By sharing key stylistic elements in the artworks, such
as their frontality, obsession with surface and static quality, the contemporary
sculptures echo the mystery and scale
of Nevelson's
pieces, registering
as somber black objects dissolving into complex surfaces.
Working in New York City during the «60s, Paul Thek became famous for his series Technological Reliquaries, also known
as «Meat
Pieces,» unsavory wax
sculptures of meat and human limbs enclosed in Plexiglas display cases.
Her first major London retrospective for almost 50 years, «Barbara Hepworth:
Sculpture for a Modern World» features over 100 works, including some
of her best - known
pieces such
as Pelagos (1946; below), which can be seen alongside
sculptures by her contemporary Henry Moore and predecessor Jacob Epstein.
Quinn subsequently enlarged this work to make it a major
piece of public art for the fourth plinth
of Trafalgar Square, and the work was also featured
as the center
sculpture of the 2012 London Paralympics.
According to a recent
piece in T: The New York Times Style Magazine, the artist is experiencing a «London moment,»
as she prepares for a major exhibition at the Institute
of Contemporary Arts (featuring
sculpture, photography, painting, and more) on the heels
of debuting costumes and backdrops in a ballet at London's Royal Opera House.
The
sculpture probably would have suited the artist, better known for his paintings («Coups de Pinceau» means «brushstrokes»)-- but it was the foundation's language - defying designation
of this
piece as a «posthumous artist's proof» that suggests someone felt a bit awkward when describing it.
Though that abstract
sculpture, by a now - forgotten artist named Joe Messina, sold for $ 125 to the collector and heiress Rachel Lambert Mellon, known
as Bunny, who told Mr. Sandler to deliver the
piece directly to the Museum
of Modern Art, to which she donated.
Group Show @ Herrick Gallery This four person show to inaugurate a new Mayfair space has Paul Hazelton
as its star, with his delicate
sculptures created from
pieces of dust.
These include
sculptures made
of Sandback's trademark acrylic yarn
as well
as some
of his earlier
pieces created from metal rods and elastic cord, that speak to the idea
of delineating space.
Select highlights include: Lehmann Maupin's sale
of several McArthur Binion works ranging from $ 50,000 - 175,000 to trustees
of two leading U.S. museums,
as well
as collectors new to the gallery; Galerie Thaddaeus Ropac's sale
of two works by George Baselitz in a range
of c. $ 599,000 - 838,000 each, a Robert Rauschenberg work for $ 725,000, a Tony Cragg
sculpture for c. $ 210,000, and a metal and wood
piece by Jack Pierson for $ 190,000; Royale Projects sold three Clinton Hill paintings at around $ 95,000 each to collectors from New York and California; David Kordansky sold out its booth
of photography by Torbjørn Rødland in the range
of $ 14,00028,000 each; Jack Shainman's sales
of recent work by Hank Willis Thomas, including a major
sculpture, a retroflective, and one
of Thomas» iconic flags in the Live section, and works by Lynette Yiadom - Boakye, Becky Suss, Enrique Martinez Celaya and Geoffrey Chadsey; Gallery Hyundai's sale
of a pair
piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 100,000.
Masinaei's edition
of sculpture with a sound
piece will be sold
as a digital download.
The mediums
of the artworks include traditional art forms like drawing, painting and
sculpture, but also time - based mediums like video and artist books
as well
as participatory
pieces.
For her first solo show in the UK, Judas Companion — artist Jasmin Reif — will present a series
of knitted mask
pieces - a new body
of work that explores the concept
of a mask through
sculpture, photography and film, and includes a first look at the bespoke
piece created
as part
of the inaugural year
of the Ketel One Artist Commission.
The artist, whose work is both in dialogue with and enigmatically outside
of the Pop tradition, always starts with drawings and then builds them into
sculptures, which carries over into the final
piece a satisfying 2 - D quality —
as if Simpson were drawing in space, like the disembodied cartoonist's hand in a Chuck Jones short.
Also clever: the curators decision to include Letha Wilson's floor
sculpture, which is a flat
piece of steel with a corner curled up,
as if it were paper.
Sculptures such
as Number 175T present a combination
of the cut and tightly fitted wood
pieces for which Drew is known with the sprawling lines
of natural root forms, represented in flat areas painted in white.
Although Drew's work looks
as though it were found in its present state, all
of the
sculptures reveal the artist's craftsmanship in shaping, cutting, building and weathering his
pieces.