Timothy Leary's psychedelic prayers came next to mind, created
as poems in the form of a manual — inspired by Lao Tzu's Tao Te Ching — and encouraged to be read during psychedelic trips.
And most importantly, do the poems stand on their own
as poems in English, divorced from the historical intrigue of Lorca's life?
This flash fiction was initially written
as a poem in 2003 after Elizabeth Smart was abducted from her bedroom in Salt Lake City, and survived.
Not exact matches
While some rights holders have argued that the standard for a substantial is very low (the National Post recently argued
in a case that «even the reproduction of a small number of words
in a newspaper article can be an impermissible reproduction»), the Copyright Board says that its preliminary view is that «copying of a few pages or a small percentage from a book that is not a collection of short works, such
as poems, is not substantial.»
Milosz does not answer this question
in the
poem, but his work
as poet has always been to give voice to precisely this: all the sad, neglected stories of so many men and women.
He observes, however, that «the modernist desire
in Frost and Eliot — to preserve an independent selfhood against the coercions of the market, a self made secure by the creation of a unique style — is subverted by the market, not because they wrote according to popular formulas, but because they give us their
poems as delicious experiences of voyeurism, illusions of direct access to the life and thought of the famous writer, with the poet inside the
poem like a rare animal
in a zoo.
In this testimonial
poem, Milosz directly acknowledges God
as the absolute point of reference.
And the result is
poems such
as «The Quaker Graveyard
in Nantucket,» the centerpiece of his first full book, published
in 1946.
In 2002, Milosz published a long
poem that was meant to function
as a testimonial, A Theological Treatise.
The speaker
in Frost's
poem yearns,
as he says, «Toward heaven.»
Her latest novel, The Handmaid's Tale (Houghton Mifflin, 1986), is commanding attention
as a considerably more ambitious book, part of a new phase of her work that includes the
poems in True Stories and the novel Bodily Harm (both published
in 1981) Exposing male / female power games within an alarmingly widened field of vision, Atwood bears prophetic witness to the largest, most subtle and most violent manifestations of power
in our time.
BTW if you need a biblical opinion
as t o why you should consider leaving the bible
in the stories and good
poems section of your personal library remember 1 Corinthians 13:11
• Edwin Muir, The Complete
Poems:
As far as I can tell, Muir is the least - read great poet in English of the twentieth century; he is mostly remembered, it seems, for his translations of Kafka (which are immeasurably better than anyone else's
As far
as I can tell, Muir is the least - read great poet in English of the twentieth century; he is mostly remembered, it seems, for his translations of Kafka (which are immeasurably better than anyone else's
as I can tell, Muir is the least - read great poet
in English of the twentieth century; he is mostly remembered, it seems, for his translations of Kafka (which are immeasurably better than anyone else's).
As I search for the words for a sermon or a poem, as I raise teenagers, or as I respond to a crisis in my parish, I feel Jesus» invitation to step out of my boat, to leave behind the safe and the practical in order to toddle toward hi
As I search for the words for a sermon or a
poem,
as I raise teenagers, or as I respond to a crisis in my parish, I feel Jesus» invitation to step out of my boat, to leave behind the safe and the practical in order to toddle toward hi
as I raise teenagers, or
as I respond to a crisis in my parish, I feel Jesus» invitation to step out of my boat, to leave behind the safe and the practical in order to toddle toward hi
as I respond to a crisis
in my parish, I feel Jesus» invitation to step out of my boat, to leave behind the safe and the practical
in order to toddle toward him.
If his life seems fairly unremarkable except for the bitterness of the exile and of his unfulfilled political hopes, it resulted
in an overpowering single work, the Comedy (which was not known
as The Divine Comedy until 1555, an apt editorial intervention that has remained with the
poem to this day).
As one who lived life to the full, he was able to embody the mature faith required to wrestle with high doctrine
in a challenging poem like «In my Grandfather's Mansion» — or «Grandfather God,» in which he struggles with the doctrine of the Virgin Birt
in a challenging
poem like «
In my Grandfather's Mansion» — or «Grandfather God,» in which he struggles with the doctrine of the Virgin Birt
In my Grandfather's Mansion» — or «Grandfather God,»
in which he struggles with the doctrine of the Virgin Birt
in which he struggles with the doctrine of the Virgin Birth:
Perhaps
as early
as 1293 he had composed a work called Vita nuova («New Life»),
in which he assembled thirty - one
poems written during the previous ten years, many of which celebrated a woman named Beatrice.
Robert Burns has a telling picture of such a nightly experience
in his
poem about the Scots peasant on Saturday, preparing for the observance of the next day
as the time for worship and rest: The Cotter's Saturday Night.
They allow the
poem to be utterly serious when its author wants it to be (one can not imagine such playfulness being allowed
in the climactic visions of Paradiso XXXIII), and they allow readers to think that Dante is at least
as sane
as they are.
For example,
poems by Kabir, the mystic and religious reformer are included —
as in these lines:
What is a pagan, damned to Limbo forever for his lack of faith, doing
as guide
in a Christian
poem?
Surely the spirit of sheer immediacy
in this
poem is very close to the spirit of gratitude
as the Christian knows it.
Even if the date and place of Jesus» birth may be uncertain, the claim that God entered human history is central to traditional Christian belief,
as the British poet Sir John Betjeman (1906 - 84) indicated
in his
poem «Christmas»:
It closely resembles the spirit of other traditions, such
as that expressed
in this beautiful
poem from Zen Buddhism:
i failed to see how this video and its
poem in particular correlate to atheism
as this article implied.
But then her strength stirred, and
as the
poem continues, «an all - powerful longing... drove me forth to wander
in order to see, to enjoy, and to know the All.
Jonson provides ample evidence
in his works for those who wish to claim him
as Catholic (some
poems), anti-Catholic (satires
in the plays), and unreligious.
Look at it through microscopes, analyze the printer's ink and the paper, study it (
in that way)
as long
as you like; you will never find something over and above all the products of analysis whereof you can say «This is the
poem».
As I have struggled with my own calling, I have found that I share much
in common with George Herbert
in his wonderful
poem «The Collar.»
Few contemporary critics of Eliot's ideas have disputed his diagnosis of society's ills,
as eloquently presented
in his
poems and more tendentiously
in his essays.
And didn't Eliot admit
as much
in such early
poems as «The Hippopotamus» and «Mr. Eliot's Sunday Morning Service»?
What stands out
in Luke are the depth of his human sympathies, his sense of wonder, amazement, and joy at the power of the gospel, his poetic insight which led him not only to tell the Christmas story
in a way that captivates old and young alike after nineteen centuries, but also to incorporate such lovely
poems as the «Magnificat» of Mary, Zachariah's «Benedictus,» and Simeon's «Nunc Dimittis.»
He's an authority on the Song of Songs, and he interprets the biblical Song
in light of other ancient love
poems —
as it should be.
I'll never forget feeling the tension
in the classroom
as he went into detail about the real meaning of the
poem.
In concluding his statement, the president combined words from the first and last lines of a moving
poem, «High Flight,» written by a poet - pilot, John Gillespie Magee, Jr. «We will never forget them,» the president said, «nor the last time we saw them this morning
as they prepared for their journey and waved goodbye, «and slipped the surly bonds of earth to touch the face of God.»»
As he writes
in the same
poem, «And I know people
in glass homes shouldn't throw stones.
In «Candid Headstone,» a
poem intended to serve
as his grim epitaph, he does offer a clue — but so delicately that only those who already knew of the connection between Juster and Astrue could get the pun:
Rather it is an instrument whereby he punctures our pretension and self - deception,
as in his
poem «Grub First, Then Ethics.»
In the case of Psalms, there is a delicate issue of practical judgment involved because it is at least conceivable that by now millions of Catholic women — I have no way of knowing — have become so sensitive to textual phenomena such as pronoun usage that the only way to make these poems accessible to them as vehicles for prayer is to observe strict gender neutrality in the languag
In the case of Psalms, there is a delicate issue of practical judgment involved because it is at least conceivable that by now millions of Catholic women — I have no way of knowing — have become so sensitive to textual phenomena such
as pronoun usage that the only way to make these
poems accessible to them
as vehicles for prayer is to observe strict gender neutrality
in the languag
in the language.
But part of the answer may be his sense of private language,
as reflected
in his longest
poem by far, «The Secret Language of Women,» about the Chinese women who found a way to communicate with their sisters
in spite of the Maoist revolution and all the powers of earth.
But well known to some
as the seasoned British poet and satirist, ten years older than Astrue, whose
poems will break your heart
in one line and chill you to the marrow
in the next, and whose books Astrue used to keep on his nightstand.
These are
poems that take
as their beginning point headlines from the National Enquirer: «Beauty Queen Has Monster Child,» «Woman Picked up by UFO, Flown into Black Hole,» «Sweethearts Vanish
in Tunnel of Love,» «Human Boy Found
in Indian Jungle Among Wolf Pack.»
Rather, the problem is that of sheer knowledge, of how to accede linguistically to the aesthetic value
in the sheer relationality and facticity before one's eyes.20 To regard such a
poem as a proposition is to make it a banality; and for the Western, scientifically - minded, academic intellectual that is no trick at all.
But
as one comes to know the poet through the separate experience of a number of
poems, so «out of the givers of the signs, the speakers of the words
in lived life, out of the moment Gods there arises for us with a single identity the Lord of the voice, the One.»
It is hinted at even
in the
poem, «Buckle Street,» which serves
as the book's epigraph.
In making the word to become flesh the interpreter makes herself or himself into the word, takes the word
as poem into her or his body, continues the creation process begun by the poet (Bozarth - Campbell, 52).
Just
as the Eden so gloriously portrayed
in book 4 is dismissed by Gabriel
as «this rock»
in book 11, so does the
poem in the end forsake its own verbal glories and descend to a «subjected plain»: «Milton's epic depicts the relinquishing of its own imaginative plenitude and riches, the end of epic poetry itself.»
John of the Cross, for example, used the Song
in the sixteenth century
as the basis for a classic Spanish
poem, «Spiritual Canticle,» which he composed while he was
in prison.
But
poems such
as in the Book of Job, sometimes continuing to the length of two or three chapters, offer opportunity to study the matter further.
Alyosha, after all, at the close of the legend, declares to Ivan that the
poem is «
in praise of Jesus and not
in his disparagement
as —
as you wanted it to be» (p. 305).