Sentences with phrase «as poet robert»

As poet Robert Frost wrote, «The brain is a wonderful organ.

Not exact matches

In it, Robby encourages viewers to take the «road less traveled,» as advised by poet Robert Frost.

No, the things the young Robert Lowell needed most as a poet were a coherent system of thought, a rich set of symbols, and a powerful collection of truths with which to begin his work.

He «adores,» he says, such poets as Richard Hugo and Linda Pastan, and as a young poet he began trying to write in the style of his antithesis, Robert Creeley.

Poets Denise Levertov, Robert Bly and Wendell Berry and authors such as Frederick Buechner have led retreats providing haunting words, wild images, strange metaphors, soul food.

The poet Robert Frost once observed that «heaven gives its glimpses only to those not in position to look too close,» as when one sees a flower from the window of a speeding train.

Produced by Robert Redford, Terrence Malick, & Nick Offerman and directed by Laura Dunn (The Unforeseen), this documentary is «a beautiful and poignant portrait of the changing landscapes and shifting values of rural America in the era of industrial agriculture, as seen through the eye of American novelist, poet, and activist, Wendell Berry».

WAMC's Hudson Valley Bureau Chief spoke with Robert Kelly about that night and what he has planned as poet laureate.

Horace Gregory, in 1965, was awarded The Bollingen Prize for Poetry; he joined the likes of Robert Frost, Theodore Roethke, W. H. Auden, and Ezra Pound as recipients of the coveted honor that recognizes a poet's lifetime achievements.

Books with titles like Physics for Poets, such as this one by Robert March, should be legitimate occupants of the well - rounded 20th - century bookcase.

Included in the bonus extras are a collection of uncut and / or deleted scenes, the theatrical trailer and the featurette Dead Poets (which offers a look back at the making of the film with director Peter Weir, as well as new interview footage with actors Ethan Hawke, Robert Sean Leonard, and many others).

The remarkable site pits prominent poets such as Robert Pinsky, Charles Bernstein, and Mary Jo Salter against one other and the clock in what Gordon calls an agon, from the ancient Greek word meaning «contest» or «challenge.»

As we celebrate Teacher Appreciation Week, we're inspired by poet Robert Frost.

All are written in tribute to well - known poets, such as Maya Angelou, E. E. Cummings, Sandra Cisneros, Robert Frost, Gwendolyn Brooks, and William Carlos Williams.

Told through the voice of Lesley, Robert Frost's eldest daughter, this picture - book biography depicts Frost as a family man and includes his journey to becoming a published poet.

These are the friends who know the best and the worst about each other and, as English poet Robert Southey wrote, they are completely persuaded of each other's worth.

The Scottish poet by the name of Robert Burns was a big fan of the Border Collie describing the breed as «honest and faithful.»

The 18th century poet laureate of Scotland, Robert Burns, accurately described the essence of the Border Collie, describing it as «honest» and «faithful».

Nineteenth century Scottish poet Robert Louis Stevenson describes California wine country as unfolding as «a great variety of oaks, stood now severally, now in a becoming grove, among the fields and vineyards.

Like the great Scottish poet, Robert Burns once wrote, «O wad some Pow» r the giftie gie us, To see oursels as ithers see us» *.

Black Mountain's legacy continued however, with former students such as painter Robert Rauschenberg, publisher Jonathan Williams, and poet John Wieners bringing the revolutionary spirit of their alma mater to the forefront of a number of other cultural movements and institutions.

This informative, amply illustrated, and well - researched book documents the decades - long influence of the artist Jess Collins (now known as Jess) and his partner in art and life, poet and artist Robert Duncan.

A frequent collaborator with artists and poets, Rand has worked as draughtsman with Robert Creeley and John Ashbery and explored subjects as diverse as jazz, the Bible, and Jewish history.

JMcK: Your sources of inspiration as a young artist include the American earthworks artist Robert Smithson [1938 - 1973], the British land artist Richard Long [b1945], and the Scottish poet, writer, artist and gardener, Ian Hamilton Finlay [1925 - 2006].

She did not just paint the well - known and / or the well - born, though there are portraits of Warhol, poet Frank O'Hara, artists Robert Smithson, and Benny Andrews, as well as shapers of the art status quo like Henry Geldzahler, an influential curator at The Metropolitan Museum of Art, and Elinor Poindexter, an influential gallery owner.

Interest in Dada followed in the wake of documentary publications, such as Robert Motherwell's The Dada Painters and Poets (1951)[3] and German language publications from 1957 and later, to which some former Dadaists contributed.

Besides the painters and sculptors of the period the New York School of Abstract expressionism also generated a number of supportive poets, including Frank O'Hara and photographers such as Aaron Siskind and Fred McDarrah, (whose book The Artist's World in Pictures documented the New York School during the 1950s), and filmmakers — notably Robert Frank — as well.

As a way of honoring those collectors who have made generous gifts to the Museum in recent years, Arts & Letters commissioned a new song by renowned composer Robert Beaser and poet Daniel Mark Epstein entitled Vision at Dawn, which premiered at this event.

The exhibit features lesser - known work by Meatyard — not just his macabre, blurred images of children in lonely landscapes — and a host of his lesser - known contemporaries such as Guy Mendes, Charles Traub, Cranston Ritchie, Robert C. May and poets Ronald Johnson and Jonathan Williams (who are associated with Black Mountain College).

In the New York Times, Roberta Smith has described Mira Schor's «small, sharp, quirky paintings» as «thorns in the side of the medium,» while artist Robert Berlind, writing in Art in America, described Schor as «An intimist whose candor is akin to Emily Dickinson's, Schor uses the sparest of means to signal, as the poet put it, «The loneliness / One dare not sound.»

He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin.

Her new work aligns with the great poets of slightly off geometries, such as Robert Mangold and Ralph Humphrey.

In 1982 he moved to New York, where he showed at galleries such as Mary Boone's, collaborated with Basquiat and Warhol, and made books with numerous writers and poets, including Allen Ginsberg, Harry Mathews, and Robert Creeley.

It sits easily and lightly on the ground, for Chamberlain sought what his friend the poet Robert Creeley nicely described as «the adjectival characterization of «fluff» or «glare.

The alter ego didn't end with Duchamp; she also appeared in a series of aphorisms by the French Surrealist poet Robert Desnos who expanded upon the persona, describing her as a forgotten aristocrat and rightful queen of France.

[16] The first support for Schneemann's work came from poets such as Robert Kelly, David Antin, and Paul Blackburn who published some of her writings.

Semina served as a brilliant compendium of work by the most interesting artists and poets of the time, including Berman himself, William Burroughs, Allen Ginsberg, Jess, Joan Brown, Robert Duncan, and John Altoon, among many others.

He counted among his admirers and acquaintances the poet Elizabeth Bishop, who dedicated poems and her own assemblages to him, and visual artists such as the abstract - expressionist Robert Motherwell to the performance artist Carolee Schneemann.

Throughout the exhibition, objects were paired with verses by celebrated poets such as Herman Melville, Lydia Sigourney, Walt Whitman, and Robert Frost.

Although the Brooklyn - based artist is known primarily as a poet, this survey show, curated by New Yorker theater critic Hilton Als, combines text - based and sound works, painting, drawing, sculpture and recorded performances, including collaborations with the legendary director Robert Wilson.

Living in and around an apartment building at 2322 Fillmore Street known as Painterland, the artists and poets who made up the Rat Bastards included Conner and his wife Jean, Wallace Berman, Robert Branaman, Joan Brown, Jay DeFeo, Wally Hedrick, George Herms, Alvin Light, Michael McClure, Manuel Neri, and Carlos Villa.

Robert Polito speaks with poet Susan Wheeler as her Ledger and Record Palace were about to be published.

On Tuesday, the poet, actor, photographer, and makeup artist James R. Miller filed a lawsuit against the Robert Mapplethorpe Foundation (RMF), claiming copyright to four photographs that have been shown and sold for decades as Mapplethorpe's work.

The imaginative writing of, say, the poet and art critic Frank O'Hara or the aesthetics - focused philosophizing of the painter and scholar Robert Motherwell would be nearly incomprehensible to today's painting students, many of whom have grown used to hearing painting talked about as if it were the subject of a sociology dissertation.

Robert Creeley was a poet best known for his spare, minimalist style in works such as For Love: Poems 1950 - 60 (1960) and Words (1965).

The show also features a performance piece by Bruce Nauman — a hired actor walks the room as if the ceiling were five feet high, with the public standing outside — along with an arrangement of textured patterns on each wall and a phrase by poet Alfred Starr Hamilton, which gives the show its title and undergoes random permutations by means of an algorithm designed by Robert Pearson, with results displayed on a pile of sheets.

Mangold worked at MoMA in the early 1960s, when guarding the museum's exhibitions was a common occupation for artists and poets, and it was here that he first met LeWitt (as well as Robert Ryman).

Marking Britain's historic status as a place of sanctuary for threatened European artists, this evening of films, sound - works and readings marks the creative contributions to the UK of the remarkable film - makers Robert Vas and Werner Kissling, the indomitable artist Kurt Schwitters and singular poet Ivan Blatny, with a special appearance by film - maker and cultural activist Andrea Luka Zimmerman.

With Rauschenberg he attended Black Mountain College in North Carolina, the legendary artists» seminary where figures such as John Cage, Robert Motherwell and the poet Charles Olson confronted the new American art of the 1940s and 1950s with the ideas of the European avant - garde, especially Duchamp.

His projective poetics was an inspiration to the so - called Black Mountain poets — a loose movement of teachers, such as Robert Duncan and Robert Creeley, and students at Black Mountain College — as well as other experimental poets such as Denise Levertov, who was published in the Black Mountain Review (which Creeley edited), and also Beat poets Allen Ginsberg and Michael McClure.