Sentences with phrase «as pointed a critique»

In terms of contemporary updates to conceptualism, few have provided as pointed a critique as Adam Pendleton's Black Dada series, which mines the artist's archive for material from which to create dense mediations on race and identity.

Not exact matches

Shapiro started his career as a syndicated conservative columnist at the age of 17 but wrote a critique in February of Parkland activists like Hogg and Gonzalez, pointing out their youth and saying, «Children and teenagers are not fully rational actors.

By way of contrast, the release too readily embraces and extrapolates from the studies it characterizes as supporting the rulemaking, as if these studies were on point and above critique when in fact they are not.

«This is a systemic critique, pointing out how the board must accept responsibility for excessive political spending, inadequate energy policy, our changing climate, toxic hazards, and human rights abuses,» Andrew Behar, CEO of As You Sow, said.

And I guess I would just add Henry Hazlitt's kind of 2 points as far as critiques of Keynesianism.

Let us briefly review some representative arguments for the reality of God, not to make a critique of the arguments themselves, but to show the dualistic framework as their point of departure.

The only significant point of difference between my understanding of the Trinity and theirs is the one which I urged earlier in my critique of their respective theories: namely, that the role of the Spirit within the Trinity as the bond of love between the Father and the Son should not overshadow the fact that God is by nature community or interpersonal process.

... as the New Republic points out: your critique fails because it undoes YOUR OWN POSITION.

In separate essays, Charles Hartshorne77 and Lewis Ford78 point out the serious misunderstandings of Whitehead at work in this critique, and Ford and others explain the Whiteheadian solution to the problem of evil as follows: 79 God does not wholly determine the course of the temporal process.

I'm concerned that many of these Reformed leaders are fundamentalizing doctrines that need not be fundametnalized, to the point that a critique of Calvinism is cast as a critique of Orthodox Christianity.

Thus, while you use Francis's identity as a Jesuit as a way to explain his pontificate, you simultaneously use his pontificate, in this case, Amoris Laetitia, as a point of a departure to critique the Jesuit charism.

Though irony is not often used today as a method for theological inquiry and challenge, I would love to see it implemented more, as it makes for great reading while at the same time making powerful and pointed thelogical critiques of one's opponents.

The secular critique is just as pointed.

Recognizing that their critique has rendered images of God no longer absolute, feminists have discovered that the religious power structure is reluctant to admit that patriarchal symbols for God are culturally influenced (as if God really were male) or contingent (as if use of a feminine symbol to point to a nonrepresentable God is more inadequate or idolatrous than use of a male symbol) To read Mary Daly or Naomi Goldenberg, to consider Rosemary Ruether's demasculinizing of the Gospel stories or to ponder the renewed attention to «goddess» theology and the development of a lesbian theology is to see the basic language of theological discourse upset and transformed.

Lest it seem as though I would subordinate religious to metaphysical language, thereby reinforcing the Western rationalistic critique of religion, I hasten to point out that in Hinduism, philosophy never developed in opposition to religion; the philosophical critique of energy that never ceases to preoccupy Western culture could not arise in a culture like Hinduism, where the language about the gods — what we call mythology — was never denied its rightful place in the scheme of things.

The author critiques various points of Whitehead's Enquiry, yet adjudges Whitehead as contributing some of the most exciting contributions to epistemology.

On the other hand, by taking account in Critique et Religion of previous attempts at synthesis, he allows for the point about what may already be considered as dismissed and for the elimination of a certain number of false ideas which would compromise the research to which his books invite us.

Catholics are not as fully committed to Kant as our Protestants but even their work is informed by him and shares in the anthropocentrism that is inescapable when the first critique shapes the theological starting point.

Despite its straight face, it is not so much a proposal seriously to be believed to be the best of all possible practical arrangements as it is a critique of present arrangements that is pointed enough to provoke significant conversation.

Insofar as my article was a critique of Lindsey, the point was not that he is poorly trained, but that some of his views are wrong in a fundamental way.

Exciting game to watch, obviously some great moments and it's hard to critique too much when the 3 points are achieved because common sense is oftentimes thrown out the window, as witnessed by the vast majority of posts

He still had no problem using mine and Claude's comments as a jumping off point in his sweeping critique of modern culture, virtue signaling, moral superiority etc etc..

Because the subject has never been discussed, debated, or mourned, it still stands as a central point in the critique of China's government around the world.

As a result opposition politicians are often woefully unwilling to critique defence spending mistakes as their side might have been responsible for the offending programme at one point or anotheAs a result opposition politicians are often woefully unwilling to critique defence spending mistakes as their side might have been responsible for the offending programme at one point or anotheas their side might have been responsible for the offending programme at one point or another.

As Kieran Williams describes, his writing about identity, meaning and truth from his central European vantage point in Prague was directed not only towards the Communist oppression under which he suffered directly, but also included a wider critique of all forms of industrial society.

Even if IE reform is a heavy lift, other lawmakers were pointing to the remarks from Cuomo on Wednesday at Fordham — including a push to have consultants register as lobbyists — as being a way to subtly critique Mayor Bill de Blasio, whom the governor has feuded with over the last year.

GOP Trustee Jim King, who won another four - year term, as did running mate Bob Ghosio, was pointed in his critique of the Democratic campaign.

As for the validity of the cosmic ray flux, the Rahmstorf et al. critique on the Milky Way spiral arms / ice - age epoch work on did not contain any valid points (see http://www.sciencebits.com/ClimateDebate), this is contrary to the Royer et al. critique which did contain an interesting point.

The link on the Energy & Environment page points to the new (2005) article, «THE M&M CRITIQUE OF THE MBH98 NORTHERN HEMISPHERE CLIMATE INDEX: UPDATE AND IMPLICATIONS»; which has the same URL as the original article.

As mentioned already, being someone who values my time I do not have much more of it to waste expanding on the above content, however there are a few points in Ms. Minger's «critique» of «The China Study» that I would like to mention;

There is no point in me even attempting to critique this look as I wouldn't even know where to begin.

The narrative point of view mistakenly shifts from Kate to Alejandro, and what began as a critique of violence comes to resemble a stylish exercise in it.

It's as vapid as the industry that it's critiquing, and while that may well be the point, it doesn't make «The Neon Demon» any less of a disappointment.

As I point out in my critique of the Smarter Balanced tests, I especially like the Standards for Mathematical Practice.

Feedback that's unhelpful to us is a possibility no matter what, just as Anne pointed out last week with critique groups.

route — could introduce another layer of organized review - and - critique that, as Howey is noting, isn't widely available at this point.

I think it helped him narrow down the editors he would follow up with, but it does point out that too many opinions are not as helpful as one qualified critique.

I should note that I agree with some of the critiques for the book, and I'll try to address certain points and improve on things as I go forward in the series.

If you are developing an essay or chapter on your own, or as a part of an anthology with unclear editorial support, I can offer critical critique along the way — just remember the above point that editors will encourage further changes, thereby putting your article in line with the rest of the publication.

I don't mean you should critique fine points, as if you were on a panel of judges handing out design awards.

And I should point out that critiques are just suggestions — the author can take them or leave them, but as you say, a consistent issue being pointed out might be something for the author to reconsider.

What Meffe found to be too broad, Fleishman read as a «fairly personal critique,» adding, ``... we aim for objective presentation of facts that may provide evidence contrary to a previous publication rather than (what comes across as) a more pointed rejoinder to authors and the journal.»

Because to review a game as deep and massive as SMT IV, I needed to see it all; I needed to explore every plot point, map destination, side quest and demon fusion before I felt like I could give an accurate, complete critique on the 3DS» most complex RPG to date.

- UK Green Wing scriptwriter James Henry had nice things to say about games as a medium on his «Blue Cat» blog, and points out that the top 3 titles at his local game store are»... an art deco - themed playable critique of Ayn Rand - style Objectivism... an incredibly odd puzzle game that requires you to bend 3D space with a special gun... [and] a Japanese roleplaying adventure set entirely within a dreamworld generated by Frédéric Chopin.»

These new works take historical paintings and Internet culture as their point of departure and utilize paint and digitally manipulated printed images to create hybridized portraits suffused with cultural and societal critiques.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Since the mid-1970s she has referenced and critiqued American popular culture, suggesting the influence of Pop Art while pointing to Abstract Expressionism through large, physical, drippy paintings of cartoon and comic characters such as Felix the Cat, Mickey Mouse, and Homer Simpson.

Taking her book Aesthetics of Installation Art as a point of departure, Juliane Rebentisch will reflect on the politics of curating via addressing the relations of aesthetic autonomy, institutional critique, and the public today.

Using as a formalist departure point the measurement, «a home that is half of a four by six foot cubicle,» which served as a critique of the treatment of Vietnamese refugees who were given the minimal amount of space in the camps, Ngô combines architectural sculpture with traces of her siblings» experiences, which are at times poignant, humorous, and profound, but always expressing a full range of agency often denied to children and refugees alike.

Also taking a critique of popular culture as her point of departure, Glasgow - based Rachel Maclean's hyper - saturated videos unfold narratives through characters — often played by the artist — that quote classic films such as The Wizard of Oz but also draw from horror movies, talent shows and TV advertising.